Ruth E. Carter Movies

Robert Ginty plays an avaricious British lawyer who uses his wiles to keep a crooked union leader out of jail. For his trouble, Ginty is awarded one million pounds. It soon becomes obvious, however, that the union fully intends to get its money back by any means possible. Ginty must now do battle with the very same "dirty tricks" he's been employing all his life. Let's face it: it's hard to root for a lawyer. ~ Hal Erickson, All Movie Guide

Ten years later, writer and director John Singleton returns to the South Central Los Angeles neighborhoods of his debut film Boyz 'N the Hood (1991). Tyrese Gibson stars as Jody, a jobless 20-year-old African-American man who has fathered two children by two different women, Yvette (Taraji P. Henson) and Peanut (Tamara LaSeon Bass), although he still lives with his 36-year-old mother Juanita (Adrienne-Joi Johnson). As Jody grapples with the increasing pressures of adult responsibility, he also contends with his troubled best friend Sweetpea (Omar Gooding) and new adversary Rodney (Snoop Doggy Dogg). Then there's his mother's live-in boyfriend Marvin (Ving Rhames), a reformed gangsta who agrees with Juanita that her son should grow up, move out, and move on. ~ Karl Williams, All Movie Guide

The city streets explode into violence when "The Man" kills Black Dynamite's (Michael Jai White) brother in this seamless recreation of the blaxploitation classics of the 1970s. He was the best agent that the CIA ever had, but these days Black Dynamite only answers to one boss -- himself. When "The Man" ices Black Dynamite's brother, starts pumping heroin into the local orphanage, and floods the ghetto with a secret weapon disguised as common malt liquor, the car chases, gunfights, and shirtless brawls that follow prove wild enough to make even Dolemite green with envy. ~ Jason Buchanan, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide

Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, All Movie Guide

Robin Harris, Christopher Reid's foul-mouthed and irascible father from the original House Party film, died in the interim, but he has a university named after him in this follow-the-dots sequel. Kid (Christopher Reid) has finally made it to college in House Party 2, but not without problems. Sent to Harris University on a scholarship check given to him by his local church congregation, he finds himself broke before he can even buy the books for his college courses. He can thank his old pal Play (Christopher Martin) for his financial straits, since Play borrowed the money to pay a phony music producer named Shelia (Iman), who has headed off to parts unknown. Kid tries to pay for tuition by working in the college cafeteria but is thrown out because he is not considered a student. Problems compound when his girlfriend Sidney (Tisha Campbell) spends more time studying than with him. He also receives lectures on political correctness from her strident roommate Zora (Queen Latifah). Still, Kid's main concern is finding the money for college. Finally Kid agrees to go along with Play's scheme -- to hold a surreptitious late-night pajama party in the faculty hall to raise funds to pay for Kid's education. ~ Paul Brenner, All Movie Guide

Keenen Ivory Wayans wrote, directed, and starred in this hilarious parody of blaxploitation films in the comedy I'm Gonna Git You Sucka. Jack Spade (Wayans) returns home from a hitch in the army to find his brother Junebug has died from an overdose of gold chains, leaving his widow Cheryl (Dawnn Lewis) and mother Ma Bell (Ja'net DuBois) alone to fend for themselves. Ma throws two inept thugs (Damon Wayans and Kadeem Hardison) sent by the evil white guy Mr. Big (John Vernon) down a flight of stairs. Junebug owes $5,000 to Mr. Big for his gold-chain addiction and tries to force Cheryl into prostitution to pay off the debt. Jack recruits his old friend to go after Mr. Big to seek revenge. John Slade (Bernie Casey), Hammer (Isaac Hayes), Slammer (Jim Brown) Kung Fu Joe (Steve James) and the former Pimp Of The Year Flyguy (Antonio Fargas) join up with Jack to avenge his brother' death. Chris Rock makes a brief appearance as the annoying customer who risks his life by irking rib joint owner Hammer. Funny and fast paced, the writing, acting, sight gags and cameos by Robert Townsend, Peggy Lipton, Clarence Williams III, Eve Plumb (Jan from The Brady Bunch), Kim Wayans, and Gary Owens makes this a must-see for any comedy fan. ~ Dan Pavlides, All Movie Guide

Spike Lee's 1990 directing effort is a jazz film, the story of a fictional trumpeter named Bleek Gilliam (Denzel Washington). He leads a quintet at the Beneath the Underground club with a flashy saxophonist named Shadow Henderson (Wesley Snipes). Though Shadow takes a few too many solos, everything seems fine in Bleek's life. Trouble soon arises, however, and he is forced to make decisions regarding both his best friend Giant (Spike Lee), and his relationships with two women. Giant, his manager and old pal, is addicted to gambling and often gets roughed up by thugs looking for pay back. Bleek is the only member of the quintet who wants to keep him as manager. The trumpeter's woman problems concern trying to decide between two girlfriends who both love him: a schoolteacher (Joie Lee) and a singer (Cynda Williams). Spike's father Bill Lee scored the film, with contributions from Branford Marsalis, Terence Blanchard, Abbey Lincoln and Ruben Blades (who plays Giant's bookie). ~ John Bush, All Movie Guide

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, All Movie Guide

This action drama puts a new spin on Shaft, one of the key "blaxploitation" films of the 1970s. John Shaft (Samuel L. Jackson), the namesake nephew of the legendary private eye (Richard Roundtree), is a street-smart police detective who with his partner Carmen Velez (Vanessa L. Williams) has been assigned to a racially motivated murder case, in which a black college student was killed in front of a restaurant by Walter Williams Jr. (Christian Bale), the sociopathic son of a New York construction tycoon, who then fled the country rather than face prosecution. Diane Palmieri (Toni Collette), a waitress on a smoke break, saw the murder, but she doesn't want to talk to the police. Two years later, Walter is forced to return to New York, but without Diane's testimony, the city doesn't have much of a case. Soon, Shaft, Walter Junior, and Walter Senior's goons are all looking for Diane, with Junior enlisting the help of Peoples Hernandez (Jeffrey Wright), a small-time drug dealer who will do anything to move into the big leagues. Shaft and Carmen find Diane, but discover that she had a good reason for being on the lam for the past two years. Amidst all this activity, John gets frequent advice from his uncle, with whom he ponders the idea of quitting the force and opening a detective agency. Shaft was directed by John Singleton, from a screenplay by Singleton, Richard Price, and Shane Salerno. ~ Mark Deming, All Movie Guide

In the summer of 1977, a serial killer who called himself Son of Sam (real name David Berkowitz) held New York City in terror as he went on a killing spree, periodically writing letters to New York's media in which he took full responsibility for the murders and made clear that he intended to kill again. Spike Lee's Summer of Sam deals in part with this crime spree, but it mostly looks back at the fearful impact of his crimes on New York's collective consciousness. Vinny and Dionna (John Leguizamo and Mira Sorvino) are an unhappy young married couple living in the Bronx; Vinny often cheats on Dionna but is wracked with guilt about it, while Dionna fears she lacks the looks or allure to hold onto a man. Ritchie (Adrien Brody) is a neighborhood kid turned punk rocker (complete with a fake British accent); he has a band and a girlfriend (Jennifer Esposito) but also makes money as an exotic dancer at a gay club. And Luigi (Ben Gazzara), a longtime leader of organized crime in the Bronx, is approached by the police, with whom he generally has a less cordial relationship, to help them find the killer, as the citizens of some neighborhoods barricade their streets in fear that he will strike there next. Meanwhile, a tortured psychopath named David Berkowitz (Michael Badalucco) seethes with rage in his gloomy apartment and receives messages from a demonic dog who commands him to kill and kill again. Spike Lee's first film without a primarily African-American cast (though bearing the unmistakable New York stamp that's one of his hallmarks), Summer of Sam was shown as part of the Directors Fortnight series at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Loosely based on the life and times of several R&B artists (The Dells, The Temptations, Frankie Lymon, Sam Cooke and others) The Five Heartbeats traces the rise and fall of a popular African-American 1950s singing aggregation. The story is told from the point of view of one of the "Heartbeats," played by Robert Townsend (who also co-produced, directed and co-wrote the script with Keenan Ivory Waynans). The film is an amalgam of anecdotes drawn from real-life experiences: the long struggle upward, the first rush of success, the dishonest record-company executives, the hard-nosed but nurturing managers, the sex, the drugs, the isolation and the precipitous downward slide. The film begins and ends in the 1990s, as the middle-aged "Duck" (Townsend) ruminates on the past and makes the best of the present. ~ Hal Erickson, All Movie Guide

What's Love Got to Do With It? is the filmed biography of R&B/pop singer Tina Turner (Angela Bassett), documenting her efforts to break away from her abusive husband Ike (Laurence Fishburne). After a few scenes detailing Tina's life as a young singer in Nutbush, TN, she's discovered by Ike Turner, an already established songwriter, guitarist, and record producer. Ike takes Tina under his wing and makes her a star, but her fame makes him jealous and abusive, and she has to struggle to break free of his domination. ~ Stephen Thomas Erlewine, All Movie Guide