Charles Bickford Movies

This adventure is based on Jack London's tale of a Northwestern woman who owns a riverboat who sends her daughter to boarding school and then discovers that she cannot afford to be reunited with her. In desperation, she sells the boat to a wealthy mine owner. This results in the independent miners getting cheated until the woman's burly ex-partner intervenes and saves the day. ~ Sandra Brennan, All Movie Guide

Hollywood's Charles Bickford and Mexican leading lady Raquel Torres top the cast of the British circus melodrama Red Wagon. Bickford plays Joe, an expert trick rider, while Torres is his fiery gypsy dancer Sheba. Though in love with tiger trainer Zara (Greta Nissen), Joe breaks up with her over a foolish misunderstanding and marries Sheba as consolation. A climactic confrontation with a rival circus man forces Joe to confront the mistakes he's made in his life. Red Wagon was adapted from a novel by Edward Knoblock, of Kismet fame. ~ Hal Erickson, All Movie Guide

Anxious to remain active in the 1950s, director Frank Capra wanted to prove to Paramount Pictures that he could deliver an "A" picture on a modest budget. To that end, Capra bought the rights of his 1934 film Broadway Bill from Columbia, and remade it under the title Riding High. He then hired many of the supporting actors who'd appeared in Broadway Bill -- including Clarence Muse, Douglass Dumbrille, Ward Bond, Charles Lane and Frankie Darro -- so he could match up his newly shot scenes with stock footage from the earlier film. Capra even kept the musical costs down by having star Bing Crosby sing such public-domain favorites as "Camptown Races" (though there is one delightful original song, "We Ought to Bake a Sunshine Camera" performed without dubbing by Crosby, Muse, and leading-lady Colleen Gray). Crosby steps into the old Warner Baxter role as Dan Brooks, scion of a wealthy family who prefers hanging around racetracks to the responsibilities of his family business. Scheduled for a "proper" marriage to Margaret Higgins (Frances Gifford), the snooty daughter of millionaire J. L. Higgins (Charles Bickford), Dan infinitely prefers the company of Margaret's younger sister Alice (Coleen Gray), who loves horses as much as he. Hoping to declare his financial independence, he pins his future on a racehorse named Broadway Bill. Though not in the same league as Capra's earlier classics, Riding High is lots of fun. It is especially enjoyable for film buffs, thanks to Capra's decision to fill the picture with uncredited celebrity cameo appearances -- including Oliver Hardy, minus Stan Laurel, as an apoplectic horse player. ~ Hal Erickson, All Movie Guide

Set in a northern California logging community the trouble in this western begins when a lumberjack is killed while sawing down a tree. No one believes it was accidental as everyone is aware that the deceased had just stolen the heart of his partner's girl. Unfortunately, the partner, while jealous sure enough, is innocent and sets out to prove it. He finally wins their belief when he saves the town from a raging forest fire. ~ Sandra Brennan, All Movie Guide

The saga of the Hatfield-and-McCoy feud is romanticized in Samuel Goldwyn's Roseanna McCoy. Newcomer Joan Evans stars as the title character, whose elopement with Johnse Hatfield (Farley Granger) serves to further fuel the flames of the deadly mountain feud. The opposing patriarches, Devil Anse Hatfield and Old Randall McCoy, are vividly realized by Charles Bickford and Raymond Massey. In West Virginia and Kentucky, the debate still rages over what started the hostilities, but there's no question that the end result was tragedy for all concerned. In Goldwyn's version, the feud comes to a halt because Roseanna and Johnse demand it; would that real life were this simple and clear-cut. Based on a novel by Alberta Hannum, Roseanna McCoy was released through the distribution channels of RKO Radio. ~ Hal Erickson, All Movie Guide

This drama centers on the fight for certain post-Prohibitionist groups to gain total control over the liquor industry. Much of the tale is focused upon a family endeavoring to keep their little brewery. Their tiny beer- making operation was first jeopardized by the racketeers they refused to join. Film, history and sports buffs should keep an ear out for a continuity glitch in the story. In a Prohibition speakeasy, a radio plays the broadcast of the landmark Jess Willard-Jack Dempsey fight. Actually the fight occurred before Prohibition was in effect. ~ Sandra Brennan, All Movie Guide

Charles Bickford and James Craig are the rough-and-ready leads in Universal's South to Karanga. Running guns in South Africa, Bickford and Craig are hired to deliver ammunition to a mining community. The reason: the natives are restless (again!) Our heroes come through in smashing form, making the area safe for white supremacy. More than a little dated, South to Karanga is a hodgepodge of stock footage from earlier Universal epics. ~ Hal Erickson, All Movie Guide

Sad-eyed Ann Dvorak plays Jo, the "café hostess" of the title. Poor put-upon Jo doesn't know it, but she's being used by her gangster boyfriend Eddie Morgan (Douglas Fowley), who relies upon her as an alibi to cover up his recent crimes. Likeable sailor Budge (Bruce Bennett) is in love with Jo, but can't pry her loose from the possessive Mr. Morgan. This dilemma is resolved by Eddie's cast-off mistress Annie (Wynne Gibson), who resolves her problems with the business end of a revolver. It's up to detective Dan Walters (Preston Foster) to clean up the mess. Café Hostess was also released as Street of Missing Women. ~ Hal Erickson, All Movie Guide

The Plan 9 From Outer Space of baseball biopics, The Babe Ruth Story is definitely in the "So Bad It's Good" category. An outrageously miscast William Bendix stars as George Herman "Babe" Ruth, who as depicted herein is a childish, misunderstood oaf who happens to be one of the greatest ballplayers of all time. With an almost perverse disregard for the facts, the film chronicles Babe's school days in Baltimore, his brief tenure with the Baltimore Orioles, his glory days with the New York Yankees, his precedent-breaking 60th homer, his "called shot" of 1932, his fall from grace with the Boston Braves, and his slow death from an unnamed but obviously cancerous illness. Along the way, Ruth marries nightclub performer Claire Hodgson (Claire Trevor) with whom he spends many happy years (the earlier Mrs. Ruth, Helen Woodford, is ignored as if she never existed, as is Babe's daughter Dorothy). It's difficult to remember all of the film's howling innacuracies, which include Claire Hodgson's performance of "Singin' in the Rain" ten years before the song was written, the Yankee Stadium billboard for Ballantine Beer in the middle of Prohibition, and Babe's promise to a dying child that he'd hit a homer during the 1932 World Series (this famous incident actually occured in 1927, and the kid wasn't dying). It's also fun to note that Babe's spiritual mentor Brother Matthias (Charles Bickford) remains steadfastly the same age from 1914 to 1948. It was probably to much to expect the truth from coscripter Grantland Rice, who during his newspaper career spent most of his time covering up Ruth's many sexual and alcoholic peccadilloes "for the good of baseball." Despite its multitude of flaws, The Babe Ruth Story is worth sitting through if only for the jaw-dropping final scene (which is even more ridiculous than the earlier vignette in which a Ruth home run enables a crippled child to walk for the first time!) Yes, it's awful, almost stupefyingly so, but The Babe Ruth Story is an experience not to be missed. ~ Hal Erickson, All Movie Guide

In this 1955 Otto Preminger film, Gary Cooper stars as World War I hero Brigadier General Billy Mitchell. The film recounts Mitchell's efforts to prove the viability of a strong air force. The hidebound military higher-ups refuse to finance aviation any further, figuring that the strength of the United States lies in its navy. When a friend is killed by flying a faulty plane, Mitchell charges the War and Navy department with incompetence and criminal negligence. When the brass tries to quietly court-martial Mitchell, they are forced into the open by the strength of public opinion, largely in Mitchell's favor. Subjected to the grilling of prosecutor Alan Guillon (Rod Steiger) during his trial, Mitchell sticks to his guns, even outlining a potential Japanese attack on Pearl Harbor unless the military wises up and strengthens its air power. Elizabeth Montgomery makes her film debut in the role of Margaret Landsdowne. ~ Hal Erickson, All Movie Guide

Henry Fonda made his screen debut in this filmization of his Broadway success The Farmer Takes a Wife. The story is set along the Erie Canal in the 1850s. Fonda plays a farmer who takes a river job to make ends meet. He falls in love with Janet Gaynor, daughter of a canal-boat cook, who thinks very little of farmers. Nonetheless, Fonda and Gaynor marry, much to the displeasure of canal skipper Charles Bickford, who'd assumed that Janet was his girl. When Fonda avoids a fight with Bickford, Janet believes that he's yellow, but he eventually proves otherwise. It is said that during his first day on the set, movie novice Henry Fonda, noting the camera direction "dolly with Dan and Molly" in the script, asked director Victor Fleming who Dolly was. Adapted from the play by Frank B. Elser and Marc Connelly, The Farmer Takes a Wife was remade with Betty Grable and Dale Robertson in 1955. ~ Hal Erickson, All Movie Guide

In this mystery, a detective is called in to investigate the fate of a derelict ship that was found floating off the coast of Port Said. But for a madman and a woman, the ship is empty. The investigator soon reveals a plot involving the destruction of the vessel and insurance money. When the crew found out about it, they mutinied. ~ Sandra Brennan, All Movie Guide

One is immediately aware that The Plainsman is a Cecil B. DeMille production in the opening scene, wherein President Abraham Lincoln (Frank McGlynn Sr.), on the verge of signing crucial legislation which will determine the future of the American West, is dragged away from his Cabinet by a scolding Mrs. Lincoln (Leila McIntyre), who informs her husband that he'll be late for the theater! The story proper picks up in the years just following the Civil War, as crooked arms dealer John Lattimer (Charles Bickford) schemes to sell a huge shipment of repeating rifles to the Indians. Constantly thwarting Lattimer's schemes is lawman Wild Bill Hickok (Gary Cooper), who soon forms a strong alliance with Indian scout Buffalo Bill Cody (James Ellison). Rambunctious Calamity Jane (Jean Arthur) is crazy about Wild Bill, but he refuses to have anything to do with her, contemptuously wiping his mouth whenever he kisses her. He prefers the company of winsome Louisa (Dorothy Burgess), but gallantly steps aside when Louisa marries Buffalo Bill. Upon learning that a band of Indians armed with Lattimer's rifles have attacked a military garrison, Wild Bill tells General Custer (John Miljan), who in turn sends Buffalo Bill to the garrison with a consignment of weapons. Wild Bill then tries to arrange a peace conference with Indian chief Yellow Hand (Paul Harvey), but is sidetracked when he sees Calamity Jane being captured by two Indian braves. Riding to her rescue, Wild Bill is himself captured and tortured in the hope that he'll reveal the whereabouts of Buffalo Bill and his weapons. He refuses to talk, but Calamity, horrified at the agony endured by Wild Bill, tells all. Her breach of confidence leads indirectly to Custer's death at the Little Big Horn (not seen, but described by a young Indian played by DeMille's then son-in-law Anthony Quinn), whereupon Wild Bill disgustedly breaks off all communication with her. Hoping to make up for her past sins, Calamity warns Wild Bill that Lattimer has come to town a-gunning for him. Wild Bill makes short work of Lattimer, only to be shot in the back by the villain's snivelling confederate Jack McCall (Porter Hall). As he breathes his last, Wild Bill forgives Calamity for revealing the whereabouts of the ammunition; with tears in her eyes, Calamity plants a kiss on Wild Bill's lips that he'll never wipe off. As can be seen, accuracy is not the strong suit of The Plainsman; DeMille, like Buffalo Bill before him, was more interested in putting on a helluva good show than offering a dry history lesson. Unfortunately, the film often promises more than it can deliver, thanks to DeMille's insistence upon filming more of his big scenes indoors and relying far too heavily on grainy process screens. Still, the DeMille version of The Plainsman is infinitely more entertaining than the 1966 remake with Don Murray and Abby Dalton. ~ Hal Erickson, All Movie Guide