Gregg Fienberg

Hearst finally pushes things too far, heightening the tensions and violence in the camp. ~ Matthew Tobey, All Movie Guide

Forget Gunsmoke and Bonanza. The HBO series Deadwood was as close to the "real thing" as any Western fan was ever going to see on television -- and in its pursuit of reality, the series was not afraid of smashing icons or skewering sacred cows. Could anything less be expected of executive producer David Milch (NYPD Blue)? The series began its story in 1876, two weeks after Custer's demise at the Little Big Horn, and in the midst of "gold fever" brought about by a major ore strike in the Black Hills of Dakota Territory. Into the wide-open and illegal settlement of Deadwood rode a terrifying variety of hard-bitten men and hard-living women. Keith Carradine headed the cast (at least in the early episodes) as gunfighter and Indian scout Wild Bill Hickok -- not the clean-cut hero of movie and TV fame, but an embittered, disillusioned, cold-hearted killer who trusted no one, least of all himself. Traveling to Deadwood with old friend Charlie Utter (Dayton Callie) and devoted, foul-mouthed sidekick Calamity Jane (Robin Weigert), Hickok quickly met and befriended former lawman Seth Bullock (Timothy Olyphant), the archetypal man with a past who held out hope (but not much) that Deadwood would permit him a new start in life. The destinies of both Hickok and Bullock were gradually intertwined with that of self-styled town boss Al Swearengen (Ian McShane), the manipulative, cheerfully decadent owner of Deadwood's biggest "saloon," the Gem. Several major and minor characters passed through Deadwood, some for a long time, some only as long as it took to be shot down in the street. One of the more fascinating peripheral characters was gimlet-eyed cardsharp Eddie Sawyer, well played by real-life magician and master card manipulator Ricky Jay. Festooned with sex, sadism, sudden death, rampant profanity, and mud, mud, mud, Deadwood was not your father's "cowboy" show. The series drew huge ratings and enthusiastic critical plaudits from the moment it made its first appearance on March 21, 2004 -- and within a few weeks of this debut, all audience expectations were dashed to bits when one of the series' "stars" paid homage to historical accuracy by being abruptly killed off. ~ Hal Erickson, All Movie Guide

Gods and Monsters was promoted from the outset as an artistic drama, but the publicity tended to play coyly on the possibility of a homosexual romance between the retired film director James Whale, played by Ian McKellen and his hunky gardener Clayton Boone (Brendan Fraser). While the film does involve romance, the central relationship between the director and his gardener is about the development of a genuine friendship between two outwardly dissimilar but inwardly kindred spirits. In the story, Whale has been living for many years in peaceful, if not entirely contented retirement, under the loving and watchful eye of his contentious and argumentative Hungarian housekeeper (Lynn Redgrave). His earlier celebrity as the director of the original Frankenstein movie and its sequel, The Bride of Frankenstein, results in his being visited occasionally by disagreeable young men who have come to bask in the reminiscences of this creator of two "camp" classics. His reputation as a fairly outrageous homosexual comes into play here, when one particularly unpleasant and effeminate young man comes by seeking cinematic tidbits: the director challenges the boy to a game of stripping off one article of clothing for every revelation he shares about his moviemaking past. He had gotten the boy down to his briefs when he is stricken with one of his ever-recurring bouts of epilepsy, the result of a series of strokes. By way of contrast, while he is clearly interested in his gardener as a sex-object, gradually luring him into ever closer association, the openness and vulnerability of this awkwardly aggressive heterosexual boy inspires him to reveal the history of his heart. It turns out that, like the young man who is modeling for his supposed artworks, he came from a poor and difficult background. By the time naïve gardener learns of the director's homosexuality from the housekeeper, he has been drawn too deeply under the man's spell to stay away from their meetings for long. While the tension between the men never departs, a genuine relationship of caring develops between them. Meanwhile, Whale has been clearly observing the progressive deterioration of his mental faculties, and is increasingly being overwhelmed by vivid memories and visions. ~ Clarke Fountain, All Movie Guide

Sex and death are the main themes running through this thriller. Matt Dickson is a former hockey player turned L.A. cop. Since his wife left him he has become a hard-drinking carouser. Dickson is on the trail of Welton, a psychotic boxer, using the names of famous fighters for his aliases has left a grisly trail of dead women found in cheap motels throughout the city. He is assisted by Catherine Briggs, a journalist, who helps him see the connection between these murders and similar ones in the past. But Catherine is not only there to help Dickson. She is also there because of a recent one-nighter Dickson had with her sister. ~ Sandra Brennan, All Movie Guide

This excellent documentary follows the Irish group U2 on their concert tour of the United States in support of their seventh album Joshua Tree. The politically involved rock quartet sets their sights on American musical influences, previously ignored. They quickly immerse themselves in the musical culture with a recording session at the legendary Sun Studios in Memphis. Four tracks were recorded that ended up on their next record appropriately called Rattle And Hum. Blues Legend B.B.King adds his vocals and guitar work to Love Comes To Town, and Angel Of Harlem is a passionate tribute to the late Billie Holiday. In addition to their original material, the band covers gems from The Beatles, Bob Dylan, and Jimi Hendrix. Director Phil Joanou combines black-and-white with color photography to capture the band on and off the stage. Only the band's visit to Elvis Presley's Graceland seems out of context with the rest of the feature. Although the band's reverence for Elvis and his music is evident, they are merely tourists standing on the other side of a velvet rope. Spinal Tap had a more poignant visit to the king's palace, but Rattle And Hum is still one of the best musical documentaries of all time. Both the musical and political passion of U2 is evident in every frame. ~ Dan Pavlides, All Movie Guide