Anthony Bushell Movies

A graduate of Oxford, British actor Anthony Bushell came to Broadway in 1927 to appear opposite the legendary Jeanne Eagels in Her Cardbord Lover. In 1929, Bushell was hired as the secondary romantic lead in the award-winning talking picture Disraeli, at the insistence of the film's star George Arliss. Though his performance in Disraeli was stiff and unconvincing, he was much better in James Whale's WWI drama Journey's End (1930). Gradually, Bushell gravitated to the production end of the film business, serving as associate producer for Laurence Olivier's Shakespearean productions Hamlet (1948) and Richard III (1955). He served as director for a trio of profitable if undistinguished films: The Long Dark Hall (1951), Angel With a Trumpet (1951), and Terror of the Tongs (1961). In the 1960s, he worked extensively in television, notably as one of the producer/directors of the anthology series Winston Churchill: The Valiant Years (1960). Anthony Bushell was married to American actress Zelma O'Neal. ~ Hal Erickson, All Movie Guide
1949  
 
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In 1948, "The Archers" -- the writing and directing team of Michael Powell and Emeric Pressburger -- had completed The Red Shoes, one of their greatest international successes, but it had yet to be released when the Rank Organization, doubting the commercial appeal of the picture, severed ties with the team and Powell and Pressburger signed a new deal with Alexander Korda's London Films. Their first project for Korda, The Small Back Room, was a dramatic change of pace, a thriller set in London in the midst of World War II. Sammy Rice (David Farrar) is explosives expert who works with British military intelligence as part of a ragtag munitions research team studying new ways to defuse enemy weapons and improve allied arms. While he's brilliant on the job, Rice is a troubled man with an artificial leg that causes him chronic pain and an appetite for alcohol that stands between him and those around him, especially his girlfriend and secretary Susan (Kathleen Byron). Rice's latest project is finding a way to defuse a new German bomb that's cleverly disguised as a children's toy, but Rice finds himself battling his superiors when Waring (Jack Hawkins), an unscrupulous businessman who has been pressed into service with the explosives team, and his colleague Professor Mair (Milton Rosmer) begin lobbying the Army to purchase a new weapon that Rice feels is both ineffective and dangerous. Despite excellent reviews and a fine cast that includes Cyril Cusack, Sidney James and Robert Morley in a cameo appearance, The Small Back Room was a box office disappointment on its original release, and it appeared in edited form in the United States under the title Hour of Glory, though later video releases allowed Americans to see the film in its original British cut. ~ Mark Deming, All Movie Guide

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Starring:
David FarrarKathleen Byron, (more)
1961  
 
Terror of the Tongs is a gory, garishly colored melodrama written by Jimmy Sangster in the tradition of the Fu Manchu films. The villain is "Fu" himself, Christopher Lee, here eminently hissable as the leader of a vicious Chinese Tong operating in 1910 Hong Kong. Proper London merchant Geoffrey Toone is drawn into this netherworld when his daughter is murdered by Lee's minions. Conducting a one-man war against the Tongs, Toone eventually flushes out every member of the faction...leaving only Lee to vanquish at fade-out time. Though the crimson-dominated color photography of Terror of the Tongs is the film's prime asset, the picture was originally released theatrically in black and white. ~ Hal Erickson, All Movie Guide

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Starring:
Geoffrey TooneChristopher Lee, (more)
1958  
 
The Wind Cannot Read is a tearful British star crossed romance effort set against the backdrop of World War II. RAF officer Dirk Bogarde is assigned to learn Japanese in order to interrogate prisoners. His language instructor is the lovely Yoko Tani, daughter of an anti-Tojo businessman. Bogarde and Tani fall in love and secretly marry. Not long afterward, Borgarde is captured and tortured by the Japanese. While listening to the POW camp radio loudspeaker, he hears the voice of Tani, broadcasting anti-British propaganda. At first heartbroken, Bogarde vows to be reunited with Tani when he discovers that she is dying from brain disease. Escaping from the camp, Bogarde finally makes his way to the hospitalized Tani, where they share a tender moment before death enshrouds her. Richard Mason based his script for The Wind Cannot Read on his own novel. ~ Hal Erickson, All Movie Guide

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Starring:
Dirk BogardeYoko Tani, (more)
1933  
 
The Woman in Command in this well-appointed British musical is vaudeville star Maisie Marvello, played by Cicely Courtenedge. Born into a theatrical family that dates back to the 16th century, Maisie has every intention of carrying on the tradition into the 1930s, even though money is in short supply. The heroine's specialty is a Vesta Tillie-style male impersonation, which gives an added dimension to Maisie's on-and-off romance with effeminate stage manager Sebastian (Edward Everett Horton). The secondary romantic interest is handled by Anthony Bushell (later a prominent producer-director) and Dorothy Hyson. Woman in Command was co-scripted by Courtenedge's husband and frequent co-star Jack Hulbert. ~ Hal Erickson, All Movie Guide

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Starring:
Dame Cicely CourtneidgeEdward Everett Horton, (more)
1930  
 
First filmed in 1926, the venerable stage melodrama Three Faces East was remade as a talkie in 1930. Set during WWI, most of the film takes place in the London home of Sir Winston Chamberlain (sic), First Lord of the Admiralty. What Sir Winston doesn't know is that his faithful butler Erich Von Stroheim is the head of a German espionage ring. What nobody knows are the true loyalties of heroine Constance Bennett, who might be a British agent, a German spy, an innocent bystander, or none of the above. The property would be filmed again in 1940 as British Intelligence, with Boris Karloff and Margaret Lindsay in the leading roles. ~ Hal Erickson, All Movie Guide

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Starring:
Constance BennettErich Von Stroheim, (more)
1932  
 
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First filmed in 1911, William Makepeace Thackeray's satirical novel Vanity Fair has undergone several cinemadaptations, most memorably as the pioneering Technicolor feature Becky Sharp (1935). This 1932 version is perhaps the least known, probably because it has been updated to the 20th century and it isn't terribly good. In her first starring role, Myrna Loy plays the modernized Becky Sharp, a crafty lass who'll do anything to advance herself socially, even if it means romancing several older men whom she doesn't love. Going from rags to riches and back again several times, Becky continually bounces back, though the same cannot be said for many of her male companions. Of the large cast, the biggest surprise is former 2-reel comedy star Billy Bevan, who makes a surprisingly effective Joe Sedley (the character played in the 1935 Becky Sharp by Nigel Bruce). Not a classic by any means, Vanity Fair gets by on its curiosity value. ~ Hal Erickson, All Movie Guide

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Starring:
Myrna LoyConway Tearle, (more)
1937  
 
In this crime drama, an actress must give up her lover, the son of a prominent banker, because she has a scandalous past. She gets a part in a small show and finds herself pursued by the manager. After he is found dead, the woman is blamed for the crime. Fortunately, the woman's aunt, a nun, goes on leave from her convent to prove that the actress is innocent. The nun's investigations soon expose the killer. Not only does justice ensue, the actress gets her old lover back. ~ Sandra Brennan, All Movie Guide

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