Albert Brooks Movies

Homer Simpson (voice of Dan Castellaneta) has a reputation for not being very good at picking out gifts for his wife Marge (voice of Julie Kavner), as evidenced by such past birthday presents as a tackle box and a Connie Chung calendar, but he hits a new low when Marge finds she's the recipient of a new bowling ball -- which has been drilled to fit Homer's hand and even has his name engraved on it. Marge is furious that Homer used her birthday as an excuse to get himself a gift, and while she doesn't bowl, she decides to learn just out of spite. Marge's early attempts to teach herself the game are disastrous, but she soon attracts the attention of Jacques (voice of Albert Brooks), a local professional bowler who has a French accent and a way with the ladies. Marge is more than flattered by the attention she's receiving from Jacques (who, just because he likes her, cuts his lesson fee from $50 to $25), and she begins spending more and more time with him. But when Jacques asks her to spend the afternoon at his apartment, she wonders if she ought to leave her marriage behind. Homer, Lisa (voice of Yeardley Smith), and Bart (voice of Nancy Cartwright) all suspect that something more than a friendly game of ten pins is going on between Marge and Jacques, and all react with different degrees of dread. "Life on the Fast Lane" first aired on March 18, 1990. ~ Mark Deming, All Movie Guide

Sidney Lumet filmed this hospital satire at a Canadian studio. Alcoholic Dr. Butz (Albert Brooks in old-age makeup) advises younger Dr. Werner Ernst (James Spader) to only treat patients with much insurance. "When the lawyers start crawling all over you," says Butz, "that's when you know you're a doctor." Ernst, a second-year resident working in the ICU with head nurse Stella (Helen Mirren), winds up in the middle of a dispute between two sisters (Kyra Sedgwick and Margo Martindale). One wants to pull the plug on their wealthy father; the other demands that he remain alive (at a cost of $112,800 a month). Soon events swivel from the money-mad medical mire to equally murky legalistics. Steven Schwartz's screenplay was adapted from the novel by Richard Dooling. Shown at the 1997 Chicago Film Festival. ~ Bhob Stewart, All Movie Guide

Opening well past the point favored by most romantic comedies, director/co-writer/star Albert Brooks' take on the genre begins with a breakup. After exchanging harsh words in a diner, Brooks and Kathryn Harrold go their separate ways. Brooks then spends the next few days attempting to forget his troubles through work, exercise, drugs, and other women, torturing himself at each step. While it's hinted early on that this isn't the couple's first breakup, it eventually becomes clear that the they have cycled through the same events for even longer than expected. Meanwhile, Brooks' character, a film editor assisted by Bruno Kirby, attempts to put the finishing touches on his latest assignment, a none-too-promising space adventure starring George Kennedy and helmed by a details-obsessed director (James L. Brooks). ~ Keith Phipps, All Movie Guide

Steven Soderbergh directed this crime caper adapted from the novel by Elmore Leonard. When ex-con Jack Foley (George Clooney) robs a bank, his car goes dead, and Foley lands in a Florida prison. His escape from prison doesn't go as planned, since it's witnessed by deputy federal marshal Karen Sisco (Jennifer Lopez). Foley's pal Buddy Bragg (Ving Rhames) intervenes, with the result that Sisco winds up in the trunk of the getaway car with Foley, and the two realize they're attracted to each other, despite being on opposite sides of the law. However, that doesn't stop Sisco from her mission to capture Foley, who has spent much of his life in prison. Flashbacks introduce Foley's fellow prisoners, including dim dude Glenn Michaels (Steve Zahn), violent Maurice "Snoopy" Miller (Don Cheadle), and insider trader and billionaire Richard Ripley (Albert Brooks), who talks too much about his wealth. This later leads to a break-in at Ripley's posh Detroit estate by Miller, his brother-in-law Kenneth (Isaiah Washington), and menacing White Boy Rob (Keith Loneker). While seeking a hidden safe, the group threatens Ripley's housekeeper Midge (Nancy Allen). Foley and Bragg are in on this operation, but they wind up outwitting the others, and Sisco is close on their trail. The film features uncredited cameos by Michael Keaton and Samuel L. Jackson, and was shot in locations in Florida, Louisiana, and Michigan. ~ Bhob Stewart, All Movie Guide

"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind?

Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. ~ Lucia Bozzola, All Movie Guide

James L. Brooks' showbiz comedy I'll Do Anything is "The Musical That Almost Was" (after test screenings Brooks removed all the musical numbers in the film, turning the film into a songless romantic comedy). Matt Hobbs (Nick Nolte) is a hardly working actor who finds himself raising his 6-year-old daughter Jeannie (Whittni Wright) after her mother Beth (Tracey Ullman) is sent away to prison. Since Matt now has to support a daughter, he has to develop more regular work habits. As a result, he takes a job as a chauffeur for a William Castle-inspired schlockmeister named Burke Adler (Albert Brooks). As Adler develops a relationship with divorced test-marketing researcher Nan Mulhanney (Julie Kavner), Matt becomes romantically attached to beautiful development executive Cathy Breslow (Joely Richardson). ~ Paul Brenner, All Movie Guide

A man tries to figure out why his best friend isn't his mother in this comedy written and directed by Albert Brooks. John Henderson (Brooks) is a neurotic, self-obsessed writer whose relationships with women have been almost uniformly disastrous. Middle-aged and single, John decides that he must come to terms with his problems with women, and he decides to start with the first significant female relationship of his life -- his mother, Beatrice (Debbie Reynolds). John arrives at Beatrice's house and announces that he's moving back into his old room until he can resolve his issues with her. Beatrice politely plays along, but she is more puzzled by John's behavior than anything else. John and Beatrice soon find that they spend less time trying to resolve their differences than arguing if salads can be frozen or if you can really tell the difference between premium ice cream and the supermarket's store brand. Rob Morrow plays John's brother, and Lisa Kudrow plays one of John's less compatible blind dates. ~ Mark Deming, All Movie Guide

Actor/writer/director Albert Brooks turns his satiric gaze on the film industry in this comedy about a screenwriter who has hit a rough patch. Steven Philips (played by Brooks) has enjoyed a celebrated career in Hollywood, but one day he has a meeting with his agent, who informs him his career is suddenly going nowhere. Steven quickly finds himself at the end of his rope and is unable to put a decent sentence on paper. Desperate, he hears that there's a bona fide muse in Hollywood, Sarah (played by Sharon Stone), who might be able to help with his problems. The writer contacts Sarah, hoping a good, stong dose of inspiration will get his career back on track. However, Sarah's late hours and endless demands don't do much to help Steven's relationship with his wife (Andie MacDowell). The Muse features an original musical score by Elton John, and cameos by several notable film figures, including Martin Scorsese, Rob Reiner, and James Cameron. ~ Mark Deming, All Movie Guide

They've kept television viewers laughing for nearly 20 years, and now the most popular animated family on the small screen makes the leap into theaters as Homer, Marge, Lisa, Bart, ad Maggie embark on their first-ever feature-length adventure. Directed by David Silverman and written by a whole host of Simpsons veterans including Matt Groening and James L. Brooks, The Simpsons Movie also features special guest appearances by Albert Brooks among others. ~ Jason Buchanan, All Movie Guide

Albert Brooks made his feature-length debut as a writer and director with this wickedly funny satire, in which Albert Brooks plays "Albert Brooks," an arrogant and self-centered comedian who has decided to make a documentary film. Following the lead of the infamous pre-Real World PBS series An American Family (in which a "typical" family was filmed during most of their waking hours and eventually self-destructed on camera), Brooks moves in with the Yeager family of Phoenix, Arizona and chronicles their lives, with the support of a battery of psychiatrists and sociologists. He arrives at the Yeagers' doorstep with a two-man crew, wearing high-tech cameras that look like space helmets from a grade-B sci-fi movie, and it quickly becomes obvious that he is incapable of being unobtrusive. The Yeagers are driven to distraction by Brooks, who repeatedly ignores the advice of his team of experts and wishes there were some way to make the family's life more interesting (leading to perhaps the least expected homage to Gone With the Wind in film history). Of all Brooks' features, Real Life most resembles his cutting but deadpan short subjects for Saturday Night Live; Brooks never fails to cast himself in an unflattering light, and the supporting cast does admirable work in reacting to him, especially Charles Grodin and Lee McCain as Mr. and Mrs. Yeager. Harry Shearer contributed to the screenplay and plays a small role. ~ Mark Deming, All Movie Guide

Based on the popular television series created by Rod Serling, this film of horror and the supernatural tells four separate stories--each by a different director: John Landis, Steven Spielberg, Joe Dante and George Miller. In one, a bigot is taught a lesson when he is transported to experience the lives of three different victims of prejudice and intolerance. Another takes a trip to an old-age home where the arrival of a special man turns some of the residents into youthful people once again. In the third, a woman befriends a timid young child who turns out to be a maniacal brat with bizarre powers. The final segment shows how a man with an aversion to flying has a rough time when he panics and then sees a strange creature on the wing outside his window seat. ~ Kristie Hassen, All Movie Guide

Andrew Stanton, who helped write Toy Story and Monsters, Inc., co-wrote and directed this computer-animated comedy-adventure about finding a very small fish in a very large ocean. Marlin (voice of Albert Brooks) is a more-than-slightly paranoid Clown Fish who is extremely devoted to his young son, Nemo (voice of Alexander Gould), the only survivor after an undersea predator swallowed up Nemo's mother and her other offspring. It's not Marlin's nature to explore unfamiliar waters, but when he and Nemo are accidentally separated near the Great Barrier Reef en route to Nemo's first day of fish school, Marlin gathers his courage and sets out to find his son. What Marlin doesn't know, however, is that while Nemo was looking at a boat passing on the surface, he was caught in a net and given a new home in a dentist's aquarium. As Marlin searches for his son, he makes friends with a friendly but absent-minded Regal Blue Tang named Dory (voice of Ellen DeGeneres), a Great White Shark named Bruce (voice of Barry Humphries) who is trying to cut fish out of his diet, a beach-rat Sea Tortoise named Crush (voice of Andrew Stanton), and Nigel (voice of Geoffrey Rush), a Pelican who can take Marlin's search from the ocean to dry land. Finding Nemo's impressive voice cast also includes Willem Dafoe, Allison Janney, Eric Bana, Stephen Root, and Brad Garrett. ~ Mark Deming, All Movie Guide