Peppino De Filippo Movies

Turn-of-the-century Naples is the setting for this show-business comedy about a theatrical nobody who starts a popular dance craze based on the Can-Can. This film continues lead actress Monica Vitti's successful transition from doing critically acclaimed (but not awfully profitable) dramas to popular comedy. Her acting makes up for her minimal singing and dancing skills, and the film is assisted by a strong supporting cast, first-class production values and upbeat music. This film is also notable for its efforts to accurately show Neapolitan life of the period. ~ Clarke Fountain, All Movie Guide

Courtroom tomfoolery provides the basis for this four-episode Italian anthology comedy. In the first segment "Adultery in 16mm," an angry wife attempts to sue her neglectful husband by charging him with abandonment. Meanwhile, he charges her with adultery and claims to have a few reels of home-movie footage to prove it. The films are shown and the courtroom gasps when they learn the identity of the woman's lover. The second "The Priest and the Prostitute," centers on a self-righteous clergyman who pursues the streetwalker who picked his pocket. The hunted and hunter end up in a pool hall. When she attempts to give her ill-gotten loot to her pimp, the priest pounces and a melee erupts. The police end up taking all of them to jail where more fun follows. In the third episode, "Indecent Exposure," an overly health-conscious fellow religiously swims naked in a Roman ditch every day. The trouble begins on the day in which his clothes are stolen. In the final episode, "The Lustful Lieutenant," an old hooker is charged with soliciting. The attending judge is struck by her resemblance to his old wartime love, but he isn't sure whether it is really her or not. ~ Sandra Brennan, All Movie Guide

Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide

Vittorio Gassman showcases his comic talents in this farce by director Dino Risi about the growing success of a con artist. Gerardo (Gassman) starts out as a vaudeville performer and noting that acting abilities can be used for less legit purposes, he creatively assumes different guises in order to con people out of anything from a pair of shoes to ultimately mucho lira. In one of his escapades he passes himself off as Greta Garbo, donning an appropriate disguise, and has all manner of paparazzi ready to take the bait. He did not learn all his inventive and often spontaneous tricks alone, his cellmate Chinotto (Peppino de Filippo) was a great mentor. But even his cellmate could not coach him on how to remain single after his girlfriend Annalise (Anna Maria Ferrero) sets her heart on matrimony. ~ Eleanor Mannikka, All Movie Guide

La Nonna Sabella (Grandmother Sabella) was one of two 1957 offerings from prolific Italian filmmaker Dino Risi. The 80-year-old title character tries to arrange a wealthy marriage for her worldly grandson. But our hero is a bit too clever for Grandmother Sabella: he intends to wed his childhood sweetheart, and he intends to get Grandma's blessing whether she's aware of it or not. The potential bride is played by Sylva Koschina, who as Sylva Koscina would attain worldwide stardom within a few years. La Nonna Sabella was the winner of the Golden Seashell Award at the 1957 San Sebastian Film Festival. ~ Hal Erickson, All Movie Guide

Gli Ultimi Cinque Minuti (The Last Five Minutes) was adapted from the popular Italian stage play by Aldo De Benedetti. Hollywood's Linda Darnell heads the cast as Renata, who sublets an apartment in Rome. Unfortunately, Carlo Reani (Vittorio de Sica) also has a legal claim on the apartment. The two tenants solve the dilemma by getting married, with the understanding that Renata can continue pursuing any man she wants. For a while Renata dallies with Dino Moriani (Rosanno Brazzi), but her wifely insticts eventually get the better of her. ~ Hal Erickson, All Movie Guide

Aldo Fabrizi is both director and co-star of the Italian Una di Quelle (One of Those). Basically, however, the film is a vehicle for the inspired film-clown Toto. The latter plays the ardent suitor of a seemingly respectable young widow named Maria. Actually, Maria is a prostitute, albeit an inept and unsuccessful one. With Toto's "help," she manages to bungle her first -- and last -- assignment, culminating in an emergency visit to a doctor (played by Fabrizi). What might have been treated as a turgid drama by Hollywood, emerges as a lovable comedy under the careful guidance of Signor Fabrizi. ~ Hal Erickson, All Movie Guide