Cary Elwes Movies

Wrong Turn director Rob Schmidt takes the helm for this thriller inspired by the grim true-life exploits of an alphabet-obsessed New York serial killer and starring Timothy Hutton, Cary Elwes, Eliza Dushku, and Michael Ironside. When Rochester, NY-based police investigator Megan Paige (Dushku) discovers that ten year old Carla Castillo was brutally raped and murdered in nearby Churchville, she becomes convinced that the department is dealing with a serial killer. Paige is a driven detective whose devotion to her job often crosses the border into obsession. Her fiancé, Kenneth Shine (Elwes), is a lieutenant with the Rochester Police Department, and as both jockey for the same promotion, the cracks in their relationship begin to show. Later, when Megan becomes haunted by visions of Carla and fails to solve the case, a concerned Captain Gullikson (Tom Noonan) takes her off of the case. Suffering a nervous breakdown shortly thereafter, Megan is diagnosed with adult onset of paranoid schizophrenia and placed in a psychiatric hospital, where she promptly breaks off her engagement to Kenneth.

Two years later, Megan has returned to the precinct as a records clerk, and Kenneth is now the head of the department. Over time, Megan begins developing a friendship with wheelchair-bound Richard Ledge (Hutton). When a local girl named Wendy Walsh is abducted, raped, and murdered in Webster, Megan convinces Kenneth to let her ride along with Detective Steven Harper (Tom Malloy) as an advisor to the case. But the gruesome nature of the case once again prompts strange visions for Megan. Now she is haunted by two murder victims, and to make matters worse, she's beginning to develop embarrassing involuntary ticks and stops taking her medication. As the hallucinations get worse and the case starts to run cold, Megan struggles to find the one piece of evidence that will lead them to the killer before her dark side takes over once again. ~ Jason Buchanan, All Movie Guide

This quirky comedy stars Cary Elwes as Erik Naybor, a motivational speaker and life coach who keeps his family on their toes with a rigorous schedule of physical exercises and psychological techniques. He seems on top of his game, not to mention his family's lives, until a delinquent nephew shows up who has info on Erik's not-so-perfect past. Suddenly, it looks like the rigid structure that Erik has built his life around may not be as sturdy as he thought. ~ Cammila Albertson, All Movie Guide

Corruption is the law of the land in the every-city of Edison, and the only soul brave enough to peer into the fire and face the wrath of an entire squad of corrupt cops is a fresh-faced journalist in this neo-noir thriller from television director-turned-feature helmer David J. Burke. Joshua Pollack (Justin Timberlake) has discovered a glitch in the system, and as a fledgling journalist he sees it as his duty to expose the corruption. When Pollack misjudges the depth of the authoritative decay and his girlfriend is hospitalized following a brutal attack by the alliance of crooked cops known as F.R.A.T., he soon decides to take action and prove that even those who believe themselves to be above the law still aren't beyond its reach. ~ Jason Buchanan, All Movie Guide

Ned (Jeremy Renner of Dahmer) is a proud member of the Aryan Brotherhood who has been admitted to a mental institution for his involvement in a racially motivated murder. Dr. Magnuson (Cary Elwes) and Johnny (Ethan Suplee) have trouble keeping Ned in line. Boisterous and belligerent, he's prone to childish tantrums when things don't go his way. Still, the other inmates, like Joey (Eddie Kaye Thomas) seem to look up to him. Ned's life at the facility is upended with the arrival of Rachael (Gabrielle Union of Bring It On), a beautiful young black woman who's brought in shouting German, and seems to believe that she's possessed by the spirit of Adolf Hitler. At first, Ned mocks her, and attempts to provoke her, but soon, his feelings toward Rachael turn surprisingly tender. Eventually, Ned and Rachael open up to each other, revealing the past traumas that left them in such a screwed up state. Ned, still reluctant to give up the accoutrements of skinhead life, tells Rachael about his imprisoned father and his unhappy foster care experiences, and Rachael tells him about being sexually abused, and reveals that she has a young daughter. When Ned is released from the hospital, he convinces Rachael to leave with him, but the couple finds life together on the outside difficult. Neo Ned also stars Steve Railsback and Sally Kirkland. It was written by Tim Boughn and directed by Van Fischer (Blink of an Eye, aka Urban Jungle). It had its world premiere in the Narrative Feature Competition of the 2005 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

Adapted from author Gail Carson Levine's award-winning children's book of the same name, the Miramax-financed modern fantasy Ella Enchanted is directed by Tommy O'Haver and stars The Princess Diaries alumna Anne Hathaway. Ella (Hathaway) lives in a magical world in which each child, at the moment of their birth, is given a virtuous "gift" from a fairy godmother. Ella's so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey she hopes will end with the lifting of the curse in question. The path, however, isn't easy -- Ella must outwit a slew of unpleasant magical creatures ranging from ogres to talking books with evil plots. Though perilous, Ella's adventures turn out to be necessary obstacles in the path toward finding herself, and maybe even true love along the way. Ella Enchanted also features Cary Elwes, who has starred in a fantasy feature himself (the widely acclaimed The Princess Bride), Hugh Dancy, and Patrick Bergin, among others. ~ Tracie Cooper, All Movie Guide

A reporter might have to pay with her life for a big story in this independent crime drama. A small town is gripped with fear when a serial killer with an unusual way of doing his dirty work arrives on the scene. The killer stalks his victims for several days with a video camera before moving in for the kill -- and then sends a copy of the tape to his next victim. Jessie St. Clair (Rachael Leigh Cook) is an ambitious but inexperienced reporter working for a local television station who thinks covering this story could be a stepping stone to bigger things, and Jessie cynically milks the town's fear for all it's worth with the help of producer Jane Berger (Annabella Sciorra) and cameraman Rob (Kip Pardue). Jessie is upset to discover she has competition from Albert Bodine (Cary Elwes), who is covering the murders for a popular tabloid television series, but she soon has bigger things to worry about when she receives a video in the mail which indicates she's the killer's next intended target. American Crime was directed by Dan Mintz, who also served as cinematographer. ~ Mark Deming, All Movie Guide

Small-town insurance adjustor Macbeth (Cary Elwes) is swindled into signing over a one-million-dollar policy to trailer park harlot Sally (Mary Steenburgen), who then hires a seductive hit woman, Jupiter (Elaine Hendrix), to kill him. But the ruthless Jupiter, who specializes in slaying cheating husbands, falls for hapless, poetry-reciting Macbeth, so Sally goes to Plan B. Before long, the entire town of deeply disturbed eccentrics is involved. ~ Buzz McClain, All Movie Guide

Uprising is based on the true story of the Jewish Fighting Organization, a courageous band of youthful Polish guerrillas and freedom fighters who refused to knuckle under to the Nazis during World War II. Led by schoolteacher Mordechai Anielewicz (Hank Azaria), the organization comes into being as the Warsaw Jewish ghetto is being systemically decimated and shipped off to the Treblinka death camp by the German occupational forces. From April 19 to May 16, 1943, Anielewicz' followers staged a valiant uprising, which -- though ultimately unsuccessful in stopping the Nazi "final solution" juggernaut -- inflicted an enormous amount of damage upon the enemy and enabled hundreds of Polish Jews to escape the gas ovens and crematoriums. Much of the story is based upon the eyewitness testimony of surviving freedom fighter Simha "Kazik" Rotem, portrayed in the film by Stephen Moyer. Director Jon Avnet brilliantly combines newly filmed scenes with digitally refashioned archival footage of the actual uprising. Filmed in Bratisla, Slovakia, and boasting an all-star cast, Uprising was shown in two-hour installments on November 4 and 5, 2001, over the NBC network. ~ Hal Erickson, All Movie Guide

The torturous production of the classic 1922 vampire film Nosferatu is recreated in this stylized account of director F.W. Murnau and his obsession with creating realistic horror by any means necessary -- even if those means include actual bloodletting. The film begins as Murnau (John Malkovich) is ready to take his unauthorized interpretation of the Bram Stoker tale on location in Czechoslovakia. There, the director has arranged for his cast and crew to live in the same castle in which they will shoot their parts, as they all wait for their co-star, Max Schreck (Willem Dafoe) -- Murnau's choice to play Count Orlok -- to arrive. Their leader has warned them that Schreck is a student of the Stanislovsky method of performance and will not respond to them out-of-character. Nothing, however, can prepare them for the real thing: when the actor arrives, he's already in full Gothic regalia, asserting that he is indeed a vampire. Schreck makes good on his claims by terrorizing the cast and crew, attacking Murnau's original cinematographer (Wolfgang Muller) and plucking bats out of the air for midnight snacks. Director E. Elias Merhige previously made his name with his experimental theater productions and with his horrific film school thesis, Begotten. ~ Michael Hastings, All Movie Guide

For this feature-length foray into Arthurian animation, screenwriters Kirk DeMicco (A Day in November), William Schifrin (Townies), Jacqueline Feather (Dancing in the Dark), and David Seidler (Tucker, Dancing in the Dark) adapted The King's Damosel (1976) by British novelist Vera Chapman. The 85-minute tale follows independent, strong-willed Kayley (Jessalyn Gilsig voice, with the singing of Andrea Corr), who hopes to follow the path of her late father, Sir Lionel (Gabriel Byrne), a brave Knight of the Round Table who died defending his king against the evil Ruber (Gary Oldman). Some years later, when Ruber is joined by sidekick Griffin (Bronson Pinchot), the two manage to acquire and then lose Excalibur, the legendary magic sword of King Arthur (Pierce Brosnan with Steve Perry singing). Preparatory to his invasion of Camelot, Ruber first kidnaps Kayley and her widowed mother, Lady Juliana (Jane Seymour, Celine Dion singing). Making an escape, Kayley travels through the haunted Forbidden Forest, where she meets Garrett (Cary Elwes, Bryan White singing), a bitter blind man assisted by his silver-winged, seeing-eye falcon, Ayden. Once King Arthur's stable boy, Garrett dreamed of becoming a knight, but after he was blinded by a fire, he ran away to live in the Forbidden Forest. When Garrett learns Kayley is the daughter of the knight who trained him to fight, he agrees to help Kayley search for Excalibur. Falling in love with Kayley, Garrett soon finds the courage to start anew. With the blessing of Merlin (Sir John Gielgud), the couple sets out to save Camelot. Along the way, they meet the two-headed dragon, Devon (Eric Idle) and Cornwall (Don Rickles), a dragon duo delivering dotty dialogue replete with riotous riffs and cinematic references (to such films as Dirty Harry and Taxi Driver). Yet another supporting character is Bladebeak, a cutting-edge hybrid possibly fashioned to illustrate the axiom, "Don't count your chickens before they're a hatchet." Following the live-action/animation combo of Space Jam, this is the first fully animated feature from the L.A.-based Warner Brothers Feature Animation unit, and the film began production May 26, 1995 in L.A., expanding operations February 11, 1996 with a sister studio in London: a 20,000-square-foot facility in London's Covent Garden district. The new UK unit shared production duties on Quest for Camelot, receiving storyboards from L.A., animating with both computers and traditional techniques, and digitally transmitting completed art back to L.A. for ink and paint. At the London WBFA studio, John McKenna (previously head exec of the London City Ballet and Disney's London studio manager) initially supervised a staff of 73 (including 50 artists from the British animation talent pool) that expanded to 350. The film eventually employed over 600 staffers as it ran through a variety of working titles (The Quest for the Grail, The Quest, The Quest for Camelot). Songs by Grammy-winners David Foster and Carole Bayer Sager include On My Father's Wings, (Kayley), I Stand All Alone (Garrett), The Prayer (Juliana), and If I Didn't Have You (Devon, Cornwall). The director of Quest for Camelot is Frederik Du Chau, who attended film school in his native Belgium, entered the industry via commercials and TV series, worked for Disney France, made his own animated short (The Mystery of the Land), drew Disney projects at Baer Animation, co-directed for Sony Wonder, directed The Land Before Time 3, joined Chuck Jones Productions, and was developing his own animated project for Warner Bros. when he was asked to direct Quest for Camelot. ~ Bhob Stewart, All Movie Guide

Excessive military spending provides the impetus behind this sharp, satirical account of an honest Air Force colonel who is so shocked at government spending in its development of a troop transport vehicle that he decides to launch a personal investigation as to why it has taken the military 17 years and $14 billion to create it. When a certain Pentagon General finds out about the Colonel's inquiry, he does everything he can to stop him. ~ Sandra Brennan, All Movie Guide

An attorney who tells the truth for 24 hours straight? This has got to be the movies! Fletcher Reede (Jim Carrey) is a lawyer obsessed with his career, and he's devoted his life to bending the truth to his advantage. This habit has broken up his marriage to Audrey (Maura Tierney) and isn't doing much good for his relationship with his young son Max (Justin Cooper). Fletcher repeatedly promised Max that he'll be there for Max's eighth birthday party, but when an important assignment comes up at work, Fletcher calls Audrey and makes an excuse so flimsy that even Max can see through it. When it comes time to blow out the candles on his cake, Max makes a wish: that his Dad could go just one day without telling a lie. Suddenly, Max finds himself physically incapable of saying anything that isn't true -- which, given the divorce settlement case he's just been handed, is going to make his next day in court very interesting indeed. While designed to show off a warmer and more likable side of Jim Carrey's personality, Liar Liar still revels in the broad physical comedy that made Carrey a star in Ace Ventura, Pet Detective -- which makes sense, since both were directed by Tom Shadyac. Both Carrey's fans and foes will get a chuckle out of Swoosie Kurtz's tongue-in-cheek insult to the film's star in the blooper reel that runs under the final credits. ~ Mark Deming, All Movie Guide