Terence Young Movies

Where Is Parsifal? -- he (Tony Curtis) is in a castle surrounded by nutcakes, himself a hypochondriac who has invented a laser skywriter and wants to sell the patent for his invention to millionaire Henry Board II (Erik Estrada) or to wealthy gypsy Klingsor (Orson Welles). The castle crew are in a frenzy because Mackintosh (Donald Pleasence) is trying to confiscate their belongings to get them out of debt, but Henry II is coming over for dinner, and they need their belongings to impress him, not to mention feed him. Frenetic as though running on amphetamines, this film has tried to replace funny with fast, but it just does not work. ~ Eleanor Mannikka, All Movie Guide

In what was billed as "The First East-Meets-West Western," Toshiro Mifune plays Kuroda, a samurai warrior who accompanies a Japanese diplomat to the United States. The diplomat has brought with him a golden, jewel-encrusted sword to present as a token of good will to the president, but as they travel by train through the west, they're ambushed by a pair of outlaws, Gauche (Alain Delon) and Link (Charles Bronson). Gauche and Link steal the sword, but Link leans the hard way about his partner's trustworthiness when Gauche double-crosses him and makes off with the booty. Since both Kuroda and Link have a grudge against Gauche, they warily join forces to track him down and return the sword to its rightful owner. Along the way, they have to deal with cultural conflict, Indian attacks, and encounters with beautiful women (played by Capucine and Ursula Andress). Given its cast and theme, Red Sun was predictably enough a major box-office success in Europe and Japan, but it passed through with little notice in the United States. ~ Mark Deming, All Movie Guide

This romantic tragedy concerns the Archduke Rudolf (Omar Sharif) and his mistress, the Baroness Maria Vetsera (Catherine Deneuve), and their untimely demise at Mayerling, the sight of the Austrian royal family's hunting lodge. Rudolf verbally spars with his father Emperor Franz-Josef (James Mason) about wanting to implement progressive policies for his country. Ava Gardner plays his mother Empress Elizabeth. Rudolf also contends with the fallout from a loveless marriage with Princess Stephanie (Andrea Parisy). Respectful of the centuries-old Hapsburg family rule over Austria, Rudolf soon feels he is a man born at the wrong time in a country that will not realize the need for social reform. The Prince of Wales (James Robertson-Justice), later to become Britain's King Edward VII, provides the only comic relief with his dialogue. The deaths remain a mystery, but director Terence Young suggests the two lovers made a suicide pact when they decided they could not live in a world without love where the prospects for peace were dubious at best. ~ Dan Pavlides, All Movie Guide

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy's life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple's New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy's confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat. ~ Linda Rasmussen, All Movie Guide

This exciting adventure provides an interesting look into the manufacture and trafficking of opium and heroin. The original story was written by Ian Fleming who died shortly before he was to pen the screenplay. The story is set in Iran and opens as an American undercover agent is murdered in the desert while attempting to buy opium. Two more agents are sent to Teheran to investigate the death and stop the powerful drug ring behind the smuggling. Once there, they run into the dead agent's girlfriend, who soon after suddenly disappears. Unfortunately, they cannot find her and so focus on their other job. To figure out where the drugs are going (and hopefully get a lead on the missing girl) they steal a bunch of opium and lace it with radioactive tracers so they can track it with Geiger counters. They then follow the drugs as they are slowly dispersed throughout Europe. After many twists, turns and blind alleys, the agents eventually succeed. This film was originally made for TV and contains cameos from many stars who worked for little pay because they strongly supported its anti-drug message. Those stars include Grace Kelly (who introduces the film) Omar Sharif, E.G. Marshall, Eli Wallach, Marcello Mastrioanni, and many more. ~ Sandra Brennan, All Movie Guide

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, All Movie Guide

From Russia With Love, the second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula -- the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; Q is seen for the first time; and Sean Connery as Bond has nailed down his role as 007 -- accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. In From Russia With Love, the bad guys don't want to take over the world. They want something more mundane -- a Russian decoding device. Assigned to the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb (Lotte Lenya), and No. 5, Kronsteen (Vladek Sheybal), an expert chess player who has plotted every move of the mission. Kronsteen's plan requires using Bond's weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova (Daniela Bianchi), SPECTRE muscleman Red Grant (Robert Shaw) is to forcibly take it from Bond and kill him. But Bond suspects a trap. Being Bond, however, he can't resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. ~ Paul Brenner, All Movie Guide

Set in ancient Rome, this film follows the struggle of Roman triplets as they battle their Alban arch-enemies to prevent Rome from being annexed to Alba. ~ Iotis Erlewine, All Movie Guide

With dialogue ranging from flat to offensive and acting in the same range, this low-brow erotic crime drama by director Terence Young stars Jayne Mansfield as Midnight Franklin, a star stripper in a Soho club that is in serious rivalry with another strip joint. A reporter gets involved in the strip scene while writing a story on the clubs, and in the end he has quite a lot to write about. The competition between the two clubs heats up, and after one of the owners is the unknowing instrument in the death of a young (illegally young) stripper, both rival clubs head for a crash. ~ Eleanor Mannikka, All Movie Guide

In this WW II adventure, five brave Allies endeavor to escape from an Italian POW camp in North Africa. They succeed, but their trials are not over as they must still cross the burning Libyan desert to get safely behind Allied lines. En route they are captured by a Nazi-loving sheik. The sheik takes considerable time to decide the fate of the escapees; in that time, the five manage to escape again. This time they kill their captors. The film is also titled No Time to Die. ~ Sandra Brennan, All Movie Guide

In this desert adventure, a bandit chieftain roams the northwest deserts of India. Wherever he goes, he leaves a trail of ruin and raped women. A British major is assigned to capture the bandit and his gang. He succeeds, but soon the bandit, with the assistance of a sadistic nomad, escapes. The raiders then head for a British garrison where more bloodshed ensues as they begin slaughtering the hapless soldiers. The nomad captures the colonel and begins torturing him. The bandit, who has grown to respect his British adversary, sacrifices his own life to stop him. ~ Sandra Brennan, All Movie Guide

This fourth film version of A.E.W. Mason's adventure yarn The Four Feathers relies heavily on stock footage from the more famous 1939 adaptation (both were produced by Alexander Korda and codirected by Korda's brother Zoltan). Anthony Steel stars as 19th cntury British officer Harry Faversham, who begs off from serving with Kitchener's forces in the Sudan, preferring to stay in London with fiancee Mary Burroughs (Mary Ure). Almost immediately, Faversham receives the traditional "white feather" of cowardice from his three closest friends--and then is handed a fourth feather by Mary. Determined to prove that he is not a coward, Faversham heads off to the Sudan to fight shoulder-to-shoulder with his comrades. He also intends to return those dreaded feather to his three former friends, even resorting to native disguise at one point to do so. Laurence Harvey essays the old Ralph Richardson role of John Durrance, who is blinded by the sun and thus unaware of Faversham's true identity, while James Robertson Justice fills the shoes of Four Feathers' crusty C. Aubrey Smith ("War was war in my day, sir!") ~ Hal Erickson, All Movie Guide

After causing the needless death of another officer during a near-miss air disaster, a distraught army officer resigns from the military. Still, the American wants to serve in the war effort and so, calling himself a Canadian, enlists in the British military to train as a paratrooper. Revealing nothing about his past, he proves himself obedient and exceptionally skilled. This rouses the suspicion of his commanding officer who starts investigating the trooper. Later, the trooper more than proves himself during a dangerous mission to North Africa. ~ Sandra Brennan, All Movie Guide