Edward R. Pressman Movies

A reporter gets more than she bargained for when she tries to prove that a murder has occurred in Brian De Palma's disturbing thriller. Danielle (Margot Kidder) meets Phillip (Lisle Wilson) on a "Peeping Tom"-themed game show and, dodging her ex-husband Emil (William Finley), takes him back to her apartment. But Danielle has a separated Siamese twin sister, Dominique, who is not pleased about the overnight guest. Journalist neighbor Grace (Jennifer Salt) sees Phillip slaughtered by one of them through her window; the body vanishes before she can convince a skeptical detective (Dolph Sweet) to take a look. Determined to prove that she's right (and get a career-advancing story), Grace investigates, assisted by a private eye (Charles Durning), and becomes more involved in the relationships among Danielle, Dominique, and Emil than she ever expected. ~ Lucia Bozzola, All Movie Guide

Mark Frost, the writer and director best known for his work with David Lynch on the TV series Twin Peaks, made his feature film directorial debut with this convoluted thriller. Cray Fowler (James Spader) is running for congress, partly to satisfy his own political aspirations and partly to resolve certain controversies in his life; he divorced his wife after discovering that she was unfaithful, and his father committed suicide after he became involved in a scandal regarding valuable oil rights. While on the campaign trail, Fowler is persuaded to visit Lee Tran (Charlotte Lewis), a waitress he meets at a fund raiser. Fowler and Lee Tran have sex, which is caught on videotape; as if this isn't strong enough blackmail material, Lee Tran's father turns up dead in the room where Fowler wakes up. But Lee, not Fowler, is charged with the murder, and Fowler, a lawyer, agrees to defend her in court. Fowler wins the case against beautiful District Attorney Natalie Tate (Joanne Whalley-Kilmer), Fowler's former girlfriend, but now he needs to find out who is trying to set him up and for what reason; he hopes he can get some help from his uncle, Clifford Fowler (Jason Robards), a political kingmaker of the old school who knows all the family's secrets. The supporting cast includes Piper Laurie, Michael Parks, Chuck McCann, and Woody Strode. ~ Mark Deming, All Movie Guide

Monologist Eric Bogosian's one-man theatre piece Talk Radio, co-written by Bogosian and Ted Savinar, is searingly brought to the screen by Oliver Stone. Bogosian plays a provocateur radio talk-show host, whose constant espousal of his inflammatory views and ceaseless hectoring of his callers and listeners reaps equal parts love and hate. As his program rolls on, Bogosian is revealed to be just as screwed up as any of his fans, if not more. And then he pushes one caller just a bit too far. In co-adapting the play for the screen, Oliver Stone interweaves elements of Steven Singular's factual book Talked to Death, the story of a liberal Denver radio personality who was murdered at the behest of a militant right-wing hate group. One word of warning: if you're not a fan of the sort of radio depicted herein, chances are you won't warm up to this film. Talk Radio was the indirect inspiration for the 1990 TV series Night Caller. ~ Hal Erickson, All Movie Guide

A Vietnamese man looking for a better life embarks on a dangerous and eye-opening voyage to America in this powerful drama set during the early '90s. In 1990, Binh (Damien Nguyen) is a man in his early twenties who has never known his parents, though he is clearly of mixed-race parentage, which makes him an outcast in his community. Weary of being treated like an animal, Binh sets out to find his mother, Mai (Thi Kim Xuan Chau), only to discover she works as a servant for a wealthy family who subject her to constant abuse, and that she has a baby son. When a household accident leads to the death of the matriarch, Mai, her infant, and Binh go on the run. Mai then confesses to Binh that she's dying, gives him all the money she has, and implores him to leave Vietnam for America, with his half-brother in tow. Unable to travel to America legally, Binh attempts to smuggle his way into the States aboard a ship; he's found out, and is sent to a prison camp in Malaysia, where he meets Ling (Bai Ling), a beautiful woman who has been forced into prostitution to support herself. Befriending Ling, Binh eventually arranges for passage to America aboard a refugee ship, though the harrowing voyage claims the life of Binh's half-brother. Binh and Ling arrive in New York City as illegal aliens, and soon learn that life in America can be just as harrowing as what they left behind; eventually, Binh runs away, hoping to make his way to Texas where he's learned that his father is living. Produced by Terrence Malick, The Beautiful Country also features supporting performances from Nick Nolte and Tim Roth. ~ Mark Deming, All Movie Guide

Writer/director Wayne Kramer offers a glimpse into the aging Las Vegas casino world with the romantic drama The Cooler. Bernie Lootz (William H. Macy) is extremely unlucky at gambling, and he owes the Shangri-La casino over 100,000 dollars. He is so unlucky that he is hired as a "cooler," someone to gamble next to high rollers and give them some of his bad luck to stop them from winning. This arrangement works out for awhile, until Bernie has almost paid off his debt and meets cocktail waitress Natalie Belisario (Maria Bello). The two start to fall in love and Bernie's luck begins to change. However, the old-fashioned mob boss Shelly Kaplow (Alec Baldwin) isn't going to let Bernie go so easily. Meanwhile, Larry Sokolov (Ron Livingston) arrives on the scene to help update the business management of the old mobster-run casino. Also starring Joey Fatone and Paul Sorvino as lounge singers. The Cooler was nominated for the Grand Jury Prize in the dramatic competition at the 2003 Sundance Film Festival. ~ Andrea LeVasseur, All Movie Guide

Blade's Stephen Norrington resurrects James O'Barr's Crow character with this redo of Alex Proyas' gothic actioner. ~ Jeremy Wheeler, All Movie Guide

The third installment of The Crow series, The Crow: Salvation opens with the electrocution of death row inmate Alex Corvis (Eric Mabius) on his 21st birthday. Falsely convicted of the brutal stabbing murder of his girlfriend Lauren (Jodi Lyn O'Keefe) three years earlier, Alex spent the duration of his imprisonment insisting that Lauren was murdered by a man with a series of distinctive scars up and down his arms; unfortunately, the police never found any trace of him. Immediately following Alex's messy electrocution, during which his leather mask melted onto his face, his guardian crow appears to resurrect him. After clawing off the mask, which leaves some interesting burn marks on his face, Alex sets out to find Lauren's killer and clear his own name. He finds an ally for his cause in Erin (Kirstin Dunst), Lauren's sister. ~ Rebecca Flint Marx, All Movie Guide

Oliver Stone's first directorial effort for a major studio (and his second horror film after the 1974 Seizure) came shortly after the phenomenal success of Midnight Express, which was based on Stone's Oscar-winning screenplay. The director turned to Mark Brandel's obscure thriller "The Lizard's Tail" as source material for what is essentially a silly psychosexual variant on low-budget horror films like The Crawling Hand. The title appendage belongs (for a while, anyway) to smug, conceited artist Joe Lansdale (Michael Caine), who owes his success to a popular comic strip featuring a macho, Conan-type hero. After Lansdale's drawing hand is sheared off in a grisly car accident, his career, dignity, self-control and even his sanity soon begin to abandon him as well. His tenuous relationship with his wife Anne (Andrea Marcovicci) falls apart as she takes steps to improve her own self-worth -- something she had never had the strength to do before the accident. Bitter and paranoid, Joe begins to lash out in anger at everyone around him ... and becomes convinced that his severed hand has come back, wandering in fields and dark alleys and squeezing the life out of everyone it comes in contact with. The question of whether the hand is real or merely a manifestation of Lansdale's rage is never answered, even in the film's "shock" coda. At any rate, it's impossible to take the film seriously -- the crawling-hand effects are laughably shoddy for a major studio production, reflecting none of the skills of effects wizard Carlo Rambaldi, and Caine's sweaty, pop-eyed histrionics are too goofy to be convincing. On the plus side, James Horner's score is remarkably chilling, contributing a great deal to a few effective suspense scenes -- but it belongs in a better film than this. ~ Cavett Binion, All Movie Guide

On a remote tropical island, Dr. Moreau has appointed himself ruler over a menagerie of genetic mutants fashioned in his gene-splicing chamber of horrors. The products of his misguided attempt to create a more "pure" human species, the man-beasts worship Moreau as their god and "father" and live by his code of law -- a code rigidly enforced by radio-operated implants in their bodies capable of inflicting pain and death. Into this surreal nightmare arrives UN negotiator Edward Douglas (David Thewlis), the sole survivor of an airplane crash. Douglas is brought ashore on Moreau's island -- against his better judgment -- by the doctor's insane, drug-addled assistant, Montgomery (Val Kilmer), and eventually becomes a prisoner. Horrified by the doctor's monstrous experiments and afraid for his own life, Douglas seeks the aid of Moreau's lovely daughter, Aissa (Fairuza Balk), in escaping the island, but is foiled at every turn by Montgomery and his armed man-beast lackeys. Eventually, the creatures discover the existence of their electronic implants and remove them, providing the opportunity for an armed rebellion -- but eventual regression into their original animal state causes their revolt to collapse into anarchy. ~ Cavett Binion, All Movie Guide

Joseph Papp's notion of staging one of Gilbert and Sullivan's best-loved operettas with two pop singers (Linda Ronstadt and Rex Smith) in the leads paid off as a surprise Broadway smash in the early 1980s, and this film faithfully reproduces Papp's production, featuring most of the original cast and the original director. Frederic (Smith) has been taught since childhood to be a sea-going bandit by the Pirate King (Kevin Kline), but with his 21st birthday imminent, Frederic wants to leave pirating behind, especially after he becomes infatuated with innocent Mabel (Ronstadt). But the Pirate King informs Frederic that since he was born on the last day of February on a Leap Year, his 21st birthday won't roll around for some time yet, and he still owes the King some raiding on the high seas. To Frederic's embarrassment, the Pirate King's next target turns out to be Major General Stanley (George Rose), Mabel's father! The Pirates of Penzance also features Angela Lansbury as Ruth (the sole major casting change from the Broadway production -- Estelle Parsons played the role on stage). ~ Mark Deming, All Movie Guide

Adapted from a stage play by Sharman McDonald, this film marks the directorial debut of British character actor Alan Rickman. Set against a bleak winter landscape of rural Scotland, the story centers around the recently widowed Frances (Emma Thompson) and a visit from her mother, Elspeth (Phyllida Law, Thompson's real-life mother). Elspeth seeks to console Frances, but Frances resists. The mother and daughter have a prickly relationship. While they thrust and parry emotionally, Frances' son Alex (Gary Hollywood) longs for the tomboy Nita (Arlene Cockburn). Two young boys, Tom (Sean Biggerstaff) and Sam (Douglas Murphy), are in the neighborhood looking for adventure. Two older women, Chloe (Sandra Voe) and Lily (Sheila Reed), go to funerals of strangers. The epidosic film eventually ties together all these characters in a surprising way, but the core of the drama is the evolution of the difficult mother-daughter relationship. ~ Michael Betzold, All Movie Guide

Director David Byrne (of Talking Heads) takes an outside-looking-in glance at Texas and Texans in True Stories. Casting himself as the protagonist/narrator, Byrne adopts what he thinks is "standard" western garb and drives his red convertible into the small town of Virgil. Here he observes the town's preparations for celebrating Texas' sesquicentennial, taking time out to introduce us to several of the local oddballs. Swoosie Kurtz plays Miss Rollings, the Laziest Woman in the World; Alix Elias is The Cute Woman, who decorates her home in the most hideously "sweet" manner imaginable; John Goodman is talent-contest entrant Louis Fyne, who harbors dreams of being a C&W star; Spalding Gray is Earl Culver, a vegetable-obsessed civic leader; Jo Harvey Allen is The Lying Woman; and so it goes. The script by Southerners Byrne, Beth Henley and Steven Tobolowksy strives to avoid subtlety. ~ Hal Erickson, All Movie Guide

Chris (Jamie Bell of Billy Elliot) is a volatile teen who lives with his father, John (Dermot Mulroney), and his little brother, Tim (Devon Alan). After the death of Chris' mother, his reclusive father moved the family to a shack in backwoods Georgia, where they raise hogs. Tim has an unusual eating disorder. He is constantly making himself sick by eating things like dirt and paint. One day, John's estranged brother, Deel (Josh Lucas), gets out of prison and shows up on the farm. John is less than thrilled to see him, but agrees to let him stay with the family as long as Deel helps him look after his boys. Chris is drawn to his wild-man uncle, but it soon becomes clear that Deel has more on his mind than a family reunion. Greed and years of resentment lead to violence, and Chris finds himself on the run, towing his sickly brother along, with Deel in pursuit. Undertow is writer/director David Gordon Green's third feature film, and features many of the same crew as his previous films, George Washington and All the Real Girls, including cinematographer Tim Orr. Green, who co-wrote the script with Joe Conway, has cited the influence of filmmaker Terrence Malick, who is credited as a producer. Green was also influenced by low-budget regional films of the 1970s (like Macon County Line and The Texas Chainsaw Massacre) and by Charles Laughton's classic The Night of the Hunter. Undertow was selected by the Film Society of Lincoln Center for inclusion in the 2004 New York Film Festival. ~ Josh Ralske, All Movie Guide