Bill Hart Movies

American Blue Note concentrates on a Manhattan jazz quintet. Peter MacNichol, Carl Capotorto, Tim Guinee, Bill Christopher-Myers and Jonathan Walker play the five musicians, each with individual crosses to bear. Allotting themselves one year to get booked into a major jazz club or else they'll split, the quintet performs a lot of nickel-and-dime gigs in the meantime. But only one of the five makes it to the band's "Valhalla." Louis Guss, Zohra Lampert and Trini Alvarado appear in peripheral roles. Filmed in 1989, the independently produced American Blue Note didn't get a distributor until 1991. ~ Hal Erickson, All Movie Guide

Frontier scout Jess Remsberg (James Garner) is crossing the desert when he spots a dead army scout and group of Apaches pursuing someone -- it turns out to be a white woman, Ellen Grange (Bibi Andersson); he gets her away from them and returns her to her home and her husband Willard (Dennis Weaver), who seems much more upset that the horse she was riding when she left is dead than he is glad that she is back. Ellen was kidnapped by the Apaches two years before and rescued a year after that, and had fled a town where her husband and everyone else had treated her as an outcast since her return. Apart from preventing her from being raped by some drunken townsmen, however, Remsberg barely has time to worry over what goes on between them, as he has a mission of his own -- tracking down the men who murdered his wife, a Comanche woman. A key clue is in the hands of the town marshal in Fort Conchos and to get there he has to scout for a cavalry unit bringing horses, ammunition, and fresh recruits to the fort, with Grange and his wife -- and the infant son she had by the Indian chieftain who took her as his squaw -- going along, with ex-buffalo soldier-turned-horse wrangler Toler (Sidney Poitier). Their party ends up under siege by Chata (John Hoyt), the Apache Indian chief and grandfather to Ellen Grange's baby, who has jumped the reservation; he wants his grandson back, and the ammunition the troop was carrying, and also intends on killing Ellen for inadvertently causing the death of his son. They all end up trapped in a box canyon while Remsberg tries to survive to get help from Fort Conchos. If this all sounds complicated, it's not, especially as told by director Nelson, in a straightforward, unpretentious, brisk, and decidedly violent fashion that anticipates his own Soldier Blue, made four years later. Every plot element links up neatly in this script, which quite effectively recalls (and weaves together) elements of the book and the movie Hondo as well as any number of revenge westerns of the 1960's. ~ Bruce Eder, All Movie Guide

Otto Preminger directed this star-studded adaptation of K.B. Gliden's novel about racial prejudice and emotional unrest in the Deep South. Henry Warren (Michael Caine) is a land owner obsessed with buying up all available land in a Georgia farming town. However, two parcels of land have escaped his reach, and he's determined to get them. The Scotts, an African-American family, own one of the lots that Henry is after; the matriarch of the family, Rose (Beah Richards), used to work as a servant for the family of Henry's wife, Julie Ann (Jane Fonda), so Henry sends Julie Ann to talk with her. However, not only doesn't Rose agree to sell, she gets so upset that she dies of a heart attack, and soon her headstrong son Reeve (Robert Hooks) is the owner of the land. Reeve refuses all of Henry's offers to sell out, and he even stands up to a racist lynch mob that tries to ransack his farm; when Henry attempts to prove that Reeve holds no legal deed to the property, Vivian Thurlow (Diahann Carroll), the town's black schoolmarm, is able to provide the documentation that the Scotts do indeed own their land. Meanwhile, Henry is also trying to buy some property farmed by Rod McDowell (John Phillip Law) and his wife Lou (Faye Dunnaway), a poor white couple who are Henry's cousins. The McDowell farm adjoins that owned by the Scotts, so Reeve and Rod agree to join forces against Henry, which leads to violent reprisals against them. While set in Georgia, Hurry Sundown was actually shot on location in Louisiana; it was the first film shot in the South with an integrated cast and crew, leading the producers to demand protection from State Troopers after members of the company received death threats. ~ Mark Deming, All Movie Guide

In director/writer Curtis Hanson's 1987 chiller The Bedroom Window, architect Terry Lambert (Steve Guttenberg) experiences a most disorienting turn of events when his French lover, Sylvia (Isabelle Huppert) - the wife of his boss - walks over to the titular window in-between lovemaking sessions and witnesses a mysterious man strangling a helpless victim (Elizabeth McGovern). By the time Guttenberg comes to the window, he can see only a crowd of spectators. Because Sylvia wants to avoid a messy involvement in the case (which would soil her reputation, ruin her marriage and cost Lambert his job), Guttenberg agrees to pretend that he witnessed the attack. The ruse, of course, leads to a myriad of complications. And meanwhile, with the psycho still on the loose, Lambert sets out to find him. ~ Hal Erickson, All Movie Guide

Beth (Gretchen Corbett) asks Jim (James Garner) a favor on behalf of her current client (and her onetime college rival) Susan Kenniston (Margaret Impert). Jim is to check up on Richard Lessing (a pre-Dallas Larry Hagman) the principal investor in a suspicious-looking undersea research project in which Susan is involved. When murder rears its ugly head, both Jim and Susan find themselves in the direst of dire peril. This is the episode in which Jim's girlfriend Beth makes a crucial career decision which not only changes her life but also precipitates the exit of series regular Gretchen Corbett. ~ Hal Erickson, All Movie Guide

The year is 1997. Manhattan Island is now a heavily guarded maximum-security prison, where the scum of the earth have converged. When Air Force One crash-lands in Manhattan, the president (Donald Pleasence) is held hostage by its denizens. One-eyed mercenary Snake Plissken (Kurt Russell) is strong-armed into rescuing the chief executive. He is aided, not always willingly, by a tough gal (Adrienne Barbeau) and a manic cab driver (Ernest Borgnine). Escape from New York was followed by a sequel of sorts in 1996, Escape From L.A., again starring Kurt Russell. ~ Hal Erickson, All Movie Guide

Two women with serious differences are forced to look out for each other in this anarchic comedy. Sandy (Bette Midler) and Lauren (Shelley Long) are a pair of struggling actresses who don't get along especially well -- and are even less fond of each other when they discover that they're both dating the same man, Michael (Peter Coyote). However, when Michael suddenly goes missing, they discover that he's actually an espionage agent working with a foreign government, and as they set out to find him, they learn that he has implicated them in his schemes. Now Sandy and Lauren are stuck with each other as they look for Michael while trying to outrun the law. Outrageous Fortune also stars George Carlin as Frank, a burned-out '60s holdover who the women meet along the way. ~ Mark Deming, All Movie Guide

This is an unusual entry in the knights-in-armor genre. Set in medieval England, the film follows the exploits of a young swordsman, Talon (Lee Horsley). Working as a mercenary knight, Talon possesses a unique three-bladed sword which fires its two extra blades when he touches a button. By chance, Talon learns that he is a prince who has forgotten his royal heritage. Using his sword and his wiles, he attempts to regain control of his kingdom, which has been taken over by a sadistic tyrannical knight and an evil sorcerer. In doing so, he can save a princess who has been taken hostage by the usurpers. Comedy is interspersed with gory and licentious drama throughout the film, which was directed and written by Albert Pyun. ~ Michael Betzold, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide

In Sam Peckinpah's version of Walter Hill's script, from Jim Thompson's novel, an ex-con and his wife go on the lam after a Texas bank heist. Denied parole after four well-behaved years, Doc McCoy (Steve McQueen) sends his wife Carol (Ali MacGraw) to dirty politician Jack Benyon (Ben Johnson) to get him out of prison. Carol secures Doc's freedom, on the condition that he does one more bank job for Benyon. Doc and his accomplices Rudy (Al Lettieri) and Jackson (Bo Hopkins) get the cash, but Doc soon discovers how Rudy intends to keep it all for himself and how Carol convinced Benyon to get him sprung. While Rudy hijacks a veterinarian and his wife (Sally Struthers) to take him to get Doc in El Paso, Doc and Carol make their own embattled way south with the money, threatening to desert each other before reaching a trash dump rapprochement after a harrowing garbage truck episode. All sides converge in El Paso for a shootout, but trust a happily married old-timer (Slim Pickens) to help Doc and Carol have a future. With violence shot in his trademark balletic style, Peckinpah does not hide the damage that Doc can do, whether to a cop car or an enemy. Still, as in such other morally relative outlaw movies as Bonnie and Clyde (1967) and Peckinpah's western The Wild Bunch (1969), Doc may be a criminal and killer when necessary, but his and Carol's loyalty to each other elevates them above their crooked milieu. With its non-traditional traditional couple played by the then hot (and notoriously adulterous) stars McQueen and MacGraw, The Getaway was a substantial hit. It was lackadaisically remade with Alec Baldwin and Kim Basinger in 1994. ~ Lucia Bozzola, All Movie Guide

Tim Conway and Don Knotts, mere supporting characters in the original Apple Dumpling Gang, are promoted to starring roles in the 1979 sequel The Apple Dumpling Gang Rides Again. Once more cast as clumsy, soft-hearted western outlaws, Conway and Knotts come to the rescue of cavalry private Tim Matheson. The villain, lieutenant Philip Pine, is undermining the authority of Matheson's commander Harry Morgan, and Matheson wants to find out why. Featured performers include Jack Elam as Big Mac and Ruth Buzzi as Tough Kate. ~ Hal Erickson, All Movie Guide