Norman Shelley Movies

A smuggling organization leader hides his identity as a Dutch-Chinese tramp steamer skipper until he is discovered by a customs agent. ~ All Movie Guide

One doesn't expect much from British programmers of the 1930s, so it comes as a relief that River Wolves has a great deal of entertainment value. Michael Hogan plays a sea captain who aspires to become a novelist. Hogan decides to soak up "local flavor" in a small waterfront community. He and fellow writer John Mills (in one of his earliest movie appearances) find themselves rivals for the affections of innkeeper's daughter Helga Moray. Both Hogan and Moray come to the rescue when Mills is threatened by crooks. River Wolves was based on the Edward Dignon - Geoffrey Swaffer stage play The Lion and the Lamb. ~ Hal Erickson, All Movie Guide

While awaiting access to England's Technicolor cameras for their upcoming super-production Stairway to Heaven, the producer-director team of Michael Powell and Emeric Pressburger dashed off a delightful "personal" project, I Know Where I'm Going. Young middle-class Englishwoman Joan Webster (Wendy Hiller) is determined to have the finer things in life, and to that end she plans to marry Sir Robert Bellinger (Norman Shelley), a wealthy, middle-aged industrialist whom she does not love. En route to the Island of Mull, where her future husband resides, Joan is stranded in a colorful Scottish seacoast town. Inclement weather keeps her grounded for a week, during which time she falls in love with young, insouciant naval officer Torquil McNeil (Roger Livesey). Ignoring the dictates of her heart (not to mention common sense), Joan stubbornly insists upon heading out to sea towards her marriage of convenience, but the exigencies of Mother Nature finally convince her that her future resides on the Mainland. A winner all the way, I Know Where I'm Going is full of large and small delights, including a wonderful sense of regional detail and endearing, three-dimensional characterizations (even the mercenary heroine is a likeable character). The film is easily one of the best of the Powell-Pressburger films of the 1940s, and arguably the team's all-time best romantic drama. ~ Hal Erickson, All Movie Guide

I See a Dark Stranger manages to be both an absorbing espionage yarn and a slyly amusing send-up of the entire genre. Deborah Kerr is terrific as Irish colleen Bridie Quilty, raised from childhood to despise the British and everything they stand for. Bridie's anglophobia proves useful to Nazi spy Miller (Raymond Huntley), who hopes to use the girl to help him steal the plans for the D-day invasion. Playing her "Mata Hari" role to the hilt, Bridie wholeheartedly throws herself into a world of clandestine meetings and coded messages, certain that by helping the Germans she is also helping Mother Ireland. Eventually she realizes the error of her ways, enabling her to turn the tables on Miller and his co-conspirators. Trevor Howard co-stars as David Baynes, with whom the impulsive Bridie falls in love despite his English forebears. I See a Dark Stranger was released in the U.S. as The Adventuress. ~ Hal Erickson, All Movie Guide

The hard lives of those living on the rugged Hebrides are chronicled in this drama that is partially comprised of footage from a documentary. The story centers on a farmer's wife who becomes miserable when her husband loses his livelihood and is forced to become a herring fisherman on those barren isles. The woman loathes life near the sea, and after her husband is forcibly inducted into the Navy, she moves in with her aunt. In the new village, she meets the handsome captain of a herring boat and they fall in love. Unfortunately, a cholera outbreak erupts. She must also cope with her son's desire to become a fisherman. Storms also wreak havoc in her life, but fortunately, she weathers it all and at last is able to be with the man she truly loves. ~ Sandra Brennan, All Movie Guide

In this comedy, the Huggett family patriarch decides to run for public office. His entire platform is built upon a promise to construct a war memorial. Unfortunately, he wants to build it on a parcel of his wife's land. She doesn't want anything there so her niece fakes her signature and the land gets donated. Fortunately, the candidate's daughter finds out about her conniving cousin and is able to save her father's name and his election. ~ Sandra Brennan, All Movie Guide

Young Anthony Pendrell plays the precocious son of Scotland Yard inspector Norman Shelley. Pendrell's efforts to emulate his father usually results in nothing but irritation for his elders. But when a boarding house becomes the headquarters for a criminal gang, it is Pendrell who cracks the case. Blind Man's Buff top-bills Zena Marshall and Sydney Taffler, but Anthony Pendrell steals the show. Watch for ubiquitous British character-actor John le Mesurier as one of the crooks. ~ Hal Erickson, All Movie Guide

Cited by many as the most "personal" effort of Swedish filmmaker Arne Sucksdorff, The Great Adventure is also one of his few films to tie together its magnificent images with a dramatic narrative. "Adventure" means "life" to Sucksdorff, and that life is experienced by a group of Swedish farm children, two of whom are played by the director's own sons. The kids save a wild otter from a hunter, then attempt to tame the animal. When spring comes, the children realize without remorse that the otter will be happier roaming free in the wilderness. That is all there is to The Great Adventure (Det stora aventyret), but it was so gorgeously photographed and sublimely assembled that it earned the "superior technique" award at the 1954 Cannes Film Festival. ~ Hal Erickson, All Movie Guide

Richard Attenborough stars in this British drama as Tom Curtis, an ordinary man with a job in a factory. A new employee, Travers (Alfred Burke), begins complaining about conditions at the plant and stirs up disharmony among his fellow workers. Tom thinks that there's something fishy about Travers and his methods, and when Travers decides to call a wildcat strike, Tom refuses to participate and makes a point of standing his ground. However, Travers and his ideas have attracted a groundswell of support in the factory, and Tom soon finds himself on the outs with his fellow employees as Travers drifts off to make trouble at another factory. Tom, however, still has to deal with the angry reprisals of the men, and his wife Anna (Pier Angeli) doesn't understand why he continues to hold so unpopular an opinion at the expense of his safety and well-being. ~ Mark Deming, All Movie Guide

Very Important Person is an amusing British comedy set in a German POW camp during World War II. Sir Ernest Pease (James Robertson Justice) is a self-important professor with a bloated ego and a lightning put-down. When he is flown over Germany disguised as a navy officer to check out the effectiveness of one of his radar inventions, his plane is shot down and he lands in the POW camp. All sorts of misunderstandings arise, since the other prisoners suspect him of being a spy. In the meantime, there are the expected clashes of wit between the British prisoners and their dour German captors and the inevitable camp-organized concert. In the midst of these activities, the professor is challenged to find a way to escape. ~ Eleanor Mannikka, All Movie Guide

The key image of this film occurs early on, as a hideous monster removes its face, only to reveal itself as Baron Frankenstein in a mask. Hammer's fifth installment in the series sees the transformation of doctor into monster complete. Peter Cushing's portrayal of the Baron here is all insanity and hatred, rather than the misunderstood (if unethical) genius of previous entries. Frankenstein transplants the brain of an insane doctor into Freddie Jones' body, creating a pathetic, misshapen beast, while using blackmail and rape to control the people around him. This was director Terence Fisher's favorite film, and his pacing and composition have rarely been better. Jones (the nasty showman in The Elephant Man) is great at communicating the disorientation and helpless agony of his condition, and while Cushing's character is more one-dimensional than usual, he does his normal excellent job as the Baron. Hammer's next installment was the silly Horror of Frankenstein before Fisher returned to end the series with Frankenstein and the Monster from Hell. ~ Robert Firsching, All Movie Guide

Gerald Arthur Otley (Tom Courtenay) is a British secret agent called in to investigate the murder of a suspected influence pedlar and document smuggler. He trails double agents and double martinis at a posh cocktail party before discovering the villains have the cooperation of top government officials in Parliament. Otley is pegged to masquerade as a possible defector to oust the criminal mastermind who plans to sell some stolen documents vital to national security to any enemy agent with the most money. Murder, blackmail and auto chases dominate the action as the femme fatale Imogen (Romy Schneider) first has Otley beaten up by her thugs before combining forces to go after the real villains in this confusing and sometimes funny spy yarn. ~ Dan Pavlides, All Movie Guide

Jonathan Swift's satire about a sailor's strange voyage is the source of this, one of many filmed adaptations of the tale. ~ Jason Ankeny, All Movie Guide