Cary Elwes Movies

One of several dramatized tributes to the late pontiff to be telecast in 2005, the two-part CBS biopic Pope John Paul II is a remake of a popular Italian miniseries, and was filmed on location in Italy and Poland. The film begins with the attempted assassination of the pope on May 13, 1981, whereupon the story of the man once known as Karol Wojtyla is unfolded in flashback. The familiar highlights of Pope John Paul II's life and work are vividly realized: his early theatrical aspirations, his staunch resistance of both the Nazis and the Communist party in his native Poland, his meteoritic rise through the church ranks (at 38, he was his country's youngest bishop), and his ultimate ascendance to the Vatican throne in 1978. Also, this is one of the few English-language films to officer a meticulous recreation of the papal election process. Throughout much of the film, the pope's career is firmly linked with that of his countryman, Polish labor leader Lech Walesa; it can be inferred that without the input of both men, Poland would never have freed itself from Communist domination, nor would the Soviet empire have ultimately fallen. Cary Elwes plays John Paul from ages 18 through 50, whereupon Elwes morphs (quite literally, thanks to a brief -- and controversial -- special-effect sequence) into Jon Voight, who takes over as the older pope. Pope John Paul II was first telecast in two parts on December 4 and 7, 2005. ~ Hal Erickson, All Movie Guide

In a sleepy small town there are two vibrant comic books stores that are rival universes unto themselves. Events spiral absurdly, violently out of control when the owners of the two shops -- nerdy hipster Ray (Donal Logue) and the nebbishy husband and wife team of Norman and Judy (Michael Rapaport and Natasha Lyonne) -- compete for a priceless collection of books left by the dead son of elderly Mrs. Cresswell (Eileen Brennan). Ray's friend, Archie (D.J. Qualls), tries to stop Ray from hiring a sleazy thief (Cary Elwes), but to no avail. Things get very ugly indeed. ~ Buzz McClain, All Movie Guide

Uprising is based on the true story of the Jewish Fighting Organization, a courageous band of youthful Polish guerrillas and freedom fighters who refused to knuckle under to the Nazis during World War II. Led by schoolteacher Mordechai Anielewicz (Hank Azaria), the organization comes into being as the Warsaw Jewish ghetto is being systemically decimated and shipped off to the Treblinka death camp by the German occupational forces. From April 19 to May 16, 1943, Anielewicz' followers staged a valiant uprising, which -- though ultimately unsuccessful in stopping the Nazi "final solution" juggernaut -- inflicted an enormous amount of damage upon the enemy and enabled hundreds of Polish Jews to escape the gas ovens and crematoriums. Much of the story is based upon the eyewitness testimony of surviving freedom fighter Simha "Kazik" Rotem, portrayed in the film by Stephen Moyer. Director Jon Avnet brilliantly combines newly filmed scenes with digitally refashioned archival footage of the actual uprising. Filmed in Bratisla, Slovakia, and boasting an all-star cast, Uprising was shown in two-hour installments on November 4 and 5, 2001, over the NBC network. ~ Hal Erickson, All Movie Guide

Excessive military spending provides the impetus behind this sharp, satirical account of an honest Air Force colonel who is so shocked at government spending in its development of a troop transport vehicle that he decides to launch a personal investigation as to why it has taken the military 17 years and $14 billion to create it. When a certain Pentagon General finds out about the Colonel's inquiry, he does everything he can to stop him. ~ Sandra Brennan, All Movie Guide

Master animator Hayao Miyazaki directs this tale about a former World War I flying ace who is also a pig. Slouching toward middle age, Porco Rosso makes his living by flying about in his bright red bi-plane and fighting sky bandits who prey on cruise ships sailing the Adriatic. When he's not engaging in dogfights, this porcine pilot lives on a deserted island retreat. Porco Rosso was once a strapping young man, but after his entire squadron was wiped out, he was mysteriously transformed into a pig. Rosso is defeated in a dogfight against a dashing American rival, who has been hired by the dastardly bandits. With his plane damaged, he finds a repair hangar near Milan run by an aging mechanic named Piccolo, and his spunky granddaughter Fio. Initially skeptical of her mechanical prowess, Rosso is amazed when she and a legion of local women fix his plane. Soon, Porco Rosso is ready to battle his rival. ~ Jonathan Crow, All Movie Guide

A pair of British lads, one gay and one socialist, chafe at the restrictions of boarding school life in this period piece, which was adapted from Julian Mitchell's novel and play of the same name and loosely based on the Burgess-Maclean spy scandal of the 1950s. In the 1930s, upper-class scions Tommy Judd (Colin Firth) and Guy Bennett (Rupert Everett) are both nearing the end of their careers at an unnamed public school that bears a striking resemblance to Eton. Tommy, a Marxist intellectual, refuses to participate actively in the school's rigid social hierarchy. But Guy, when not mooning after pretty boys, angles for a position next term as one of the "gods," or master prefects, of his house. When a faculty member stumbles onto the homosexual fumblings of a pair of students, one boy commits suicide and a scandal erupts. The administration and senior students do their best to ensure nothing of this sort ever sullies their reputation again. Considering that homosexual experimentation is rampant and that Guy has slept with most of the prefects in his house, the strict new rules leave a bad taste in his mouth. They also put a damper on his Wildean lifestyle, especially after he falls hopelessly in love with James Harcourt (Cary Elwes), a dreamy boy from one of the other houses. Things come to a head when autocratic prefect Fowler (Tristan Oliver) intercepts a letter from Guy to James and sentences Guy to a savage beating. By film's end, Guy's complicity in the power games of the British class system has been challenged, and his friend Tommy's communist dogma has made a lasting impression; a framing device portrays Guy as an elderly former spy living in exile in Soviet Moscow. Another Country was shot at Cambridge, Oxford, and Althorp Hall (Princess Diana's childhood home) after the producers were denied permission to shoot at Eton. Everett and Firth both appeared in the original London theater production alongside Kenneth Branagh and Daniel Day-Lewis; on-stage, it was actually Firth who played Guy. For a more factual account of the Burgess-Maclean affair, see the TV movie An Englishman Abroad. ~ Brian J. Dillard, All Movie Guide

Wrong Turn director Rob Schmidt takes the helm for this thriller inspired by the grim true-life exploits of an alphabet-obsessed New York serial killer and starring Timothy Hutton, Cary Elwes, Eliza Dushku, and Michael Ironside. When Rochester, NY-based police investigator Megan Paige (Dushku) discovers that ten year old Carla Castillo was brutally raped and murdered in nearby Churchville, she becomes convinced that the department is dealing with a serial killer. Paige is a driven detective whose devotion to her job often crosses the border into obsession. Her fiancé, Kenneth Shine (Elwes), is a lieutenant with the Rochester Police Department, and as both jockey for the same promotion, the cracks in their relationship begin to show. Later, when Megan becomes haunted by visions of Carla and fails to solve the case, a concerned Captain Gullikson (Tom Noonan) takes her off of the case. Suffering a nervous breakdown shortly thereafter, Megan is diagnosed with adult onset of paranoid schizophrenia and placed in a psychiatric hospital, where she promptly breaks off her engagement to Kenneth.

Two years later, Megan has returned to the precinct as a records clerk, and Kenneth is now the head of the department. Over time, Megan begins developing a friendship with wheelchair-bound Richard Ledge (Hutton). When a local girl named Wendy Walsh is abducted, raped, and murdered in Webster, Megan convinces Kenneth to let her ride along with Detective Steven Harper (Tom Malloy) as an advisor to the case. But the gruesome nature of the case once again prompts strange visions for Megan. Now she is haunted by two murder victims, and to make matters worse, she's beginning to develop embarrassing involuntary ticks and stops taking her medication. As the hallucinations get worse and the case starts to run cold, Megan struggles to find the one piece of evidence that will lead them to the killer before her dark side takes over once again. ~ Jason Buchanan, All Movie Guide

Credit cards and women on skates prove to be a dangerous mixture in this comedy. Frank Hopper (Jon Bon Jovi) is a former lawyer whose career has hit the skids, and he currently lives off the largesse of his more successful sister, Leona (Nora Dunn). Frank has dozens of business ideas, but has no way to finance them, until he heads out with his friend Carl (David Faustino) one evening and fills out a questionnaire in which he jokingly states his income is a million dollars a year. Suddenly Frank's mailbox is flooded with pre-approved credit cards, and with his new line of credit, Frank launches his dream project -- a women's hockey league. But it seems that the world is not yet ready for women playing professional ice hockey, and before long Frank is 300,000 dollars in debt, with a handful of credit agencies taking him to court to get back the money he's spent so far. Frank turns to his former girlfriend Jessica (Estella Warren), now a successful lawyer, to help him stay out of jail, but it seems their work is cut out for them when they learn Jessica's very competitive former beau Norman (Cary Elwes) is prosecuting Frank's case. National Lampoon's Pucked was directed by Arthur Hiller; it was his first directorial project since 1997's An Alan Smithee Film: Burn, Hollywood, Burn, for which Hiller opted not to take credit. ~ Mark Deming, All Movie Guide

Some observers have described the made-for-cable The Riverman as a real-life Silence of the Lambs. Based on the book cowritten by Robert Keppel, formerly chief criminal investigator for the attorney general of Washington state, the film recounts Keppel's efforts to track down serial killer Gary Ridgeway, aka the Green River Killer. With 10 unsolved murders weighing on his mind, Keppel (played by Bruce Greenwood) agrees to a plan whereby an imprisoned mass murderer with a similar M.O. will be brought into the investigation in hopes of second-guessing the killer at large. Thus, Keppel travels to Florida, there to inaugurate a series of chilling interviews with the infamous Ted Bundy (Cary Elwes). Inasmuch as Bundy hopes that by helping track down the Green River Killer he himself will be able to escape the death penalty, Keppel finds himself between the proverbial rock and hard place: How can he secure Bundy's cooperation without making promises he cannot possibly keep? The Riverman was first telecast by the A&E network on September 6, 2004. ~ Hal Erickson, All Movie Guide

A reporter might have to pay with her life for a big story in this independent crime drama. A small town is gripped with fear when a serial killer with an unusual way of doing his dirty work arrives on the scene. The killer stalks his victims for several days with a video camera before moving in for the kill -- and then sends a copy of the tape to his next victim. Jessie St. Clair (Rachael Leigh Cook) is an ambitious but inexperienced reporter working for a local television station who thinks covering this story could be a stepping stone to bigger things, and Jessie cynically milks the town's fear for all it's worth with the help of producer Jane Berger (Annabella Sciorra) and cameraman Rob (Kip Pardue). Jessie is upset to discover she has competition from Albert Bodine (Cary Elwes), who is covering the murders for a popular tabloid television series, but she soon has bigger things to worry about when she receives a video in the mail which indicates she's the killer's next intended target. American Crime was directed by Dan Mintz, who also served as cinematographer. ~ Mark Deming, All Movie Guide

The sometimes rocky relationship between art and politics in America in the 1930s -- as well as the gulf between the wealthy and the struggling -- sets the stage for Tim Robbins' ambitious comedy-drama Cradle Will Rock. Pulling together a variety of threads from actual events, Robbins examines the lives and ambitions of a variety of creative mavericks and figures of power. Orson Welles (Angus Macfadyen) and John Houseman (Cary Elwes) are working with Marc Bliztstein (Hank Azaria) to stage the latter's leftist musical "The Cradle Will Rock" for the WPA-funded Federal Theater Project. After Congress cuts funding for the embattled Federal Theater over the perceived leftist slant of their presentations, the project is canceled on the day of its premier. Welles and his cast respond by marching 21 blocks from the theater where the show was to open to another venue where, in deference to Actors Equity regulations, they perform the entire show from the audience. A member of Welles' cast, Aldo Silvano (John Turturro), is a dedicated actor from Italy who is trying to resolve his attitudes about his family, who loyally support Mussolini, to Silvano's disgust. Meanwhile, El Duce's former mistress, Margherita Sarfatti (Susan Sarandon), is consorting with industrial tycoon Gray Mathers (Philip Baker Hall) -- whose wife, Contesse LaGrange (Vanessa Redgrave) is a friend and supporter of Welles' project. Elsewhere, Nelson Rockefeller (John Cusack) has hired expatriot Mexican artist Diego Rivera (Ruben Blades) to create a mural for his projected Rockefeller Center, but the two are soon locking horns over their different views on art, politics and the work at hand. And a ventriloquist fallen on hard times, Tommy Crickshaw (Bill Murray), finds himself trying to teach both comedy and speaking without lip movements to a pair of would-be performers at a WPA-backed vaudeville house. William Randolph Hearst (John Carpenter), Marion Davies (Gretchen Mol), Frida Kahlo (Corina Katt), and Olive Stanton (Emily Watson) are also woven into the tapestry of this historical epic, which premiered at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

This made-for-cable drama concerns political unrest and personal crises set against the battle for a free Ireland in Belfast in 1983. Gingy McAnally (Anthony Brophy) is a member of the Irish Republican Army who, after serving a stretch in prison, is once again called upon by the IRA to work with them. While McAnally is not certain if he wants to get involved with "the troubles" again, he grudgingly agrees after the safety of his wife and children is threatened by IRA henchmen. However, McAnally is soon busted by Lt. David Ferris (Cary Elwes), a British army officer, and is ruthlessly interrogated by Chief Inspector Rennie (Timothy Dalton), one of the leaders of the Belfast Police who is determined to put the rebels out of business. Rennie convinces McAnally that his only hope is to admit to everything he knows about the IRA and its members; McAnally sheepishly goes along with Rennie's demands, and in time, he strikes up a friendship with Ferris. However, McAnally discovers that betraying the IRA has put his life in grave danger; just as significantly, his wife and family are no longer sure that they can trust him after he turns in his comrades. ~ Mark Deming, All Movie Guide