Liv Ullmann Movies
Though born a citizen of Norway, Liv Ullmann did not set foot in her homeland until she was seven years old. The daughter of a Norwegian engineer stationed in Japan at the time of her birth, Ullmann moved to Canada when World War II broke out, then relocated to Norway in 1946, where she received the bulk of her education. Deciding upon an acting career, she studied at the Webber-Douglas academy in London. Ullmann began her stage work in Stavanger and Oslo, and in the late '50s, she starred in the Norwegian production of The Diary of Anne Frank.In films from 1959, Ullmann's breakthrough role was catatonic actress Elisabeth Vogler in Ingmar Bergman's Persona (1966), a part she landed primarily because of her striking resemblance to co-star Bibi Andersson. Bergman became Ullmann's mentor and paramour; they lived together for several years, during which time Ullmann bore the director a daughter named Linn Ullmann, who has occasionally appeared in her mother's films. Ullmann was honored with numerous New York Film Critics Awards during the early '70s; she also earned Oscar nominations for her work in The Emigrants (1971) and Bergman's Face to Face (1976), and has received eight honorary college degrees.
An attempt to establish herself in Hollywood films was largely unsuccessful, though Ullmann received a Golden Globe nomination for her performance in 40 Carats (1973). She fared rather better on Broadway, starring in a 1977 revival of Anna Christie and a 1979 musical adaptation of I Remember Mama. In 1977, she wrote her memoirs, Changing, prematurely as it turned out, since she had many years' work ahead of her. During the '90s, Ullmann turned to directing, helming the theatrical features Sofie (1992) and Kristin Lauransdotter (1995) (both of which she also scripted), and the 1996 Swedish TV miniseries Enskilda Samtal. ~ Hal Erickson, All Movie Guide
- 1984
Kiefer Sutherland won the Canadian equivalent of the Academy Award for his performance in Bay Boy. In 1937 Nova Scotia, Donald Campbell (Sutherland) lives with his dirt-poor parents (Liv Ullmann and Peter Donat). His folks hope that Donald will enter the priesthood, but he isn't keen on this. For one thing, he harbors "unnatural" feelings towards a nun; for another, one of the local priests has made sexual advances towards him. Donald prefers to spend his time with pretty sisters Saxon and Dianna (Leah Pinsent and Jane McKinnon) -- but even this becomes untenable when the boy witnesses a homicidal hate crime committed by the girls' father, police constable Tom Coldwell (Alan Scarfe). It is in this intolerable atmosphere that Donald finally comes of age, which is the point to which the film is leading. Weighed down with an unnecessarily complex script, Kiefer Sutherland comes off quite well in Bay Boy; the other performers -- even the estimable Liv Ullmann -- tend to be one-note stereotypes. ~ Hal Erickson, All Movie Guide
- Starring:
- Liv Ullmann, Kiefer Sutherland, (more)
- 1983
Director Henri Safran adapts Henrik Ibsen's stage play to an Australian setting and a turn-of-the-century ambience in this uneven presentation of an illicit love and its consequences. Harold (Jeremy Irons) is a somewhat over-the-edge photographer who has lost out at a career in the sciences. His wife Gina (Liv Ullmann) is an opposite personality type: subdued, quiet, not prone to excessive outbursts. Harold's father the Major (John Meillon) lives with the family, which includes the daughter Henrietta (Lucinda Jones) who is slowly going blind -- and all is as normal as possible until Gregory (Arthur Dignam) shows up and in a two-day period, tragedy strikes. The prig Gregory sees it as his obligation to open up his best friend Harold's eyes with some shocking news: Henrietta is not really Harold's daughter at all, but the offspring of an illicit affair between Gregory's father and Gina. Figuring into this relationship is a wild duck that was once wounded by Gregory's father, and its symbolism looms almost too large over the rest of the complex, claustrophobic household as personalities lead events to their fateful end. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Liv Ullmann, Jeremy Irons, (more)
- 1983
Though purportedly set in Argentina, Jacobo Timerman: Prisoner Without a Name, Call Without a Number was rather obviously filmed in and around New York. Roy Scheider stars as the real-life Timerman, a Jewish Argentinian journalist who speaks out against the repressive government. In response, the authorities imprison and torture Timerman, then place him under house arrest for 18 months. Liv Ullman costars as Timerman's wife, who gives him the courage to persevere. Veteran scenarist Budd Schulberg was so taken aback by the changes made in his script that he had his name removed from the credits, in favor of the alias "Oliver P. Drexell Jr." The viewer will be likewise put out; advertised as a sociological masterpiece in the tradition of The Life of Emile Zola, Jacobo Timerman looks more like a cheapjack, cardboard product from the Dark Ages of live television. ~ Hal Erickson, All Movie Guide
- 1982
This anthology film is comprised of six segments shot by four female directors. "Love from the Marketplace," explores the way food relates to love. "The Black Cat in the Black Mouse Socks" stars singer Joni Mitchell, who also wrote it and its music. "Julia" tells the tail of a vanquished affair that is renewed. In "Love on Your Birthday" a wife gives her husband a night with her best friend as a birthday present. She then gets jealous and the trouble begins. "Por Vida" follows the journey home of a WW II GI. "Parting" follows the love of an elderly man for his paralyzed wife. ~ Sandra Brennan, All Movie Guide
- Starring:
- Gordon Thomson, Joni Mitchell, (more)
- 1980
- R
In this grim drama, a grieving widow finds herself seeking solace in the arms of her late husband's lover, a woman. ~ Sandra Brennan, All Movie Guide
- Starring:
- Liv Ullmann, Amanda Redman, (more)
- 1979
- PG
A young man and an older woman wonder if tennis is the only place where love means nothing in this romantic drama. Twenty-something Chris (Dean Paul Martin) is a rising star on the professional tennis circuit. Nicole (Ali MacGraw) is an artist in her early 40s who's involved with a wealthy man. Chris falls for Nicole, but while she's certainly attracted to him, she's not sure if she should give up her life of luxury in order to follow Chris in his uncertain future. Players is loaded with cameos from major tennis stars, including John McEnroe, Guillermo Vilas, and Ilie Nastase; Pancho Gonzales has a major supporting role as Chris' coach. ~ Mark Deming, All Movie Guide
- Starring:
- Ali MacGraw, Dean Paul Martin, (more)
Ingrid Bergman, the Swedish expatriate who became one of Hollywood's greatest stars, and Ingmar Bergman, one of the world's most acclaimed filmmakers and Sweden's most honored director, worked together for the first and only time in this intensely personal drama about the troubled relationship between a mother and daughter. Charlotte (Ingrid Bergman) is an acclaimed concert pianist who is visiting her daughter Eva (Liv Ullmann), the wife of a parson in a rural community, for the first time in seven years. While Charlotte and Eva struggle to be civil, there is a deep emotional gulf between them. Eva resents her mother for not caring enough for her as a child, feeling that Charlotte was more interested in her career and her other daughter, Helena (Lena Nyman), who is severely handicapped and can only communicate through inarticulate noises. Charlotte, on the other hand, is uncomfortable with the fact that Helena now lives with Eva, and she is still coming to terms with the emotional devastation of her husband's recent death. Herbstsonate, released in America as Autumn Sonata, earned Ingrid Bergman some of the most enthusiastic acclaim of her career; she received an Oscar nomination for Best Actress, and she won the same honor from the National Board of Review and the New York Film Critics Circle. It was also her last theatrical release; she would appear in only one more project, a TV movie about the life of Golda Meir, before her death in 1982. ~ Mark Deming, All Movie Guide
- Starring:
- Ingrid Bergman, Liv Ullmann, (more)
It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Dirk Bogarde, James Caan, (more)
The Serpent's Egg, or Das Schlangenei is director Ingmar Bergman's second English language production (The Touch was his first). It is, however, his first completely non-Swedish production, made after his voluntary self-exile from Sweden over taxation issues. Set in Berlin in the early 1920s, it explores the fear and despair the city evokes in Manuela and Abel Rosenberg (Liv Ullmann and David Carradine), two Jewish trapeze artists. The suicide of Manuela's husband (Abel's brother), has stranded them in Berlin. Berlin is shown to already possess the sinister elements of cruelty and anti-Semitism which laid the groundwork for the later Nazi takeover. A series of misadventures gets them sent to a medical clinic for treatment. However, the clinic is actually a site for Nazi-type "racial" experiments on humans, which generally either madden or kill the subjects. Das Schlangenei was savaged by the critics for its improbable-seeming story and more particularly, for casting David Carradine (best known for his earlier appearances in the Kung Fu U.S. television series) in a crucial role. ~ Clarke Fountain, All Movie Guide
- Starring:
- Liv Ullmann, David Carradine, (more)
- 1977
This 1977 documentary feature closely examines the person, views and life of Norwegian actress Liv Ullman, perhaps best known for her many appearances in the famed Swedish director Ingmar Bergman's films. Clips of her films are included, as well as numerous interviews granted by her especially for this film, which was released shortly after her autobiography Changing was published. This documentary is subtitled: "Norway's Live Ullman/Liv Ullmann's Norway." ~ Clarke Fountain, All Movie Guide
- 1976
- R
Liv Ullmann plays Dr. Jenny Isakson, a psychiatrist who is taking a vacation while her husband Dr. Erik Isakson (Sven Lindberg) is elsewhere. Haunted by visions of an old woman, Jenny suffers from profound, inexplicable depression. Desperately in search of a escape from her doldrums, she has an affair with married doctor Tomas Jacobi (Erland Josephson). This only serves to spark an attack of hysteria for Jenny. Again visited by hallucinations of the old woman, she attempts suicide. While hovering between life and death, she imagines she sees all the people who've been influential in her life, and rails against them for causing her neuroses. Only while recovering does she learn who the spectral old woman is and why she is undergoing so harrowing an emotional experience. Like his later Scenes From a Marriage, Bergman's Face to Face (Ansikte mot ansikte) originated as a multipart TV series, which was then pared down into a two-hour-plus feature film. ~ Hal Erickson, All Movie Guide
- Starring:
- Liv Ullmann, Erland Josephson, (more)
- 1975
Richard (Michel Piccolo) is a medieval nobleman. After his first wife dies in an accident and is buried in the family vault, he remarries and has children by his second wife. A mad longing for his first wife Leonor (Liv Ullmann) comes over him, and he sells his soul to the devil for a chance to get her back. When she returns, she is a murderous vampire, but his ardor for her continues unabated. ~ Clarke Fountain, All Movie Guide
- Starring:
- Liv Ullmann, Michel Piccoli, (more)
Originally created as a six-part series for television, this film -- widely regarded as one of Ingmar Bergman's most powerful later works -- offers a close-up examination of a relationship as it slowly falls apart, and investigates the toll it takes on both parties. Johan and Marianne (Erland Josephson and Liv Ullmann) are a seemingly successful professional couple who have juggled careers as (respectively) a doctor and an attorney with marriage and children; when we first encounter them, they're being interviewed by a television reporter about what makes their marriage a success, an event contrasted by a later meeting with an openly bitter and combative couple (Bibi Andersson and Jan Malmsjö). But things are not always what they seem on the surface, and Johan announces he has become involved with a younger woman. Johan seems to give little thought to the harm he has done to Marianne, while she is devastated by his abandonment of her. After a stay in Europe, Johan returns to Sweden and visits Marianne; eventually, the divorced couple briefly comes together, but the damage done is too severe to mend. Focusing less on narrative than on a deep-focus portrayal of the thoughts and emotions of two characters, Scenes From a Marriage originally ran nearly 300 minutes in its original television edition; Bergman later edited the film to 168 minutes for theatrical release in Europe and North America. ~ Mark Deming, All Movie Guide
- Starring:
- Liv Ullmann, Bibi Andersson, (more)
- 1974
- PG
Based on Lillian Bos Ross' novel The Stranger and adapted by screenwriter Marc Norman 25 years before he would win the Best Original Screenplay Academy Award for 1999's Shakespeare in Love (along with Tom Stoppard), Zandy's Bride is a romantic Western starring (Gene Hackman) as gruff rural rancher Zandy Allan. Looking more for an extra hand around the ranch than a companion, Zandy sends for a mail-order bride from Sweden. Unfortunately for him, he doesn't get what he expected. When his bride, Hannah (Liv Ullmann), arrives she is anything but compliant, bearing a headstrong attitude that rubs Zandy the wrong way. Although he mistreats her at first, Zandy and Hannah fall in love as hardship hits and they must struggle together for their survival. Also starring Eileen Heckart and Harry Dean Stanton, Zandy's Bride was also released under the title For Better, For Worse. ~ Matthew Tobey, All Movie Guide
- Starring:
- Gene Hackman, Liv Ullmann, (more)
- 1974
- PG
In this historical drama based on actual events, Sweden's Queen Christina (Liv Ullmann) decides in 1654 to give up her throne in order to embrace Catholicism. However, as she studies the faith, she falls in love with Cardinal Azzolino (Peter Finch), a cleric being considered for the papacy. Greta Garbo previously played the same abdicating monarch in the film Queen Christina. Michael Dunn, who plays the dwarf in The Abdication, died during production, and several of his scenes had to be shot with another actor doubling for him. ~ Mark Deming, All Movie Guide
- Starring:
- Liv Ullmann, Peter Finch, (more)
- 1973
James Hilton's beloved fantasy novel about the land of Shangri-La was given an awkward musical treatment in this extravagantly produced flop. Larry Kramer's screenplay stays close to the 1937 Frank Capra original, as a plane fleeing China crashes in the Himalayas and a mixed group of survivors discovers the magical, peaceful land of Shangri-La. Here the film becomes a full-fledged musical, with songs by Burt Bacharach and Hal David illustrating the distant realm's nature and the conflict that happiness causes amongst the survivors. Curiosity-seekers may be intrigued by the film's reputation as a notorious dud, but fans of the story would be better served by the classic original, despite a cast of well-respected names, including Peter Finch (in the Ronald Colman role), John Gielgud, Liv Ullmann, and Charles Boyer. ~ Judd Blaise, All Movie Guide
- Starring:
- Peter Finch, Liv Ullmann, (more)
- 1973
- PG
Adapted by Jay Presson Allen from the French farce by Pierre Barillet and Jean-Pierre Gredy, Forty Carats is a standard-issue sex comedy elevated by the performances of its stars. Fortyish Realtor Ann Stanley (Liv Ullman) finds herself attracted to Peter Latham (Edward Albert) - a man literally half her age. After a summer fling in Greece, Ann and Peter come to a parting of the ways, and that, Ann supposes, is that. Imagine her surprise when Peter comes to visit her back in New York. Though at first dismissed as a fortune hunter, Peter turns out to a financial whiz with a lot more in the bank than his lady friend. Both Ann's mother (Binnie Barnes, whose husband Mike Frankovich produced the film) and daughter (Deborah Raffin) are delighted at the prospect of Ann's romance with Peter -- the only one unsure is Ann herself. Lending his considerable comic expertise to Forty Carats is Gene Kelly as Liv Ullman's ex-husband-who also takes a liking to the personable Edward Albert and encourages the May-December romance. ~ Hal Erickson, All Movie Guide
- Starring:
- Liv Ullmann, Edward Albert, (more)
Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, All Movie Guide
- Starring:
- Liv Ullmann, Trevor Howard, (more)
Cries and Whispers stars Liv Ullman and Ingrid Thulin as the sisters of dying cancer patient Harriet Andersson. Both sisters have already had brushes with death: Ullman has had an affair which prompted her husband's suicide, while Thulin has long wanted to do away with herself, at one point mutilating her own vagina out of self-hatred. As for Andersson, she has been in pain so long that she feels as though she's in the midst of death-in-life. With her two sisters wrapped up in their own problems, Harriet turns to her housekeeper Kari Sylwan for comfort; Sylwan has herself suffered the death of a child, and has developed a philosophical attitude towards impending doom. One of the most influential moments of the film -- when two of the sisters share the innermost thoughts that they'd kept from one another for so many years -- is filmed without benefit of dialogue, with the music of Chopin (enhanced by cinematographer Sven Nykvist's carefully selected camera angles) "speaking" for the ladies. While Cries and Whispers only won the Oscar for cinematography, the film did very well for itself in international awards contests. ~ Hal Erickson, All Movie Guide
- Starring:
- Harriet Andersson, Kari Sylwan, (more)
- 1972
- PG
This is the second installment of the Swedish epic which began with The Emigrants. Nybyggarna is a chronicle of the life and times of the Swedish immigrants in Minnesota, covering the time period up to and beyond the Civil War. Even though they did not come to America to become Americans, they are gradually drawn into the culture of their new country. Father Karl-Oskar Nilsson (Max Von Sydow) and his wife Kristina (Liv Ullman) battle the elements and political changes in order to survive. The family members have little contact with their neighbors, and because they know so little English, they have difficulty buying things from the nearby general store. Robert (Eddie Axberg), Karl's younger brother, wants to find gold and travels westward with Arvid (Pierre Lindstedt), the Nilsson's strange and skittish farmhand. The two lavish epics, The Emigrants and The New Land were the two most expensive films made in Sweden up to that time. ~ Clarke Fountain, All Movie Guide
- Starring:
- Max von Sydow, Liv Ullmann, (more)
- 1971
- PG
Director/writer Jan Troell's expansive saga deals with the Larsen family, who during the 19th century famine in Sweden emigrate to the more fertile fields of Minnesota. With painstaking detail, the director follows the Larsens as they make the perilous (and, to some of their fellow immigrants, fatal) journey by foot, steamer, train, and paddle boat. The film, which originally ran 190 minutes but was pared down to 150 by its director for American consumption, earned Academy Award nominations for Best Picture, Best Foreign Language Picture, Best Screenplay, Best Direction, and Best Actress (Liv Ullmann). The Emigrants was followed by a sequel, Nybyggarna ("The New Land"); both films have been edited together for TV release under the title The Emigrant Saga. The subsequent American TV series The New Land (1974) starred Bonnie Bedelia in the role created in The Emigrants by Liv Ullmann, and Scott Thomas in the patriarch role originated by Max von Sydow. In 1991, Sven Nykvist directed a "prequel" to The Emigrants titled The Ox. ~ Hal Erickson, All Movie Guide
- Starring:
- Max von Sydow, Liv Ullmann, (more)
- 1970
- R
Liv Ullmann plays the widowed, crippled Anna Fromm, who while traveling on a remote island calls upon reclusive ex-convict Andreas (Max von Sydow) in order to use his telephone. After Anna leaves, Andreas discovers she's left her purse behind; he opens it, hoping to find some identification. A letter in the purse details Anna's unhappy marriage and the depths of her loneliness. Eventually, Anna moves in with Andreas, who has become more closely acquainted with her through the intervention of Anna's friends Ellis and Evan Vergerus (Bibi Andersson and Erland Josephson). But tensions and conflicts ensue, and threaten to destroy the burgeoning relationship between Anna and Andreas. ~ Hal Erickson, All Movie Guide
- Starring:
- Liv Ullmann, Bibi Andersson, (more)
