Gladys Blake Movies
Supporting actress Gladys Blake first appeared onscreen in the late 1930s. In Warren Meyers' Who is That?, a picture book devoted to Hollywood's favorite character actors, Blake is lumped together with such cinematic tarts as Veda Ann Borg and Olga San Juan in a chapter titled "My, Isn't She Cheap?" In truth, Blake's appearances as "naughty ladies" were limited. During her 12-year (1938-1950) screen career, she was most often seen as a garrulous telephone operator, most memorably in Abbott and Costello's Who Done It? (1942). Gladys Blake's final screen role was, appropriately enough, "The Talkative Woman" in Paid in Full (1950). ~ Hal Erickson, All Movie Guide
All but forgotten today, A Stranger in Town serves as an excellent showcase for the dramatic talents of Frank Morgan. The star plays Supreme Court justice John Josephus Grant, who decides to take a break from his hectic schedule by going on a hunting vacation. Travelling incognito, Grant stops over in a small town that turns out to be a hotbed of political corruption. Taking a liking to honest young mayoral candidate Bill Adams (Richard Carlson), Grant uses his legal know-how to help thwart Adams' crooked opponents. Jean Rogers, best-known to film buffs as Dale Arden in the first two "Flash Gordon" serials, is decorative as Grant's secretary, who (of course!) falls in love with the clean-cut Bill Adams. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Morgan, Richard Carlson, (more)
- 1933
I Have Lived takes place in a New York penthouse, a Broadway theater, and a seedy speakeasy, though not necessarily in that order. Alan Dinehart essays one of his rare leading roles as Thomas Langley, a brilliant playwright whose career has taken off like a skyrocket. Experiencing an attack of hubris, Langley decides to cast an unknown in his next play. His selection is the gorgeous Jean St. Clair (Anita Page), a woman with a tawdry past. Wanna bet that the opening-night audience will give the young actress a standing ovation despite her checkered history? ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Dinehart, Gertrude Astor, (more)
- 1945
Radio legend and 3-D pioneer Arch Oboler brings his story, Alter Ego, to the screen in a low-budget yarn that benefits from a strong cast and direction. Joan Ellis (Phyllis Thaxter) hears a voice in her head (in flashbacks) shortly before she is to be married. She flees to another city and even takes up with another man to rid herself of the voice, but random words bring it back at unexpected moments. The voice ultimately tells her to kill her husband-to-be, and when a psychiatrist (Edmund Gwenn) determines on the eve of her execution that Joan is possessed by a split personality, a struggle ensues to see which one will survive. Oboler uses radio techniques and tense scripting to bring his thriller to visual life. ~ Don Kaye, All Movie Guide
- Starring:
- Phyllis Thaxter, Edmund Gwenn, (more)
MGM's third follow-up to its landmark Broadway Melody is short on story, but that's okay, since the plot is merely a clothesline upon which to hang sleek and opulent musical production numbers by Fred Astaire and Eleanor Powell -- particularly a breathless and eye-popping gloriously black-and-white six-minute tap dance finale between Astaire and Powell to Cole Porter's "Begin the Beguine." The tale itself is a typical backstage contrivance: Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a couple of hoofers working in a dance hall for peanuts. Due to mistaken identity, King gets tapped for the lead in a Broadway show opposite big star Clare Bennett (Eleanor Powell) rather than Johnny. But when King drowns his trouble in booze on opening night, Johnny covers for him, taking his place in the show. ~ Paul Brenner, All Movie Guide
- Starring:
- Fred Astaire, Eleanor Powell, (more)
When a patient dies of heart failure, society doctor Michael Travers (Lew Cody), takes an interest in her 14-year-old daughter Judy (Sally O'Neil), whom he makes his ward. Against the wishes of his fiancée, socialite Diane Manners (Aileen Pringle), Michael leaves for an extended business trip to Europe. Upon his return three years later, the good doctor falls desperately in love with his now fetching teenage ward, and is angered by the news that she is engaged to young Dick Manners (Edward Morgan, Diane's brother. When Judy agrees to delay her upcoming wedding, a furious Dick crashes his car. Badly hurt in the accident, Judy is saved on the operation table by Michael, who begs her forgiveness. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Lew Cody, Aileen Pringle, (more)
- 1944
The career girl in this PRC musical is Joan (Frances Langford), a Kansas City gal with showbiz aspirations. She heads to New York, where she sets up residence in a theatrical boarding house straight out of Stage Door. A few setbacks later, Joan lands the lead in a Broadway musical revue, which despite its threadbare production values (a PRC trademark) bids fair to be the hit of the season. Endearingly old-fashioned, Career Girl puts over its clichés with energy and verve. Besides, any picture with wisecracking Iris Adrian in a large role can't be all bad. ~ Hal Erickson, All Movie Guide
- 1940
Dr. Kildare's Crisis is actually one suffered by his fiancee, nurse Mary Lamont (Laraine Day). Mary's financier brother Douglas Lamont (Robert Young) is subject to unpredictable seizures, and for a while it seems that he is suffering from hereditary epilepsy. This being 1940, Douglas' affliction carries an onus which seriously threatens the impending marriage between Mary and Jim Kildare (Lew Ayres); after all, who knows how their children will turn out? But by using an unorthodox therapeutic method, Dr. Kildare proves that Douglas' medical condition was borne of an accident rather than a genetic disorder. The final diagnosis is rendered by crusty Dr. Gillespie (Lionel Barrymore), who thereby manages to justify his appearance in the film in the very last reel. ~ Hal Erickson, All Movie Guide
- Starring:
- Lew Ayres, Lionel Barrymore, (more)
- 1939
Harry Kurnitz' fictional book-dealer/detectives Joel and Garda Sloane appeared in three MGM "B"s of the late 1930s, each with different stars in the leads. Fast and Furious, the last of the mini-series, featured Franchot Tone and Ann Sothern as the Sloanes. The couple attends a seaside beauty contest, where a murder occurs. As Joel Sloane tries to solve the mystery, he is hindered by Garda, who isn't too keen on the many bathing belles present. Unlike the previous Sloane mysteries, no rare books are involved in the crime, and the film more closely resembles a pocket-edition Thin Man. Fast and Furious was directed by none other than Busby Berkeley, proving he was just as adept with corpses as with chorus girls. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Ann Sothern, (more)
One of several low-budget mellers directed by scriptwriter Maxwell Shane, Fear in the Night was based on the short story Nightmare by William Irish (pseudonym for Cornell Woolrich). In his first starring role, DeForest Kelley plays Vince Grayson, a young man who has a terrible nightmare wherein he sees himself killing someone. When he awakens, Vince finds a couple of pieces of evidence indicating that his dream was no dream. Detective Cliff Herlihy (Paul Kelly) doesn't believe that Vince has killed anyone, but agrees to investigate. While taking shelter from a storm in a remote mansion, the detective and the young man stumble upon a mirrored room -- just like the one in Vince's dream. The frenzied Vince is nearly driven to suicide, but Detective Herlihy deduces that his friend's nightmare was the handiwork of Lewis Belnap (Robert Emmett Keane), the mansion's owner, who is a dabbler in hypnosis. Fear in the Night was remade in 1956 as Nightmare, with Kevin McCarthy and Edward G. Robinson. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Kelly, DeForest Kelley, (more)
- 1945
This tender but fluffy romantic comedy centers on the romantic travails of a beautiful European princesss who goes to New York to find the newspaper reporter she fell for when he was visiting her mythical country. She stays at the Big Apple's finest hotel and while there finds herself mistaken for a maid by a sweet-natured bellhop. Charmed by his confusion, she insists that he become her personal escort. She does not realize that the impressionable fellow has fallen in love with her and so misconstrues her every kindness. When not with her, the bellhop is visiting a beautiful invalid, who is secretly in love with him. Meanwhile the princess eventually finds the reporter. She makes him a proposition, but he, believing them to be too different, rejects the offer. Later, she takes the bellhop and goes to the reporter's favorite bar in hopes of seeing him. Unfortunately, the joint gets raided and she ends up in jail until the reporter shows up to bail her out. Soon afterward, she learns that her father has died and that she is now queen. Things get sticky then, as both the bellboy and the new queen find themselves faced with choosing between wealth and power or true love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Hedy Lamarr, Robert Walker, (more)
- 1944
Part of the series of Universal B-musicals teaming Martha O'Driscoll and Noah Beery Jr., this film is also a remake of the 1937 comedy Love in a Bungalow. Patty Callahan (O'Driscoll) offers residence in a model home to soldier Jeff (Beery) and soon falls in love with him. Although the pair are unmarried, they enter a marital contest intended to celebrate the "Happiest G.I. Couple." Winning the contest brings on all sorts of farcical troubles until the couple are able to be united for real. Songs include "Don't Sweetheart Me" and "Best of All." ~ Nicole Gagne, All Movie Guide
- Starring:
- Martha O'Driscoll, Hattie McDaniel, (more)
- 1940
Those popular MGM co-stars William Powell and Myrna Loy take a break from their usual Thin Man duties to star in the zany comedy I Love You Again. The film opens with Loy prepared to divorce her dull businessman husband Powell. A blow on the head causes Powell to remember his former life as a notorious con man. No one in town has any knowledge of Powell's criminal past, a fact he hopes to use to his advantage. Loy, astounded at Powell's sudden surge of amorous ardor, reconsiders her divorce. When she learns of his true identity, she is even more fascinated. Another blow on the head restores the non-criminal Powell--at least, that's what he and Loy would like you to believe. The film's highlight is a screamingly funny sequence in which Powell plays scoutmaster to a group of surly youngsters (including Our Gang veterans Carl Switzer and Mickey Gubitosi, aka Robert Blake). ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
- 1944
For their first film in a year, Bud Abbott and Lou Costello played it safe with a medley of old burlesque routines and slapstick setpieces -- and never mind a coherent plot. The boys play Eddie and Albert, a pair of plumbers hired to fix the pipes of a fancy society mansion. While a masquerade party takes place on the first floor, our heroes wreak havoc in the bathroom on the second floor. The angry owners (Thurston Hall, Netta Packer) shoot off a letter of complaint to the plumbers which gets mixed up with an invitation for a fancy weekend party. Thus it is that Eddie and Albert, accompanied by their female cab-driving pal Elsie (Marion Hutton), show up dressed to the nines at a posh country estate. While the boys get mixed up in further comic complications, Elsie carries on a romance with wealthy and handsome Peter (Kirby Grant). Things come to a head when a valuable painting is stolen, prompting Eddie and Albert to chase after the thieves by commandeering a fire engine! Released in most areas simply as In Society, this slapped-together comedy proved beyond all doubt that Abbott and Costello's appeal had not slipped during their screen absence. Highlights include a variation on the burlesque chestnut "Floogel Street" (here renamed "The Susquehanna Hat Company"), a wild and crazy fox hunt, and the climactic fire-engine pursuit, which was lifted virtually in toto from W.C. Fields' Never Give a Sucker an Even Break (1941). ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1944
The sparkling screwball comedy And So They Were Married was originally released as Johnny Doesn't Live Here Any More. French-Canadian girl Simone Simon leases a Washington DC apartment from Marine William Terry. Since the Nation's Capital is overcrowded (wartime, don't you know), Simon must put up with a steady parade of Terry's old cronies and girlfriends, all of whom have keys to the apartment. She also becomes the romantic bone of contention between Terry and his sailor pal James Ellison. The last half of the film is dominated by Robert Mitchum as a Chief Petty Officer, who wants to rent the apartment for himself and his wife. A whimsical touch is added by the presence of midget Jerry Maren as a Cupid-like gremlin, who takes great delight in complicating Simon's life. Blessed with a great cast, an above-average production values (especially for a Monogram release), this King Bros. production proved to be the last directorial effort of German expatriate Joe May. Watch for fleeting appearances by horror-film perennial Rondo Hatton as a well-dressed gentleman entering Simon's cab, and Our Gang's Mickey "Froggy" Laughlin as a ratchet-voiced kid. ~ Hal Erickson, All Movie Guide
- Starring:
- Simone Simon, James Ellison, (more)
- 1949
In her second film appearance, Marilyn Monroe stars as Peggy Martin, a second-generation showgirl who begins a romance with a rich young man (Randy Brooks), an action that strains her relationship with her mother (Adele Jurgens). ~ Jason Ankeny, All Movie Guide
- 1945
Let's Go Steady was Columbia's annual "audition" musical, spotlighting the studio's latest crop of young contractees. Cheated out of their bankroll by a phony music publisher, a group of talented youngsters come to New York, hoping to promote their songs with their own, self-stage musical revue. Trouble is, none of the big-time bandleaders want to risk utilizing unknowns. Thus, the kids persuade a GI band to showcase their tunes, thereby attracting big-time support from various Broadway bigwigs. Standing out among the youthful cast members are June Preisser, Arnold Stang, and a personable singer-drummer named Mel Torme. Screenwriter Erna Lazarus manages to work in a plug for Columbia's Cover Girl, while director Del Lord, a graduate of the studio's Three Stooges comedies, finds a spot for perennial Stooge supporting player Vernon Dent. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat Parrish, Jackie Moran, (more)
- 1946
This initial entry in Monogram's Bowery Boys series is also the second remake of the 1933 film He Couldn't Take It (the original script was by no less than Dore Schary, billed for reasons best known to himself as Jeb Schary). Leo Gorcey stars as Slip Mahoney, a pugnacious type whose volatile temper loses him one job after another. Slip's sister Mary (Pamela Blake), secretary to construction executive Sayers (John Eldredge), persuades her boss to use his influence to get Slip a job as a process server. After successfully repossessing a car belonging to nightclub thrush Jeannette (Claudia Drake), Slip and his fellow "skip tracer" Sach Jones (Huntz Hall) endeavor to serve a subpoena to homicidal gangster Patsy Clark (Mike Mazurki). Though the boys get quite a going over from the "playful" Patsy, they not only successfully complete their mission, but also prove that the supposedly respectable Sayers is a criminal mastermind. Essentially a vehicle for Leo Gorcey, Live Wires pushes the rest of the Bowery Boys (Bobby Jordan, Billy Benedict et. al.) into the background; it wasn't until the second series entry In Fast Company that the former "East Side Kids" truly became a team again. Bernard Gorcey, who later played sweet-shop owner Louie Dumbrowski, is seen herein as a small-time gambler. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Gorcey, Huntz Hall, (more)
- 1941
Another of Universal's Richard Arlen-Andy Devine actioners, Lucky Devils casts the mismatched duo as a pair of intrepid newsreel cameramen. When they're not risking their lives coverning the Hot Spots of the world, Dick (Arlen) and Andy (Devine) busy themselves romancing Norma (Dorothy Lovett) and Gwendy (Janet Shaw), respectively. Our heroes' predilection for sticking their noses where they shouldn't gets them mixed up with a gang of Axis saboteurs. Perfect nonthink entertainment, Lucky Devils was specifically designed for the lower half of double bills. Sharp-eyed viewers will spot future Universal star Maria Montez among the bit players. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Arlen, Andy Devine, (more)
- 1939
An heiress gets a crash course in the simple life when she marries a penniless man in this comedy. Calvin Jordan (Henry O'Neill) is the prosperous owner of a successful steel mill, and the apple of his eye is his daughter Cora (Myrna Loy). Cora stands to inherit Calvin's firm, and he's taken it upon himself to find a good husband for her. However, free-spirited Cora doesn't think much of her father's skills as a matchmaker, and makes it clear she's going to marry whomever she pleases. One day, Cora meets Bill Overton (Robert Taylor), a jobless and homeless man camping out on a park bench. After bumming fifty cents from a cop, Bill offers to take Cora out to dinner; instead, they end up gambling, and turn the four bits into a bankroll. After a few too many celebratory drinks, Bill and Cora decide true love and good fortune are shining upon them, and they get married the same evening. However, the next day the newlyweds realize they are indeed husband and wife, and after defying her father Cora can't count on her dad's help in paying the bills anymore. ~ Mark Deming, All Movie Guide
- Starring:
- Myrna Loy, Robert Taylor, (more)
- 1934
Versatile character players Minna Gombell and Lucien Littlefield are afforded leading roles in the interesting Poverty-Row effort Marrying Widows. Littlefield plays a wealthy man who is targeted by a conniving gold-digger (Judith Allen). To lure the old duffer into her trap, the sly woman relies upon the wiles of her best friend (Gombell). It all winds up with the "bad" characters going straight, allowing a happy -- if somewhat rushed -- finale. Nominal leading man Johnny Mack Brown, who looks as if he's wandered in from a different movie, is handily out-acted by the supporting cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Bert Roach, Sarah Padden, (more)
- 1949
In this three-hanky movie, an orphaned newsboy decides to care for a crippled young girl after her alcoholic mother is injured. With a doctor's assistance, he helps the girl understand that her paralysis is hysterical, caused by her reactions to her mother's behavior. Trouble ensues when the boy is arrested for helping her. The girl helps him, by walking; thereby causing the astounded authorities to release him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Arnt, Florence Auer, (more)
- 1940
In this episode of the Higgins Family series, pandemonium ensues when Ma enters a dog biscuit contest. The prize is a whopping $50,000. Unfortunately, the company is represented by Pa's ad agency and his wife cannot legally enter. The trouble is, to win, Ma purchased every dog biscuit in town. ~ Sandra Brennan, All Movie Guide
- 1933
The charming and effervescent continental film star Lillian Harvey made her Hollywood debut in My Weakness. Borrowing a page or two from Pygmalion, the plot is hinged on a wager made between playboy Ronnie Gregory (Lew Ayres) and his crusty uncle Ellery (Henry Travers). Ronny bets that he can transform kitchen slavey Looloo Blake (our girl Harvey) into a fashionable society belle, which he does -- but he hadn't counted upon falling in love with the girl along the way. Supervising the proceedings is baby-faced comedian Harry Langdon in one of his best talkie roles as a whimsical Cupid. Clearly inspired by the Lubitsch and Clair musical semi-fantasies then in vogue, My Weakness is replete with rhyming dialogue, talking animals, and even a singing statue of Auguste Rodin's The Thinker. The Buddy G. DeSylva-Leo Robin-Richard Whiting score is largely unmemorable save for Gather Lip Rouge While You May, which deserves a gold star for the title alone. My Weakness was the first of three Lillian Harvey vehicles for Fox Studios, filmed back-to-back to accommodate her busy European movie schedule. ~ Hal Erickson, All Movie Guide
- Starring:
- Lilian Harvey, Lew Ayres, (more)
- 1948
A man who dreams of seeing the future discovers the horrible burden that it can carry in this film noir suspense story. Suicidal Jean Courtland (Gail Russell) is prevented from killing herself by her fiancée Elliot Carson (John Lund). When they consult psychic John Triton (Edward G. Robinson), he confesses that he used his powers to bring on her death. Years ago, Triton was a phony mentalist in a vaudeville act, but he began seeing genuine visions of the future, most of which portended tragic results. After a premonition of the death of his wife Jenny (Virginia Bruce) in childbirth, a terrified Triton went into hiding for five years; upon his return, he discovered that his wife had married Whitney (Jerome Cowan) shortly after John was declared dead...and she died giving birth. Years later, Jenny's child grew up to be Jean Courtland, and when Triton receives a vision of Whitney's death in a plane wreck, he rushes to California in hopes of stopping fate. However, he's foreseen a tragic future for both Jean and Whitney and is afraid of the agony that awaits them. The Night Has a Thousand Eyes was adapted from a novel by Cornell Woolrich. ~ Mark Deming, All Movie Guide
- Starring:
- Edward G. Robinson, Gail Russell, (more)
- 1946
The moody mystery melodrama Nocturne was produced by longtime Alfred Hitchcock associate Joan Harrison. The film wastes no time getting started, with a caddish Hollywood composer (Edward Ashley) dropping dead right after the opening credits. The police think it's a suicide, but maverick lieutenent Joe Warne (George Raft) suspects foul play. Checking around, Warne discovers that the dead man had broken at least ten female hearts in the past few years, providing a motive for murder for all ten. The principal suspect is Frances Ransom (Lynn Bari), who may or may not have been avenging her sister, nightclub thrush Carol Page (Virginia Huston). Pursuing the case with such dogged diligence that he's eventually tossed off the police force, Warne nonetheless refuses to give up, and by film's end he has collared the murderer. It wouldn't be fair to reveal the killer's identity, except to note that the actor in question went on to quite a different career at Universal Pictures. Like the previous RKO George Raft vehicle Johnny Angel, Nocturne was a box-office bonanza, posting a then-impressive profit of $568,000. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Lynn Bari, (more)
