Milton Berle Movies

Milton Berle is both guest star and cowriter of this episode, which was clearly inspired by the rantings of provocative TV talkshow host Joe Pyne. Playing completely straight, Berle is cast as vituperative TV personality Ross Howard, who hopes to parlay both his war record and his media notoreity into a political career. Not surprisingly, Howard has made dozens of enemies throughout his career, one of whom begins sending him death threats. Despite his distate for Howard's tactics, Ironside (Raymond Burr) agrees to protect the man from his unknown would-be murderer--a difficult assignment that becomes even more so when Howard's alcoholic wife is killed by a car bomb. ~ Hal Erickson, All Movie Guide

Tony Curtis stars as the feared leader of "Murder Incorporated" in this underworld drama based on the life of Louis "Lepke" Buchalter. Lepke began his criminal career as a petty thief in his teens; a stretch in prison taught him the finer points of life on the wrong side of the law. After getting out of jail, Lepke and his pal Gurrah Shapiro (Warren Berlinger) join a gang who hire themselves out as strikebreakers, and the vicious but clever Lepke soon rises through the ranks. Lepke makes powerful friends with mob kingpins "Lucky" Luciano (Vic Tayback) and Albert Anastasia (Gianni Russo), and when high-ranking but deranged gangster "Dutch" Schultz (John Durren) announces he's going to kill District Attorney Thomas E. Dewey (Richard C. Adams), Lepke is chosen to rub "Dutch" out. Lepke handles the assignment well, and he's able to strike up a deal with the various Mafia families -- he'll form a separate organization to handle executions and assassinations, and he'll hire out his services to any mobsters who need it, provided the mob bosses approve the killings. Between "Murder Incorporated" and a drug ring operated with Luciano, Lepke has become a wealthy and important man in the underworld, but ironically he finds soon himself himself investigated by the man whose life he unwittingly saved -- Dewey. Lepke also features comedian and impressionist Vaughn Meader as the voice of Walter Winchell. ~ Mark Deming, All Movie Guide

Clare Booth Luce's once-timely stage comedy Margin for Error was indifferently transferred to the screen in 1943. Milton Berle stars as Moe Finkelstein, a Jewish Brooklyn policeman assigned to guard Nazi consul Karl Baumer (Otto Preminger) in pre-WW II New York. Baumer is not only an anti-Semitic brute, but he's also a crook, siphoning off German consulate funds for his own use. His perfidy is well known by his wife Sophie (Joan Bennett), who married Baumer only to save her family from a concentration camp, and by Baumer's assistant Baron von Alvenstor (Carl Esmond). Thus, when Baumer is found dead of poison, stabbing and gunshot wounds, Sophie and the Baron are immediately suspected of murder. But Finkelstein comes to the rescue by piecing together the clues and coming up with a bizarre, but credible, solution to the crime. Having previously directed himself as Karl Baumer in the Broadway version of Margin for Error, Otto Preminger felt qualified to do the same in the film version: as a result, Preminger has no one but himself to blame for his shamelessly hammy performance. ~ Hal Erickson, All Movie Guide

Watch the comedy unfold as Milton Berle trades wisecracks with his hilarious guests on this videotape. Some of the funniest people in show business are featured in this collection hosted by "Mr. Television" himself. Pat Buttran, Dick Martin, Mort Sahl, and Eddie Quillon are interviewed. Footage of Abbott and Costello, Lenny Bruce, Martin and Lewis, Jackie Gleason, and many others is included. ~ Karla Baker, All Movie Guide

New Faces of 1937 was supposed to be the vanguard of a series of annual musical comedies -- RKO Radio's latest attempt to revive its long-dormant "Radio City Revels" concept. The plot is based on an old show-business legend, later immortalized in Mel Brooks' The Producers: Crooked Broadway producer Robert Hunt (Jerome Cowan) deliberately produces flops so that he can pocket the backers' money himself. His next sure-fire disaster is a show built around talented unknowns (there actually was such a "New Faces" series on Broadway, yielding such stars-to-be as Imogene Coca and Henry Fonda, but it was produced on the up-and-up). When the show threatens to become a hit, the producer desperately seeks a method to sabotage the production. The various subplots involve such vaudeville and radio comedians as Milton Berle (who performs a side-splitting "stockbroker" sketch with Richard Lane), Joe Penner, Bert "Mad Russian" Gordon and Parkyakarkus (aka Harry Einstein, the father of present-day comedians Bob Einstein and Albert Brooks). Among the New Faces displayed herein are 14-year-old dancer Ann Miller, The Brian Sisters, The Three Choclateers and the Four Playboys. Perhaps the fictional Robert Hunt would have been pleased to find out that New Faces of 1937 was a box-office bomb, precluding any follow-ups. ~ Hal Erickson, All Movie Guide

If MGM's Red Skelton could make the mystery/comedy Whistling in the Dark, 20th Century-Fox's Milton Berle could show up in the mystery/comedy Over My Dead Body (Berle's reputation for lifting gags from other comics now extended to lifting plot material). Berle plays a mystery writer who forever writes himself into corners and is never able to finish a story. While visiting his wife (Mary Beth Hughes) at the office where she works, Berle overhears several men discussing the suicide of a coworker. Struck with a brilliant notion, Berle decides to confess to the murder of the dead man, certain that he'll be able to wriggle out of the situation and thereby have plenty of material for a story. Alas, it turns out that the deceased gentleman was murdered, and Berle is nearly sent to the chair. In emulation of the Bob Hope/Willie Best combination in The Ghost Breakers Milton Berle is teamed with a "scared" black elevator operator, played by a superb African-American radio and vaudeville comedian named Wonderful Smith. ~ Hal Erickson, All Movie Guide

The Perils of Pauline was not the first movie serial ever made, but it is perhaps the best known -- though that doesn't mean it was the best. The throughline of this 18-episode chapter play was disarmingly simple: Pauline Harvin (Pearl White) has fallen heir to a fortune, all of which will go to her family lawyer and "trusted friend" Koerner (Paul Panzer) should anything happen to her. Naturally, Koerner wants to get his mitts on the money as soon as possible, so he concocts innumerable diabolical schemes and adopts countless "clever" disguises, the better to do away with Pauline. Fortunately, all-around hero Harry Marvin (played by future screenwriter/director Crane Wilbur) is on hand to rescue Pauline from her various perils, which include abductions by Gypsies, Indians, and demented pirates. Equally fortunate, Pauline is supremely capable of taking care of herself whenever Harry isn't around. To prove this at one point, she enters and wins an international motor race. In the final episode, the despicable Koerner is hoist on his own petard, while Pauline (who never suspected that her lawyer was behind all of her troubles!) enjoys a climactic embrace with faithful Harry. Poorly directed and miserably photographed in some of the least attractive locations in New Jersey, The Perils of Pauline wouldn't have been worth anyone's time had it not been for the presence of Pearl White, a truly appealing and charismatic actress who invariably seemed better and more intelligent than her material. Of the 18 episodes, only nine survive (all of them self-contained stories, and none of them "cliffhangers"); these were culled from a French re-release version, which contained some of the most illiterate subtitles in screen history. (At one point, a character suggests that Pauline's "immoral strength" be tested; of course, he meant "immortal," but the French translator didn't know that!) The title Perils of Pauline was reused in 1934 for an unrelated talkie serial; in 1947, for a filmed biography of Pearl White with Betty Hutton; and in 1967, for a TV pilot starring Pamela Austin. ~ Hal Erickson, All Movie Guide

Set in New York City's famed music hall and featuring an all-star cast, this musical chronicles the desperate search of two bungling aspiring songwriters who are looking for the tune that will make them stars. They hear the sweet sound of opportunity's knock when they find a naive country boy who can literally come up with hit tunes in his sleep. Jack Oakie and Milton Berle play the songwriters. ~ Sandra Brennan, All Movie Guide

This 1979 episode of Saturday Night Live is hosted by Milton Berle and features musical guest Ornette Coleman. ~ Skyler Miller, All Movie Guide