Amy Brenneman

A self-destructive housewife takes what may be her final step into the abyss in this independent psychological drama. Nancy Stockwell (Maria Bello) is a woman edging into her forties who has fallen into a deep and prolonged state of depression, finding her only solace in self-inflicted pain. Nancy has grown weary of her relationship with her husband Albert (Rufus Sewell), and one day he comes home from work to find a note in which Nancy says she's decided to visit an old friend for a few days. When Nancy doesn't call after several days, Albert begins to worry that something is wrong, and he soon learns that Nancy hasn't told him the truth. Nancy has struck up an on-line relationship with Louis Farley (Jason Patric), who has a passion for violent sex, and she has decided to meet with him in person, but she has more in mind than just a fling -- she believes that Louis is the man who can end her misery by killing her. Also featuring Amy Brenneman as Nancy's analyst, Downloading Nancy was the first English-language feature from Swedish filmmaker Johan Renck. ~ Mark Deming, All Movie Guide

In the first episode of a two-part story, Addison (Kate Walsh) heads to LA for a reunion old medical-school friends, blissfully unprepared for what it is in store for her. Meredith's stepmom Susan (Mare Winningham) is brought in with a truly bad case of hiccups, just as Meredith (Ellen Pompeo) thinks she has come to terms with their relationship. "Jane Doe" (Elizabeth Reaser) has been identified as "Ava", and Alex (Justin Chambers) is happy with her by any name. And Cristina (Sandra Oh) prepares for her wedding with the dubious input of her own mother (Tsai Chin) and Burke's mom (Diahann Carroll). This episode serves to introduce the future costars of the Grey's Anatomy spinoff Private Practice: Tim Daly (Pete), Amy Brennerman (Violet), Taye Diggs (Sam), Chris Lowell (Dell) and Paul Adelstein (Cooper) (the character of Naomi, here played by Merrin Dungey, would be taken over by Audra McDonald in Private Practice). ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, Addison (Kate Walsh) undergoes a profound personal crisis as she mulls over the possibility of moving to LA's Oceanside Wellness Center (thereby setting the stage for the Grey's Anatomy spinoff Private Practice). Back in Seattle, Meredith (Ellen Pompeo) learns that her stepmother Susan (Mare Winningham) is suffering from something far more serious than a bad case of hiccups. Alex (Justin Chambers) shows up for emotional support as Derek (Patrick Dempsey) performs emergency surgery on Ava (Elizabeth Reaser). And Burke (Isaiah Washington) and George (T.R. Knight) get quite an earful when they turn to Bailey (Chandra Wilson) for marital advice. ~ Hal Erickson, All Movie Guide

Campbell Scott directed this offbeat comedy drama about a free-thinking family who find themselves confronted by the more regimented outside world. Bo Groden (Valentina d'Angelis) is an 11-year-old girl growing up as part of a decidedly eccentric family in a small town in New Mexico. Bo's father, Charley (Sam Elliott), has fallen into a deep depression for reasons no one can understand, while her mother, Arlene (Joan Allen), holds the household together, raising most of their food in her vegetable garden, which she prefers to tend in the nude. Bo, meanwhile, satisfies her sweet tooth by writing candy companies claiming to have had problems with their products, which usually results in a box of fresh goodies. While the Grodens get by through living within simple means, one day an Internal Revenue Agent appears at their door, wanting to know why the family hasn't paid income tax for several years -- and not believing there has been no appreciable income for so many years. Off the Map was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Although Things You Can Tell Just by Looking at Her does bear some similarities to Short Cuts and Magnolia in its setting (Southern California) and mood (modern malaise), and its multiple story format, its focus is exclusively on female characters, and it's possible to view each story on its own. The film begins with a prologue: Police detectives are investigating the apparent suicide of a Hispanic woman (Elpidia Carillo). "This Is Dr. Keener" deals with Dr. Elaine Keener (Glenn Close), a single professional woman attempting to care for her aging and infirm mother and deal with her own loneliness. She invites Christine (Calista Flockhart), a tarot card reader, into her home to make some sense of her life. "Fantasies About Rebecca" profiles a successful bank manager (Holly Hunter) involved with a married man (Gregory Hines). When she learns that she is pregnant, he coldly advises her to take care of the "problem." Before she visits Dr. Keener to have an abortion, she impulsively has a fling with a colleague (Matt Craven). She is also confronted by a female street person in the bank's parking lot. "Someone for Rose" is about a single mother (Kathy Baker), a writer of children's books. She is attracted to a new neighbor, a dwarf (Danny Woodburn), and he catches her spying on him in his house. She's also amazed to find that her son is more sexually active than she knew -- and more than she is herself. "Good Night Lilly, Good Night Christine" details the relationship between the tarot card reader Christine and her lover, Lilly (Valeria Golino), who is critically ill with an unnamed disease. The final story, "Love Waits for Kathy," concerns two sisters, Carol (Cameron Diaz), a lovely blind woman with an active social life, and her police detective sibling, Kathy (Amy Brenneman), one of the detectives who appeared in the prologue. Kathy is attracted to the medical examiner in the suicide case, and her story ends with him taking her out on a date. In an epilogue, Dr. Keener drops in to a bar, where she meets a male character from one of the earlier stories. Debuting director Rodrigo Garcia, a noted cinematographer, is the son of writer Gabriel Garcia Marquez. Things You Can Tell made its debut on cable television, although it was originally intended to be a theatrical release. ~ Tom Wiener, All Movie Guide

Amy Brenneman and Virginia Madsen make return appearances as Fraiser's newest lady friends, Faye Moskowitz and Cassandra Stone. Romantically involved with both women, Frasier not only has difficulty choosing between them but also juggling his "date time." The more deeply committed our hero becomes to both Faye and Cassandra, the more ridiculous he and the whole situation becomes -- and the more impossible it seems that a solution will ever be reached. ~ Hal Erickson, All Movie Guide

Answering the question of "Where have all the New Wavers gone?" is The Suburbans, a comedy from first-time director Donal Lardner Ward, who also stars and co-wrote the screenplay. In 1981, power pop band The Suburbans had it all -- big hair, skinny ties and a hit record. But they never followed up on their one chart success, and years later, most of the band's members have dropped out of the music business in favor of "real jobs." However, when one of the ex-Suburbans gets married, the four members are reunited at the reception and play their lone hit for old times sake. As fate would have it, one of the wedding guests is Cait (Jennifer Love Hewitt), a young A&R executive who loved the Suburbans as a kid and thinks they could have another shot at the big time. But does pushing-40 bandleader Danny (Ward) really want to put a stake in the heart of his marriage to Grace (Amy Brenneman) for another moment in the spotlight? The Suburbans features a period-appropraite cameo from A Flock Of Seagulls and supporting performances from Ben Stiller, Jerry Stiller, Will Ferrell and Robert Loggia. ~ Mark Deming, All Movie Guide

For the follow-up to In the Company of Men, the misogyny-on-parade debut that became an out of nowhere indie hit, auteur Neil LaBute wrote and directed a piece that gives more equal representation to the shortcomings of both genders than his earlier film. Three men stand on one side: Cary (Jason Patrick), a womanizing doctor who rehearses make-out lines and keeps his body almost grotesquely ripped; Jerry (Ben Stiller), a self-obsessed theater instructor who chews over every emotion like a morsel of dessert; and Barry (Aaron Eckhart), a man grown soft in his marriage to a woman who can't satisfy him sexually as well as he can himself. On the other side we have three equally well-defined women: Terri (Catherine Keener), a writer/editor whose prefers to keep words out of the bedroom, much to the chagrin of live-in beau Jerry; Mary (Amy Brenneman), a freelance writer whose attempts to find her own sexual fulfillment with both husband Barry and paramour Jerry meet with a similar lack of success; and Cheri (Nastassja Kinski), an art assistant who meets most of the other characters one by one at a gallery but directs her sylph-like affections in an unexpected direction. The lies, double-crosses, and confrontations between these characters resolve into a sinisterly comic indictment of the very idea of romantic fulfillment. ~ Brian J. Dillard, All Movie Guide

A strong cast highlights this tough-minded urban drama. Police have been unsuccessful in making a case against three small-time bookmakers they've been following, but luckily a cop named Iggy (Scott Glenn) happens to catch up with Jerry (George DiCenzo), one of the bookies. Instead of arresting him, he demands money; his brother was deep in debt to the bookies, and the pressure drove him to suicide. Meanwhile, a neighborhood character named Leon (John Turturro) brings the bookies a tip on a bet he's convinced will be a sure winner. Needing to raise some quick cash, Jerry and his buddies Charlie (Michael Badalucco) and Ed (John Spencer) take Leon's advice, but live to regret it. Lesser Prophets also features Elizabeth Perkins, Jimmy Smits, and Amy Brenneman. ~ Mark Deming, All Movie Guide