Mike Post Movies

Another Law & Order spin-off from producer Dick Wolf, NBC's weekly, hour-long Conviction starred Stephanie March, recreating her familiar Law & Order: SVU role as Assistant DA Alexandra Cabot. Formerly imbedded in the Federal Witness Protection Program, Alexandra was once more able to move about and practice her trade, this time as bureau chief for a group of young, ambitious ADAs. Her new colleagues included deputy DA and law-office manager Jim Steele (Anson Mount); born-into-privilege lawyer Nick Potter (Jordan Bridges), who idealistically left a lucrative private practice to work with Cabot for a paltry 51,000 dollars per year; arrogant grandstander Billy Desmond (J. August Richards), who went to great lengths to secure for himself only those cases that he was sure to win; Jessica Rossi (Milena Govich), Nick Potter's unofficial assistant and a woman with a murky, working-class past; Brian Peluso (Eric Balfour), whose legal brilliance was mitigated by his slovenliness and his messy private life; and Christina Finn (Julianne Nicholson), who'd been working in the office for two years before finally landing her first case and was understandably anxious to make up for lost time. Eschewing the "procedural" format of the other series in the Law & Order franchise, Conviction was built more along the lines of the medical drama Grey's Anatomy, focusing more on the various lawyers' personal problems and hang-ups than on their professional activities. Also breaking away from the Law & Order formula was the series' predilection for having the attorneys inaugurate legal investigations before it was entirely certain that a crime had actually been committed. Conviction first aired on March 3, 2006. ~ Hal Erickson, All Movie Guide

Written in 1976 and staged on Broadway the following year, D.L. Coburn's two-character play The Gin Game was first televised in 1981 with the play's stars Hume Cronyn and Jessica Tandy repeating their roles as a pair of oil-and-water residents in a dismal nursing home. This 2003 remake, produced for PBS, pulls off the spectacular clue of reuniting Dick Van Dyke Show stars Dick Van Dyke and Mary Tyler Moore, casting them in parts that are as different from Rob and Laura Petrie as it is possible to get without traveling to another planet. Van Dyke plays Weller Martin, an irascible oldster who considers the day wasted if he doesn't fill the air with the foulest language imaginable. Not surprisingly, Weller gets along with no one at the home -- which would suit him fine if he wasn't a gin-rummy addict. Enter Fonsia Dorsey (Moore), a prim, proper senior citizen who has only two things in common with Weller: She has been effectively abandoned by her family, and she loves playing cards. Inevitably, the mismatched duo embarks upon a series of spirited gin games, punctuated by terse verbal combat, at least one physical assault, and, ultimately, a touching display of tenderness and concern. For those PBS outlets whose viewers were not prepared to hear and see two TV icons swearing like sailors and striking one another, the network prepared a "clean" version of The Gin Game, where at least the language was toned down (if not the play's original bite and bitterness). ~ Hal Erickson, All Movie Guide

As it entered its 13th season on the air, Law & Order also entered the history books as the longest-running TV program of its genre. This, however, did not satisfy series producer Dick Wolf, who had every intention of keeping the series in production for at least another eight years, long enough to smash Gunsmoke's status as the longest-running dramatic series of all time. Wolf also refused to rest on his laurels by concentrating on his "baby" alone: In addition to the original Law & Order, he was also churning out spin-offs Law & Order: Criminal Intent and Law & Order: Special Victims Unit, as well as the documentary/reality series Crime & Punishment, with an updated revival of the classic Dragnet still in the wings. The basic Law & Order cast from season 12 was still in place, with one very significant change. After two years of service, interim District Attorney Nora Lewin (Dianne Weist), who'd replaced the venerable Adam Schiff (Steven Hill) in 2000, was herself replaced by DA Arthur Branch, played by Fred Dalton Thompson, an erstwhile actor better known to the public as a former Republican senator from Tennessee. The avuncular, home-fried conservatism of Branch -- who, unlike his strictly-business predecessors, was inclined toward long-winded anecdotes and rustic homilies whenever making an important point of law -- was frequently at odds with the intense liberalism of ADA Jack McCoy (Sam Waterston) and the studied seriousness of McCoy's assistant Serena Southerlyn. So much for the "Order" portion of the program. Back on the "Law" end of the spectrum, producer Wolf had promised viewers that there would be more friction between detectives Lennie Briscoe (Jerry Orbach) and Eddie Green (Jesse L. Martin); as it turned out, however, Briscoe and Green developed into something of a comedy team, with Green playing off of the witty comments and abysmal puns invariably dropped by Briscoe at each murder scene. Similarly, the detectives' sober-sided superior, Anita Van Buren (S. Epatha Merkerson), became a bit more wry and light-hearted than she'd been in previous seasons. As always, Law & Order kept abreast of the times with stories based on actual events and persons. The aftermath of 9/11, the saga of "American Jihad" John Walker Lindh, the shoplifting trial of actress Winona Ryder, the Lacy Peterson murder case, the Martha Stewart inside-trading imbroglio, pop star Michael Jackson's display of parental recklessness from a balcony, the criminal charges against the NBA's Jayson Williams, and the "D.C. Snipers" case were all grist for the writers' mill. The 13th-season finale of Law & Order was lavishly publicized as the series' 300th episode. Technically, however, it was the 301st, but NBC seldom acknowledged the series' pilot episode because it had been financed by CBS. Ironically, that selfsame pilot show was rebroadcast by NBC May 21, 2003, the same night as the "300th" installment. ~ Hal Erickson, All Movie Guide

Formerly appearing on a recurring basis as forensic psychologist Dr. George Huang, B.D. Wong graduates to full series regular in "Chameleon," the opening episode of Law & Order: Special Victims Unit's fourth season. Among the year's best episodes are "Vulnerable," guest-starring former musical comedy ingenue Jane Powell as an elderly Alzheimer's victim who is misused by both a sexual predator and her own caregiver; "Disappearing Acts," in which the SVU team runs smack against the stone wall of the Witness Protection Program while tracking down a brutal rapist; "Waste," a compelling exploration of the dark side of stem-cell research; and "Risk," wherein the team must expose the rotten apples in their own police ranks to find out who caused the cocaine-related death of a baby. As in previous seasons, many of the plotlines are driven by the unique personalities of the principal characters. In "Mercy," for example, Assistant DA Alex Cabot (Stephanie March) finds herself sympathetic to a mother who euthanized her desperately ill daughter, and in "Pandora," Det. Elliot Stabler (Christopher Meloni) travels all the way to Prague to crack a difficult kidnapping case. Other episodes emulate the Law & Order "ripped from today's headlines" formula. Case in point: "Appearances," which is clearly inspired by the still-unsolved murder of JonBenet Ramsey. Season four ends with "Soulless," chronicling the frustrations of using the juvenile record of a suspect to arrest him for sex crimes committed as an adult. ~ Hal Erickson, All Movie Guide

Season eight of NYPD Blue began minus the services of longtime executive producer David Milch, who left to develop a project of his own. Steven Bochco, who'd co-created the series with Milch, took full charge of the series. This was far from the only eighth-season personnel change. Andrea Thompson (Det. Jill Kirkendall) had already quit the series in order to launch a new career as a TV news anchor. Kim Delaney, who played Kirkendall's partner, Det. Diane Russell, remained on the scene, the better to develop a new plot strand involving a steamy romance between Russell and her troubled colleague Det. Danny Sorenson (Rick Schroder). But by the end of the season, Delaney was gone -- as was Schroder. One of the series' mainstays since its 1993 debut, James McDaniel, announced his intention of leaving his role as 15th precinct skipper Lt. Fancy after the first 13 episodes of the season. Fancy's initial replacement, hypersensitive feminist Lt. Susan Falto (Denise Crosby), had such a negative effect on the 15th that she herself was quickly supplanted by Lt. Tony Rodriguez (Esai Morales), a by-the-book type who (surprise, surprise) almost immediately clashed with gonzo "I make my own rules" detective Andy Sipowicz (Dennis Franz). Andy's private life was no less turbulent than his professional one; the moment the bone-marrow tests of his son Theo (Austin Majors) came back positive -- thereby resolving one of the unresolved subplots set up by the previous season's cliffhanger finale -- Andy began considering a reconciliation with ex-wife Kate (Debra Monk), but instead became sidetracked with a blossomed May-December relationship with Cynthia Bunin (Juliana Donald), the niece of Andy's old cop pal Gibson (John F. O'Donohue).

Along with Esai Morales and Juliana Donald, Charlotte Ross, and Garcelle Beauvais-Nilon joined the series, respectively cast as Det. Connie McDowell and new Assistant DA Valerie Haywood. Initially shunned as a possible "spy" from Internal Affairs, McDowell quickly proved her mettle and earned the right to remain at the 15th -- and in the process set the foundation for future plot complications by revealing that, 15 years earlier, she had had a daughter out of wedlock whom she had given up for adoption. As for Haywood, she almost immediately got off on the wrong foot with the extremely touchy Det. Baldwin Jones (Henry Simmons), in the tradition of the first-season flareups between Andy Sipowicz and the late ADA Sylvia Costas. But also like Andy and Sylvia, Baldwin Jones and Valerie Haywood quickly found themselves extremely attracted to one another.

The opening episodes of season eight resolved a dilemma left hanging during season seven, that of the 15th precinct's possible complicity in the drug-smuggling operations of Don Kirkendall, ex-husband of the beleagured Jill Kirkendall. The closing episodes established a brand-new crisis, concerning a botched undercover operation which may or may not have cost the life of the missing-in-action Danny Sorenson (Rick Schroder). Viewers would have to sweat it out until the beginning of season nine before Danny's ultimate fate would be revealed. For the second year in a row, NYPD Blue's season opener was not seen until January, due to backstage hagglings between the ABC network and the producer. Also, only 20 new episodes were produced, rather than the standard 22, reportedly an economical rather than artistic decision. The late start and diminished output did not affect the series' popularity, nor prevent it from garnering another Emmy Award nomination for series star Dennis Franz. ~ Hal Erickson, All Movie Guide

With the departure of series regular Angie Harmon at the close of season eleven (it was explained that her character, Assistant DA Abbie Carmichael, had accepted a job with the U.S. Attorney's Federal Major Crimes Task Force), season twelve of Law & Order was ushered in with a new face in the DA's office. Elisabeth Rohm was added to the cast as ADA Serena Southerlyn, who had requested the appointment because she wanted to tackle grittier cases than the "white-collar crimes" which had been her forte. The scriptwriters wasted little time in providing Serena with a baptism by fire: in the episode "DR 1-102," she courageously defused a dangerous hostage situation -- only to face the loss of her license to practice law because she failed to follow accepted legal procedure. The rest of the cast remained the same as in season eleven, though it was already established that Dianne Wiest's character, interim DA Nora Lewin, would be written out as soon as a permanent district attorney could be elected. (It was not that Wiest was unhappy with her role, nor that the producers were dissatisfied with the character; she just didn't want to be artistically confined to series television.) Likewise maintaining the Law & Order status quo was the series' predilection for stories based on current headlines, beginning with the season opener "Who Let the Dogs Out?," which was transparently inspired by a real-life California case involving a killer pit bull. The arrests of actor Robert Blake and rapper Sean "Puffy" Combs and the disappearance of congressional intern Chandra Levy, likewise provided grist for the series' story mill. In addition, the terrible events of September 11 loomed large over the proceedings, notably in the season-closing episode "Patriot." Finally, by 2001, Law & Order had become something of franchise. The series' first spin-off, Law & Order: Special Victims Unit, was entering its second successful season. Both this show and its parent series were joined in the fall of 2001 by Law & Order: Criminal Intent, which chronicled crime and punishment from the perpetrators' point-of-view. ~ Hal Erickson, All Movie Guide

The third of producer Dick Wolf's Law & Order TV series, Law & Order: Criminal Intent included many of the dramatic ingredients that had contributed to the success of the earlier programs. There were the usual dedicated cops, represented by detectives Robert Goren (Vincent D'Onofrio) and Alexandra Eames (Kathryn Erbe), and the standard hardworking prosecutors, personfied by Assistant DA Ron Carver (Courtney Vance). The novelty on this occasion was that the crime of the week was dramatized from the prime suspect's point of view, which tended to cut down on the mystery elements, but did wonders for the overall suspense quotient. Other regulars included Jamey Sheridan as Police Captain James Deakins and Tracy Howe as forensic accountant Leon Martel. Law & Order: Criminal Intent began its weekly, 60-minute NBC run September 30, 2001. ~ Hal Erickson, All Movie Guide

Season ten of Law & Order had ended on a cliffhanger of sorts, with an international trial involving the son of a prominent diplomat casting serious doubt upon the reelection of DA Adam Schiff (Steven Hill). In the first episode of the series' 11th season, it was learned that Schiff had, indeed, left office -- not due to a lack of voter turnout, but because he had been appointed by the U.S. government to supervise an upcoming Holocaust memorial in Holland. Until Schiff's replacement could be elected, it was necessary to appoint an interim DA, former law school ethics professor Nora Lewin -- played by Oscar-winning actress Dianne Wiest, whose character's predetermined "temporary" status reflected Wiest's reluctance to tie herself down to a long-running weekly series. Seemingly softer and less curmudgeonly than Schiff, Lewin nonetheless possessed what Executive Producer Dick Wolf described as a "steely reserve," which surfaced whenever it was necessary to the story. Otherwise, the cast members from season ten were carried over into season 11, though it was fairly common knowledge that actress Angie Harmon, cast as ADA Abbie Carmichael, would be departing the series to seek out different projects once her contract was up. Harmon's predecessor, Carey Lowell, made another return appearance as former ADA Jamie Ross, again acting as a defense attorney in opposition to her former colleagues. In addition, acerbic writer Fran Lebowitz made the first of several cameo appearances as Arraignment Judge Goldberg. Among the hot-button issues touched upon during the series' 11th season were the potential dangers of prison budget cutbacks, TV "reality" shows, the loopholes inherent in Israel's "Law of Return" for Jewish citizens, the gay adoption controversy, and, perhaps inevitably, the hotly contested 2000 presidential election. One episode, "Sunday in the Park With Jorge," was attacked by a number of ethnic special-interest groups because it depicted a Central Park "wilding" incident during an Hispanic Pride Festival. Although producer Wolf would not categorically apologize for the story's content, citing the real-life incident on which it was based, he agreed to remove the offending episode from Law & Order's syndicated rerun package. ~ Hal Erickson, All Movie Guide

Hoping to revive the glory days of Lou Grant, NBC, in association with Law & Order creator Dick Wolf, came forth with the weekly, one-hour newspaper drama Deadline. Oliver Platt starred as Wallace Benton, a Pulitzer Prize-winning investigative reporter whose dauntless dedication was matched by his short temper and gift for deception. Aided by Beth Khambu (Christina Chang) and Charles Foster (Damon Gupton), two students from the graduate journalism class that he taught in his spare time (what spare time?), Benton regularly riffed on the rich, powerful, and corrupt in his daily column "Nothing But the Truth." Because he ignored such journalistic niceties as press passes and off-the-record statements, Benton was the source of many a headache for his lawsuit-fearing publisher Si Beekman (Tom Conti) and his managing editor Nikki Masucci (Bebe Neuwirth). And because he cared more about "The Truth" than financial compensation, Benton was forever behind in alimony payments to his three ex-wives -- one of whom, Brooke Benton (Hope Davis, worked side-by-side with Benton on the same newspaper. Also featured was that singular actress Lily Taylor as Hildy Baker. Debuting October 2, 2000, Deadline was almost universally panned by real-life journalists, who complained that the sort of melodramatic pyrotechnics engaged in by Wallace Benton hadn't been used since the gonzo days of The Front Page -- and even worse, Benton was a poor and clumsy writer, whose stilted headlines and purple prose seemed calculated to drive readers to other sources of news. Undaunted, the series' producers described Deadline as "Columbo in a newspaper office," so the viewer knew exactly what to expect. ~ Hal Erickson, All Movie Guide

James Garner is reunited with several of his fellow cast members from the Rockford Files series in this made-for-TV sequel. It all begins when schoolteacher Ernie Landale (Hal Holbrook), the husband of private eye Jim Rockford's ex-prostitute friend Rita Kapkovic (Rita Moreno), is accused of child molestation. Never mind that the evidence is circumstantial at best, flimsy at worst: The Media have already tried and convicted Landale, irresponsibly whipping up a journalistic frenzy that turns all of the benighted teacher's associates and friends against him. All, that is, except Jim Rockford (Garner), who, together with Landale's attorney Beth Davenport (Gretchen Corbett) and police lieutenant Dennis Becker (Joe Santos), is prepared to move heaven and earth to find the actual pedophile and clear Landale's name. Filmed in 1997, The Rockford Files: If It Bleeds, It Leads made its CBS debut on April 20, 1999. ~ Hal Erickson, All Movie Guide

The big news attending NYPD Blue's sixth season was the imminent departure of series star Jimmy Smits, who played Det. Bobby Simone, the new husband of Det. Diane Russell (Kim Delaney). While the particulars of Simone's exit were kept secret from the public, it became obvious from the season opener onward that Bobby was not long for this world; having developed a serious illness, he needed an immediate heart transplant, and even then the doctors could guarantee nothing. It was in the season's fifth episode, "Hearts and Souls," that the saga of Bobby Simone was terminated fatally, much to the shock and dismay of millions of the series' fans. Bobby's replacement was Det. Danny Sorenson, played by former child star Rick Schroder. Although both the grieving Diane and Bobby's irascible partner, Det. Andy Sipowicz (Dennis Franz), initially resented Sorenson's presence, Danny quickly proved his mettle both on and off the job. But in time-honored NYPD Blue tradition, young Mr. Sorenson brought with him some heavy emotional baggage, which would be revealed bag by bag over the next three seasons, culminating in yet another "shocker" of a climactic episode. Elsewhere, the 15th precinct's gay Anti-Crime Unit assistant John Irvin (Bill Brochtrup, who was moved up from recurring-character to regular) developed a close friendship with the squad's new PAA, Dolores Mayo (Lola Glaudini), a troubled young woman who ultimately quit her job and turned to prostitution. It was Dolores' death during a weekend trip to Atlantic City with wealthy drug dealer Malcolm Cullinan (Todd Waring), coupled with the murder of Sipowicz' old nemesis, shady private eye Mike Roberts (Michael Harney), that led to the series' violent sixth-season finale, a courtroom shoot-out which claimed the life of Andy Sipowicz' wife, ADA Sylvia Costas (Sharon Lawrence). Once again, NYPD Blue copped a handful of Emmy awards. This years' recipients included series star Dennis Franz, recurring guest actress Debra Monk (as Sipowicz' ex-wife, Katie), and director Paris Barclay, the latter two earning their statuettes for their work in the pivotal episode "Hearts and Souls." ~ Hal Erickson, All Movie Guide