Vladek Sheybal Movies

Harry Palmer (Michael Caine), the reluctant secret agent from The Ipcress File (1965) and Funeral in Berlin (1966) -- both (like the source for this movie) based on novels by Len Deighton -- is back again in Ken Russell's Billion Dollar Brain. Having left Britain's espionage service, Palmer is scraping out a living as a private investigator, but he's still willing to give his old boss Colonel Ross (Guy Doleman) the bum's rush out of his office when he comes calling, offering a raise and promotion if he'll return. But Palmer ends up working for Her Majesty's government anyway -- a letter arrives, with a key and money, and telephoned instructions by a mechanical voice connect him up with a carefully sealed parcel (filled with what an x-ray reveals as eggs) that he must transport to Helsinki. No sooner does he get there than he discovers that an old friend, Leo Newbigin (Karl Malden), and his young lover Anya (Françoise Dorléac) are behind the trip, and that the man who was supposed to receive the parcel is dead. The eggs contain dangerous viruses stolen from a secret British laboratory, and England wants them back and wants to know why they were stolen. That assignment immerses Palmer in a deadly game of deception, double-dealing, and triple-crosses on all sides, as he finds that Leo is working for a privately operated intelligence network, set up by a rabidly right-wing Texas oil man, General Midwinter (Ed Begley Sr.).

The billion-dollar super-computer of the title, built by Midwinter, runs a network of spies and assassins aimed at the destruction of the Soviet Union. That interests Palmer's old friend, Soviet security chief Colonel Stok (Oskar Homolka, in an almost movie-stealing performance), very much, and he, too, wants to know what Palmer knows. And then there's Leo, who has taken millions from Midwinter, supposedly to establish a secret underground in Latvia, waiting for the signal to rise up against the Soviets occupying their country that will spread across the Baltics and beyond and bring down the Soviet government. He's taken the money, but all Harry find when he goes into Latvia is motley bunch of broken-down black marketeers whose orders are to kill him and make it look like the work of the Soviets. And there's Anya, who is sleeping with Leo, trying to seduce Harry, and seems to have an agenda all her own, but in whose interest? If it's all a little confusing, so was the book on which it was based, but there's enough striking visual material, courtesy of cinematographer Billy Williams, and engrossing performances (and a wry sensibility), courtesy of director Ken Russell and screenwriter John McGrath, that the leaps in plot, logic, and setting don't matter that much, and it is great fun. ~ Bruce Eder, All Movie Guide

In this clunky suspense film, straining to be Hitchcockian, Michael Caine plays recovered alcoholic Henry Clarke, who finds himself enticed into the home of Fe Moreau (Giovanna Ralli), where he discovers an unusual arrangement -- apparently Fe Moreau would rather engage in a relationship with an ex-alcoholic than her husband Richard (Eric Portman). Seems Richard is an out-of-the-closet homosexual, complete with a young Spanish stud (Carlos Pierre) as a plaything. The staid home life heats up to a boil when the three misfits decide to steal jewels from a rich playboy. ~ Paul Brenner, All Movie Guide

A rendition of the classic tale of Tristan and Isolde, this drama revolves around the dilemma of a medieval knight who is forced to choose between the love of a woman and the love of his country. ~ Iotis Erlewine, All Movie Guide

This is one of the most surreal versions of the popular Shakespearian play on film. It approaches the story of the troubled prince from a Freudian perspective. Hamlet is seen a schizophrenic (played by identical twins). The Oedipal overtones of his relationship with his mother, Queen Gertrude, are stressed, and the film also contains broad hints of homosexuality. ~ Sandra Brennan, All Movie Guide

Lord Mountbatten: The Last Viceroy was a 6-part British miniseries, first telecast in the US on PBS' Masterpiece Theatre. The series covers the years 1946 through 1947, during which time the British government granted independence to India. War hero Lord Mountbatten (Nicol Williamson), although considered a political lightweight, is appointed the task of overseeing the transition of power. It is the sort of test that separates the Lords from the boys: Mountbatten must not only unite the squabbling factions within India, but also counteract the rhetoric of Winston Churchill (Malcolm Terris), who is dead set against losing the Empire's "jewel of the crown." Once independence is officially granted, Mountbatten is challenged with open combat between the Hindus, Muslims and Sikhs, as well as territorial demands from Pakistan and the Kashmir. Also appearing in this epic production is Sam Dastor as Gandhi, Ian Richardson as Nehru, and Vladek Sheybal as Jinnah. Lord Mountbatten: The Last Viceroy was first seen on Masterpiece Theatre from January 26 through March 2, 1986. ~ Hal Erickson, All Movie Guide

The Mosquito bomber was one of the more extraordinary developments of the Royal Air Force during World War II. A twin-engine plane made largely of wood, it flew faster than almost any fighter on the German side, carrying a maximum load of two bombs, and was employed on specialized missions that required pinpoint accuracy on a precise target -- obliterating a building or a small cluster of buildings rather than large tracts of enemy real estate. The men who flew them were among the elites of the Royal Air Force, some of the best of the best. Mosquito Squadron deals with such men and the kinds of missions they were assigned and the sacrifices they made. Quint Munroe (David McCallum) loses his oldest friend, Squadron Leader David Scott (David Buck), on a mission to destroy a group of German V-1 launchers -- he was like a brother to Scott, and must break the news to his wife Beth (Suzanne Neve), with whom Quint had once been involved. In the months that follow, he and Beth slowly rekindle their romance -- meanwhile, the German V-weapon program continues to advance, and they are getting ready to unveil the V-3. Quint is given the task of destroying the V-weapon plant at Charlon, a mission made possible by a new "bouncing bomb" called the "highball," invented by Dr. Barnes Wallis (of "Dambusters" fame). Just before the mission is to be undertaken, however, the Germans drop a film showing air prisoners, including a still-alive Scott, being moved to Charlon. Now the Mosquito crews will be killing their own colleagues and friends, and Quint must carry out his orders, which include hiding the fact that Scott is alive from Beth. The secret gets out to the squadron pilots, however, and a rebellion starts brewing in their ranks. Try as he might to find a way to save the lives of the prisoners, there seems to be no way for Munroe to avoid killing British pilots with British bombs. ~ Bruce Eder, All Movie Guide

Ingrid Thulin plays a Polish inmate of the Dachau concentration camp who is liberated at the end of the war. Presumed dead, Ingrid returns to visit her husband (Maximillian Schell) She finds that his grief was fleeting at best; his new mistress is his "deceased" wife's daughter (Samantha Eggar) from a previous marriage. Since Ingrid's identity is masked by plastic surgery, she subtly re-enters their life without undue stress for either husband or daughter. But when the husband figures out the ruse, he murders his young paramour in the bathtub (a moment lavishly exploited in the print ads for this film) and plots to kill Ingrid for her money. A textbook case of implausibility, Return from the Ashes was adapted from an equally unbelievable novel by Hubert Monteilhet. ~ Hal Erickson, All Movie Guide

Unleashed just as the disco phenomenon had peaked and was slipping out of public favor, this one-of-a-kind pop musical is set in 1994, when a Mephistophelean entrepreneur named Mr. Boogalow (Vladek Sheybal) controls the international recording industry through the Worldvision Song Contest. Boogalow's wildly theatrical protégés, a decedent dance-pop group called Bim, seem a sure bet to walk off with the grand prize and worldwide fame, but at the last minute Alphie (George Gilmour) and Bibi (Catherine Mary Stewart), a folk duo from Canada, nearly steal their thunder with their song "Love, the Universal Melody." While Boogalow rigs a victory for Bim, he sees moneymaking potential in Alphie and Bibi and offers to sign them to a contract. Alphie, suspicious of Boogalow, declines, but Bibi leaps at the chance, and is soon remodeled into a stylish pop star while heart-broken Alphie throws in his lot with a gang of hippies living in the park. Bibi comes to regard fame and wealth as hollow and empty, but discovers walking away from Boogalow is easier said than done. Featuring an inarguably remarkable finale, The Apple was shot primarily in Germany, despite being set in the United States; while George Clinton is credited with writing lyrics for several of the original tunes, be advised it's not the same George Clinton who led Parliament and Funkadelic in the 1970s and '80s. ~ Mark Deming, All Movie Guide

This story of Cold War double-crossing finds British secret agent Manston (Craig Stevens) trying to break up a group of Russian agents who return defectors to Moscow for brainwashing. When a Russian ballerina defects to Germany, Manston goes after the head of The Limbo Line in an effort to stop the group from kidnapping the defectors. Acting against the orders of his boss, Manston is faced with killing the communist leader of the movement in Germany or allowing the dancer to be turned over for interrogation and reprisals for her political beliefs. Matters are further complicated when Manston finds himself falling for the ballerina. ~ Dan Pavlides, All Movie Guide

This film takes a decidedly satirical look at the inner workings of the gangster underworld. Alfred Lowell (Ben Carruthers) is a washed-up actor sent to London to take care of some mob business. Alfred's mind is not on his job, as he prefers to probe his past for the reasons why he has failed as a thespian. He entertains thoughts of suicide, but his involvement in the gang prevents him from ending his life. This appears to be the only full-length feature to emerge from Holland in 1968. ~ Dan Pavlides, All Movie Guide

Set at an indeterminate point in the future, this drama with an overt anti-communist message begins as an ostensible war movie: Russian and Cuban forces have invaded the U.S. and are viciously eliminating the inhabitants of a small town, when a group of teens escapes and plans a counterattack. Jed (Patrick Swayze), Robert (C. Thomas Howell), and six of their friends watch in amazement as soldiers parachute into their town and start shooting. The teens grab a pickup truck, stock up on supplies at the local store, and head for the hills. Meanwhile, the men in the town -- after a minimal resistance -- are rounded up and held at a drive-in theater converted into a concentration camp. The sadistic Soviet military then make them watch acclaimed Russian director Sergei Eisenstein's 1938 classic Alexander Nevsky, as their punishing rehabilitation begins. Meanwhile, after minimal resistance from the adults, a Cuban, Bella (Ron O'Neal), is put in charge and is not certain how he can really defeat the teen army. The Soviets and Cubans have so far defeated the American Army, Navy, Marines, and Air Force, but these teens are really something else. After a successful ambush, the teen guerrillas gear up for future forays, when they are suddenly betrayed by one of their number and by doubts about the morality of what they are doing. Red Dawn is noteworthy for being the first movie released with the PG-13 rating, created by the MPAA after public outcry over violent content in the PG-rated Indiana Jones and the Temple of Doom and Gremlins. ~ Eleanor Mannikka, All Movie Guide

In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of their earlier M*A*S*H performances in this lightweight spy spoof, directed by Irvin Kershner. Gould and Sutherland play two CIA agents -- Griff and Bruland -- who are marked for death by their own agency after botching the defection of a Russian ballet dancer (Michael Petrovich). As they repeatedly mess up their assignments and wriggle out of tight corners, they not only find themselves pursued by the CIA, but also by the KGB, the Chinese Communists, and a terrorist group that wants to destroy the CIA. ~ Paul Brenner, All Movie Guide