Romy Schneider Movies

Bloodline, a thriller based on a mystery novel by Sidney Sheldon and directed by Terence Young, is the story of Elizabeth Roffe (Audrey Hepburn), who inherits a huge pharmaceutical company and then discovers that some of her family members may be plotting her death in order to gain control of the company. Despite an all-star cast including the usually excellent James Mason, Irene Papas, Ben Gazzara, the lovely Romy Schneider and Omar Sharif and wonderful locations, this thriller just doesn't generate much suspense despite numerous likely suspects and plot twists. Director Young gets only an average performance from Audrey Hepburn and manages to do little with his distinguished cast. The film while not particularly suspenseful is aided by the lovely color photography of Freddie Young and a lively, original score by Ennio Morricone. ~ Linda Rasmussen, All Movie Guide

Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide

Based on a play by Arthur Schnitzer, this is a rather flat remake of the 1932 film Liebelei that featured Magda Schneider as Christine. Director Pierre Gaspard-Huit keeps it all in the family by putting Schneider's daughter Romy Schneider in the top female slot. Opposite her is newcomer Alain Delon in his first lead role, yet to reach his stride on the silver screens in France. The setting is 19th-century Vienna and Franz (Delon) is a young lieutenant who has fallen in love with Christine, a charming opera singer. But Franz' feelings are misunderstood -- a wealthy baron is certain that the lieutenant is after his wife and as a result, challenges him to a tragic duel. ~ Eleanor Mannikka, All Movie Guide

It took nerve for director Harald Braun to attempt an all-talking remake of F.W. Murnau's silent masterpiece The Last Laugh, though it can't be denied that Braun's version has its moment. Still, the remake, Der Letze Mann (The Last Man) lacks the originality and nuance of the silent film, if only because it is retreading familiar ground. In the earlier version, Emil Jannings starred as a proud, self-reliant hotel doorman whose whole world disintegrates when he is demoted to washroom attendant. In the remake, Hans Albers plays a headwaiter who is professionally humiliated when the ownership of the hotel changes hands. The Murnau version ended with an ironically comic coda, which may or may not have been a figment of the protagonist's imagination. ~ Hal Erickson, All Movie Guide

A wooden, routine satire about love, sex, and a fascination with Americans, Die Halbzarte features an eccentric Austrian family who come up with a novel idea for making money. They decide to collectively write a sexy play about a young American that because of its content, is sure to become popular and sell out to packed houses. The innocent teen daughter in the family is involved in the project which suddenly becomes complicated when an American buyer gets interested in who wrote the play. This leads to romance for the pure-hearted daughter, whose own experiences in that area in no way match those of the play's hero. ~ Eleanor Mannikka, All Movie Guide

Just when life was deep into a well-hewn rut for Nino Conti (Marcello Mastroianni) and the socialite he married, he runs into an old, impoverished charwoman (Romy Schneider) on a bus. She later gets in touch with him by telephone and lets him know that she is the very same Anna he had loved two decades earlier. Ghosts of the past start to haunt Nino in more ways than one, as he remembers the times he shared with Anna. In flashbacks to those years, the film wends its way to the final conjuncture of past and present phantoms -- poking fun at upper-class society along the way. ~ Eleanor Mannikka, All Movie Guide

The trilogy on Franz Josef, Emperor of Austria and his queen Empress Elizabeth by director Ernest Marischka has been cut and spliced to make this interesting though slow-paced, two and a half-hour compilation costume drama. The tale starts out with the courtship of the future queen, known as "Sissi" (Romy Schneider, who made her screen debut in the first of the three dramas), an attractive and lively young woman. After Franz Josef (Karl Boehm) falls in loves and captures Sissi's heart, they plan their wedding and head into the topic of the second feature in the series, the coronation of Franz Josef in Budapest. Finally, Sissi is shown as being instrumental in helping to keep the peace -- or obtain it -- among the belligerent nations of Europe. The original titles of each of the three separate dramas were Sissi, Sissi, die Junge Kaiserin, and Sissi, Schicksalsjahre Einer Kaiserin. ~ Eleanor Mannikka, All Movie Guide

Disgusted by the smarminess of his 1963 vehicle Under the Yum Yum Tree, Jack Lemmon vowed that his next effort would be a wholesome family picture. Good Neighbor Sam is suitable for all ages, to be sure, but that doesn't stop producer-writer-director David Swift from injecting plenty of double-entendre dialogue and harmlessly risque situations. Lemmon plays ad executive Sam Bissell, happily married to all-American blonde Minerva (Dorothy Provine). Anxious to land the Nurdlinger's milk account, Sam is carefully scrutinized by the prudish Simon Nurdlinger (Edward G. Robinson), a staunch advocate of old-fashioned family values.

Meanwhile, Minerva welcomes her old school friend, sexy Janet Langerlof (Romy Schneider) into her home. Janet is in line to inherit a fortune, but only if she's married. Unfortunately, Janet is currently separated from her insanely jealous spouse Howard Ebbets (Michael Connors), so big-hearted Minerva volunteers Sam to pose as Janet's husband. The ensuing comic complications come to a head when Nurdlinger elects Sam and Janet as the nation's ideal "married" couple, and posts their pictures on billboards all over town! Some of the smaller pleasures in this film are provided by Louis Nye as a high-tech private eye, Barbara Nichols as a squeaky-voiced call girl, Robert Q. Lewis as Sam's lascivious neighbor, and an uncredited Gil Lamb as a genial wino. An amusing running gag involved the Hertz "man in the driver's seat" commercials of the 1960s has sometimes been cut from TV prints of Good Neighbor Sam. ~ Hal Erickson, All Movie Guide

In this crime drama, a philandering wife plans to ill her alcoholic husband so she can run away with her lover. It all goes according to plan, and the widow is finally happy. Her happiness is short lived, as the "dead" husband shows up alive on her doorstep. ~ Sandra Brennan, All Movie Guide

Director Bertrand Tavernier provides an unexpected feminist slant to the otherwise standard sci-fi trappings of Death Watch. Harvey Keitel plays a man of the future who has had a camera implanted in his brain. The mechanism, which is endowed with special X-ray properties, is activated by the user's eyes. Keitel is assigned by ruthless TV producer Harry Dean Stanton to secretly probe the subconscious of a dying woman, played by Romy Schneider. Stanton is only interested in the grim spectacle of what goes on inside the brain of someone who knows she's doomed. Keitel, on the other hand, becomes increasingly compassionate--and disgusted by the tawdriness of his assignment--as he stares into Schneider's tortured psyche. ~ Hal Erickson, All Movie Guide