Leo Burmeister Movies

Struggling musicians vie for success in the hard world of the New York hip-hop scene in this gritty urban drama. Rich (Jeffrey D. Sams) is convinced he has a future as a rapper -- so much so that he leaves his wife and family to go to New York and reach for the brass ring. While scuffling for work, Rich meets another MC, I Tick (Ron Brice), whose roughneck style is a contrast to Rich's smooth delivery. The two rhymers begin working together and soon find that they may have a shot at the big time. The supporting cast includes Maura Tierney, Larry Gillard Jr., and Leo Burmester; rapper MC Lyte contributes to the soundtrack. ~ Mark Deming, All Movie Guide

Kevin Kline directed this television adaptation of the New York Shakespeare Festival's 1990 production of Shakespeare's most famous tragedy, in which Kline also stars as the melancholy Danish prince. Deeply saddened by the death of his father, Hamlet (Kline) is shocked to discover his mother, Queen Gertrude (Dana Ivey), has already taken a new husband, Claudius (Brian Murray), the brother of the late King. Visited by the shade of his late father, Hamlet is told that Claudius rose to his new status through murder, and the son is soon torn over what action he should take; meanwhile, Ophelia (Diane Venora) descends into madness. This adaptation of Hamlet was originally produced for PBS, where it first aired in 1990. ~ Mark Deming, All Movie Guide

An explosion in a rent-controlled tenement building results in a single fatality. It is later revealed that the victim, identified as Jeffrey Haden, had his neck broken and was tied up before the explosion. Things take an even more disturbing turn when "Jeffrey Haden" turns out to be an alias for Juseff Haddad who, despite his minimum-wage job, was able to maintain a bank account totalling 89,000 dollars. Dianne Wiest makes her last series appearance as Interim D.A. Nora Lewin in this, the final episode of Law & Order's 12th season. ~ Hal Erickson, All Movie Guide

Another two-part TV movie from the pen of novelist Sidney Sheldon, Rage of Angels stars Jaclyn Smith as attractive lawyer Jennifer Parker. While working as assistant D.A., Parker is targeted for persecution by organized crime, but she perseveres and emerges as one of the most successful defense attorneys in America. She is, however, not quite so lucky in matters of the heart, becoming simultaneously entangled with charismatic mob lawyer Michael Moretti (Armand Assante) and married U.S. Senate aspirant Adam Warner (Ken Howard). Serving up everything but the kitchen sink in plot complications and sinister conspiracies, Rage of Angels was telecast on February 20 and 21, 1983, garnering excellent ratings and an Emmy award for musical composer Billy Goldenberg. The film spawned a two-part sequel in 1986, Rage of Angels: The Story Continues, again with Jaclyn Smith in the lead. ~ Hal Erickson, All Movie Guide

Filmed on location in Kenya, this made-for-TV movie tells the story of a boy's fight to save an elephant. Stephanie Zimbalist stars as Beverly Cunningham, a mother who takes her son to live with her in Africa. When her son and a pal befriend an abandoned elephant, a Safari chase ensues as they try to save the animal from the hands of an uncaring businessman. ~ Bernadette McCallion, All Movie Guide

Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, All Movie Guide

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, All Movie Guide

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, All Movie Guide

With his trademark emphasis on character development and dialogue, writer/director John Sayles tells the story of May-Alice Culhane (Mary McDonnell), a New York soap opera actress left paralyzed by a car accident. As the film opens, she lies in a hospital bed, confused and scared, watching her own show on TV and shrieking, "That was supposed to be my closeup!" With no other options, she returns to her family's old and empty Southern home, where she drinks hard, offends every caregiver, and wallows in self-pity. Her outlook begins to changes with the arrival of Chantelle (Alfre Woodard), a nurse with her own life problems. The two gradually find a heartfelt connection with one another, and, as a result, their lives subtly change. McDonnell's work in Passion Fish earned her an Oscar nomination as Best Actress. ~ Norm Schrager, All Movie Guide

Willem Dafoe plays Jesus Christ in this extraordinarily controversial adaptation of Nikos Kazantzaki's novel. The film depicts a sometimes reluctant, self-doubting Jesus, gradually coming to accept His divinity and the inexorability of His ultimate fate. The much-maligned sex scene with Mary Magdalene (Barbara Hershey) occurs as an hallucination experienced by Jesus as he suffers on the cross. This particular sequence was what infuriated the film's most rabid critics, but in fact it is just one of many iconoclastic musings to be found in the film and its source novel. Equally volatile are the intimations that, as a carpenter, Jesus indifferently shaped the crucifixes for other condemned prisoners long before his own fate was sealed, and that Judas (Harvey Keitel) was literally manipulated into betrayal by a Christ whose preoccuption with his own destiny compelled him to "use" others. None of these departures from the normal interpretation of the scriptures are offered as any more than theory; as such, it was accepted as food for thought by the more open-minded clerics and Biblical scholars who recommended the film. ~ Hal Erickson, All Movie Guide

Television director Jace Alexander directs the feature-length Showtime childhood drama Carry Me Home. Set on a rural farm in upstate New York after WWII, the film follows young Carrie (Ashley Rose Orr) as she attempts to deal with her father's death. She refuses to get along with her mourning mother Harriet (Penelope Ann Miller) and she rejects the advances of neighborhood boy Zeke (Nicholas Braun). Things get worse when cultured local man Bernard (David Alan Basche) starts showing up with intentions of marrying Harriet. The conclusion finds Carrie growing from a traumatic experience involving the mentally disabled farm hand Charlie (Kevin Anderson). Carry Me Home was shown at the 2003 Nantucket Film Festival. ~ Andrea LeVasseur, All Movie Guide

The crew of an experimental, high-tech submersible is called into action to investigate a mysterious nuclear submarine crash. A series of strange encounters leads the crew to suspect the accident was caused by an extraterrestrial craft, and that they may be participating in an encounter with an alien species. However, in order to make contact, they must not only brave the abyss, an exceedingly deep underwater canyon, but also deal with the violent actions of one of their own crew members, an increasingly paranoid Navy SEAL officer. Approved by director James Cameron, The Abyss: Special Edition is an extended director's cut of the 1989 underwater science fiction epic, reinstating nearly a half hour of footage removed from the original release under studio pressure. Much of the restored footage places the film's events in a grander political context, as the crew's mission becomes a factor in the dangerous escalation of nuclear tension between the U.S. and the Soviet Union. The largest change involves the film's ending, which provides further information on the aliens' mission on Earth, bringing the film to closer to Cameron's intention: a modern remake of Robert Wise's The Day the Earth Stood Still. ~ Judd Blaise, All Movie Guide