Larry Simms Movies

Edward G. Robinson offers an excellent turn as a crime lord obsessed with the welfare of his son in this melodramatic crime story. The lad is born while the notorious Robinson serves 10 years. Unfortunately, the press hound the babies mother and constantly derider her until a kinder reporter takes pity and begins writing stories to support her. This angers his editor who fires him. One day Robinson's wife goes to visit him and he behaves like a brute. She is so shocked that she ends her marriage and hooks up with the reporter. Together, they move far away to start successful new lives. A decade later, Robinson gets out and begins searching for his boy. Unfortunately, he also gets talked into his gangster activities by an old cohort. The gang, however turns on him and forces him to reveal the location of a large cache of loot that he hid before entering the slammer. Tough old Robinson won't tell them, so they kidnap his son.
Fortunately, Robinson and the lad escape. The gangster tries to get to know his boy, but the child wants nothing to do with him. Angered, Robinson swears vengeance upon his ex and her new spouse. ~ Sandra Brennan, All Movie Guide

Columbia's new "Blondie" series continued its winning streak with its fourth entry, Blondie Brings Up Baby. So much happens within the film's 67 minutes that it's best to boil things down to the central storyline. Baby Dumpling (Larry Simms), the six-year-old son of Blondie and Dagwood Bumstead (Penny Singleton and Arthur Lake) disappears from sight during his first day at school. While Dagwood frantically combs the city in search of the boy, Baby Dumpling spents a nice, safe afternoon with poor little rich girl Melinda Mason (Peggy Ann Garner), who with her new playmate's help arises from her sickbed to walk across the room for the first time in months. Other plot threads include Dagwood's disastrous confrontation with an important business client (Robert Middlemass), and Daisy the Dog's ongoing battle of wits with the local dog-catcher. Like many of the "Blondie" films, Blondie Brings Up Baby serves as a showcase for young talent on the way up: Robert Sterling is seen as one of Dagwood's office buddies, while Bruce Bennett plays a uniformed chauffeur. ~ Hal Erickson, All Movie Guide

This third entry in Columbia's "Blondie" series retains the freshness and laugh quotient of the first two, which is more than can be said for the series' later offerings. Taking a well-deserved rest, the Bumstead family-Dagwood (Arthur Lake), Blondie (Penny Singleton), Baby Dumpling (Larry Simms) and Daisy the dog-head to a financially strapped mountain resort. Here the family champions the cause of the lodge's owners, who are being victimized by crooked real estate man Harvey Morton (Donald MacBride). Salvation comes from an unexpected corner in the form of cherub pyromaniac Jonathan Gillis (Donald Meek). Though there are slapstick and farcical situations aplenty, Blondie Takes a Vacation has a relaxed, easygoing quality, due in no small part to the warm rapport among the leading players. ~ Hal Erickson, All Movie Guide

Few of Columbia's "Blondie" films went as far off the beaten path as the bizarre Blondie Has Servant Trouble. Things get under way when Blondie Bumstead (Penny Singleton) demands that her husband Dagwood (Arthur Lake) request a raise from his boss Mr. Dithers (Jonathan Hale), so that Blondie can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion, which is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain. Unfortunately, the mansion's butler is waylaid and replaced by homicidal maniac Vaughn (Arthur Hohl), who spends the rest of the picture stalking Dagwood, Blondie and Baby Dumpling (Larry Simms) with a huge, gleaming knife at the ready! Placing the lovable Bumsteads in dire jeopardy worked rather well in Blondie Has Servant Trouble, but it's just as well that this formula was not repeated too often, as it was in Columbia's Three Stooges and Hugh Herbert 2-reel comedies. ~ Hal Erickson, All Movie Guide

This is the celebrated Blondie episode that costars Rita Hayworth, who in 1940 was still just another Columbia contract actress. Hayworth plays an old flame of Dagwood Bumstead's (Arthur Lake), who moves into the Bumstead household when wife Blondie (Penny Singleton) advertises for a boarder. Blondie (Penny Singleton) tries to be civil when she meets Rita, but her true feelings are manifested in a superimposed montage of explosions and gunshots. Innocently caught in a compromising position with Hayworth at a local movie house, Dagwood is shown the door by the heartbroken Blondie. All misunderstandings are swept away by fadeout time in this fifth installment in Columbia's Blondie series. ~ Hal Erickson, All Movie Guide

Blondie in Society is another delightful excursion into comic insanity for Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms). The trouble begins when Dagwood brings home a huge Great Dane as a favor to an old friend. It turns out that the gigantic hound is a pedigree, and that Waldo Pincus (William Frawley), an important client of Dag's boss Mr. Bumstead (Jonathan Hale) would like to buy the dog. Alas, Blondie has already entered her new pet in a dog show, ultimately winning a $500 prize and beating out the previous champion-which, of course, belongs to Mr. Pincus. On the verge of losing his job, Dagwood is rescued one more by the resourceful Blondie, with the help of irascible veterinarian Edgar Kennedy. Like the previous Blondie Goes Latin, Blondie In Society affords Penny Singleton the opportunity to display her musical skills, as she sings two songs with the Mitchell Boys' Choir. ~ Hal Erickson, All Movie Guide

Anxious to do her bit for the war effort, Blondie (Penny Singleton) joins the Housewives of America, a home defense league. Husband Dagwood (Arthur Lake) soon finds that Blondie is neglecting her responsibilities at home in favor of her war work; also disgruntled are Dagwood's chauvinistic boss Mr. Dithers (Jonathan Hale) and a newlywed husband (Stu Erwin) whose wife is never home thanks to the defense league. Following a slapstick denouement at a power plant, in which the husbands are shown the error of their macho attitude, Blondie promises to devote more time to Dagwood--but at the same time delivers a patriotic speech to the women in the audience, exhorting them to align with the "Home Front". Blondie for Victory was twelfth in Columbia's series of comedy films based on Chic Young's popular comic strip Blondie. ~ Hal Erickson, All Movie Guide

In this grim melodrama, Barbara Stanwyck plays the eldest of three wealthy sisters who become orphans when their father dies in France. Threatened with the danger of losing the opulent family home, Big Sister makes a grand sacrifice and secretly marries a real estate developer so she can inherit her aunt's fortune. A few years later, she learns that he is after the family estate and wants to tear it down so she leaves him and tries to stop him. More time passes and the husband ends up taking her to court when he learns that she has borne him a son without telling him. The part of "Gig Young" was played by actor Byron Barr who later assumed the name before he became famous. ~ Sandra Brennan, All Movie Guide

When the profits of their various film series began slumping in the mid-1940s, Columbia Pictures tried to broaden the appeal of these films by disguing the fact that they were indeed series entries. Thus it was that Columbia's 12th "Blondie" picture was shipped out as It's a Great Life. The comic confusion begins when Dagwood Bumstead (Arthur Lake), intending to buy a house, buys a horse instead. Before the film's 75 minutes have run their course, Dagwood gets mixed up in a fox hunt. But Blondie (Penny Singleton) saves the day as usual, with the help of eccentric millionaire Timothy Brewster (Hugh Herbert). After It's a Great Life and Footlight Glamour, Columbia restored the name "Blondie" to the titles of all subesequent installments in this long-running comedy series. ~ Hal Erickson, All Movie Guide

Blondie Knows Best was writer/director Edward Bernds' first entry in the long-running "Blondie" series, and arguably his funniest. The story contrives to have Dagwood Bumstead (Arthur Lake) pose as his boss Mr. Dithers (Jonathan Hale) so that a big business deal can be consummated while Dithers avoids nearsighted process server Jim Gray (Shemp Howard). The upshot of all this is that Dagwood ends up in a lunatic asylum, forcing Blondie (Penny Singleton) to come to the rescue. Ed Bernds was a big fan of comedian Shemp Howard (whom he'd directed in several Columbia 2-reelers) and accordingly he gives Shemp free reign in his scenes, resulting in some hystericially funny moments. Blondie Knows Best represented Jonathan Hale's farewell to the series; in the next entry, Blondie's Big Moment, he would be replaced by Jerome Cowan as Mr. Radcliffe. ~ Hal Erickson, All Movie Guide

This is director Frank Capra's classic bittersweet comedy/drama about George Bailey (James Stewart), the eternally-in-debt guiding force of a bank in the typical American small town of Bedford Falls. As the film opens, it's Christmas Eve, 1946, and George, who has long considered himself a failure, faces financial ruin and arrest and is seriously contemplating suicide. High above Bedford Falls, two celestial voices discuss Bailey's dilemma and decide to send down eternally bumbling angel Clarence Oddbody (Henry Travers), who after 200 years has yet to earn his wings, to help George out. But first, Clarence is given a crash course on George's life, and the multitude of selfless acts he has performed: rescuing his younger brother from drowning, losing the hearing in his left ear in the process; enduring a beating rather than allow a grieving druggist (H.B. Warner) to deliver poison by mistake to an ailing child; foregoing college and a long-planned trip to Europe to keep the Bailey Building and Loan from letting its Depression-era customers down; and, most important, preventing town despot Potter (Lionel Barrymore) from taking over Bedford Mills and reducing its inhabitants to penury. Along the way, George has married his childhood sweetheart Mary (Donna Reed), who has stuck by him through thick and thin. But even the love of Mary and his children are insufficient when George, faced with an $8000 shortage in his books, becomes a likely candidate for prison thanks to the vengeful Potter. Bitterly, George declares that he wishes that he had never been born, and Clarence, hoping to teach George a lesson, shows him how different life would have been had he in fact never been born. After a nightmarish odyssey through a George Bailey-less Bedford Falls (now a glorified slum called Potterville), wherein none of his friends or family recognize him, George is made to realize how many lives he has touched, and helped, through his existence; and, just as Clarence had planned, George awakens to the fact that, despite all its deprivations, he has truly had a wonderful life. Capra's first production through his newly-formed Liberty Films, It's a Wonderful Life lost money in its original run, when it was percieved as a fairly downbeat view of small-town life. Only after it lapsed into the public domain in 1973 and became a Christmastime TV perennial did it don the mantle of a holiday classic. ~ Hal Erickson, All Movie Guide

Blondie opens a bakery in her home to help fill the family cookie jar in this entry in the long-running domestic comedy series based on the popular comic strip. Her tasty cookies become so popular that a cookie magnate makes her an offer that is difficult to refuse. Unfortunately, this creates all kinds of problems for the Bumsteads. ~ Sandra Brennan, All Movie Guide

Blondie decides she wants to be a star and nearly turns her household upside down in this entry in the long-running domestic comedy series. Dagwood has mixed emotions about his wife's theatrical aspirations and eventually he decides to get her to quit. Disaster ensues. ~ Sandra Brennan, All Movie Guide