Anita Ekberg Movies

German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide

Anna-Ambrogio grew up loving the sea and sailing, and nothing would please her more than being able to become a merchant seaman. However, it is the early 1960s, and women are not welcome either at sea or at the various marine academies that train youngsters for oceangoing careers. She has one supporter in her quest, a broad-minded and well-experienced sailor named Leo. With his encouragement, she batters down the men-only barriers at the merchant-marine academy, and through the force of her determination and persistence she manages to overcome the ingrained prejudices of her instructors and classmates to graduate. Afterwards, in Lisbon, she finds that even with her new credentials, overcoming the prejudices of potential employers is not simply a matter of determination and persistence, but then her old mentor comes to her assistance here, as well. ~ Clarke Fountain, All Movie Guide

The initials in the title of this made-for-TV movie stand for "Security Hazard Expert"--an apt description for the heroine, sexy superspy Lavinia Kean (Cornelia Sharpe). Shuttling throughout Italy and Germany, Lavinia thwarts the villainous machinations of Italian blackmailer Cesare Magnanon (Omar Sharif). Anita Ekberg makes her much-heralded return to television in the role of Dr. Else Biebling. First telecast February 23, 1980, on CBS, S*H*E was written by Richard Maibaum, a veteran of the James Bond films, as the pilot for a weekly adventure series. Maibaum also scripted a followup, tentatively titled S*H*E II, which was abandoned when the proposed series failed to make a network sale. ~ Hal Erickson, All Movie Guide

Giulio Berruti's unusual cult horror film casts former sex symbol Anita Ekberg as Sister Gertrude, a nun working in a mental institution. Gertrude is clearly insane, and takes a great deal of morphine for her self-diagnosed cancer. She goes to town and picks up men, seduces a younger nun (Paola Morra) who was abused by her grandfather, and supposedly murders patients until the Mother Superior (Alida Valli) has her poisoned. Luigi Casellato appears as a crippled painter who gets kicked to death, and genre favorite Joe Dallesandro leads the supporting cast as a handsome doctor. Antonio Maccoppi's skillful cinematography gives the film a harsh, intimidating look and Ekberg creates a sympathetic character, although certain scenes -- such as her stepping on a patient's dentures -- cross the line into unintentional humor. ~ Robert Firsching, All Movie Guide

In this gritty western, a former soldier from the recently ended Civil War returns to discover that his sister was raped and murdered by thieves. Without hesitation, he rides out to get his revenge. ~ Sandra Brennan, All Movie Guide

The culmination of filmmaker Federico Fellini's lifelong love affair with circus folk was his 1971 The Clowns (I clowns). Fellini's alter ego this time is a young boy, taking in his first circus (again, we're treated to the "parade" motif so often utilized by the director). As the clowns go through their rollicking routines, Fellini takes the time to snipe at movie critics by having one humorless newspaperman, who keeps repeating "What does it mean?", inundated with pails of water. There is also a fleeting homage to Charlie Chaplin in the form of Chaplin's daughter Victoria, who portrays an auditioning clown. Made for Italian TV, The Clowns sustains its exuberance by taking absolutely nothing seriously--not even Fellini, who makes fun of himself throughout in the guise of a pretentious documentary filmmaker. ~ Hal Erickson, All Movie Guide

Right-wing U.S. Treasury Department agents try to stop the delivery of opium from China in this uneven, implausible story. Agent Kelly (Dana Andrews) declares that all opium plants are grown in China and that this drug supply is "a time bomb from Peking to destroy the moral fiber of our nation." Mike Rand (Peter Martell) is a young gun in the department who gleefully declares himself "judge, jury and executioner" as he pumps a round of bullets into the heart of an unarmed man. The agents trail the drug smugglers from Beirut to Istanbul and back. ~ Dan Pavlides, All Movie Guide

Vittorio De Sica directs the 1967 episodic sex comedy Sette Volte Donna (Woman Times Seven), consisting of seven short stories each starring Shirley MacLaine. In "Funeral Possession," she plays opposite Peter Sellers as a widow at her husband's funeral. In "Amateur Night," she's a wife who's driven to prostitiution to get revenge on her adulterous husband (Rossano Brazzi). In "Two Against One," she plays an interpreter who gets naked and reads T.S. Eliot to an Italian (Vittorio Gassman) and a Scot (Clinton Greyn). In "The Super Simone," she's a houswife who acts insane to get the attention of her author husband (Lex Barker). In "At the Opera," she's a rich woman determined to get a specific dress. In "The Suicides," she forges a suicide pact with lover Alan Arkin. In "Snow," Michael Caine is hired to spy on her. ~ Andrea LeVasseur, All Movie Guide

Comical chaos erupts when milquetoast astronaut Peter Mattemore (Jerry Lewis) and his bride-of-convenience and fellow astronaut (the government forced them to marry to avoid scandal) Eileen Forbes (Connie Stevens) are sent to a lunar space station, which they will share with a Russian couple, to monitor the weather and replace their two predecessors, both of whom have gone bonkers. ~ Sandra Brennan, All Movie Guide

It's Bob Hope as phony explorer Matt Merriwether, who promotes himself as an expert on the dark continent, basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa, Merriwether, based on his alleged expert knowledge of the region, is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit, is security agent Frederica Larsen (Edie Adams). Hot on their heels are Russian agents Luba (Anita Ekberg) and Dr. Ezra Mungo (Lionel Jeffries), who want to get to the space capsule first. ~ Paul Brenner, All Movie Guide

Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide

In one of the most widely seen and acclaimed European movies of the 1960s, Federico Fellini featured Marcello Mastrioanni as gossip columnist Marcello Rubini. Having left his dreary provincial existence behind, Marcello wanders through an ultra-modern, ultra-sophisticated, ultra-decadent Rome. He yearns to write seriously, but his inconsequential newspaper pieces bring in more money, and he's too lazy to argue with this setup. He attaches himself to a bored socialite (Anouk Aimée), whose search for thrills brings them in contact with a bisexual prostitute. The next day, Marcello juggles a personal tragedy (the attempted suicide of his mistress (Yvonne Furneaux)) with the demands of his profession (an interview with none-too-deep film star Anita Ekberg). Throughout his adventures, Marcello's dreams, fantasies, and nightmares are mirrored by the hedonism around him. With a shrug, he concludes that, while his lifestyle is shallow and ultimately pointless, there's nothing he can do to change it and so he might as well enjoy it. Fellini's hallucinatory, circus-like depictions of modern life first earned the adjective "Felliniesque" in this celebrated movie, which also traded on the idea of Rome as a hotbed of sex and decadence. A huge worldwide success, La Dolce Vita won several awards, including a New York Film Critics CIrcle award for Best Foreign Film and the Palme d'Or at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide