Mark Burns Movies

British actor Mark Burns was cast in leading roles in several major films of the 1960s, 1970s and 1980s. Seldom called upon to be anything more than devilishly handsome in period costumes, Burns was seen in Charge of the Light Brigade (1967), Death in Venice (1971), Juggernaut (1974) and The Wicked Lady (1983). If nothing else, Mark Burns deserves commendation for stamina above and beyond the call of duty. Burns managed to survive no fewer than two films based on novels by Jackie Collins and starring Jackie's sister Joan Collins: The Stud (1978) and The Bitch (1979). ~ Hal Erickson, All Movie Guide
1961  
 
Watson (Mark Eden), Breed (Terry Palmer) and Hughes (Richard Gale) are three British sailors, serving on the HMS "Hood" during WW2. Granted shore leave, the three tars head to their respective homes, where each of them hears a bizarre radio report, announcing that the "Hood" has been lost at sea with all hands. In a subsequent premonition, two of sailors envision themselves going down with their ship. . .while the third apparently survives into old age. Without giving the game away, it can be noted that actor Robin Hughes appears as himself at the end of this episode, one of several One Step Beyond entries filmed in England. ~ Hal Erickson, All Movie Guide

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1962  
 
This effective crime caper involves an attempted robbery of no one less than the U.S. Army, a heist which has its beginnings when Turpin (Stanley Baker) is drummed out of the service for his black-market activities. Apparently chaffing at this unjust treatment and also fueled by greed, Turpin enlists two cohorts -- Swavek and Fenner (Helmut Schmid and Tom Bell) to help him carry out his revenge. After much rehearsal of his plan, the three put on uniforms and walk into an army camp just before the troops are mustered out to the Middle East during a crisis over the Suez Canal. The trio's intention is to rob the payroll ($700,000), stash the cash in a spare tire, and drive out of there. That is the plan, but the reality turns out quite different, after one of the three gets a reaction to a vaccination and another is called up for KP duty ("kitchen police"). ~ Eleanor Mannikka, All Movie Guide

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Starring:
Stanley BakerHelmut Schmidt, (more)
1963  
 
In this musical, a hotel contractor tries to buy up two businesses so he can tear them down and build a hotel in their place. ~ Sandra Brennan, All Movie Guide

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1963  
 
This French/Italian effort travelled under the titles Le Jour Et L'Heure, Il Giorno e L'Ora and Viviamo Oggi in Europe. In Great Britain, it was known as Today We Live. No matter the title, the film stars Simone Signoret as a world-weary French aristocrat who finds a purpose in life by joining the World War II Resistance. She is ordered by her fellow undergrounders to hide allied paratrooper Stuart Whitman in her own country estate. At first resenting this intrusion in her life, Signoret falls in love with Whitman, and together they try to escape into Spain. The Day and the Hour was based on a story by Andre Barret. ~ Hal Erickson, All Movie Guide

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Starring:
Simone SignoretStuart Whitman, (more)
1966  
 
This silly twist on the silent classic Der Golem stars Roddy McDowall as Arthur Pimm, assistant museum curator and would-be Norman Bates who, among other things, preserves the body of his late mother in his home. When Pimm and museum director Grove (Ernest Clark) discover a grotesque statue left intact after a fire at one of the museum storehouses, they transport the stone behemoth to the museum for study. After finding Grove mysteriously crushed to death under the statue, Pimm's curiosity is piqued, leading him to investigate its origins. He discovers that the figure is actually the legendary Golem, an indestructible creature of 16th-century Yiddish myth capable of destroying the enemies of any man who becomes its master. Pimm is eventually able to control the monster with his deranged mind, leading it on a rampage of murder and destruction that devastates half of London. Aside from McDowall's typically eccentric performance, this stodgy film is a fairly tedious exercise, shambling along more slowly than the monster itself and punctuated only by occasional over-the-top moments, particularly at the laughable climax. Director Herbert J. Leder's earlier horror film The Frozen Dead is much more enjoyable. ~ Cavett Binion, All Movie Guide

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Starring:
Roddy McDowallJill Haworth, (more)
1966  
 
The System is a "Swinging London" comedy with an unsettling undercurrent of bitterness and cynicism. Oliver Reed plays a girlie-magazine photographer, the self-appointed leader of a group of handsome but unscrupulous bachelors who hang out in a British seaside resort. Their avowed goal is to seduce and abandon as many wealthy young girls as possible. One of the group, jealous of Reed's success, uses their "system" to hoist the leader on his own petard. Michael Winner solidified his reputation as a "mod" director in The System--and also displayed his utter contempt for the pretty young people he depicts. The film was released to the US under the more bankable title The Girl Getters. ~ Hal Erickson, All Movie Guide

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Starring:
Oliver ReedJane Merrow, (more)
1967  
 
Death is a Woman is the American title of the British Love is a Woman. Patsy Ann Noble is the woman in question, the mistress of a recently deceased smuggler. Narcotics agent Mark Burns goes undercover to gain the confidence of Noble and criminal mastermind William Dexter. Suddenly, Dexter turns up dead and Burns is arrested for murder. We then learn the full significance of the film's US title. In certain markets, this perplexing melodrama was released as Sex is a Woman. ~ Hal Erickson, All Movie Guide

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1967  
 
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The imprisoning aspects of Success are humorously analyzed in this British-made film. Oliver Reed plays a wealthy advertising man who feels he has sold his soul and wishes to return to his happier earlier existence as a poor but swinging Londoner. Reed is goaded on by his boss, Orson Welles, who represents all the mercenary crassness that Reed despises. Handed a crucial commercial account, Reed plans to destroy himself by producing as offensive and confusing an ad campaign as possible. But Welles and the client are delighted by the "insult," and the disgruntled Reed is more successful than ever. Directed in the fragmentary "psychedelic" style typical of the late 1960s, I'll Never Forget What's'is Name gained notoriety upon its initial release by being the first mainstream British film in which the "F" word was spoken on-screen. ~ Hal Erickson, All Movie Guide

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Starring:
Orson WellesOliver Reed, (more)
1967  
 
In this complex British mystery, an undercover narcotics agent go to the Mediterranean to foil the plans of two smugglers. Upon arrival, one of the partners is beaten and killed by a man and his mistress. The disguised agent begins working to gain the trust of the remaining smuggler, but one day arrives to find him stabbed to death. Naturally, he is accused of the crime by the local detective. The agent's home organization then sends out another agent to help him. Together they learn that the mistress was the perpetrator of all the crimes. ~ Sandra Brennan, All Movie Guide

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1967  
 
Two brothers looking to avoid becoming pawns of the establishment come up with a better way of making a living -- through theft -- in this satiric comedy. David Tremayne (Oliver Reed) is a successful London architect, and his younger brother Michael (Michael Crawford) is weighing his options after being kicked out of school. The brothers share a bemused disgust with the world around them and a desire to get through life without the burden of labor; toward this end, one day they begin plotting an elaborate scheme to steal the British Crown Jewels. Mind you, they don't intend to sell them, or even keep them very long -- the idea is to return them after a week, simply to prove that it could indeed be done, and make themselves famous in the process. After studying the procedures of Scotland Yard's Bomb Disposal Unit, the inner working of the Tower of London's Jewel Room, and the London ambulance services, the Tremaynes come up with a foolproof plan -- they call in a bomb threat to the Tower, and they are able to enter the Jewel Room posing as men from the bomb squad. They then feign injury and are able to escape in an ambulance. It all seems simple enough, and it actually works, until Michael "forgets" his part of the agreement to take half of the responsibility for the theft. The supporting cast includes Edward Fox, Frank Finlay, and Harry Andrews. ~ Mark Deming, All Movie Guide

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Starring:
Michael CrawfordOliver Reed, (more)
1967  
 
Number Six learns of an impending assassination, "Plan Division Q," in which the target is the Retiring Number Two (Andre Van Gyseghem). Actually, these plans were deliberately divulged by the New Number Two (Derren Nesbitt), who hopes thereby to discredit Number Six. With no one willing to believe that an assassination is about to take place, Number Six finds that his fate may rest in the hands of a watchmaker (Martin Miller) and his daughter (Annette Andre). Written by Michael Cramoy, "It's Your Funeral" was supposed to have been the 10th episode of The Prisoner, but instead was telecast in England as episode number 11 on December 17, 1967. Its original chronology was restored when it debuted in America on August 10, 1968. ~ Hal Erickson, All Movie Guide

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1968  
 
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During the ill-fated charge of British troops at Balaclava in the Crimean War, loyal soldiers who blindly followed orders were led to certain death. This is the fifth time the story has been told on film, but the actual event is an afterthought to the main plot. Snobbish aristocrats and ineffectual politicos combine with pompous blue-bloods to make decisions affecting 600 men thousands of miles away. A decidedly anti-war and satirical slant is presented, as inept generals stand knee-deep in bodies, each blaming the other for the fiasco. Vividly underscored here is the fanaticism, dedication, and blind loyalty which caused the total annihilation of hundreds of soldiers. This 5-million-dollar epic film recouped only 1 million after the initial release, leaving critics to compare the real-life disaster with the financial one suffered by the producers. Trevor Howard, John Gielgud and Vanessa Redgrave head the excellent cast. ~ Dan Pavlides, All Movie Guide

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Starring:
Trevor HowardVanessa Redgrave, (more)
1970  
 
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Roman Polanski wrote the screenplay for this decidedly offbeat drama. Bernie (Mark Burns) plays a rootless wanderer with a fondness for alcohol and no clear goals in life. Bernie stumbles into a seaside resort community with Winnie (Beatrice Edney), a young girl in leg braces, in tow. As Bernie starts hitting the bottle, his physical and emotional stability starts to crumble, and Winnie begins to worry for his safety, until he finally collapses and Winnie panics, with no one left to look after her. Peter Sellers makes a brief cameo appearance as a gay shopkeeper who sets up a booth to take advantage of the beach traffic. While Polanski originally intended to direct A Day At The Beach, he later turned over the reigns to filmmaker Simon Hesera; it was his first dramatic feature, and his last. ~ Mark Deming, All Movie Guide

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Starring:
Mark BurnsBeatie Edney, (more)
1970  
 
Peter McEnery stars as Col. Etienne Girard, Hussar officer of the Napoleonic era. The story takes place during the Little Corporal's 1808 campaign in the Spanish peninsula. Col. Gerard's adventures include an ongoing war of nerves against Napoleon's forces, not to mention a steamy affair with one Countess Teresa Claudia Cardinale. "Nappy" himself is played by Eli Wallach, who certainly has the right temperament for the role, even though he's much too tall to be thoroughly convincing. Filmed in Spain, The Adventures of Gerard is based on characters created by Sir Arthur Conan Doyle. ~ Hal Erickson, All Movie Guide

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1970  
R  
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This melodrama is taken from a story by D.H. Lawrence. Yvette (Joanna Shimkus) and her sister Lucille (Harriet Harper) are two country girls who return home after attending a provincial school. Yvette is smitten by the sight of a handsome gypsy (Franco Nero). Her stern matriarchal grandmother (Fay Compton) objects, but Yvette continues to see the dashing young man who awakens her sexual curiosity. She is comforted by Mrs. Fawcett (Honor Blackman) and Major Eastwood (Mark Burns), two people living in sin, much to the chagrin of the moralistic townsfolk. Yvette and the gypsy finally engage in a forbidden romantic encounter after weeks of longing gazes and social disapproval from friends and family on both sides. ~ Dan Pavlides, All Movie Guide

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Starring:
Joanna ShimkusFranco Nero, (more)
1971  
 
A play by Jean Anouilh is the basis for A Time for Loving. In this Gallic blend of La Ronde and Plaza Suite, a single Paris flat is the scene for three separate romantic stories, bookended by a fourth. Star Mel Ferrar also functioned as producer; it must have taken some fast talking to keep him from directing as well. Filmed in 1970, A Time for Loving made the international rounds one year later, after some judicious editing. It has also been released as Paris Was Made For Lovers. ~ Hal Erickson, All Movie Guide

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1971  
 
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Based on a novel by Thomas Mann, Death in Venice stars Dirk Bogarde as a German composer who is terrified that he has lost all vestiges of humanity. While visiting Venice, Bogarde falls in love with a beautiful young boy (Bjorn Andresen). The relationship is ruined by Bogarde's obsession with the boy's youth and physical perfection; the composer realizes that the child represents an ideal that he can never match. The character played by Dirk Bogarde is evidently intended to be Gustav Mahler, whose haunting music is featured on the film's soundtrack. ~ Hal Erickson, All Movie Guide

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Starring:
Dirk BogardeBjorn Andresen, (more)
1973  
 
Giordano Bruno (1548-1600) was one of the pivotal thinkers of the Renaissance. A Dominican friar in Italy, he left the order and taught widely throughout Europe. Among the ideas he taught were the inexpressibility of any ultimate truths and the complete relativity of ordinary truth. He also taught religious tolerance. For these and other deviations, he was burned at the stake by the Inquisition. This lavish Italian film takes up his story after he has returned to Venice from meetings with European heads of state and teaching sessions at the great universities. ~ Clarke Fountain, All Movie Guide

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Starring:
Gian Maria Volontè
1973  
PG  
This low-budget horror production from South Africa features mad scientist Mark Burns conducting hideous occult experiments at the family estate of Brattling Manor, monkeying about with things man was not meant to know, including the transfer and containment of living souls. It's only a matter of time before he begins to experiment on the souls of human beings -- including just about every member of his family. The transference process enables him to assume his brother's identity, allowing him to continue his nefarious activities in secret. This hokey horror melodrama is replete with subplots about ancient magic and family curses, and features a villain who prances around in a cape for no good reason. ~ Cavett Binion, All Movie Guide

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1973  
PG  
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Luchino Visconti (Count don Luchino Visconti di Modrone) was a film director, true, but he was also a nobleman and a grand patron of traditional European culture: opera, art, music, crafts and literature. These interests enliven many of his films, but few have been so inspired as the four-hour epic, Ludwig, about the castle-building "mad king" of Bavaria. This long film, made very near the end of Visconti's life, suffers greatly when shortened, as every moment is essential to the story. There are at least four different versions of the film (from just under three hours to over four hours in length); the uncut four-hour version is the most coherent, even though many might find it rather long. The disintegration of aristocratic individuals is a continuing theme of Visconti's, though Ludwig's is the most thorough decay he filmed. The last ruling king of Bavaria (1845-1886) is noted for many things besides his eccentricities: he sold Bavaria to Germany, ending the rule of the Bavarian monarchy; he built amazing castles all over his country (with the proceeds from the sale); and he was Richard Wagner's main sponsor. He was also a notorious recluse, conducting a lifelong platonic love affair with Empress Elizabeth of Austria, and finally succumbing to his adoration of handsome men in a series of outrageous affairs and orgies. His excesses eventually led to his being declared mentally incompetent and being held prisoner in his own castle. The film depicts this incredible life from his coronation at age 19 to his (unproved) assassination well over 20 years later. ~ Clarke Fountain, All Movie Guide

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Starring:
Helmut BergerRomy Schneider, (more)
1974  
PG  
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Following his successful foray into swashbuckler comedy with The Three Musketeers and The Four Musketeers, director Richard Lester made what has proved to be one of the few quality films from the disaster craze that dominated filmmaking in the mid-'70s. Juggernaut is the pseudonym of a madman (Freddie Jones) who plants several steel drums aboard a luxury liner and calls the company's officials once the boat has put out to sea, demanding a large sum of money in exchange for instructions on how to defuse bombs inside the drums. Anthony Hopkins plays one of the company officials whose wife and children are aboard the ship, Omar Sharif is the ship's captain, Shirley Knight is a passenger who is also his mistress, and Richard Harris and David Hemmings are two members of the bomb disposal team, which is helicoptered onto the ship to defuse the explosives. As in many of Lester's best works, humor pops up in unexpected places; particularly memorable are Harris as the weary but wisecracking top dog among the explosives experts and Lester regular Roy Kinnear as a bumbling entertainment director desperately trying to distract the apprehensive passengers. ~ Tom Wiener, All Movie Guide

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Starring:
Richard HarrisOmar Sharif, (more)
1975  
PG  
Based on a novel by Joan Hemingway and Paul Bonnecarrere, Rosebud opens with five young women vacationing aboard a luxurious yacht called the Rosebud. All five of the women are the daughters of wealthy and powerful men; one of them is the daughter of an influential American senator. Their vacation is shortlived, however, as the Rosebud has been targeted by a group of Middle Eastern terrorists who kidnap the girls and hold them as hostages until their demands are met. Quickly alerted to the situation is reporter Larry Martin (Peter O'Toole), who it turns out is really an agent for the CIA. Martin enlists the aid of agents from Israel and West Germany, as well as a strange Islamic Englishman who, as he is working to destroy Israel, would seem to be on the side of the terrorists. Martin has his work cut out for him, as he must rescue the hostages quickly and with no injury coming to any of them. Adapted by Eric Lee Preminger for his father, director Otto Preminger, Rosebud was initially set to star Robert Mitchum, who left or was fired after experiencing one of the director's customary heated confrontations. ~ Craig Butler, All Movie Guide

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Starring:
Peter O'TooleRichard Attenborough, (more)
1975  
PG  
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Directed by Christopher Miles, The Maids is a 1974 film version of the play by French absurdist writer Jean Genet. Solange (Glenda Jackson) and Claire (Susannah York) are two sisters who work as servants for a strict Madame (Vivian Merchant). When Madame and Monsieur (Mark Burns) leave the house, the two women enact dramatic role playing games. To get out their sexual frustrations against their boss and each other, they alternate the parts of master and servant. They both love and hate the Madame passionately enough to plot her murder. During a particularly intense game of play, Claire accidentally drinks the poison that was meant for the Madame. The Maids is part of producer Ely Landau's American Film Theatre Series, which ran in select theaters from 1973-1975. In 2003, all 14 films in the series were given a wide release on home video from Kino International. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Glenda JacksonSusannah York, (more)
1975  
 
In this melodramatic science-fiction romance, an architect finally finds his true love after a lifetime of searching. They marry, and soon afterward discover that the woman has an incurable disease. She is frozen until the day her condition is curable. That day does not come until 40 years later. The architect is now quite old, and though their love is as strong as ever, he dies soon afterwards. ~ Clarke Fountain, All Movie Guide

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Starring:
Mark BurnsLynne Frederick, (more)
1976  
 
Steed (Patrick MacNee), Purdy (Joanna Lumley) and Gambit (Gareth Hunt) foil the latest mission of Soviet agent Perov (Peter Jeffrey). In retaliation, and in defiance of his superiors, Perov reactivates several "sleeper" agents who have been squirreled away throughout the U.K. for the past 20 years. At first, it would seem that Perov's sole motivation is to kill the Avengers--but there's far more to his sinister scheme. This is the episode in which Gambit poses as a pop star and Purdey impersonates a squealing teenage fan. ~ Hal Erickson, All Movie Guide

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Starring:
Patrick MacneeGareth Hunt, (more)

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