Leopoldo Trieste Movies

Vanessa Redgrave and Franco Nero headline this off-beat medieval drama in which Redgrave plays an allegedly insane woman who is allowed to finally leave the madhouse to see if she is capable of functioning normally. Her parents pay no attention to her and eventually sell her to a creditor. En route she escapes and runs into a poacher. She explains her terrible situation via flashback. He feels sympathetic and so the two head off for many free-flowing adventures. ~ Sandra Brennan, All Movie Guide

"White Voices" is a vernacular term referring to Italian Castrati of the 18th century Vatican Choir. The Castrati were male children who were castrated so that they could retain their beautiful soprano singing voices into maturity. Paolo Ferrari plays a Roman youth who isn't keen on being gelded and bribes his way out of it. Even so, he trains with the choir and becomes an habitue of the houses of the rich and famous, using his supposed lack of male essentials to his advantage--especially in bed. Ferrari comes a-cropper when he impregnates a girl and is forced to go under the knife to establish an alibi! It is very, very hard to write about White Voices without making a wisecrack, so we'll cut this short (oops!). The film, a French/Italian coproduction, was originally released in France as Le Sex Des Anges and in Italy as I Castrati. ~ Hal Erickson, All Movie Guide

Based on an acclaimed, popular historical novel by Dacia Maraini, this 18th-century set costumer follows the adventures of a deaf-mute noblewoman who strives to escape her dark past and the social conventions that force her to remain married to a man she detests. The story begins when the already speechless title duchess is 12 years old. In hopes of shocking her back into speaking, her grandfather takes her to a hanging. The causes of Marianna's affliction are revealed slowly as the story progresses, but the whole truth is not revealed until the end. Though she is much loved by her family, they still force her to marry her ancient uncle when she is only 13. Her wedding night is horrific as is the birth of her first daughter. Her husband is desperate for an heir so she is forced to endure his unwanted attentions until she is finally able to bear him a son. Despite her oppressive life, Marianna is able to find freedom in subtle ways. She also has time to save a peasant girl from a terrible situation. ~ Sandra Brennan, All Movie Guide

Banned in Italy, this movie tells the story of a teenage virgin who has somehow become pregnant. Mary is an epileptic and the town's witch (many rural Italian regions have women who practice folk-magic and medicine and whom they call witches or stregoni). When she appears to die after a seizure, she is given funeral rites but then recovers and walks home. Three months later, she is discovered to be pregnant. A furor gathers as the local people believe they are witnessing a virgin birth. The village priest is encouraged by his Cardinal to find the father of the baby...or else. ~ Clarke Fountain, All Movie Guide

In this drama, a 12-year-old boy impregnates a young girl and then decides to raise the child all alone. ~ Sandra Brennan, All Movie Guide

A year after Get Carter (1971), director Mike Hodges and star Michael Caine reunited for this comic crime thriller. Caine stars as Mickey King, a writer of cheap paperback detective novels, living in Rome and cranking one noir book after another. King is approached by Ben Dinuccio (Lionel Stander) and offered an abnormally large sum to ghost write the autobiography of a mystery celebrity. The intrigued King agrees and is transported to a remote island where he meets his subject, Preston Gilbert (Mickey Rooney), a one-time movie star known for playing gangsters and notorious for hanging out with real-life mobsters off the set (a sly jab at Frank Sinatra and George Raft). Now dying of cancer, Gilbert wants King to jot down his life story before he dies. Although he's an abusive jerk, Gilbert's had an interesting life and King sets about getting it all down on paper, but then the star is murdered at a party, leaving King with no conclusion to his tale. Playing detective like the heroes of his stories, King pieces together a mystery involving Gilbert's past, his ex-wife, a transvestite who's supposed to be dead, and an Italian prince running for office. Though largely dismissed at the time of its release by fans and critics disappointed at its dissimilarity to Get Carter, Pulp (1972) was championed by a few and became something of a cult favorite over subsequent decades. ~ Karl Williams, All Movie Guide

This umpteenth film version of Henryk Sienkewicz's warhorse novel Quo Vadis? was produced for Italian Television. Francesco Quinn (son of Anthony) stars as the arrogant Roman legionnaire whose brutish, libertine outlook on life is softened by the love of early Christian girl Cristina Raines. Even allowing for the overproduced 1951 MGM version, this Quo Vadis? is a 200-minute wallow in excess. Accordingly, Klaus Maria Brandauer overplays Nero in an unbridled manner that hasn't been seen since the heyday of Bela Lugosi; at times, we shudder in fear that Brandauer's histrionics may level the papier-mache sets. Quo Vadis? debuted in the US on cable TV in 1986, where it was telecast in two parts. ~ Hal Erickson, All Movie Guide

Stuck in a dream world of his own, Italian sculptor Albert Saporito (Marcello Mastroianni) sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation. This film is in Italian with English subtitles. ~ Iotis Erlewine, All Movie Guide

This Italian crime melodrama may remind some viewers of the methodical American TV series Dragnet. In trailing a gang of counterfeiters, the authorities follow the trail of clues to a small town. Here the creation of "funny money" is the principal industry --and the job is made easier because the counterfeiters have been able to get their hands on the same type of paper used for legal tender. Police inspector Moroni (Fosco Giachetti) continues to dog the criminals' trail to Naples, where the film comes to a rousing conclusion. A few arbitrarily inserted dance sequences involving a sexy young girl were added to hype the film's box-office appeal. ~ Hal Erickson, All Movie Guide

Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide

Adapted from Umberto Eco's best-selling novel, director Jean-Jacques Annaud's The Name of the Rose is a 14th century murder-mystery thriller starring Sean Connery as a Sherlock Holmes-esque Franciscan monk called William of Baskerville. When a murder occurs at a secluded Benedictine Abbey, William is called in to investigate. As he and his apprentice, Adson von Melk (Christian Slater), delve deeper and deeper into the case, more dead bodies begin to turn up. Eventually, Bernardo Gui, an inquisitor played by F. Murray Abraham gets involved, but he may not have the best intentions. Sean Connery's performance earned him the award for Best Actor at the 1988 British Academy Awards. ~ Matthew Tobey, All Movie Guide

A Pope contends with the prospects of nuclear world destruction in this Cold-War saga of religious faith and international politics. (Anthony Quinn) plays a Russian priest who has spent 20 years in a Siberian labor camp. When Russian and Chinese relations deteriorate, Russian Premier Kamenev (Laurence Olivier) releases him and he is made a cardinal. Kamenev wishes to have a representative at the Vatican in Rome for future political situations. When the Pope (John Gielgud) dies, a series of events makes the Russian priest the first Pope from a communist country. Taking the name of the saint who spread the gospel to Russia, he becomes Pope Kiril Lakota. He often leaves the Vatican in disguise to mingle with the people to remain in touch with the poor and the needy. When millions of Chinese face starvation, the Pope offers to sell the riches of the church on order to feed the hungry, and he asks that all wealthy countries do the same. David Janssen is the television reporter stationed in Rome whose wife (Barbara Jefford) receives counseling from Kiril, unaware he is the Pope. In a symbolic gesture, Kiril offers his crown as a down payment in an attempt to bring world peace and end the starving of millions. Although a fine drama with a competent international cast, the movie failed at the box office to recoup the 9-million-dollar production costs. ~ Dan Pavlides, All Movie Guide

The White Sheik (Lo Sceicco Bianco), Fellini's first solo flight as director, is a gentle lampoon of the idolatry heaped upon movie stars. An impressionable young bride, Wanda (Brunella Bovo) accompanies her husband Ivan (Leopoldo Trieste) on a dull honeymoon, full of meetings with family members and the papal father. Bovo fantasizes over matinee idol Fernando Rivoli, AKA The White Sheik (Alberto Sordi), the hero of a photo strip comic. She repeatedly drifts away from her husband and back, in periodic attempts to find The Sheik, ultimately repairing to the location site where Sordi's latest film, The White Shiek, is in production. Her inevitable disillusionment with the vainglorious Sordi is intercut with her husband's comic (and desperate) attempts to explain his wife's absences at family gatherings to his disgruntled relatives. After a comically inept suicide attempt, Bovo and Trieste are reunited. Featured in the cast is Fellini's wife Giuletta Masina as a prostitute named Cabiria, who'd be given a vehicle of her own, Nights of Cabiria, in 1955. Based on "an idea" by Michelangelo Antonioni, The White Sheik was the main inspiration for Gene Wilder's The World's Greatest Lover (1977). ~ Hal Erickson, All Movie Guide