Linda de Scenna Movies

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, All Movie Guide

Things have barely settled from the excitement and resolve of the original Back to the Future, when in pops that crazy inventor Dr. Emmett Brown (Christopher Lloyd) with news that in order to prevent a series of events that could ruin the McFly name for posterity, Marty McFly (Michael J. Fox ) and his girlfriend are whisked into the future to the year 2015, where Marty must tangle with a teen rogue named Griff, who's obviously the descendant of Biff, the first Future film's bully. Marty foils Griff and his group when he jumps on an air-foil skateboard that flies him through town at rakish speeds with the loser bullies beaten again. Marty gets a money-making brainstorm before hopping in the time-traveling DeLorean, and he purchases a sports almanac. He figures that back in 1985 he'll be able to place sure-fire bets using the published sports scores of the games that are yet to happen. Unfortunately for Marty, Dr. Brown disapproves of his betting scheme -- he feels too much messing with time is very dangerous -- and he tosses the almanac. A hidden Biff overhears the discussion about the almanac, sees it get tossed out, and grabs it. Thus begins a time-traveling swirl to make the head spin. Biff swipes the DeLorean, heads back to 1955, and with the help of the unerring almanac, bets his way to power. The now-altered "Biff world" has turned into a nightmarish scene with Biff the mogul, residing in a Vegas-styled pleasure palace and running everything. It's all our hero Marty can do to pull the pieces together this time, as he must jump between three generations of intertwined time travel. The end of Back to the Future, Part 2 introduces its sequel as the zany professor has already time-dashed away to the Wild West of the late 1800s and invites Marty into a new adventure. ~ All Movie Guide

A blend of science fiction and noir detective fiction, Blade Runner (1982) was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard's former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior (M. Emmett Walsh), Deckard is forced back into active duty. A quartet of replicants led by Roy Batty (Rutger Hauer) has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy), one of his targets. Attacked by another replicant, Leon (Brion James), Deckard is about to be killed when he's saved by Rachael (Sean Young), Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director's cut that removed Deckard's narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon. ~ Karl Williams, All Movie Guide

A man looking for a woman just like himself ends up with someone quite different in this farcical comedy. Peter Sanderson (Steve Martin) is a lawyer who is having trouble getting his life back on track after his wife, Kate (Jean Smart), divorces him; he's also adjusting to his new status as a single father. Looking for companionship, Peter tries an internet dating site and virtually meets "lawyer-girl," an attractive and single fellow attorney. Peter makes a date with her, but the woman who arrives at his door turns out to be Charlene Morton (Queen Latifah), who not only isn't a lawyer, she turns out to be an escaped convict. Charlene is also a brash and brassy African-American, while Peter is perhaps the most tightly wound white guy in L.A. Charlene explains to Peter that she's strung him along because she's innocent of the crime for which she was convicted, and she needs a top-notch attorney to help prove her case. Peter isn't the least bit interested at first, but Charlene isn't the sort of woman to take "no" for an answer, and in time she wears him down and agrees to help. As Charlene moves into Peter's home, she helps him to loosen up and unleash his inner groove, which quite surprises Kate, and her down-to-earth advice comes in handy for Peter's son and daughter. But Charlene may end up going too far when Peter is asked to entertain Mrs. Arness (Joan Plowright), a wealthy woman looking for a new law firm. Bringing Down the House also features Eugene Levy as Howie, one of Peter's friends who takes a keen interest in Charlene, and Betty White as one of Peter's neighbors. ~ Mark Deming, All Movie Guide

Three divorced fathers, played by Paul Reiser, Matthew Modine, and Randy Quaid, experience the joys and hardships of their former marriages, their relationships with their kids, and getting back into the dating scene in this whimsical comedy. Dave (Modine) is diligently playing the field, while Vic (Quaid) is enraged over his ex-wife's spending problem and Donny (Reiser) is struggling with the love he still feels for his ex and his own feelings of rejection. However, what develops over the weekend changes each man's life forever. Vic goes on a nightmare date with a neurotic woman (Janeane Garofalo), Dave loses control of his female interests when they all show up at the house simultaneously, and Donny finds himself literally out on a limb in order to communicate with his teenage daughter. Though it deals with serious subject matter, Bye Bye Love is a lighthearted look at modern American divorce and the often humorous ways in which people adjust to a new life. ~ Don Kaye, All Movie Guide

In this supernatural thriller, Kevin Costner plays Joe Darrow, a physician mourning the death of his wife Emily (Susannah Thompson) in a bus accident in South America, where she was providing medical outreach. Wracked by grief, Joe works extra shifts at the hospital to take his mind off the tragedy, but the intense workload triggers his short temper and some careless mistakes. His officious boss (Joe Morton) forces Joe to take time off, but Joe feels obligated to check in on his wife's pediatric patients, fulfilling a promise he made before she left. Visiting the ward, Joe starts to believe that Emily is using the near-death experiences of her terminal patients to communicate with him, through images the children report seeing in their dreams, and symbols they are inexplicably compelled to draw. While the children see Joe as a kindred spirit, the hospital staff worries about how these interactions are agitating them. At home, Joe begins finding other ethereal evidence of his wife's attempt to contact him from beyond the grave, some of it featuring the image of a dragonfly, which was the shape of the birthmark on her shoulder. His friends and a caring neighbor (Kathy Bates) worry that Joe is losing his marbles, especially as his quest becomes more frantic, putting his job in jeopardy. ~ Derek Armstrong, All Movie Guide

Just as the original 1950 version of Father of the Bride spawned a sequel, so did the 1991 remake; like its counterpart four decades earlier, this story concerns a father who learns that his anxieties are just beginning after his daughter takes the big walk down the aisle. George Banks (Steve Martin) has finally adjusted to the marriage of his daughter Annie (Kimberly Williams) when the fates drop a new bombshell on his head: Annie and her husband Bryan (George Newbern) announce that they're going to have a baby. While George's wife Nina (Diane Keaton) is happy enough about the news, George is thrown into an immediate mid-life crisis; while he and Nina were once discussing the possibility of selling the family home and moving to a place on the beach, George impulsively sells their home to Mr. Habib (Eugene Levy), a greedy land speculator. Now, with ten days to move, George gets even more unexpected news: Nina, who had earlier been fretting about the onset of menopause, has just learned that she's pregnant as well. George now has to deal with being a father again as well as becoming a grandparent, while he also figures out how to get the Banks family home back. Martin Short returns as Franck, the oddly accented wedding planner from Father of the Bride, who has moved into a new career organizing baby showers and redecorating homes. ~ Mark Deming, All Movie Guide

A team of intrepid adventurers travels through the outer reaches of the galaxy, each week finding excitement and adventure on Galaxy Quest! Or at least that's the way it was in the mid-1970s, when brave if reckless Captain Peter Quincy Taggart, lovely Lieutenant Tawny Madison, and inscrutable alien Dr. Lazarus were the leaders of an interstellar law enforcement team on the TV series of that name. Twenty years later, the show is still in reruns, and Jason Nesmith (Tim Allen), Gwen DeMarco (Sigourney Weaver), and Alexander Dane (Alan Rickman) prop up their sagging careers by making appearances at sci-fi conventions, where they grudgingly shake hands and give autographs for the show's socially inept following. However, it turns out that nerdy sci-fi fans aren't the only ones watching: somewhere in another solar system, a group of alien rebels living under a regime of violence and repression have picked up broadcasts of Galaxy Quest, and they aren't aware that it's fiction. They travel to Earth and encounter the Galaxy Quest cast, who figure that they're just another bunch of guys who like to dress funny. However, they soon realize that they're being hired not for another autograph-signing session but for a real-life outer space rescue mission. Galaxy Quest was directed by Dean Parisot, who had a background in TV directing before his theatrical debut with the dark comedy Home Fries. ~ Mark Deming, All Movie Guide

After making a deathbed promise to his mother that he would never marry, Jack Singer (Nicolas Cage) finds that resolve challenged when his girlfriend, Betsy (Sarah Jessica Parker), begins making noise about wanting to start a family. Worried he might lose her, Jack makes the rash decision that they should fly to Las Vegas that weekend to tie the knot. Feet still cold, Jack spurns Betsy's idea to get married the moment they step off the plane, preferring to procrastinate for a few hours over a game of poker arranged by notorious gambler Tommy Korman (James Caan). Peddling the game as a get-to-know-you thrown by the hotel, Korman steadily raises the stakes on Jack until the novice is in for 65,000 dollars of the house's money on a hand he's sure he'll win -- a straight flush to the jack. When he loses the fixed hand, the flabbergasted Jack has a major problem on his hands. Korman offers an unusual solution: If Betsy, whom Korman spotted in the lobby because of her resemblance to his late wife, will spend the weekend with him, Jack's debt will be forgiven. Betsy initially refuses, considering it a ploy by Jack to postpone the wedding, but soon agrees to fly to Hawaii with Korman, in part because it will teach Jack a lesson. When she finds herself charmed by Korman's smooth and sensitive shtick, her desperate fiancé goes to incredible lengths to win her back, including jumping from a plane with a troop of skydiving Elvises. ~ Derek Armstrong, All Movie Guide

An attorney who tells the truth for 24 hours straight? This has got to be the movies! Fletcher Reede (Jim Carrey) is a lawyer obsessed with his career, and he's devoted his life to bending the truth to his advantage. This habit has broken up his marriage to Audrey (Maura Tierney) and isn't doing much good for his relationship with his young son Max (Justin Cooper). Fletcher repeatedly promised Max that he'll be there for Max's eighth birthday party, but when an important assignment comes up at work, Fletcher calls Audrey and makes an excuse so flimsy that even Max can see through it. When it comes time to blow out the candles on his cake, Max makes a wish: that his Dad could go just one day without telling a lie. Suddenly, Max finds himself physically incapable of saying anything that isn't true -- which, given the divorce settlement case he's just been handed, is going to make his next day in court very interesting indeed. While designed to show off a warmer and more likable side of Jim Carrey's personality, Liar Liar still revels in the broad physical comedy that made Carrey a star in Ace Ventura, Pet Detective -- which makes sense, since both were directed by Tom Shadyac. Both Carrey's fans and foes will get a chuckle out of Swoosie Kurtz's tongue-in-cheek insult to the film's star in the blooper reel that runs under the final credits. ~ Mark Deming, All Movie Guide

A transit engineer and his family must face the gargantuan task of moving from New Jersey to Boise, Idaho in this lively comedy starring Richard Pryor. It all begins after he gets a really great job out West. Unfortunately, his family is less than thrilled with the prospect. The furniture movers, who prove to be crooks, and their crazy neighbors conspire to make matters all the worse. ~ Sandra Brennan, All Movie Guide

Self-centered, avaricious Californian Charlie Babbitt (Tom Cruise) is informed that his long-estranged father has died. Expecting at least a portion of the elder Babbitt's $3 million estate, Charlie learns that all he's inherited is his dad's prize roses and a 1949 Buick Roadmaster. Discovering that the $3 million is being held in trust for an unidentified party, Charlie heads to his home town of Cincinnati to ascertain who that party is. It turns out that the beneficiary is Raymond Babbitt (Dustin Hoffman), the autistic-savant older brother that Charlie never knew he had. Able to memorize reams of trivia and add, subtract, multiply, and divide without a second's hesitation, Raymond is otherwise incapable of functioning as a normal human being. Aghast that Raymond is to receive his father's entire legacy, Charlie tries to cut a deal with Raymond's guardian. When this fails, Charlie "borrows" Raymond from the institution where he lives, hoping to use his brother as leverage to claim half the fortune. During their subsequent cross-country odyssey, Charlie is forced to accommodate Raymond's various autistic idiosyncracies, not the least of which is his insistence on adhering to a rigid daily schedule: he must, for example, watch People's Court and Jeopardy every day at the same time, no matter what. On hitting Las Vegas, Charlie hopes to harness Raymond's finely-honed mathematical skills to win big at the gaming tables; but this exploitation of his brother's affliction compels Charlie to reassess his own values, or lack thereof. A longtime pet project of star Dustin Hoffman, Rain Man was turned down by several high-profile directors before Barry Levinson took on the challenge of bringing Ronald Bass' screenplay to fruition (Levinson also appears in the film as a psychiatrist). All three men won Oscars, and the movie won Best Picture. ~ Hal Erickson, All Movie Guide

In this skewed, unreal view of a woman's choice in men, almost nothing is believable. Amy (Lucie Arnaz) is a savvy, well-educated lawyer in Santa Fe who divorces her husband, an exec in the banking business, to become involved with Will (Craig Wasson) a street musician with the same iron-clad brain as her ex when it comes to women. The musician is regularly picked up by the police for his loitering, though he seems never to fully realize why they are doing this to him. Amy drops him at last, and when she finds out she is pregnant, she goes to the hospital to have an abortion -- and is introduced to a Boris Karloff-type doctor. Before anything further happens, Will comes along and forcibly carries her off to a remote, run-down building in a ghost town where he ties her to a bed intending to keep her there until she has the baby. Hard to believe, but things only get worse from here. ~ Eleanor Mannikka, All Movie Guide