Cornel Wilde Movies
His father was a traveling salesman who did a lot of business in Europe, and Wilde spent much of his youth traveling in Europe with him, where he became fluent in several languages. For several years he studied medicine in college, but he gave it up to pursue acting; he also gave up a spot on the 1936 U.S. Olympic fencing team. He appeared in a number of plays in New York and on the road, playing everything from bit parts to leads. In 1940 he was hired as a fencing instructor and a featured player for the Broadway production of Hamlet with Laurence Olivier; some of the rehearsals were in Hollywood, where he landed a film contract. On-screen from 1940, Wilde played small roles as heavies in several films, then switched studios and began getting leads in B movies. His career took off after he played Chopin in A Song to Remember (1945), for which he received a Best Actor Oscar nomination. For several years he starred in major productions, such as the 1952 Best Picture winner The Greatest Show on Earth, then in the mid-late '50s he was back in B movies, often playing swashbucklers. In 1955 he formed his own company, Theodora Productions, to produce, direct, and star in his own films; he ultimately made 11 films in that capacity, but earned little critical respect for his work. Divorced from actress Patricia Knight, Wilde married his frequent costar, actress Jean Wallace. ~ All Movie Guide- 1945
One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Merle Oberon, (more)
- 1945
Thousand and One Nights is an occasionally strident but generally successful satire of the popular Universal Jon Hall/Maria Montez epics. Cornel Wilde stars as a twentyish Aladdin, whose magic lamp yields two genies: Collosus-like Rex Ingram (repeated the role he played in 1940's Thief of Baghdad) and ravishing redhead Evelyn Keyes (who, like future TV genie Barbara Eden, was seemingly born without a navel). Wilde uses his new-found wealth and magical powers to woo princess Adele Jergens, but not without the opposition of villainous Dennis Hoey. Phil Silvers plays Wilde's comic sidekick, a man "born 2000 years ahead of his time" who wears glasses, spouts jive-talk ("Slip me some skin, Abdul!") and cracks anachronistic jokes. The final gag in Thousand and One Nights, in which the genie gives Phil Silvers the voice of Frank Sinatra, has been removed from many TV prints. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Evelyn Keyes, (more)
- 1954
In this subtle 1954 comedy with feminist overtones, Clifton Webb plays Gifford, an executive with a large automobile manufacturer who is having trouble deciding who to hire as his chief sales manager. His three candidates are equally competent, so he brings their wives with them to New York headquarters, planning to hire the one whose wife is most suited to be an executive's wife. Elizabeth (Lauren Bacall) is the wife of Sid (Fred MacMurray), a company man. Elizabeth knows that Sid is such a workaholic that she will never see him if he gets the new job, but she is loyal to her husband and impresses the hiring team with her competency. Bill Baxter (Cornel Wilde) is handicapped in the competition by his wife Katie (June Allyson), a clumsy but sweet small-town girl from the Midwest. Katie dutifully tries to impress the big boss but proves inept at handling the social responsibilities. She would prefer to stay in Kansas City anyway. Jerry (Van Heflin) is married to Carol (Arlene Dahl), a seductive gold-digger who sexually teases various executives in the hopes that her assets can help land Jerry the job. Instead, her out-of-bounds behavior gets Jerry eliminated from the list, at least until Jerry tells Gifford that he doesn't sanction his wife's behavior. ~ Michael Betzold, All Movie Guide
- Starring:
- Clifton Webb, June Allyson, (more)
- 1951
At Sword's Point is about the sons of Dumas' Three Musketeers--one of those "sons" being of the female persuasion, played by Maureen O'Hara. As the swash-buckling daughter of Athos, O'Hara joins the offspring of Aramis and Porthos, portrayed respectively by Dan O'Herlihy and Alan Hale Jr., as well as the bouncing boy of D'Artagnan, played by Cornel Wilde. These second-generation Musketeers are reunited by the ageing Queen Anne (Gladys Cooper), who wants to stem the villainy of her treacherous nephew, the Duc de Lavalle (Robert Douglas). Lunging and parrying throughout the French countryside, the new Musketeers save the day by preventing a marriage of state between the princess (Nancy Gates) and Lavalle, restoring the girl to her true love, prince Peter Miles. Technicolor is the only decided plus in the favor of the lazy and derivative At Sword's Point, which was completed in 1949 but remained unseen in RKO's vaults for three years. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Maureen O'Hara, (more)
Cornel Wilde produced, directed, and stars in this sincere, hard-edged look at World War II that doesn't flinch from the horrors of battle. The action takes place during a single American campaign to take an island held by the Japanese. Brief flashbacks to civilian life are the only escape from the gritty, dreary setting. The usual cliché characters are replaced by new ones, such as the captain (Wilde) who loves his wife but hates the war, the sergeant (Rip Torn) who gets sadistic pleasure out of battle, the minister's son (Patrick Wolfe) who keeps remembering the girl he left back home, and the Southern illiterate (Burr DeBenning) who finds a place for himself in the Marines. The screenplay (from a 1945 novel by Peter Bowman) avoids stereotypes yet doesn't make any of these men into fleshed-out characters. Still, the acting is solid and Wilde deserves commendation for taking a harsh, unromanticized look at the Big One, over thirty years before Steven Spielberg did it with Saving Private Ryan. ~ Don Kaye, All Movie Guide
- Starring:
- Cornel Wilde, Rip Torn, (more)
- 1956
Hot on the heels of Safari came another Columbia-released, African-filmed adventure, Beyond Mombassa. Matt Campbell (Cornel Wilde) arrives in Kenya on a double quest. He hopes to locate a valuable uranium mine, and also to learn the "whos, whats and whys" of his brother's murder. Joing Campbell's safari are missionary Ralph Hoyt (Leo Genn) and Hoyt's niece Ann Wilson (Donna Reed). After several attempts are made on Campbell's life, he comes to the conclusion that one of his travelling companions was responsible for his brother's death. Sure enough, the villain has not only dispatched Campbell's brother, but has also arranged the evidence so as to place the blame on a legendary tribe of "leopard men". As for why he does it, it is best to see Beyond Mombassa for further details. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Donna Reed, (more)
- 1952
California Conquest is set in the early 19th century, when California was fighting for its independence from Mexico--and as such was up for grabs so far as several other nations were concerned. Wealthy landowner Fredo Brios (John Dehner) feverishly opposes all efforts by Californians seeking to become a part of the United States, and to that end Brios hires bandit Jose Martinez (Alfonso Bedoya) to help forge an alliance with Russia. But patriotic Don Arturo Bordega (Cornel Wilde) and his lady love Julia Lawrence (Teresa Wright) attempt to checkmate Brios by locating a cache of guns stolen by Martinez' men. Amusingly, the Russian characters in California Conquest spout Marxist-Leninist dogma nearly a century before the Revolution. Featured in the cast is Renzo Cesana, who in 1952 was immensely popular as TV's "Continental." ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Teresa Wright, (more)
- 1946
Otto Preminger directed this romantic musical (something of a change of pace for the rather serious-minded director) set in Philadephia in 1876. The upcoming Centennial Exposition is the talk of the town, and sisters Julia (Jeanne Crain) and Edith (Linda Darnell) find themselves romantic rivals when they both fall for Philippe (Cornel Wilde), a suave Frenchman in town for the celebration. Their mother Harriet (Dorothy Gish) might offer more advice if she weren't busy looking after her husband Jesse (Walter Brennan), who is busy tinkering with inventions that he's convinced will make him a rich man. Jerome Kern composed the film's'score and co-wrote several songs, including "Up with the Lark," "The Right Romance," and "All Through the Day." It was the last film work he would complete prior to his death in 1945. ~ Mark Deming, All Movie Guide
- Starring:
- Jeanne Crain, Louis Austin, (more)
One of the many Italian sword-and-sandal adventure stories roughly depicting historical events -- sometimes too graphically -- this drama by director Lionello de Felice has its merits. The action moves along at a good clip, as Constantine's (Cornel Wilde) rise to power is depicted, amidst battling armies and political intrigue. All the well-publicized, old Roman entertainments such as feeding Christians to the lions are shown in more detail than might be necessary, leading to one of the main points of featuring Constantine at all -- he was the emperor who gave Christians the freedom to worship as they pleased. His cronies and his enemies, his loves and his successes all have their moment in the sun. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Cornel Wilde, Christine Kaufmann, (more)
- 1959
A well-dressed older man drives a car along the winding mountain road adjacent to the Grand Canyon. Another man lies in wait for him where the road ends. They fight, and the car and one of the men plunge into the mile-deep gorge. Thus begins a series of four killings that fall into the lap of newly hired Mojave County deputy Les Martin (Cornel Wilde) and his boss, Sheriff Edwards (Edgar Buchanan). Les is an experienced homicide detective trying to redeem himself and his career after a series of personal tragedies and professional disasters, unsteady in his confidence and uncertain of his ability -- the only people he's especially close to are the sheriff who hired him and Scotty (Mickey Shaughnessy), the big-hearted keeper of the local tavern. And complicating his investigation of the murder case at hand is his constant crossing of paths with the beautiful, wealthy Janice Kendon (Victoria Shaw), who seems to have a knack for turning up around every corner of this case. He has to sort out his feelings about her and work out what the murders have to do with the one clue left behind by one of the victims, about the "dancing bucket" that carries men and material more than 7,000 feet across the mile-high chasm. ~ Bruce Eder, All Movie Guide
- Starring:
- Cornel Wilde, Victoria Shaw, (more)
- 1947
They said it couldn't be done, but they did it: Kathleen Winsor's "notorious", bestselling bodice-ripper Forever Amber actually made it to the screen in 1947 with full censorial approval. Of course, it was necessary to tone down the more erotic passages of Winsor's novel, but the end result pleased fans of the book and bluenosed nonfans alike. A last-minute replacement for British import Peggy Cummins, Linda Darnell steps into the role of 17th century blonde bed-hopper Amber as though she'd been born to play it. Feeling suppressed by her Puritan upbringing, Amber heads to London, finding considerable success as a courtesan (that's the polite word for it). The first real love of her life is dashing soldier Bruce Carlton, who leaves her pregnant and penniless when he marches off to war. Subsequent amours include the sadistic Earl of Radcliffe (a superbly loathsome performance by comic actor Richard Haydn), handsome highwayman Black Jack Mallard (John Russell) and privateer Captain Rex Morgan (Glenn Langan). Surviving the Plague and the Great London Fire with nary a hair out of place, Amber ends up in the arms of no less than King Charles II (wittily portrayed by George Sanders), but true love, as personified by Bruce Carlton, will always elude her. Taking no chances, 20th Century-Fox sent out Forever Amber with a spoken prologue, heard over the opening credits, which explained that the film in no way endorsed its heroine's libertine behavior, and that she would be amply punished for her sins before fadeout time (that prologue has thankfully been removed from current prints). A model of restraint by today's standards, Forever Amber was sufficiently titillating in 1947 to post an enormous profit, far in excess of its $4 million budget. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Ball, Linda Darnell, (more)
- 1950
Cornell Wilde serves as "box office insurance" in this Swiss-filmed romantic comedy. Wilde plays American sailor Stanley Robin, who while vacationing in Switzerland falls in love with Suzanne (Josette Day), the daughter of a local watchmaker. Their romance is threatened by the arrival of French femme fatale Yvonne (Simone Signoret). Those not interested in the amorous entanglements will be amused by Cornel Wilde's antic attempts at learning to ski. Wilde's navy buddies include such TV stars-to-be as Alan Hale Jr. (of Gilligan's Island) and George Petrie (of Dallas). Among the screenwriters for Swiss Tour was Curt Siodmak, who adapts to comedy as well as he did to Gothic horror in the 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Josette Day, (more)
- 1972
Incorporating themes from horror films of both the '50s and the '70s, this suspenseful TV movie stars Cornel Wilde and Jennifer Salt as an archaeologist and his daughter, who discover a strange skull on display at a roadside tourist trap. After the museum owner is killed during an attack from an unseen foe, the pair are subsequently pursued across the American Southwest by a tribe of humanoid creatures that bear a striking resemblance to the gargoyles of myth, leading to a manic game of cat-and-mouse across the desert. This enjoyably spooky film essentially riffs on this one-note premise for over 70 minutes -- sort of an inversion of Night of the Living Dead's claustrophobic scenario -- and fortunately comes off quite well thanks to superb use of the desert locations, an eerie score, uniformly good performances, and Emmy award-winning monster costumes from Stan Winston. A young Scott Glenn appears as a roguish biker who throws in with the good guys after taking a shine to the professor's daughter. ~ Cavett Binion, All Movie Guide
In a manner of speaking, Humphrey Bogart had George Raft to thank for his ascendancy to stardom: after all, if Raft hadn't turned down both High Sierra and The Maltese Falcon, Bogart might have continued playing second-billed gangsters to the end of his days. Adapted from W. R. Burnett's novel by Burnett and John Huston, High Sierra opens with gangster Roy Earle (Bogart) being paroled after a lengthy prison term. Though he enjoys the fresh air and sunshine of the outside world, Earle has no intention of giving up his criminal ways. In fact, his parole has been arranged by Big Mac (Donald MacBride), so that Earle can mastermind a big-time heist at a fancy California resort hotel. After a few unkind words with a crooked cop, Kranmer (Barton MacLane), in Big Mac's employ, Earle heads toward a fishing resort, where he is to commiserate with his inexperienced, hot-headed cohorts Babe (Alan Curtis) and Red (Arthur Kennedy). En route, he befriends a farm family, heading to LA in search of work. He falls in love with the family's club-footed daughter Velma (Joan Leslie)--though she never really gives him any encouragement--and makes a silent promise to finance an operation on her foot once he's gotten his share of the loot. At the mountain cabin rendezvous, Earle meets Marie (Ida Lupino), Babe's tough-but-vulnerable girlfriend. He angrily orders her to scram, but she stubbornly remains. Earle also finds himself the owner of a "jinxed" dog, whose previous masters have all met with early demises (a none-too-subtle foretaste of things to come). Marie is strongly attracted to Earle, but he refuses to have anything to do with her, reserving his affections for Velma. He arranges an operation for the girl with mob doctor Banton (Henry Hull), never suspecting that the self-serving Velma is planning all along to marry someone else. The robbery goes off without a hitch, save for the fact that "inside man" Mendoza (Cornel Wilde) panics and nearly gives the game away. While escaping, Babe and Red are killed in a car accident, but Earle and Marie escape. Having been disillusioned by Velma's indifference and by the fact that the untrustworthy Kranmer has taken over the late Big Mac's operation, Earle at last realizes that the only person he can truly depend upon is the faithful Marie. With the police hot on his trail, Earle tells Marie to look after herself, then heads alone into the High Sierras--where, in Greek Tragedy fashion, he "busts out" of life. As in Petrified Forest, Humphrey Bogart plays a burnt-out anachronism from an earlier era in crime in High Sierra; in the latter film, however, Bogart has an innate nobility that allows the audience to empathize with him throughout. It is nothing short of amazing that, despite his superb performance in this 1940 film, he still had to wait until The Maltese Falcon for top billing in an "A picture." High Sierra was remade in 1949 as Colorado Territory and in 1955 as I Died a Thousand Times. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Ida Lupino, (more)
- 1956
If Hot Blood is remembered at all today, it is for its ludicrous advertising blurb "Jane Russell shakes her tambourines and drives Cornel Wilde!" Set in the gypsy community of contemporary Los Angeles, the film stars Wilde as aspiring dancer Stephen Torino, who is tricked by his brother Marco Luther Adler into an arranged marriage with tempestuous Annie Caldash Jane Russell. Annie is willing to give the union a go, but Torino wants none of it. Several risque complications and lively musical numbers later, Torino changes his mind. Nicholas Ray imbues Hot Blood with the same erotic/neurotic energy he brought to such earlier cult favorites as Johnny Guitar and Rebel without a Cause, but the magic just isn't there this time. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Cornel Wilde, (more)
- 1955
Ever on the prowl for Hollywood celebrities, Lucy (Lucille Ball) is thrilled to discover that movie star Cornel Wilde has rented the penthouse suite just above the Ricardos' Beverly Hills hotel room. Determined to catch a closeup glimpse of Wilde, Lucy first disguises herself as a bellboy, then hides under a luncheon cart that is wheeled into the actor's room. As expected, things go awry, and Lucy ends up trying to use a "rope" of blankets to escape from Wilde's high-rise terrace! ~ All Movie Guide
- Starring:
- Bob Jellison
- 1947
A precursor of sorts to the 1999 Julia Roberts vehicle The Runaway Bride, It Had to Be You stars Ginger Rogers as Victoria Stafford, a wealthy girl who has been engaged three times, and has three times chickened out at the altar just before saying "I do." Determined to wed her fourth fiancé, Oliver H.P. Harrington (Ron Randell), Victoria is on the verge of saying those two little words, when suddenly she sees the vision of her "dream lover," George (Cornel Wilde), whom she has envisioned since childhood. Ultimately our heroine meets an in-the-flesh lookalike for her imaginary sweetheart: a no-nonsense fireman named Johnny Blaine, who indeed was a childhood friend of Victoria's. So, do wedding bells finally ring? Not on your life. Though Victoria is ga-ga over Johnny, the feeling is far from mutual -- and besides, there are several reels to go before the end title. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Cornel Wilde, (more)
- 1941
Kisses for Breakfast is a dumbed-down remake of the 1930 marital comedy The Matrimonial Bed, itself based on a British stage play by Seymour Hicks-which in turn was adapted from a French farce by Yves Mirande and Andre Mouzey-Eon. With that pedigree, it's amazing that this frenetic 1941 slapsticker isn't better than it is, but it just isn't, that's all. Knocked out during a fight, Rodney Trask (Dennis Morgan) awakens with amnesia, totally unaware that he's just married Juliet Marsden (Shirley Ross). His only clue to his identity is an address found in his coat pocket, which leads him to the South Carolina home of Juliet's cousin Laura Anders (Janet Wyatt). A year passes, during which Rodney straightens out Laura's financial problems and wins her love. After their marriage, Rodney and Laura decide to visit her northern relatives-including, naturally, wife number one, Juliet, who has come to believe that Rodney is dead and is about to take a new husband. What follows is a endless series of silly slapstick gags, with poor Juliet receiving a great deal of unwarranted punishment at the hands of the capricious Laura. The mess eventually straightens itself out, by which time both heroines have thorougly alienated the audience. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, Jane Wyatt, (more)
- 1941
In this boxing drama, champion fighter Johnny Rocket decides to leave the ring to please his new bride. Unfortunately, his greedy manager, unwilling to get off the gravy train engineers things so that the fighter cannot find work and must return to the squared circle to make a living. His ploy works, and the fighter resumes his career. He also begins falling in love with a sexy female sports writer. This causes his marriage to disintegrate. The avaricious manager decides to make a lot of money fast and so sets his fighter up to take a dive and betting against him. The doped up fighter loses the fight. He also loses the sportswriter. Fortunately his true love is around to pick him up and help him start anew. ~ Sandra Brennan, All Movie Guide
- Starring:
- Arthur Kennedy, Olympe Bradna, (more)
Gene Tierney portrays a beautiful but unstable woman who marries successful novelist Cornel Wilde. Tierney wants to spend all her time with her new husband, but finds it impossible to do so thanks to his work and the frequent visits of family and friends. When Wilde's crippled younger brother (Darryl Hickman) comes to the couple's summer house to stay, Ms. Tierney indirectly causes the boy to drown. Later, upon discovering that she's pregnant, Tierney deliberately falls down the stairs, choosing to miscarry rather than share her husband's affections with an infant. When it becomes clear that family friend Jeanne Crain is attracted to her husband, Ms. Tierney commits suicide, making her death appear to be murder and framing Crain for the "crime." In court, Ms. Crain is mercilessly grilled by prosecuting attorney Vincent Price, who happens to be Tierney's ex-lover! Filmed in lush Technicolor, Leave Her to Heaven is based on the best-selling novel by Ben Ames Williams. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Tierney, Cornel Wilde, (more)
- 1942
In this drama, a has-been stage thespian finds that his alcoholism is ruining his life. When his daughter, a cripple, attempts to show her concern, he rebuffs her with his cruel, razor sharp witticism. His drinking and cynicism continue to increase, but, through it all, his daughter stands steadfastly beside him until her heart is stolen away by a handsome composer. He begins helping her to convince the theatrical community that her father is still a talented actor. Meanwhile, the father, thinking the composer will take his daughter away, remains suspicious of the young man's motives. Finally, after working in a series of odd jobs, the old man lands the lead in King Lear where he is a smash. He then renews a relationship with a wealthy old girlfriend. Meanwhile, the young couple also begin their relationship in earnest. ~ Sandra Brennan, All Movie Guide
- Starring:
- Monty Woolley, Ida Lupino, (more)
- 1942
Those obviously hastily assembled to cash in on current headlines, Manila Calling shows no signs of this haste in its execution. Lloyd Nolan stars as Lucky Mathews, the leader of an American guerilla unit, sworn to keep fighting even after the Japanese invasion of Mindano. Likewise staying on is nightclub entertainer Edna Fraser (Carole Landis), who has fallen in love with Mathews, and radio engineer Jeff Bailey (Cornel Wilde). Relying on Bailey's electronic knowhow, the guerillas construct a short-wave radio station and continue broadcasting information of Japanese troop movements to the Allies. As in MGM's Bataan, the ultimate deaths of the courageous protagonists is treated as a moral and spiritual victory. Of interest in the cast is Martin Kosleck, frequent screen impersonator of Joseph Goebbels, in a rare sympathetic role. ~ Hal Erickson, All Movie Guide
- Starring:
- Lloyd Nolan, Carole Landis, (more)
- 1958
Maracaibo was actor Cornel Wilde's second directorial effort. Wilde casts himself as troubleshooting oil man Vic Scott, who has arrived in Venezuela to help put out a fire at an offshore well. It's a ticklish situation: if Scott fails, not only will he die in the blaze, but all of Maracaibo will likely be destroyed. When he isn't risking his life, Scott romantically pursues ice-princess journalist Laura Kingsley (played by Jean Wallace, at the time Mrs. Cornel Wilde). Joe E. Ross of Car 54 Where are You fame provides a few welcome laughs as a Brooklynese oil rigger. Filmed partially on location, Maracaibo was based on a novel by Stirling Silliphant. ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Jean Wallace, (more)
- 1987
Cornell Wilde guest stars as Duncan Barnett, the ruthless founder-CEO of Barnett Industries. Gathering his board of directors (and their wives and loved ones) to his lavish New York estage, Barnett seems poised to name his successor. Instead, he is killed in an accident--or, at least, it looks like an accident. Among the board members is a certain Maine-based mystery writer named Jessica Fletcher (Angela Lansbury), who begins to suspect that there's dirty work afoot as she watches Barnett's employees wheel, deal, bicker and backstab incessantly throughout the balance of the episode. ~ Hal Erickson, All Movie Guide
- 1970
- R
Based on a best-selling novel by John Christopher, this combination horror-movie, cautionary tale warns against the dangers of pollution. The tale is set in a futuristic Britain that has been decimated by the sudden onset of a terrible plague caused by environmental damage. Most of the devastation occurs in London. One family flees to the sanctuary of a friend's farm. The journey is treacherous and the clan must fight insane biker gangs and deal with their own personal problems, but eventually, they make it to the farm. Unfortunately, though they were especially invited, the owner's ruthless brother refuses to let them enter and so the desperate head of the family leads a brutal attack. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nigel Davenport, Jean Wallace, (more)
