Domenico Fiore

A brilliant young man is tapped to join the elite branch of American intelligence, only to discover how complex and dangerous the job can really be in this suspense-drama. James Clayton (Colin Farrell) recently completed his studies at MIT, where he graduated at the top of his class and is pondering his next move while he works as a bartender at an upscale nightspot. One evening, Clayton is approached by Walter Burke (Al Pacino), a recruiter for the Central Intelligence Agency, who describes himself as "a scary judge of talent" and believes Clayton is just the sort of man the CIA is looking for. Clayton, who has little interest in an ordinary nine-to-five career and suspects his father (whom Burke claims to have known) worked for the Agency, accepts the offer and is soon sent to the CIA's secret training camp. It soon becomes obvious that Burke's intuition has not failed him; Clayton is smart, fast on his feet, a crack shot, and possesses a very agile mind. In training, Clayton notices a few things, most notably one of his fellow students, Layla (Bridget Moynahan), a beautiful woman whose skills equal his own. Clayton becomes quite infatuated with Layla, and after a fashion the attraction appears to be mutual, but Clayton has to keep in mind Burke's dictum that "nothing is as it seems," especially when Clayton is given a special assignment -- find the mole within the Agency's training program who is actually feeding information to America's enemies. ~ Mark Deming, All Movie Guide

The always innovative Taviani Brothers pay homage to another unique filmmaker, D. W. Griffith, in Good Morning, Babylon. Vincent Spano and Joaquim de Almeida star as Nicola and Andrea Bonnano, the latest in a long line of Tuscany-born cathedral builders. Emigrating to America, the brothers settle in Los Angeles in 1915, even as director Griffith (Charles Dance) is preparing his epic production Intolerance. The boys are hired to help construct the massive sets for the film's Babylonian sequence (hence the title), for no other reason than the fact that Griffith is impressed by Italian craftsmanship. As the film progresses, Nicola and Andrea assimilate to their new surroundings, even launching a romance with a pair of pretty movie extras. On the verge of continuing the family tradition, the boys' ambitions are cut short by events well beyond their control. Still, their past artistic accomplishments, like those of their forebears, survive the ages -- but only on the ethereal silver screen. ~ Hal Erickson, All Movie Guide