Steno Movies

Before turning to horror pictures, Italian filmmaker Riccardo Freda directed some of the finest costume epics of the postwar era. Filmed in 1946 as Aquila Nera, Freda's Return of the Black Eagle made it to American screens in 1949. Based on a story by Alexander Pushkin, the film concerns the exploits of a Russian soldier who wreaks vengeance against an evil landowner by assuming the guise of a masked bandit. Rossano Brazzi stars as Vladimir Dubrowski, aka the Black Eagle, while Irasema Dilian is his beloved Masha, daughter of his bitter enemy Kirila (Gino Cervi, cast in an uncharacteristically unsympathetic role). The swashbuckling and derring-do is leavened by a few welcome moments of humor, especially when Brazzi disguises himself as a wimpy French tutor. Return of the Black Eagle could have benefited from Technicolor, though the black-and-white photography of Rodolfo Lombardi is fine in its own way. ~ Hal Erickson, All Movie Guide

Guardie e Ladri (Cops and Robbers) is buoyed by the combined comic talents of Aldo Fabrizi and Toto. Toto plays Ferdinando Esposito, a thief who has successfully eluded the law for many years. Fabrizi plays Bottoni, a detective who has been given three months to bring Esposito to justice. Deciding to bore from within, Bottoni ingratiates himself with Esposito's warm-hearted family. He finally meets his prey at a colorful family get-together. The men discover that they're kindred spirits. But this does not dissuade Bottoni's determination that the law must take its course. Amazingly, Cops and Robbers has yet to be remade as an American film: this would have been an ideal vehicle for the likes of Walter Matthau and Jack Lemmon. ~ Hal Erickson, All Movie Guide

OK Nerone stars Italian film favorites Walter Chiari and Cario Capanine as a pair of fun-loving American sailors. While on a sightseeing tour of Rome, the two tars imagine themselves back to the days of Emperor Nero (Gino Cervi). The rest of the film is in the fine tradition of such Eddie Cantor comedies as Roman Scandals and Ali Baba Goes to Town, with Chiari and Capanine introducing 1st-century Rome to the pleasures of 20th-century America. The climax takes place in the Colosseum, as our heroes stage a football game to rescue the Christians from the lions. OK Nerone exists strictly for laughs, and in this respect it succeeds admirably. English-language prints were radically trimmed to satisfy the censors of the early 1950s. ~ Hal Erickson, All Movie Guide

Sonia (Sylva Koscina) is quite a woman, if not perhaps the "Female Three Times" of the title. The captain of a Soviet female basketball team, Sonia joins her teammates on a goodwill visit to Rome. Here she is captivated by the sights, sounds and sensual pleasures of the Eternal City. When Sonia falls for a handsome Roman, it takes a veritable battalion of Russian commissars to bring her back to the Glorious Motherland. Unfortunaetly for the Soviet cause, the commissars, in true Ninotchka fashion, likewise succumb to the allure of Rome. ~ Hal Erickson, All Movie Guide

In this horror movie, the unwitting guests at a charming ancestral estate soon find themselves the main entree for the bloodsucking young proprietor's dinner. ~ Sandra Brennan, All Movie Guide

In this Italian comedy, three unemployed actors are rehearsing for a crime scene in their boarding house unaware that they are being watched by a nosy neighbor who is convinced that they are professional assassins. He offers them money to kill his philandering wife, and the hungry thespians agree to do the deed. Of course, they don't plan on killing anyone. Meanwhile, the wife and her boy friend are cooking up their own plot. Real trouble ensues when all the different conspiracies get mixed up. As result, the husband has a fatal coronary, and to protect themselves, the woman and her lover lure into a sausage factory where they plan to throw the three into a meat grinder. Fortunately, the police arrive at the last minute and arrest the woman and her lover for the murder (even though they didn't really kill him) of her husband. The actors then attempt to resume their careers. ~ Sandra Brennan, All Movie Guide

Courtroom tomfoolery provides the basis for this four-episode Italian anthology comedy. In the first segment "Adultery in 16mm," an angry wife attempts to sue her neglectful husband by charging him with abandonment. Meanwhile, he charges her with adultery and claims to have a few reels of home-movie footage to prove it. The films are shown and the courtroom gasps when they learn the identity of the woman's lover. The second "The Priest and the Prostitute," centers on a self-righteous clergyman who pursues the streetwalker who picked his pocket. The hunted and hunter end up in a pool hall. When she attempts to give her ill-gotten loot to her pimp, the priest pounces and a melee erupts. The police end up taking all of them to jail where more fun follows. In the third episode, "Indecent Exposure," an overly health-conscious fellow religiously swims naked in a Roman ditch every day. The trouble begins on the day in which his clothes are stolen. In the final episode, "The Lustful Lieutenant," an old hooker is charged with soliciting. The attending judge is struck by her resemblance to his old wartime love, but he isn't sure whether it is really her or not. ~ Sandra Brennan, All Movie Guide