Lon Chaney, Jr. Movies
The son of actors Lon Chaney and Cleva Creighton, Creighton Tull Chaney was raised in an atmosphere of Spartan strictness by his father. He refused to allow Creighton to enter show business, wanting his son to prepare for a more "practical" profession; so young Chaney trained to be plumber, and worked a variety of relatively menial jobs despite his father's fame. After Lon Sr. died in 1930, Creighton entered movies with an RKO contract, but nothing much happened until, by his own recollection, he was "starved" into changing his name to Lon Chaney Jr. He would spend the rest of his life competing with his father's reputation as The Man With a Thousand Faces, hoping against hope to someday top Lon Sr. professionally. Unfortunately, he would have little opportunity to do this in the poverty-row quickie films that were his lot in the '30s, nor was his tenure (1937-1940) as a 20th Century Fox contract player artistically satisfying.Hoping to convince producers that he was a fine actor in his own right, Chaney appeared as the mentally retarded giant Lennie in a Los Angeles stage production of John Steinbeck's Of Mice and Men. This led to his being cast as Lennie in the 1939 film version -- which turned out to be a mixed blessing. His reviews were excellent, but the character typed him in the eyes of many, forcing him to play variations of it for the next 30 years (which was most amusingly in the 1947 Bob Hope comedy My Favorite Brunette). In 1939, Chaney was signed by Universal Pictures, for which his father had once appeared in The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925); Universal was launching a new cycle of horror films, and hoped to cash in on the Chaney name. Billing Lon Jr. as "the screen's master character actor," Universal cast him as Dynamo Dan the Electric Man in Man Made Monster (1941), a role originally intended for Boris Karloff. That same year, Chaney starred as the unfortunate lycanthrope Lawrence Talbot in The Wolf Man, the highlight of which was a transformation sequence deliberately evoking memories of his father's makeup expertise. (Unfortunately, union rules were such than Lon Jr. was not permitted to apply his own makeup). Universal would recast Chaney as the Wolf Man in four subsequent films, and cast him as the Frankenstein Monster in The Ghost of Frankenstein (1942) and the title role in Son of Dracula (1943). Chaney also headlined two B-horror series, one based upon radio's Inner Sanctum anthology, and the other a spin-off from the 1932 film The Mummy. Chaney occasionally got a worthwhile role in the '50s, notably in the films of producer/director Stanley Kramer (High Noon, Not As a Stranger, and especially The Defiant Ones), and he co-starred in the popular TV series Hawkeye and the Last of the Mohicans. For the most part, however, the actor's last two decades as a performer were distinguished by a steady stream of cheap, threadbare horror films, reaching a nadir with such fare as Hillbillies in a Haunted House (1967). In the late '60s, Chaney fell victim to the same throat cancer that had killed his father, although publicly he tried to pass this affliction off as an acute case of laryngitis. Unable to speak at all in his last few months, he still grimly sought out film roles, ending his lengthy film career with Dracula vs. Frankenstein(1971). He died in 1973. ~ Hal Erickson, All Movie Guide
- 1955
I Died a Thousand Times is a scene-by-scene remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. Intending to use his share of the loot to finance Velma's operation, Earle goes through with the robbery, only to be thwarted by the ineptitude of his partners, the treachery of the late Big Mac's successors, and, finally, the fickle Velma. With the faithful Marie by his side, Earle makes a desperate escape into the High Sierras, but fate is still against him. Essentially an itinerary of what has previously "clicked" in High Sierra, I Died a Thousand Times makes a few concessions to changing tastes and mores; the stereotype comedy-relief character played by black actor Willie Best in the original film, for example, has been replaced by the more "acceptable" (at least by 1950s terms) stereotyped Mexican played by Gonzales-Gonzales. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works pretty well on its own terms. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Palance, Shelley Winters, (more)
- 1955
Ambitious but impecunious medical student Lucas Marsh (Robert Mitchum) marries the older and (in this film, at least) not especially attractive Kristina Hedvigson (Olivia de Havilland) so that she can pay his tuition fees. Kristina loves Lucas, but he loves nothing but his work. Emotionally shutting himself off from everyone -- including best friend, Alfred Boone (Frank Sinatra), and drunken dad, Job Marsh (Lon Chaney Jr.) -- Lucas survives his training and goes to work as the assistant to tough but tender small-town medico Dr. Runkleman (Charles Bickford). He enters into an affair with wealthy Harriet Lang (Gloria Grahame) (watch for the symbolism-laden tryst in the horse barn!), obliging Alfred, now a big-city doctor, to try to patch up his pal's marriage. But Lucas feels nothing and needs no one because he's come to think of himself as the perfect physician, incapable of making an error. When Lucas fails to revive his mentor Dr. Runkleman during heart surgery (a genuine heart is used in the "massage" close-ups), the young doctor suddenly realizes that he's not infallible after all. He wanders aimlessly through town, finally returning to his wife and collapsing into her arms, sobbing "Help me! Please help me!" Cameo players range from Broderick Crawford as a Jewish doctor denied entry into medicine's upper circles to Carl Switzer as a bug-eyed patient. The film was adapted from the best-selling novel by Morton Thompson. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Robert Mitchum, (more)
- 1954
Reminiscent of Destry Rides Again, this feature is about peaceable young lawyer Tom Brewster (Will Rogers Jr.), who sets up shop in a rowdy western town. Though perfectly able to wield a six-gun, Brewster refuses to use brawn when brain will do. He is galvanized into action when his old pal Wallace Ford is murdered by the villains. Brewster cleans up the town and wins the heroine (Nancy Olsen) in the bargain. One of two Will Rogers Jr. vehicles produced at Warner Bros. (the other was the life story of Rogers' famous father), The Boy From Oklahoma served as the basis for Warners' later TV series, Sugarfoot. Watch for a supporting appearance by a young and callow Merv Griffin! ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Jr., Nancy Olson, (more)
- 1954
In this adventure, four explorers search for a vast treasure in the Amazon jungle. One of the explorers is a woman who got involved after she traveled from California to marry her fiance whom she hasn't seen in two years. Another man tries to convince her that her fiance has become an alcoholic idealist obsessed with finding gold in the jungle. Another takes her into the jungle to find her love. En route he falls in love with her. Later they learn that her fiance has been killed by the Jivaro headhunters. The other man, who went in before them is also attacked, but the woman's guide saves his life. This film did not use stock footage. Much of it was actually filmed in the jungle to provide the backgrounds. ~ Sandra Brennan, All Movie Guide
- Starring:
- Fernando Lamas, Rhonda Fleming, (more)
The winning combination of producer Benedict Bogeaus and director Allan Dwan once more struck box-office gold with Passion. Set in 19th century California, the film stars Cornel Wilde as a young rancher seeking vengeance for the murders of his wife Yvonne de Carlo and his parents. The guilty parties are a group of terrorists, headed by Rodolpho Acosta, whom Wilde, now a fugitive from justice himself, intends to knock off one by one. Loyally standing by her man is the sister of Wilde's slain wife, also played by Yvonne de Carlo (one character is demure, the other fiery). Featured in the cast is Raymond Burr as a police chief determined to follow the letter of the law--at least, until things get too personal. Passion was effectively color-photographed on location in the mountain ranges between California and Nevada. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Raymond Burr, (more)
Bob Hope tries to capture the comic magic of his 1946 costume farce Monsieur Beaucaire with the splashy Technicolor romp Casanova's Big Night (filmed in 1952, released in 1954). Set in 18th century Venice, the film casts Hope as Pippo, the humble tailor of notorious ladies' man Casanova (an unbilled Vincent Price). When Casanova skips town without paying his debts, the local tradesman's guild, led by Casanova's butler Lucio (Basil Rathbone), conspire to pass off one of their number as the great lover and arrange a profitable marriage. Selected to impersonate Casanova is the hapless Pippo, who soon afterward is hired by the imperious Duchess of Castelbello (Hope Emerson) to test the fidelity of the duchess' future daughter-in-law Elena (Audrey Dalton). Along the way, Pippo is given lessons in etiquette and swordsmanship by both Lucio and tradeswoman Francesca (Joan Fontaine). Eventually, Pippo finds himself up to his neck in court intrigue, courtesy of the scheming Doge of Venice (Arnold Moss). Further complications include a couple of hilarious swashbuckling scenes, an interlude in a dungeon with addlepated prisoner Emo (Lon Chaney), and the obligatory disguise scene. The Pirandellian ending of Casanova's Big Night was later imitated by such films as The Maltese Bippy (1969) and Wayne's World (1992). Bob Hope is in fine form, the production is sumptuous and the supporting cast superb, but somehow there's a little something missing in Casanova's Big Night. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Joan Fontaine, (more)
- 1954
This adventure video is comprised of three TV pilots based on Jack London's stories. ~ Sandra Brennan, All Movie Guide
- 1954
A young police officer tries his best to assuage the fears of his pregnant wife by refusing dangerous new jobs. But despite his caution, he has a job to do and he ends up chasing a dangerous thief all the way to Mexico in a helicopter. This actioner chronicles his death-defying adventures. ~ Sandra Brennan, All Movie Guide
- 1954
1954's The Black Pirates stars Anthony Dexter, who three years earlier hadn't quite set box-office records afire with his portrayal of Rudolph Valentino. Dexter heads a band of pirates who land in a sleepy Mexican village. A buried treasure is rumored to be somewhere in the vicinity, and the pirates want to get their grimy mitts on it. They enslave the villagers and force them to dig for the treasure. Black Pirates was written by Fred Freiberger, the man later responsible for the up-and-down third season of TV's Star Trek. It was filmed on location in Mexico and released stateside by Lippert Films. ~ Hal Erickson, All Movie Guide
- 1953
John Payne stars as legendary pirate Barbarossa -- aka Redbeard -- in Raiders of the Seven Seas. Capturing a Spanish galleon almost single-handedly, Barbarossa claims haughty Contessa Alida (Donna Reed) as his own property. Engaged to marry naval officer Alfredo (Gerald Mohr), Alida despises Barbarossa, but she changes her mind when she finds out what a louse Alfredo can be. All loose plot strands are neatly tied up during the swashbuckling finale, wherein Barbarossa leads an attack on Havana. The supporting cast of Raiders of the Seven Seas is populated with such familiar faces as Lon Chaney Jr., Henry Brandon, and Frank DeKova. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Donna Reed, (more)
- 1953
In 1945, James Cagney, through his independent production company, bought the rights to a lurid novel by Adria Locke Langley, concerning the rise of a Southern demagogue, loosely based on the political career of Huey Long. By the time the film finally went into production and was released in 1953, the film became an also-ran, trailing behind Robert Rossen's Oscar-winning production All the King's Men, which concerned the same subject. The film, directed by Raoul Walsh, never escapes from the towering shadows of the Rossen film, so it becomes, in the end, a matter of preference for the lead character -- whether one prefers the looming intimidation of Broderick Crawford or the brisk pugnacity of James Cagney. Cagney plays swamp peddler Hank Martin, who tries to ride into the governor's mansion in a backroad Southern state by making a crusade out of the plight of the poor and impoverished majority of the state. He begins his political assent by leading a sharecropper's revolt against the rip-offs the sharecroppers are receiving at the local cotton mill. But things become more intense and Hank Martin sows the seeds of his own destruction when he makes a deal with a local, crooked political boss in order to get ahead in his political career. ~ Paul Brenner, All Movie Guide
- Starring:
- James Cagney, Barbara Hale, (more)
Some sources have indicated that Battles of Chief Pontiac was originally intended as the pilot for a TV series. Erstwhile Tarzan Lex Barker stars as 18th-century frontiersman Kent McIntyre, while Lon Chaney Jr. essays the title role of Chief Pontiac. On behalf of the British, McIntyre tries to negotiate a peace treaty with Pontiac, who is understandably wary of white-man promises. Sure enough, a fierce anti-Indian policy is placed into effect when McIntyre's commanding officer is replaced by bigoted Hessian colonel Von Weber (played with Fuehrer-like intensity by Berry Kroeger). Practicing a particularly insidious form of genocide, Von Weber tries to decimate the Indians with smallpox-infested blankets. Eventually, the cruel commandant is hoist on his own petard, and peace is restored for awhile. ~ Hal Erickson, All Movie Guide
- Starring:
- Lex Barker, Helen Westcott, (more)
- 1952
Generous portions of stock footage from 1948's Joan of Arc are somehow worked into the Arabian Nights proceedings of Thief of Damascus. His tongue firmly in cheek, Paul Henreid plays the title character, aka Abu Amdar. The plot has something to do with an evil desert chieftain (John Sutton) who agrees to end his siege of Damascus if Princess Zafir (Helen Gilbert) will promise to marry him. Abu Amdar and his band of followers hope to rescue the Princess from this grisly fate. That Thief of Damascus is not to be taken seriously is demonstrated by the supporting cast, which includes an impish Robert Clary as Aladdin and an oafish Lon Chaney Jr. as Sinbad. Stealing the show is Ms. Jeff Donnell as Scheherezade, who insists upon rattling off her 1001 stories to everyone in earshot, whether they want to hear them or not! ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, John Sutton, (more)
- 1952
Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Phyllis Thaxter, (more)
- 1952
Boris Karloff returns to his old Universal stamping grounds in the mild horror item Black Castle. The plot is motivated by a brace of 18th-century aristocrats, Beckett (Richard Greene) and Count Von Bruno (Stephen McNally). Invited to visit Von Bruno's castle in Austria, Beckett accepts, hoping in this way to prove that the count is responsible for the deaths of two of his friends. The sadistic Von Bruno toys with his guest, intending to subject Beckett to a horrible demise at the first opportunity. When Beckett meets the Count's reluctant bride Elga (Paula Corday), he vows to free her from the accursed castle. Karloff has a smallish role as the Count's humanitarian physician, while his fellow horror-star Lon Chaney Jr. does his usual as a mute but deadly manservant. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Greene, Boris Karloff, (more)
This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Grace Kelly, (more)
Also known as The Rebel, The Bushwackers was coscripted by director Rodney Amateau and actor Tom Gries (later the director of such big-budgeters as Will Penny). Tired of senseless bloodshed, civil war veteran John Ireland vows never to use a gun again. This proves difficult when Ireland runs afoul of town despot Lon Chaney Jr. It seems that Chaney takes special delight in tormenting the local newspaper editor, who happens to be the father of pretty heroine Dorothy Malone. Effectively avoiding stereotypes and cliches, The Bushwackers is a virtually a model of everything a good program western should be. ~ Hal Erickson, All Movie Guide
- Starring:
- John Ireland, Wayne Morris, (more)
- 1951
The aggressively Irish Maureen O'Hara and the staunchly American Jeff Chandler are cast as Arabian Nights types in Flame of Araby. Chandler plays Tamerlaine, a Bedouin chief who is engaged in a hunt for a legendary black stallion. Also coveting the prize steed is Tunisian princess Tanya (O'Hara), who wants to capture the horse to race in competition against her hated brothers Borka (Lon Chaney) and Hakim (Buddy Baer). After reels and reels of deadly rivalry, Tamerlaine decides to join forces with Tanya to trap the stallion--and in the process, the two fall in love. Listed as associate producer of Flame of Araby is Ross Hunter, whose later cinematic efforts would eschew desert-sands escapism in favor of lush soap operas and frothy sex comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, Jeff Chandler, (more)
One of the oddest comedies of the 1950s, Behave Yourself! stars Farley Granger and Shelley Winters as a pair of none-too-bright newlyweds. Granger and Winters adopt a stray pooch named Archie, who unbeknownst to them has been trained as a go-between for a couple of underworld gangs. To the ever-mounting amazement of our hero and heroine, corpses begin to pile up all around them as one gang endeavors to rub out the other during a million-dollar smuggling operation. While it's quite possible to treat murder as a farcical situation-remember Arsenic and Old Lace?--the killings in this film are sometimes too graphic to induce laughter (there's nothing terribly mirth-provoking about gang flunkey Hans Conried lying dead in a bathtub with a bullet hole between his eyes). Another detriment is the casting of Granger and Winters, both of whom are woefully unsuited to their roles. In fact, such veteran villains as Lon Chaney Jr., Sheldon Leonard, Francis L. Sullivan and Elisha Cook Jr. come off funnier than the stars! The film's best sequence occurs during the closing cast credits, so try to stick around after the "THE END" title. Behave Yourself was the first coproduction between Wald-Krasna Productions and RKO Radio. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Shelley Winters, (more)
This silly, stagebound but entertaining little monster-mash from Universal horror writer/director Curt Siodmak stars burly Raymond Burr as a steward on a rubber plantation whose romantic tryst with the boss' wife (Barbara Payton) eventually leads to the employer's murder. When one of the voodoo-practicing servants of the ex-boss learns of this, he concocts a magic potion which transforms Burr (apparently) into a "sukaras" -- a kind of were-ape which roams the village by night, savaging the locals and sparking a plodding investigation by the local constable (Lon Chaney, Jr.). Enjoyable if only for its relentless goofiness, with an ending that will have most viewers wondering if Siodmak forgot to include a reel or two in his final edit. ~ Cavett Binion, All Movie Guide
- Starring:
- Barbara Payton, Lon Chaney, Jr., (more)
- 1951
Director Gerry Mayer, nephew of MGM-head Louis B. Mayer, proved that nepotism had nothing to do with his hiring by turning out the first-rate historical melodrama Inside Straight. The film begins in 1870 San Francisco, as the city is threatened with financial disaster due to overspeculation on the Comstock Lode. David Brian stars as local tycoon Rip MacCool, who in a series of flashbacks recalls his rise to prominence. While wheeling and dealing with other people's money, MacCool loves and loses two wives: Lily Douvane (Arlene Dahl) takes him for every penny he's got, while Zoe Carnot (Paula Raymond) dies in childbirth. Back in the present, MacCool is forced to make a fateful decision that will, for once, benefit someone else rather than himself. In a supporting role as town banker Ada Stritch, Mercedes McCambridge figures prominently in the final sequence, in which everything hinges on the titular poker hand. ~ Hal Erickson, All Movie Guide
- Starring:
- David Brian, Arlene Dahl, (more)
- 1950
W. Lee Wilder, the younger brother of Billy Wilder, was producer/director/co-writer of Once a Thief. June Havoc stars as Margie, a shoplifter who falls in love with smooth-talking Mitch (Cesar Romero). Margie's new beau reveals his true colors by stealing every penny she has, then turning her into the authorities. Upon her release from prison, Margie swears revenge. Though Mitch gets his just desserts, no one comes out a winner in this one. Though Once a Thief offers few surprises, the film does boast an impressive supporting cast (by "B"-picture standards, at least), including Marie McDonald, Lon Chaney Jr., Iris Adrian and Kathleen Freeman. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, June Havoc, (more)
Originally conceived as a Gary Cooper western, Only the Valiant reached the screen with Gregory Peck in the lead. Peck plays Richard Lance, a strictly by-the-book Army captain. Though hated by his men, Lance is respected for his military know-how. This comes in very handy when Lance and a detachment of troops attempt to reach, and then hold, an unguarded Army garrison in the middle of Apache Country. Among the film's he-man contingent are Ward Bond, Gig Young, Lon Chaney Jr., Neville Brand, Jeff Corey and Steve Brodie, all delivering topnotch performances. The nominal leading lady is Barbara Payton, whose real-life tragedies were far more dramatic than any film she appeared in. Only the Valiant was based on a novel by Charles Marquis Warren. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Barbara Payton, (more)
