Kirk Douglas Movies
Once quoted as saying "I've made a career of playing sons of bitches," Kirk Douglas is considered by many to be the epitome of the Hollywood hard man. In addition to acting in countless films over the course of his long career, Douglas has served as a director and producer, and will forever be associated with his role in helping to put an end to the infamous Hollywood black list.Douglas (born Issur Danielovitch) was the son Russian Jewish immigrant parents in Amsterdam, NY, on December 9, 1916. He waited tables to finance his education at St. Lawrence University, where he was a top-notch wrestler. While there, he also did a little work in the theater, something that soon gave way to his desire to pursue acting as a career. After some work as a professional wrestler, Douglas held various odd jobs, including a stint as a bellhop, to put himself through the American Academy of Dramatic Arts. In 1941, he debuted on Broadway, but had only two small roles before he enlisting in the Navy and serving in World War II. Following his discharge, Douglas returned to Broadway in 1945, where he began getting more substantial roles; he also did some work on radio.
After being spotted and invited to Hollywood by producer Hal Wallis, Douglas debuted onscreen in The Strange Love of Martha Ivers (1946), but he did not emerge as a full-fledged star until he portrayed an unscrupulously ambitious boxer in Champion (1949); with this role (for which he earned his first Oscar nomination), he defined one of his principle character types: a cocky, selfish, intense, and powerful man. Douglas fully established his screen persona during the '50s thanks to strong roles in such classics as Billy Wilder's Ace in the Hole (1951), William Wyler's Detective Story (1951), and John Sturges' Gunfight at the O.K. Corral (1957). He earned Oscar nominations for his work in The Bad and the Beautiful (1952) and Lust for Life (1956), both of which were directed by Vincente Minnelli. In 1955, the actor formed his own company, Bryna Productions, through which he produced both his own films and those of others, including Stanley Kubrick's Paths of Glory (1957) and Spartacus (1960); both of these movies would prove to be two of the most popular and acclaimed of Douglas' career. In 1963, he appeared on Broadway in Ken Kesey's One Flew over the Cuckoo's Nest, but was never able to interest Hollywood in a film version of the work; he passed it along to his son Michael Douglas (a popular actor/filmmaker in his own right), who eventually brought it to the screen to great success.
During the '60s, Douglas continued to star in such films as John Huston's The List of Adrian Messenger (1963) and John Frankenheimer's Seven Days in May (1964), both of which he also produced. He began directing some of his films in the early '70s, scoring his greatest success as the director, star, and producer for Posse (1975), a Western in which he played a U.S. marshal eager for political gain. Though he continued to appear in films, by the '80s Douglas began volunteering much of his time to civic duties. Since 1963, he had worked as a Goodwill Ambassador for the State Department and the USIA, and, in 1981, his many contributions earned him the highest civilian award given in the U.S., the Presidential Medal of Freedom. For his public service, Douglas was also given the Jefferson Award in 1983. Two years later, the French government dubbed him Chevalier of the Legion of Honor for his artistic contributions. Other awards included the American Cinema Award (1987), the German Golden Kamera Award (1988), and the National Board of Review's Career Achievement Award (1989). In 1995, the same year he suffered a debilitating stroke, Douglas was presented with an honorary Oscar by the Academy; four years later, he was the recipient of the American Film Institute's Lifetime Achievement Award, an honor that was accompanied by a screening of 16 of his films. In addition to his film work, Douglas has also written two novels: Dance with the Devil (1990) and The Secret (1992). He published his autobiography, The Ragman's Son, in 1988. ~ Sandra Brennan, All Movie Guide
- 1976
Within months after the spectacular July 4, 1976 rescue of hostages from Uganda's Entebbe airport, there were two competing TV movies on the subject. The longest (and least) of the two was Victory at Entebbe, hurriedly shot on videotape. The story begins when Arab terrorist capture a civilian airliner and force a landing at Entebbe. Ugandan president Idi Amin (Julius Harris, substituting for recently deceased Godfrey Cambridge), struts about at the airport, insisting that he can do nothing--but apparently siding with the terrorists, especially when the Arabs begin separating and mistreating the Jewish passengers. A surprise Israeli commando raid masterminded by defense minister Shimon Peres (Burt Lancaster, who more than compensates for his miscasting with an excellent performance) rescues most of the hostages, though at least one of the passengers (played by Helen Hayes with a Jewish accent that wouldn't convince a duck) is apparently killed out of retribution while en route to hospital. The teleplay's bad dialogue, and the producers' Airport-like decision to use only big stars in the major roles (Richard Dreyfuss, Elizabeth Taylor, Kirk Douglas et. al.) tends to trivialize one of the most auspicious acts of selfless heroism of the 1970s. A far better dramatization of the incident, Raid on Entebbe, was telecast a few months later. ~ Hal Erickson, All Movie Guide
The life of tragic jazz great Bix Beiderbecke is given the "a clef" treatment in Warner Bros. Young Man With a Horn. Kirk Douglas plays the Beiderbecke character, here named Rick Martin. An ace trumpter player, Martin is one of the few white musicians to flourish in the black-dominated jazz scene of the 1920s. Chafing against the dullness of the "respectable" orchestras for whom he works, Martin finds at least two kindred spirits in the forms of torch singer Jo Jordan (Doris Day) and piano player Smoke Willoughby (Hoagy Carmichael). He rises to popularity with his own group, and along the way falls under the spell of wealthy jazz patroness Lauren Bacall. After marrying Bacall, Martin begins neglecting his music and turns more and more to alcohol. When he skips one of her fancy parties to attend the funeral of his mentor Juano Hernandez, Bacall angrily smashes all his jazz records, effectively ending what was never a very solid relationship. Crawling into a bottle, Martin loses his touch with the trumpet-a heartbreaking sequence, in which he goes to pieces in the middle of the pop standard "With a Song in My Heart". Unlike the real Beiderbecke, who died of alcoholism at the age of 28, Rick Martin is rescued by his faithful friends Day and Carmichael. Kirk Douglas' trumpeteering in Young Man with a Horn was effectively dubbed by Harry James, while jazz pianists Buddy Cole and Jimmy Zito make uncredited soundtrack contributions. The film was adapted by Carl Foreman and Edmund H. North from a novel by Dorothy Baker. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Lauren Bacall, (more)
