Anita Ekberg Movies

German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide

Fast-paced, funny and bursting with erotic joie-de-vivre, this outing from the always irreverent Catalan filmmaker Bigas Luna follows the lusty adventures of the bouncy Bambola and her peroxide-blond, gay brother Flavio. Their fun begins shortly after the death of their Mamma Greta, the owner of a ramshackle trattoria located beside the Po River on Italy's northern plains. Following the funeral, the two siblings decide to fix up the cafe, but first they need money. Their quest leads them to fatso financier Ugo. Barely able to control his lust for the buxom Bambola, he helps them, but when she starts batting eyes at the handsome swimmer Setimio (whom Flavio also desires), a tragedy ensues that results in Ugo's death and Setimio's incarceration. Brother and sister visit him in prison and one day, she attracts the attention of the beastly inmate Furio. Jealous of her relationship with Setimio, Furio orders him gang raped. The event is life changing for Setimio who suddenly looks at Flavio with new, wanting eyes. At the same time, Bambola goes to Furio's cell to engage in a fast, furious coupling that leaves her crazy for more. Upon his release, Furio heads for the trattoria to continue the affair. But trouble comes when Furio refuses to move the relationship beyond their beastly wrangling. He goes too far one night when he comes to bed with a live eel for Bambola to play with. ~ Sandra Brennan, All Movie Guide

Years before, the millionaire Pierre (Alain Flick) destroyed the wealthy nobleman Count Max's fortune. In the present, Alfredo (Christian De Sica), a restless young mechanic who resembles the count, has fallen in love with a model (Ornella Muti) and wants some new adventure in his life. In return for his agreement to get revenge on the Count's old foe, he gets lessons in how to behave like the count himself. He tracks down the model, woos her successfully, and persuades her to join forces with him to go to Morocco and confront the nefarious millionaire. Once there, they lose all their resources. Oddly enough, the so-called villain of the story has fallen in love with Alfredo, and the mechanic allows himself to be joined in matrimony to the other man in an unusual Arab ceremony. This is a remake of a film made popular twice before by Christian De Sica's father, famed actor/director Vittorio De Sica. ~ Clarke Fountain, All Movie Guide

The initials in the title of this made-for-TV movie stand for "Security Hazard Expert"--an apt description for the heroine, sexy superspy Lavinia Kean (Cornelia Sharpe). Shuttling throughout Italy and Germany, Lavinia thwarts the villainous machinations of Italian blackmailer Cesare Magnanon (Omar Sharif). Anita Ekberg makes her much-heralded return to television in the role of Dr. Else Biebling. First telecast February 23, 1980, on CBS, S*H*E was written by Richard Maibaum, a veteran of the James Bond films, as the pilot for a weekly adventure series. Maibaum also scripted a followup, tentatively titled S*H*E II, which was abandoned when the proposed series failed to make a network sale. ~ Hal Erickson, All Movie Guide

Giulio Berruti's unusual cult horror film casts former sex symbol Anita Ekberg as Sister Gertrude, a nun working in a mental institution. Gertrude is clearly insane, and takes a great deal of morphine for her self-diagnosed cancer. She goes to town and picks up men, seduces a younger nun (Paola Morra) who was abused by her grandfather, and supposedly murders patients until the Mother Superior (Alida Valli) has her poisoned. Luigi Casellato appears as a crippled painter who gets kicked to death, and genre favorite Joe Dallesandro leads the supporting cast as a handsome doctor. Antonio Maccoppi's skillful cinematography gives the film a harsh, intimidating look and Ekberg creates a sympathetic character, although certain scenes -- such as her stepping on a patient's dentures -- cross the line into unintentional humor. ~ Robert Firsching, All Movie Guide

A lesser-known but memorably bizarre giallo thriller from Italian filmmaker Ferdinando Merighi, directing here under the pseudonym of "Fred Lyon Morris," this unusual shocker has a petty thief named Antoine falsely sentenced to death for the murder of a high-class prostitute (Barbara Bouchet) at a brothel run by Madame Colette (Anita Ekberg). The first of the film's risible plot machinations has the wrongfully condemned Antoine putting a curse on his accusers, escaping as he is about to be guillotined, and then being decapitated anyway after leading authorities on a motorcycle chase. One of the judge's friends is a doctor named Waldemar (Howard Vernon) who does experiments on the deceased non-killer's eyeballs; when the judge is murdered, everyone is sure that Antoine is getting revenge from beyond the grave. It certainly seems coincidental that everyone who is being murdered was at Madame Colette's brothel on the night Antoine was arrested, but the real killer was there too, and gorily claims several more victims before being chased up the Eiffel Tower in the film's mind-boggling conclusion. ~ Robert Firsching, All Movie Guide

A trio of disparate thieves attempt to steal a precious Korean sword in this caper adventure. ~ Sandra Brennan, All Movie Guide

The culmination of filmmaker Federico Fellini's lifelong love affair with circus folk was his 1971 The Clowns (I clowns). Fellini's alter ego this time is a young boy, taking in his first circus (again, we're treated to the "parade" motif so often utilized by the director). As the clowns go through their rollicking routines, Fellini takes the time to snipe at movie critics by having one humorless newspaperman, who keeps repeating "What does it mean?", inundated with pails of water. There is also a fleeting homage to Charlie Chaplin in the form of Chaplin's daughter Victoria, who portrays an auditioning clown. Made for Italian TV, The Clowns sustains its exuberance by taking absolutely nothing seriously--not even Fellini, who makes fun of himself throughout in the guise of a pretentious documentary filmmaker. ~ Hal Erickson, All Movie Guide

This low-budget Spanish-Italian co-production was the handiwork of cult filmmaker Amando De Ossorio, best known for his series of Knights Templar zombie films which began with La Noche del Terror Ciego (1971). Faded '50s bombshell Anita Ekberg stars as Silvia, a young woman who travels to the family castle which she will soon inherit. When she arrives, she meets her uncle (Julian Ugarte), who gives her some rather disheartening news. Many years before, a nun named Malenka was burned as a witch in the town square and swore to return for revenge. Silvia looks just like Malenka, and the villagers are terrified that the witch's spirit has been reincarnated in her. Soon, villagers start dying, and Silvia is so sure that she is possessed that she breaks off her engagement, convinced that she is destined to kill her beloved (Gianni Medici). Naturally, as the title already gives away, the blood-drinking attacks are part of a plot by Ugarte to drive Silvia mad and steal her inheritance. ~ Robert Firsching, All Movie Guide

The search of the mythical Glass Sphinx, said to contain an elixir of immortality, provides the action in this adventure. The hunt is lead by a renowned archaeologist who travels to Egypt. He is accompanied by his secretary, who, unbeknownst to him is involved with a gang that also wants the potion. They also want to kill the archaeologist. ~ Sandra Brennan, All Movie Guide

Released in Great Britain as The ABC Murders, The Alphabet Murders stars a well-disguised Tony Randall as Agatha Christie's brilliant, insufferable Belgian detective Hercule Poirot. Unfortunately, director Frank Tashlin chooses to open the film with one of his Pirandelloian gimmicks by introducing Randall out of make-up as himself, then cutting to Randall as Poirot. This has the effect of taking the audience "out" of the picture, and it takes a while for the film to recover. On its own, the plot is a good one, as Poirot investigates a series of murders, with the victims arranged alphabetically. There's also a well staged mid-film sequence, in which leading lady Anita Ekberg, as Amanda Beatrice Cross, supposedly comes to a soggy demise. But in never deciding whether to play "straight" or for laughs, The Alphabet Murders ends up a wildly uneven experience. Best bit: Poirot inadvertently confronting another Agatha Christie creation, Miss Marple (played without screen credit by Margaret Rutherford). ~ Hal Erickson, All Movie Guide