Robert Duvall Movies

One of Hollywood's most distinguished, popular, and versatile actors, Robert Duvall possesses a rare gift for totally immersing himself in his roles. Born in San Diego, CA, in 1931 and raised by an admiral, Duvall fought in Korea for two years after graduating from Principia College. Upon his Army discharge, he moved to New York to study acting at the Neighborhood Playhouse, where he won much acclaim for his portrayal of a longshoreman in A View From the Bridge. He later acted in stock and off-Broadway, and had his onscreen debut as Gregory Peck's simple-minded neighbor Boo Radley in To Kill a Mockingbird (1962).

With his intense expressions and chiseled features, Duvall frequently played troubled, lonely characters in such films as The Chase (1966) during his early film career. Whatever the role, however, he brought to it an almost tangible intensity tempered by an ability to make his characters real (in contrast to some contemporaries who never let viewers forget that they were watching a star playing a role). Though well-respected and popular, Duvall largely eschewed the traditionally glitzy life of a Hollywood star; at the same time, he worked with some of the greatest directors over the years. This included a long association with Francis Ford Coppola, for whom he worked in two Godfather movies (in 1972 and 1974) and Apocalypse Now (1979). The actor's several Oscar nominations included one for his performance as a dyed-in-the-wool military father who victimizes his family with his disciplinarian tirades in The Great Santini (1980). For his portrayal of a has-been country singer in Tender Mercies -- a role for which he composed and performed his own songs -- Duvall earned his first Academy Award for Best Actor. He also directed and co-produced 1983's Angelo My Love and earned praise for his memorable appearance in Rambling Rose in 1991. One of Duvall's greatest personal triumphs was the production of 1997's The Apostle, the powerful tale of a fallen Southern preacher who finds redemption. He had written the script 15 years earlier, but was unable to find a backer, so, in the mid-'90s, he financed the film himself. Directing and starring in the piece, Duvall earned considerable acclaim, including another Best Actor Oscar nomination.

The 1990s were a good decade for Duvall. Though not always successful, his films brought him steady work and great variety. Not many other actors could boast of playing such a diversity of characters: from a retired Cuban barber in 1993's Wrestling Ernest Hemingway to an ailing editor in The Paper (1994) to the abusive father of a mentally impaired murderer in the harrowing Sling Blade (1996) to James Earl Jones's brother in the same year's A Family Thing (which he also produced). Duvall took on two very different father roles in 1998, first in the asteroid extravaganza Deep Impact and then in Robert Altman's The Gingerbread Man. Throughout his career, Duvall has also continued to work on the stage. In addition, he occasionally appeared in such TV miniseries as Lonesome Dove (1989) and Stalin (1992), and has even done voice-over work for Lexus commercials. In the early 2000s, he continued his balance between supporting roles in big-budget films and meatier parts in smaller efforts. He supported Nicolas Cage in Gone in 60 Seconds and Denzel Washington in John Q., but he also put out his second directorial effort, Assassination Tango (under the aegis of old friend Coppola), which allowed him to film one of his life's great passions -- the tango. In 2003, Kevin Costner gave Duvall an outstanding role in his old-fashioned Western Open Range, and Duvall responded with one of his most enjoyable performances.

Duvall subsequently worked in a number of additional films, including playing opposite Will Ferrell in the soccer comedy Kicking & Screaming, as well as adding a hilarious cameo as a tobacco king in the first-rate satire Thank You For Smoking. In 2006 he scored a hit in another western. The made for television Broken Trail, co-starring Thomas Haden Church, garnered strong ratings when it debuted on the American Movie Classics channel. That same year he appeared opposite Drew Barrymore and Eric Bana in Curtis Hanson's Lucky You. ~ Sandra Brennan, All Movie Guide
1962  
 
This episode is dominated by the presence of a pre-stardom Robert Duvall, here ironically cast as an unsuccessful actor named Bart Conway. When he finds out that fellow actor Jerry Lane (Charles Robinson) is his main competition for an upcoming role, he invites Jerry to his apartment to prepare for the audition -- hoping of course, to scare off the younger actor with his "method" histrionics. In the course of the evening, Bart gets carried away and ends up killing Jerry, leaving him with the problem of disposing of the body. The method hit upon by the methodical Mr. Conway is gruesome but efficient -- or it would have been had he not forgotten about a certain ice bucket in his living room. "Bad Actor" was remade for the 1985 revival of Alfred Hitchcock Presents, with Martin Sheen taking over for Robert Duvall. ~ Hal Erickson, All Movie Guide

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1962  
 
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Harper Lee's Pulitzer Prize-winning autobiographical novel was translated to film in 1962 by Horton Foote and the producer/director team of Robert Mulligan and Alan J. Pakula. Set a small Alabama town in the 1930s, the story focuses on scrupulously honest, highly respected lawyer Atticus Finch, magnificently embodied by Gregory Peck. Finch puts his career on the line when he agrees to represent Tom Robinson (Brock Peters), a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch's six-year-old daughter Scout (Mary Badham). While Robinson's trial gives the film its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout's ever-strengthening bond with older brother Jem (Philip Alford), her friendship with precocious young Dill Harris (a character based on Lee's childhood chum Truman Capote and played by John Megna), her father's no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout's reactions to, and relationship with, Boo Radley (Robert Duvall in his movie debut), the reclusive "village idiot" who turns out to be her salvation when she is attacked by a venomous bigot. To Kill a Mockingbird won Academy Awards for Best Actor (Peck), Best Adapted Screenplay, and Best Art Direction. ~ Hal Erickson, All Movie Guide

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Starring:
Gregory PeckMary Badham, (more)
1963  
 
Gregory Peck plays a benevolent God-like figure in a white smock as Captain Josiah Newman, the head of a psych-unit at a Southwestern army base during the waning days of World War II. Newman is a patriarchal protector to his patients, preferring to keep him in his ward, rather than return them to certain death on the battlefield. The matriarchal figure of the ward is Lieutenant Grace Blodgett (Jane Withers), but Newman is more interested in his assistant Lieutenant Francie Corum (Angie Dickinson), with whom he is having an affair. Further help is provided by human nature expert, Corp. Jackson Laibowitz (Tony Curtis), the orderly. And Newman needs all the help he can get. Particularly with three patients: Colonel Bliss (Eddie Albert) is suffering from a guilt complex from all the men he has sent to death; Corporal Tompkins (Bobby Darin, in an Academy Award-nominated performance), although decorated for bravery in combat, calls himself a coward for failing to save his pal from a burning plane; and Captain Winston (Robert Duvall) is guilt-ridden and has lapsed into catatonia because he had hidden for over a year in the basement of a building in Germany. Although Newman wants to cure these men of their psychological problems, he doesn't want to see them returned to the war to be killed. ~ Paul Brenner, All Movie Guide

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Starring:
Gregory PeckTony Curtis, (more)
1963  
 
In the first episode of a two-part story, Richard Kimble (David Janssen), alias Jeff Cooper, arrives in Santa Barbara. Here the fugitive gives serious consideration to giving up his flight from the law--and his search for the one-armed man who murdered his wife--when he falls in love with Karen Christian (Susan Oliver), the niece of Norwegian sailmaker Lars Christian (Will Kuluva). This arouses the jealousy of Karen's neurotic half-brother Eric (a young Robert Duvall), who begins plotting Kimble's demise. Meanwhile, Lt. Gerard, still in relentless pursuit of Kimble, has shown up in nearby Los Angeles. (Trivia note: Gerard's wife, played by Rachel Ames, is identified as "Ann"; in later episode, she will be played by Barbara Rush, byt which time her name will have inexplicably changed to "Marie"). ~ Hal Erickson, All Movie Guide

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1963  
 
In the conclusion of a two-part strory, the death of Lars Christian has drawn his niece Karen even closer to fugitive Richard Kimble (David Janssen). At the same time, Karen's spiteful half-brother Eric (Robert Duvall) has let slip Kimble's whereabouts to his relentless pursuer Lt. Gerard (Barry Morse). In an act of desperation, Kimble and Karen plan to escape by boat in a stormy sea--and in the ensuing tempest, Gerard ironically finds his life in Kimble's hands. ~ Hal Erickson, All Movie Guide

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1963  
 
Engineer Alan Maxwell (Cliff Robertson) is using his commercial radio station's antenna to probe into deep space in experiments of his own, in the course of which he makes contact with a being (William O. Douglas, Jr.) from the great nebula in the constellation Andromeda. Through an accident, the alien is transported to Earth, where its radioactive emanations prove lethal to all who come in contact with it. ~ Bruce Eder, All Movie Guide

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1963  
 
Robert Duvall stars as Charley Parkes, a shy and lonely man who spends his spare time at the museum, even though his domineering mother (Pert Kelton) would prefer that Charley seek out a suitable girlfriend. But as far Charley is concerned, he already has a sweetheart -- a tiny but lifelike ballerina doll, part of a 19th century dollhouse exhibit. While "conversing" with the doll one day, Charley is startled as the ballerina comes to life -- as do several less appealing miniature characters. Originally telecast February 21, 1963, this Charles Beaumont-scripted Twilight Zone episode was later withdrawn from the series' syndicated package due to a legal complication. "Miniature" did not see the light of day again until 1984, when a semi-colorized version was included in a two-hour syndicated Twilight Zone 25th Anniversary special. ~ Hal Erickson, All Movie Guide

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Starring:
Robert DuvallPert Kelton, (more)
1963  
 
A young Robert Duvall dominates this episode in the role of melancholy trumpet player Eddie Moon. Bootlegger Lew Kagan (Robert Duvall) pays a visit to the nightclub where Eddie is working, intending to become the exclusive liquor supplier to club owner "Goose" Gander (Will Kuluva). Taking one look at Kagan's beautiful wife Bunny (Kathy Nolan), Eddie falls hopelessly in love--and when he sees Kagan slapping Bunny around, he swears vengeance against the brutish gangster, thereby setting in motion the events that will lead inexorably to the episode's shattering climax. To be sure, series star Robert Stack shows up as Elliot Ness, but Robert Duvall is the actor that the viewer remembers long after the final credits have faded. ~ Hal Erickson, All Movie Guide

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1964  
 
In this crime drama, a bored, but seductive wife of a wealthy old ranch goes cruising for trouble and finds it when she picks up a hapless hitchhiker who soon falls under her sexy spell. Like a fly to a spider's web, he is drawn to her bedroom. Unfortunately, the old rancher sees him leaving and flies into a rage, killing his cheating wife. The crooked county sheriff is delighted by the events as he can now begin blackmailing the rancher. To cover for the crime, he arrests the poor drifter who doesn't even know the woman is dead. In the end, the rancher kills the sheriff and confesses all. ~ Sandra Brennan, All Movie Guide

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Starring:
John DerekAldo Ray, (more)
1964  
 
While posing as "Ben Horton", Kimble (David Janssen) is hired by Norma Sessions (Angie Dickinson) to look after her brother Leslie (Robert Duvall), a reclusive, embittered invalid. Someone getting through to the truculent Leslie, Kimble wins the man's trust and friendship. Meanwhile, Norma and her boyfriend Lars (John Ericson) hatch a scheme to murder Leslie for his insurance money--and pin the blame on Kimble. (Trivia alert: David Janssen and Angie Dickinson later costarred in the highly regarded 1977 TV movie A Sensitive Passionate Man, while Dickinson and Robert Duvall had both previously appeared in the 1963 Gregory Peck vehicle Captain Newman, M.D.). ~ Hal Erickson, All Movie Guide

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1964  
 
In Volume 37 of a collection culled from the 1963-1965 science fiction anthology television series, the final survivor of Earth travels back in time to learn why he alone outlived the rest of humankind. ~ Jason Ankeny, All Movie Guide

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1964  
 
In Volume 31 of a collection culled from the 1963-1965 science fiction anthology television series, a human disguises himself as an evil alien to gather intelligence data. ~ Jason Ankeny, All Movie Guide

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1964  
 
In this episode of the well-wrought horror/sci-fi anthology, a hapless miner inadvertently gets involved in a scientific experiment and ends up evolving far beyond the rest of humankind. ~ Sandra Brennan, All Movie Guide

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1965  
 
Advancing into a tiny French village, Hanley and his men kill two Germans and capture their lieutenant, a demolitions expert named Karl (played by a pre-stardom Robert Duvall). Sharkishly, Karl informs the Americans that the entire town has been booby-trapped with mines--and that he will help locate the explosives under certain conditions. With the local villagers clamoring to be let back into town, Hanley may have no choice but to enter into a deal with the eminently untrustworthy Nazi. This episode was cowritten by Steve Fisher, a specialist in such "film noir" exercises as I Wake Up Screaming. ~ Hal Erickson, All Movie Guide

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1965  
 
The FCC alerts Inspector Erskine (Efrem Zimbalist Jr.) when several radio operators begin receiving strange, cryptic messages. Meanwhile, a deranged man named Joseph Walker (played by a young Robert Duvall) formulates a plan to destroy a new guided missile known as "Thor", which is slated to be delivered from an Arizona silo to a California launching site. It turns out that those bizarre radio signals are actually clues being provided by Walker in a perverse game of "catch me if you can"! ~ Hal Erickson, All Movie Guide

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1965  
 
When a sea-quake uncovers the remains of an ancient civilization, the Seaview brings one of the strange capsules aboard -- and discovers a member of that civilization, alive and out of hibernation. Their guest (Robert Duvall) is eager to learn all he can of humankind, but is also hiding a secret worth killing over. ~ Bruce Eder, All Movie Guide

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1966  
 
Robert Duvall guest stars as Peter Halsman, a German medic who is captured while Hanley (Rick Jason) and his squad prepare to knock out an enemy observation post. Though Saunders (Vic Morrow) strenuously objects, Halsman is forced to accompany the men while they carry out their mission. As the situation intensifies, Halsman finds himself in conflict with his medical ethics--especially when he must weigh the lives of his captors against those of his fellow Germans. ~ Hal Erickson, All Movie Guide

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1966  
 
Originally telecast November 26, 1966, Fame is the Name of the Game was the first official entry in NBC-TV "Project 120" series of made-for-TV movies (after two false starts in 1964). Tony Franciosa plays a magazine writer investigating the suicide of a beautiful girl. He uses the girl's address book as a key to piecing together the mystery of her self-destruction--and in so doing discovers that she'd actually been murdered. Advertised as an "original" for television, Fame is the Name of the Game was actually a remake of the 1949 Alan Ladd melodrama Chicago Deadline, right down to the identity of the mystery killer. Jill St. John and Jack Klugman co-star, with Jack Weston, Robert Duvall, Nanette Fabray and Jay C. Flippen popping up in supporting roles. This film served as the pilot for the 1968-71 TV series Name of the Game, with cast members Tony Franciosa and Susan St. James retained for the series proper. ~ Hal Erickson, All Movie Guide

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1966  
NR  
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All hell breaks loose in a Texas town when an escaped convict heads home in Arthur Penn's Southern gothic melodrama. Appointed by local kingpin Val Rogers (E. G. Marshall), benevolent Sheriff Calder (Marlon Brando) manages to keep the peace in Tarl, but the situation starts to fester one Saturday when news filters in that wild child Bubber Reeves (Robert Redford) has jumped prison. Bubber's impending arrival arouses hostility among Tarl's citizens, such as Edwin Stewart (Robert Duvall), who believes that Bubber will come after him to settle an old score, and Damon Puller (Richard Bradford), who, between grope sessions with Edwin's wife Emily (Janice Rule), uses Bubber as an excuse to terrorize black residents. As the atmosphere heats up, Calder wants to keep Bubber alive, and he convinces Bubber's wife Anna (Jane Fonda) and her lover, Val's son Jake (James Fox), to find Bubber and coax him into surrender. Val's fear that Bubber will kill his son, however, sparks a long confrontation that leaves rational law and order pummeled into the ground by the town's ignorant cruelty. ~ Lucia Bozzola, All Movie Guide

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Starring:
Marlon BrandoJane Fonda, (more)
1966  
 
An ongoing FBI effort to topple the Mafia empire headed by Mark Vincent (Johnny Albin) is complicated by the presence of eager young loan shark Johnny Albin (Robert Duvall), who will go to any lengths to join the "Organization." Vincent has assigned Johnny to seize control of a cash-strapped industry in order to provide a respectable Mafia front. Immediately, Johnny puts the squeeze on troubled businessman Albert Towner (Lin McCarthy)--who cannot inform the Feds for fear of what will happen to his family. ~ Hal Erickson, All Movie Guide

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