Eddie Collins Movies

Down on the Farm was yet another entry in the seemingly endless saga of the Jones Family. The plot is set in motion when the Joneses' Aunt Ida (Louise Fazenda) invites the family to spend the summer on her farm while their house is undergoing repairs (thanks to an unfortunate encouter with a fire hose). Patriarch John Jones wins a cornhusking contest, whereupon he is invited to run for a local political office. The usual complications ensue, culminating in a ribtickling "drunk" scene and the ultimate exposure of the community's crooked politicians. Many of the biggest laughs are provided by Eddie Collins as Aunt Ida's moon-faced husband. Elements of several earlier Will Rogers vehicles managed to work their way into the screenplay of Down on the Farm. ~ Hal Erickson, All Movie Guide

Child star Shirley Temple was getting a bit long in the tooth (at age 10!) by the time she made Little Miss Broadway. Facing the possibility that Temple's appeal was beginning to slip, the producers overstocked the film with top musical-comedy performers and character actors. The curly-topped actress is cast as orphan girl Betsy Brown, discharged in the care of her uncle Pop Shea (Edward Ellis), the manager of a theatrical boarding house. Before long, Betsy is the darling of the clientele, including bandleader Jimmy Clayton (Jimmy Durante), animal trainer Ole (El Brendel), and a pair of wisecracking midget entertainers (George and Olive Brasno). Snooty Sarah Wendling (Edna Mae Oliver), owner of the hotel building, is fed up with "show people" and demands that they pay their back rent or move out post-haste. But Sarah's nephew Roger (George Murphy), in love with Pop Shea's daughter Barbara (Phyllis Brooks), comes to the aid of the hotel's occupants. With the help of Betsy and her friends, Roger pleads his case in the courtroom of judge Claude Gillingwater by staging a lavish musical revue. The specacle of George Murphy dancing with Shirley Temple will prove particularly amusing to those aware of both stars' future political careers. Songs include "Be Optimistic", "If All the World Were Paper", "Hop Skip and Jump" and the title tune. Incidentally, outtakes of Little Miss Broadway exist showing Shirley Temple doing a frighteningly accurate impersonation of her costar Jimmy Durante (ha-cha-cha-cha-cha!) ~ Hal Erickson, All Movie Guide

Arranging to leave her father J.C. Darlington (Andrew Tombes) behind, frisky teenager Jerry (Jane Withers) convinces Pete Graham (Robert Kellard), from her father's New York office, to pilot the family yacht. They're recently rich, but thoroughly spoiled, including Jerry's mother (Nana Bryant), Uncle Ed (Eddie Collins) and attractive older sister Virginia (Jean Rogers); however, a mishap strands them on an island where they're held captive by a band of smugglers. ~ Bill Warren, All Movie Guide

Two imprisoned con men become ace football players on the prison team in this comedy. They get into real trouble when the duo decides to bust out to keep the mother of a fellow inmate from getting conned by a gang of crooks. When the warden finds out, he is steaming mad because he has bet his entire fortune on an upcoming game and without his two stars, the team will surely lose. Fortunately for him, the two hustle back to prison and get there just in time to win the Big Game. ~ Sandra Brennan, All Movie Guide

Those zany Ritz Brothers are at it again--good news or bad, depending on one's feelings toward the team. This time they're a trio of Manhattan entertainers who can't get anywhere because hillbilly acts are "in" with radio and theatrical producers. Also left out in the cold by the new fad is singer Marjorie Weaver. Weaver and the Ritzes decide to pass themselves off as hillbillies, and to do this head for the Kentucky hills in order to be discovered. They land smack-dab in the middle of one of those mountain feuds so beloved of comedy filmmakers. Radio star Tony Martin, who has been sent southward to find genuine hayseed talent, spots the Ritzes and Weaver and brings them back to New York. The truth comes out at last, but the Ritz boys redeem themselves with a rib tickling "Snow White and the Seven Dwarfs" radio sketch--easily the highlight of this wildly uneven film. When reminiscing about Kentucky Moonshine in 1978, director David Butler remembered that team member Al Ritz refused to perform a barefoot hillbilly dance unless he was outfitted with rubber feet! The producers should have recreated that true-life bit in the film and gotten rid of the tiresome opening routine in which the Ritzes play poker using hospital progress charts. ~ Hal Erickson, All Movie Guide

Newspaper editor Steve Drum (Preston Foster) is willing to pull any dirty trick in the book to boost his rag's circulation. Drums's latest escapade is to blame a former criminal, now a respected politician, for a series of murders. Once the damage has been done, Drum puts on his "crusader" hat and stirs up enough public sympathy to save the politician from the electric chair. Only he's been forced to eat a few heaping helpings of humble pie does Drum redeem himself in the eyes of his long-suffering star reporter Maxine Thomas (Lynn Bari). Real-life newspapermen were mildly amused with the liberties taken in this fanciful "stop the presses" seriocomedy. ~ Hal Erickson, All Movie Guide

Sidney Toler made his second appearance as oriental sleuth Charlie Chan in the above-average Charlie Chan in Reno. It all begins when nervous young Mary Whitman (Pauline Moore) shows up in Reno to seek a divorce from husband Curtis Whitman (Kane Richmond). Before long, Jeanne Bentley (Louise Henry), another divorce-seeker, is found slain, and the police are certain that Mary, or her estranged husband, is responsible. It so happens that the Whitmans are from Honolulu, the stamping grounds of Charlie Chan, which is why our wily hero shows up in Nevada with son Jimmy (Victor Sen Yung) in tow. Every so often, the mystery slows down long enough for an amusing battle of wits between Chan and local sheriff Fletcher (Slim Summerville), who admittedly has only half the necessary ammunition. The billing order of the supporting cast is as usual a giveaway of the true killer's identity, but this doesn't lessen the enjoyment of this well-crafted programmer. Charlie Chan in Reno was based on Death Makes a Decree, a story by Philip Wylie. ~ Hal Erickson, All Movie Guide

In this entry in the "Jones Family" comedy series, the Jones have just arrived from a Hollywood vacation when they receive a telegram informing them that a recently deceased and very wealthy uncle has left them a gold mine near the Grand Canyon. Happily the family packs up and heads for Arizona; there, they contract a guide who takes them high up a mountain to an isolated cabin, which turns out to be a robbers' lair. Mayhem ensues until the children catch the crooks and collect a handsome reward. The film was written by former silent film great Buster Keaton. ~ Sandra Brennan, All Movie Guide

John Ford directed this outdoor adventure set in the American Colonial period. Gilbert and Lana Martin (Henry Fonda and Claudette Colbert) are a young couple trying to make a home in New York State's Mohawk Valley, but repeated attacks by Indians drive them, along with other settlers in the valley, into a nearby fort, where they watch helplessly as the natives lay waste to their farms and cabins. A spinster with a large farm, Sarah McKlennar (Edna May Oliver), comes to their rescue when she hires Gilbert to work as a field hand and gives the Martins a place to stay. The rugged life of the farm and frontier doesn't always sit well with Lana, who was raised in wealthy and comfortable circumstances; in time she develops a thicker skin and learns to love their new life in the Mohawk Valley, especially after giving birth to their first son. Gilbert joins the militia, who must do battle both with the local Indian tribes and the British soldiers who are provoking them to battle. Gilbert returns wounded, and as he recuperates, a healthy crop rises in the fields, but their satisfaction is short lived when the Indians once again hit the warpath. 1939 was a stellar year for John Ford; along with this highly successful adventure tale, which was nominated for three Academy Awards, Ford also released the ground-breaking western Stagecoach. ~ Mark Deming, All Movie Guide

When Darryl F. Zanuck's arrangement to loan Shirley Temple to MGM as star of The Wizard of Oz fell through, Zanuck hastily assembled a lavish Technicolor vehicle for his diminutive star which, he hoped, would match Wizard in popularity and appeal. The result was The Blue Bird, adapted from the allegorical stage play by Maurice Maeterlinck (previously filmed by director Maurice Tourneur in 1918). In emulation of The Wizard of Oz, The Blue Bird was bookended with black-and-white sequences, reserving Technicolor for the fantasy "body" of the film; similarly, Gale Sondergaard, who had been the first choice to play the Wicked Witch of the West in Wizard, was cast as Blue Bird's nominal villainess. Set in mid-Europe sometime in the late 18th century, the story concerns Mytyl (Temple and Tyltyl (John Russell), the children of a woodchopper (Russell Hicks) who has been called to fight in a faraway war. Heartbroken, the kids decide to run away from home in search of the Bluebird of Happiness, which will ostensibly solve all their problems. Falling asleep, Mytyl and Tyltyl dream that the good fairy Berylune (Jessie Berylune) is leading them on that search, accompanied by their household pets Tylo (a dog) and Tylette (a cat), who have assumed human form (and as such are repectively played by Eddie Collins and the aforementioned Gale Sondergaard). Before arriving at the far-from-unexpected realization that the elusive Bluebird of Happiness is no further than their own backyard, the two kiddies undergo a variety of astonishing experiences, including a raging forest fire (a triumph of 20th Century-Fox special-effects master Fred Sersen) and an oddly unsettling visit to "The Land of the Unborn". Rather heavy going for its intended family audience, The Blue Bird proved to be Shirley Temple's biggest flop, and a subsequent 1976 US-Soviet version starring Elizabeth Taylor fared no better at the box office. ~ Hal Erickson, All Movie Guide

Loosely based on an actual incident, this family-friendly British comedy is also a sly satire of class consciousness. Phoebe Cates stars as a woman who appears in the English countryside of 1817 wearing exotic garb and speaking gibberish. Delivered to a nearby manor, the mystery woman is sheltered by the Worralls (Wendy Hughes and Jim Broadbent), who are then persuaded by their suspicious Greek butler Frixos (Kevin Kline, Cates' real-life husband) to have the drifter tried for vagrancy and begging, capital crimes. At the hearing, however, the woman persuades the magistrate through pantomime that she is a princess of Javanese origin named Caraboo, escaped from pirate kidnappers. The Worralls welcome Caraboo back into their home, lavishing upon her the deference due a royal. A society sensation, Caraboo wins over a linguist (John Lithgow), the prince regent (John Session), and even Frixos. Only an Irish reporter, Gutch (Stephen Rea), remains skeptical about Caraboo's origins. ~ Karl Williams, All Movie Guide