Rod Taylor Movies
Just as British-born James Stewart found it necessary to change his name to Stewart Granger upon embarking on an acting career, so too was Australian Robert Taylor compelled to choose another cognomen upon entering show business. He tried Rodney Taylor at first, then shortened it to the more "macho" Rod Taylor. A trained painter, Taylor switched to acting in his early twenties, toting up Australian stage credits before making his first Aussie film, The Stuart Exposition, in 1951. A villainous stint as Israel Hand in the 1954 Australian/U.S. production Long John Silver gave evidence that Taylor might be able to handle leading roles. However, he was still among the supporting ranks in his first American film, The Virgin Queen (1955). Signed to a nonexclusive contract by MGM in 1957, Taylor was cast in predominantly American roles, and accordingly managed to submerge his Australian accent in favor of a neutral "mid-Atlantic" cadence; even when playing an Englishman in 1960's The Time Machine, he spoke with barely a trace of a discernable accent. His film career peaked in the early to mid 1960s; during the same period he starred in the TV series Hong Kong (1961), the first of several weekly television stints (other series included Bearcats, The Oregon Trail, Masquerade and Outlaws). He was so long associated with Hollywood that, upon returning to Australia to appear in the 1977 film The Picture Show Man, Taylor was cast as an American. Gaining a bit of avoirdupois in recent years, Rod Taylor has retained his rugged, robust features and has thrived in character roles as ageing, but still virile, outdoorsmen. ~ Hal Erickson, All Movie Guide- 1965
Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Taylor, Julie Christie, (more)
- 1970
- R
Zabriskie Point, director Michelangelo Antonioni's only American film, is an unusual, visually stunning examination of youthful rebellion against the Establishment. The film, initially presented in quasi-documentary style, presents a group of college activists discussing key issues of their political agenda. Mark (Mark Frechette) steals an airplane and flies over a desert where he meets Daria (Daria Halprin). She is the pot-smoking secretary to businessman Lee Allen (Rod Taylor), while he is a rebel searching for a worthy cause. In the midst of the arid surroundings, Mark and Daria fall in love. Antonioni's nonrealistic approach to American counterculture myths, his loose and sluggish narrative, and the dialogue (credited to Fred Gardner, Sam Shepard, Tonino Guerra, Clare Peploe, and Antonioni) caused Zabriskie Point to be poorly received when it was first released. The score features songs from Pink Floyd, The Grateful Dead, Kaleidoscope, The Rolling Stones, John Fahey, The Youngbloods and Patti Page. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Mark Frechette, Daria Halprin, (more)
