Don Ameche Movies

Joan Collins is the host of these outtakes and clips deleted from 20th Century-Fox productions of decades past. Entertaining song selections in the compilation include Betty Grable sequences from Footlight Serenade (1942) and Pin Up Girl (1944), Carmen Miranda wearing a lighthouse on her head while essaying True to the Navy for Doll Face (1945), and Shirley Temple doing a Jimmy Durante impersonation while dueting with him for Little Miss Broadway (1938). Alice Faye's delightful I'm Always Chasing Rainbows, and an Al Jolson medley were both deleted from Rose of Washington Square (1939). Faye and Grable teamed in Tin Pan Alley (1940). The fascinating footage features miscues on pre-recorded tunes and other assorted bloopers in addition to awkward attempts at musical performances by such actors as Don Ameche, Clark Gable, and Victor Mature. Hidden Hollywood first aired November 18, 1997 on American Movie Classics. ~ Bhob Stewart, All Movie Guide

The "pals" of the title, played by Don Ameche and George C. Scott, are Army chums living a sedentary retirement. Occasionally the twosome becomes a threesome when Scott's mother Sylvia Sidney shows up. All three are resigned to living out their lives on fixed incomes in a Georgia trailer park-and then, Ameche and Scott discover a large sum of money in an abandoned car. Well, "large" is putting it mildly: they find nearly four million bucks. They also find a heap of trouble when mobster James Greene, who'd stashed the cash in the first place, starts nosing around. The made-for-TV Pals was originally telecast February 28, 1987. ~ Hal Erickson, All Movie Guide

Don Ameche guest stars as Harry Whitehead, a retired magician whose protégé Mark Santini drowns while performing Whitehead's famous underwater-escape trick on a live TV special. Quincy (Jack Klugman) investigates the tragedy and unearths evidence of a possible murder scheme--while the elderly Whitehead prepares to perform the same stunt on another nationwide broadcast. This Columbo-style episode was originally scheduled to air on September 28, 1978. ~ Hal Erickson, All Movie Guide

Monie Ellis is the latest in a long line of movie and TV "Gidgets" in Gidget Gets Married. The title tells all: Francie "Gidget" Lawrence (Ellis) forsakes bikinis and surfboards for a wedding gown and corsage. Her husband, of course, is her faithful beau "Moondoggie", aka Jeff Stevens (Michael Burns). But the course of true love steadfastly refuses to run smoothly, as Gidget tries to deal with the snobbish social hierarchy within her husband's family and business associates. As he did in 1970's Gidget Grows Up, Paul Lynde steals the show as the waspish Louis B. Lattimer. Based on characters created by Frederick Kohner (whose own daughter was the model for the original Gidget), the made-for-TV Gidget Gets Married premiered January 4, 1972. ~ Hal Erickson, All Movie Guide

Don Ameche guest stars as George, the deceptively charming uncle of Steve Elliott (Mike Minor). No sooner does Uncle George arrive in Hooterville than he lives up to his reputation as a grade-A troublemaker, inadvertently leaving dissension and hurt feelings in his wake. Former series regular Rufe Davis briefly returns to his old role as engineer Floyd Smoot, substituting for the ailing Byron Foulger (Wendell Gibbs). ~ Hal Erickson, All Movie Guide

Join host Don Ameche as he introduces some of the most famous acts of international circuses in Rings Around The World. The film is an expanded version of a weekly series on NBC-TV entitled International Show Time. Gunther Gebel Williams and his trained tigers appears along with acrobats, jugglers, clowns, elephants, and the majestic Lipposoner stallions. ~ Dan Pavlides, All Movie Guide

In this routine political drama by Vincent Sherman, a murder trial is converted into one piece in the complex interaction between three candidates for governor. Judge Hoffman (Efrem Zimbalist, Jr.) is a solid, anchoring presence in his courtroom, qualities which should stand him in good stead when election day arrives. Senator Simon (Don Ameche) has all the scruples of a hungry ferret and tries to bribe the judge to take on a position in the federal judicial system in lieu of his candidacy. The District Attorney, Dan Callahan also has an ethics-free approach to politics and is not likely to change. Complicating matters is the fact that the Senator's wife Cathy (Angie Dickinson) was once in love with Judge Hoffman. By the time these protagonists get through dealing with the race for governor and each other's scruples -- or lack of them -- circumstances have drastically changed the picture. ~ Eleanor Mannikka, All Movie Guide

This noir mystery thriller was produced by Mary Pickford and her husband Buddy Rogers, and directed by Douglas Sirk. Claudette Colbert stars as Alison Courtland, a wealthy New York socialite who awakens on a Boston-bound train with no memory of how she got there. A kindly older woman, Mrs. Tomlinson (Queenie Smith) helps Alison call her husband Richard (Don Ameche), who informs her that she disappeared after threatening his life. While traveling back to New York, Alison meets Bruce Elcott (Robert Cummings), who is immediately smitten with her. Upon her return, Richard urges Alison to consult a psychiatrist, Charles Vernay (George Coulouris), but the man's bizarre, abusive manner nearly drives Alison mad. Alison's condition, Vernay, and even the helpful Mrs. Tomlinson are all part of an elaborate scheme on the part of Richard and his mistress, Daphne (Hazel Brooks) to get drive Alison to suicide and collect her fortune. A concerned Bruce visits Vernay, who is really a photographer, and begins piecing the scheme together. ~ Karl Williams, All Movie Guide

Don Ameche stars in this semi-screwball comedy as a handsome, eccentric 19th century inventor. Myrna Loy is his golddigging fiancee, who foolishly believes Ameche will make her financially secure. Love triumphs over greed, and Loy happily marries the inventor, who'll offer little in the way of creature comforts, but whose sincerity and dedication to his work is worth more to her than all the money in the bank. Why don't we ever meet people like this in real life? Released in Great Britain as A Genius in the Family. ~ Hal Erickson, All Movie Guide

Based on the popular Russian novel The Twelve Chairs, this stars Fred Allen as flea-circus impresario Fred Floogle. Learning that he's inherited $12 million from his uncle, Fred also discovers that the money has been stuffed in one of thirteen chairs that he's sold at auction. The rest of the film goes off on any number of hilarious tangents, each tied-in ever so tenuously to the plot. Included is an episode at the movies (Fred and his wife Binnie Barnes are continually escorted up several balcony steps and out several alleyway doors), a visit to Floogle's radio cohort Mrs. Nussbaum (Minerva Pious), a brief misadventure with Jack Benny (this time Benny has a hat-check girl in his hall closet, so that he can collect tips from visitors), an impromptu barbershop quartet session with Fred, Rudy Vallee, Don Ameche and Victor Moore, and a confrontation with the dreaded William Bendix mob (Bendix isn't really a gangster; he simply inherited the mob from his mother). Also weaving in and out of the proceedings are John Carradine as a crooked attorney, Robert Benchley as Fred's pompous in-law-to-be, Sidney Toler as a popcorn-munching detective, and Jerry Colonna as Fred's live-in psychiatrist. Two versions of this film exists, one without Fred Allen's ongoing voice over narration. ~ Hal Erickson, All Movie Guide

Former president Ronald Reagan may have genuinely believed that he was referring to a real-life act of selfless wartime bravery whenever repeating his "We'll bring this one down together" anecdote. In fact, he was merely quoting a scene from the above-average World War 2 drama A Wing and a Prayer. The setting is an American aircraft carrier, overseen by tough, unserving flight officer Don Ameche. When casualties begin piling up, the pilots blame Ameche, accusing him of being an indiscriminate butcher. Only when the tide of battle turns in favor of the Allies do the pilots realize that Ameche has been right all along. Director Henry Hathaway spent several weeks aboard an actual aircraft carrier, filming genuine combat scenes. Many of these authentic sequences appear as background footage in A Wing and a Prayer; sometimes the process work is convincing, sometimes it isn't, but please remember that this film was made long, long before the advent of computer technology. Dana Andrews, William Eythe, Richard Jaeckel, Harry Morgan (billed as 'Henry Morgan' here), Richard Crane, Glenn Langan, Reed Hadley and Bob Bailey are among the ready, willing and able Fox contractees appearing in A Wing and a Prayer. ~ Hal Erickson, All Movie Guide

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete. ~ Hal Erickson, All Movie Guide