Michael McKean Movies

Laverne (Penny Marshall) and Shirley (Cindy Williams) despair when the troublesome Lenny (Michael McKean) and Squiggy (David L. Lander) move into the apartment just above their own. Things get worse for the girls when, after a quarrel with Squiggy, Lenny moves in with them. His efforts to transform the girls' flat into his idiotic concept of a bachelor pad is but one of the reasons that Lenny finds himself "persona non grata" with his new roommates. This episode was written by series costars David L. Lander and Michael McKean together with comic actor Harry Shearer, who years later would collaborate with McKean on such satirical films as This is Spinal Tap and A Mighty Wind. ~ Hal Erickson, All Movie Guide

Surprise! Lenny (Michael McKean) and Squiggy (David L. Lander) have managed to persuade a couple of girls to go on a date. No surprise! Lenny and Squiggy are stood up. On condition that no one ever find out, Laverne (Penny Marshall) and Shirley (Cindy Williams) agree to accompany the boys to a fancy restaurant as "consolation" dates. The fun begins when Barbara (Lynne Marie Stewart), the girl who jilted Squiggy, shows up at the same restaurant, leading to an uproarious slapstick showdown. ~ Hal Erickson, All Movie Guide

When Laverne & Shirley signed on in January of 1976, America's top-rated program was Happy Days -- of which Laverne & Shirley was, of course, a spin-off. By the time the last-named series entered its third season, it had climbed to the coveted number one slot, while Happy Days had retreated to number two. Season three opens with a typically slapsticky entry, "Airport '59," wherein Laverne (Penny Marshall) and Shirley (Penny Marshall) end up at the controls of a passenger plane. Later on, in the series' first two-parter, "Cruise," our heroines take a vacation on a luxury liner, only to be saddled with a pair of stowaways -- none other than their Shotz Brewery co-workers Lenny (Michael McKean) and Squiggy (David L. Lander). In a subsequent installment, 1950s singing idol Fabian shows up as Laverne & Shirley's first era-appropriate guest star. And in a brace of physical-humor tours de force, "The Obstacle Course" and "2001: A Comedy Odyssey," the girls (a) become police recruits and (b) imagine what their lives will be like in old age. But for all its hilarious hijinks, the third season's most memorable episode is also its most moving and poignant: "The Slow Child," guest-starring Linda Gillen as Amy Babish, the mentally challenged daughter of Laverne and Shirley's landlady, Edna Babish (Betty Garrett). ~ Hal Erickson, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

Season five of Laverne & Shirley begins with the conclusion of a two-part story inaugurated on its "sister" series Happy Days: "Shotgun Wedding, Part 2," wherein big-hearted Laverne (Penny Marshall) and Shirley (Cindy Williams) become engaged to hapless teenagers Richie (Ron Howard) and Potsie (Anson Williams) to rescue the boys from a forced marriage to a pair of toothsome farmer's daughters. Other memorable episodes this season include "Upstairs, Downstairs," in which our heroines imagine themselves in the hereafter, with Shirley in Heaven and Laverne in a hot place not called California; "What Do You Do With a Drunken Sailor?," guest-starring Ed Begley Jr. as Shirley's alcoholic brother, Bobby; the unforgettable two-part "You're in the Army Now," directed by Joel Zwick of thirtysomething fame and introducing Vicki Lawrence in the role of shrill WAC sergeant Plout; another two-parter, "Murder on the Moosejaw Express," with Charlene Tilton of Dallas fame as "herself" (and never mind that Charlene would have been a toddler in the early '60s!); "The Beatnik Show," featuring Art Garfunkel as a hipster called "The Mighty Oak"; and "Antonio the Amazing," co-starring Ed Marinaro as the title character, one year before he would join the series in the role of Sonny St. Jacques. Arguably the most famous of the year's episodes is the telecast of November 1, 1979, in which Laverne's father, Frank De Fazio (Phil Foster), finally marries the girls' landlady, Edna Babish (Betty Garrett). Traditionally, a popular sitcom relies upon a "wedding" episode only when its ratings are faltering, and Laverne & Shirley was no exception: rated as America's most popular series during season four, the show's viewership plummeted disastrously during season five. Clearly, what was called for was a radical change in format -- which in this case translated as a change of locale, from Milwaukee to California. ~ Hal Erickson, All Movie Guide

To counteract a precipitous drop in its ratings during its previous season, Laverne & Shirley launched season six by shifting the series' locale from Milwaukee, WI, to Burbank, CA. Fired from their jobs when Shotz Brewery decides to switch to automation, Laverne (Penny Marshall) and Shirley (Cindy Williams) pack their bags and leave Beertown in favor of the Golden State, where Laverne's dad, Frank (Phil Foster), and his new bride (and the girls' former landlady), Edna (Betty Garrett), have already resettled and opened a restaurant called Cowboy Bill's. In the interests of continuity, Laverne and Shirley are soon joined in California by their zany ex-co-workers Lenny (Michael McKean) and Squiggy (David L. Lander), and by Laverne's erstwhile boyfriend Carmine (Eddie Mekka). Moving into an apartment managed by part-time stuntman Sonny St. Jacques (Ed Marinaro), Laverne and Shirley immediately come into contact with their new neighbor, airheaded model-dancer Rhonda Lee (Leslie Easterbrook), and not long afterward the girls land jobs in the gift-wrapping section of Bardwell's Department Store. They also launch an ongoing effort to break into the movies, beginning with the famous episode in which Troy Donahue appears as himself. Evidently, several years have passed between season five, which was ostensibly set in the very early '60s, and season six. How else can one explain how Lenny and Squiggy end up as guests on TV's The Dating Game, which didn't debut until December of 1965, or how Frank and Edna, who were married in the early months of season five, are suddenly celebrating their fifth wedding anniversary? Highlights this season include the return of Vicki Lawrence as the redoubtable Sgt. Plout of the WACS, now seeking help from her former "grunts" Laverne and Shirley as she goes AWOL; Eric Idle and Peter Noone, showing up as pot-smoking rock singers in the episode "I Do, I Do"; Lenny and Squiggy imagining themselves as silent movie stars in "Born Too Late"; and "Laverne's Broken Leg," which may well have been the first sitcom episode inspired by the 1946 feature film It's a Wonderful Life (but certainly not the last)! The move from Milwaukee to Burbank did wonders for Laverne & Shirley's ratings: not even showing up in the Top 30 during season five, the series shot up to 20th place for season six. ~ Hal Erickson, All Movie Guide

Here's the status quo as Laverne & Shirley enters its seventh season. Ex-Milwaukeeans Laverne (Penny Marshall) and Shirley (Cindy Williams) are still living in Burbank, CA, still working at Bardwell's Department Store, and still trying to break into the movies. The girls' zany pals Lenny (Michael McKean) and Squiggy (David L. Lander) are trying their luck as talent agents; Laverne's sometime boyfriend Carmine (Eddie Mekka) is still tap-dancing around the notion of marriage, though he very nearly makes it to the altar in the episode "I Do, I Don't." And although Laverne's dad, Frank (Phil Foster), continues to manage the Burbank eatery Cowboy Bill's, his wife, Edna, is nowhere to found (longtime regular Betty Garrett has left the series). Although ostensibly set in the mid-'60s, Laverne & Shirley is now emphatically "early '80s" in its look and attitude: for example, "Friendly Persuasion" features actor Charles Grodin as his successful movie-and-TV personality "self" of the 1980s, not as the struggling young character actor that he was 20 years earlier. At least Joey Heatherton is pretty much the same person she was "back in the day" in the episode "Night at the Awards." In other season-seven highlights, former semi-regular Carole Ita White returns briefly as Laverne and Shirley's high-school nemesis Rosie Greenbaum in "Class of '56"; and Squiggy's father (Wynn Irwin) shows up out of nowhere in "Helmut Weekend." Although Laverne & Shirley was no longer America's top-rated series, it remained in a respectable 20th place through its seventh season. ~ Hal Erickson, All Movie Guide

In this comedy, a group of randy young interns turn City Hospital upside down with their romantic liaisons and their blunders. ~ Iotis Erlewine, All Movie Guide

This 1984 episode of Saturday Night Live is hosted by Michael McKean and features musical guests Chaka Khan. ~ Skyler Miller, All Movie Guide

In this spoof of McCarthy-era paranoia and 1950s wholesomeness, the characters and plot are drawn from the popular Parker Brothers board game of the same name. On a dark and stormy night in 1954, six individuals with ties to Washington are assembled for a dinner party at the swanky mansion of one Mr. Boddy (Lee Ving). Boddy's butler, Wadsworth (Tim Curry), assigns each guest a colorful name: Mr. Green (Michael McKean), Col. Mustard (Martin Mull), Mrs. Peacock (Eileen Brennan), Professor Plum (Christopher Lloyd), Miss Scarlet (Lesley Ann Warren), and Mrs. White (Madeline Kahn). Two additional servants, the Cook (Kellye Nakahara) and Yvette, the maid (Colleen Camp), assist Wadsworth as he informs the guests that they have been gathered to meet the man who has been blackmailing them: Mr. Boddy. When Boddy turns up dead, however, the guests must try to figure out who killed him so they can protect their own reputations and keep the body count from growing. Three separate endings were filmed for Clue and shown in different theaters; all three are collected for the video edition. Although the film is set in the 1950s, the original Clue game was actually devised by Anthony Pratt, a clerk in Leeds, England, to pass the time during World War II air-raid drills. First released in 1946 under the name Cluedo by British manufacturer Waddington's, Clue was renamed and released in the U.S. in 1949. Today, Clue/Cluedo is marketed in 70 countries around the world and has been adapted into a British game show and an off-Broadway musical. ~ Brian J. Dillard, All Movie Guide

A sequel to Martin Mull's spoof about the hardships of white life in middle America. ~ All Movie Guide

Penny Marshall in her feature film directing debut, four screenwriters, and a ebullient Whoopi Goldberg join forces to make Jumpin' Jack Flash, a modern espionage comedy. Goldberg plays Terry Doolittle, a computer operator in a large New York City bank who picks up a cry of help on her computer. The signal is from a man who signs off as Jumpin' Jack Flash. Based on the Rolling Stones tune of that name, she figures out his secret password and opens up a Pandora's box of international intrigue. It seems Jack Flash is a pseudonym for a British agent who is trapped in Russia and desperate for information from the British Embassy that will help him escape. When Terry agrees to help him, the CIA, the KGB, British intelligence, and sundry other law enforcement organizations are all hot on her tail as she tries to help the beleaguered British agent. ~ Paul Brenner, All Movie Guide

A brother and sister grapple with family and lifestyle issues in this rock-n-roll drama. Real-life rocker Joan Jett stars as Patti Resnick, an unwed mother who sings and plays guitar in a Cleveland bar band with her brother Joe (Michael J. Fox). Estranged from her parents and struggling to make ends meet, Patti decides to dive headlong into a carefree rock-n-roll lifestyle. Good-guy Joe pulls away from music to provide some stability for her tiny son. It takes a family crisis to bring Patti back home and force her to face the prickly past with her devoutly Christian mother (Gena Rowlands). Despite a somewhat thin story, the film has solid performances all around, most especially from the refreshingly compelling Jett. Bruce Springsteen penned the title song. ~ Bernadette McCallion, All Movie Guide