Charles Bickford Movies

In this drama, a devoted, caring physician leaves his home and moves to Alaska to escape arrest after he performs euthanasia upon his terminally ill father. In the ever-snowy reaches of northernmost Alaska, the doctor begins administering to the poverty-stricken Inuit. While he has willingly exiled himself there and cares about the people, his new nurse is another story. She hates the outpost and holds the people there in contempt. She does not try to understand their lifestyle and therefore, considers them disgusting. Unbeknownst to the good doctor, he is being hunted by a detective determined to return him to the lower 48 to stand trial for the mercy killing of his father. Unfortunately, the gumshoe is caught in a blizzard and is blinded by the snow. The doctor saves his life. The grateful detective, seeing the doctor's good work, decides that he never saw him and returns home empty handed. Meanwhile, the nurse gets a grip on her ethnocentrism and decides to stay to be with the doctor. ~ Sandra Brennan, All Movie Guide

William Wyler was still primarily a western specialist when he was assigned to direct Hell's Heroes. Based on Peter B. Kyne's Three Godfathers (which was filmed officially and unofficially several times), the story deals with three frontier bandits (Charles Bickford, Raymond Hatton, and Fred Kohler Sr.) who come across a pregnant woman in the desert. The woman dies in childbirth, but not before the three fugitives have promised the unfortunate mother to locate the baby's father. Two of the three criminals are killed before they are able to keep their promise, but the surviving bandit (Bickford) restores the baby to its father. Having accomplished the only good deed in his life, the bandit dies from drinking poisoned water. Filmed in the Mojave Desert and the Panamint Valley, Hell's Heroes represented William Wyler's first "outdoors" talking picture; even after attaining the front ranks of his profession, he would return to the western genre with such "A" productions as The Westerner (41) and The Big Country (58). ~ Hal Erickson, All Movie Guide

Burt Lancaster stars as Jim Thorpe, the Native American sports whiz whom many consider the greatest athlete of the 20th century. We first see Thorpe as a child on the reservation, highly resistant to the notion of going to school. He proves to be an excellent student, eventually attending the all-Indian college in Carlisle, Pennsylvania. Still, Thorpe doesn't feel like mixing much with the other students until coach Charles Bickford encourages the lad to go out for the track team. Thorpe finds that he can be more "articulate" as an athlete than as a scholar, and soon excels at all school sports. He also marries his college sweetheart, non-Indian Phyllis Thaxter. After graduation, Thorpe tries to get a coaching job, but is frozen out by the white establishment. Determined to make a name for himself, he enters the 1912 Olympics at Stockholm, where he earns more gold medals than anyone else and is praised as the world's greatest athlete by the King of Sweden. Unfortunately, the fact that Thorpe briefly played semi-professional baseball while attending Carlisle costs him his amateur status--and every one of his medals. Things go from bad to worse for Thorpe after this; his son dies, his marriage disintegrates, and he crawls into a bottle. Thorpe has hit rock bottom when he is reunited with his old coach Bickford, who offers Jim a ticket to the 1932 Olympics in Los Angeles. It is the first small step on the road to regeneration for Jim Thorpe (alas, real life was not so kind; Thorpe died in near-poverty, and it was not until years after his death that his Olympic medals were restored). Jim Thorpe, All American was directed by Michael Curtiz, who previously had secured small acting roles for the real Thorpe in such films as Knute Rockne: All American (1940). ~ Hal Erickson, All Movie Guide

Perhaps the most memorable of all of the movies based on Damon Runyon's story because of the winning presence of Shirley Temple (although it was remade three times), this is the story of a little girl who is left as a marker for a $20.00 bet. Temple's father kills himself and the bookie doesn't know what to do with the young girl. Needless to say, she wins over the hearts of all and sundry and the bookie turns over a new leaf to make this little girl happy. Through all the complications the bookie runs in to, including eventually marrying his long-time girlfriend to provide a home for the child, there is a tenor of love and joy that was not matched in any of the remakes. ~ Tana Hobart, All Movie Guide

In this drama, a woman with dubious past finds herself blackmailed when she makes plans to marry a senator's son. She finds salvation with a bootlegger who offers to take care of the excursionist. Unfortunately, he chooses to kill the fellow, gets caught, and is put on trial. Now the woman must choose to risk reputation, and good marriage or tell the truth and save him from the electric chair. Eventually, she chooses the honorable path and happiness ensues all around. ~ Sandra Brennan, All Movie Guide

One of Cary Grant's most financially successful 1940s vehicles, Mr. Lucky finds Grant atypically cast as a shifty, out-for-number-one gambler. Having dodged the draft by adopting the identity of a dead man, Grant sets his sights on purchasing a fancy gambling ship. To raise the necessary funds, he pretends to be working hand in glove with the American War Relief society. Once he meets Laraine Day, however, Grant is seized by an uncontrollable bout of honesty. It takes him awhile, but he finally does the right thing. The film is framed in flashback, as old seaman Charles Bickford explains why a tearful Laraine Day waits at the dock each evening for a certain ship to come in. Also in the cast is Paul Stewart as a cold-eyed but nonetheless semi-comic hoodlum, and Kay Johnson and Gladys Cooper as elegant but gullible society women. The best aspect of this breezy comedy-drama is Grant's cockney propensity for "rhyming slang," a running gag better heard than described. Mr. Lucky was later adapted into a TV series in 1959, with John Vivyan in the Cary Grant part and with Blake Edwards at the production controls. ~ Hal Erickson, All Movie Guide

A remake of 1932's Guilty as Hell, Night Club Scandal also borrows a page from 1934's Murder at the Vanities by depicting the "friendly adversary" relationship between a reporter (Lynne Overman) and a cop (Charles Bickford). Top-billed John Barrymore plays a respectable doctor married to a nightclub singer (Evelyn Brent), who murders his wife and frames the victim's lover for the crime. Overman and Bickford spot holes in Barrymore's story, bringing him to justice by Reel Seven. The murder plot is standard stuff, but the main attraction of Night Club Scandal is the aggressively masculine love/hate byplay between tipsy Lynne Overman and flint-eyed Charles Bickford. The best moment occurs at the end, when the wide-eyed ingenue (Louise Campbell) doesn't marry the fellow the audience expects her to! ~ Hal Erickson, All Movie Guide

Ambitious but impecunious medical student Lucas Marsh (Robert Mitchum) marries the older and (in this film, at least) not especially attractive Kristina Hedvigson (Olivia de Havilland) so that she can pay his tuition fees. Kristina loves Lucas, but he loves nothing but his work. Emotionally shutting himself off from everyone -- including best friend, Alfred Boone (Frank Sinatra), and drunken dad, Job Marsh (Lon Chaney Jr.) -- Lucas survives his training and goes to work as the assistant to tough but tender small-town medico Dr. Runkleman (Charles Bickford). He enters into an affair with wealthy Harriet Lang (Gloria Grahame) (watch for the symbolism-laden tryst in the horse barn!), obliging Alfred, now a big-city doctor, to try to patch up his pal's marriage. But Lucas feels nothing and needs no one because he's come to think of himself as the perfect physician, incapable of making an error. When Lucas fails to revive his mentor Dr. Runkleman during heart surgery (a genuine heart is used in the "massage" close-ups), the young doctor suddenly realizes that he's not infallible after all. He wanders aimlessly through town, finally returning to his wife and collapsing into her arms, sobbing "Help me! Please help me!" Cameo players range from Broderick Crawford as a Jewish doctor denied entry into medicine's upper circles to Carl Switzer as a bug-eyed patient. The film was adapted from the best-selling novel by Morton Thompson. ~ Hal Erickson, All Movie Guide

One Hour to Live affords John Litel, usually cast as rock-solid businessmen and incorruptable attorneys, the opportunity to play a double-dyed villain. Litel is cast as crooked fight manager Rudy Spain, who orders the murder of a boxer (Jack Carr) who has turned honest. By having his dirty work done by his sinister henchman Stanley Jones (Paul Guilfoyle), Spain remains above suspicion-to everyone but police lieutenant Sid Brady (Charles Bickford), who's still sore that Spain stole his girlfriend Muriel (Doris Nolan) away from him. Spain eventually manages to incriminate himself by trying to kill Muriel, but as it turns out, he is only a small cog in a much larger criminal machine. And when Lt. Brady finds out who's really the brains behind that machine, is he in for a surprise (as is the audience!) ~ Hal Erickson, All Movie Guide

Based on a play by William DuBois, Pagan Lady top-bills Evelyn Brent as the title character, a "woman of the world" named Dut Hunter. In the tradition of Somerset Maugham's Rain, Dut is everybody's sexual plaything on a remote tropical island. When young, comparatively innocent Ernest Todd (Conrad Nagel), the nephew of evangelist Mal Todd (William Farnum), proposes marriage, Dut is tempted to accept but realizes she's no good for the boy and does her best to disillusion him. Hanging around on the sidelines is Dingo Mike (Charles Bickford), who's got Dut's number but loves her all the same. The film's highlight is an outsized lightning storm, with unsubtle carnal symbolism abounding. ~ Hal Erickson, All Movie Guide

In this drama, a two wealthy cousins find themselves involved in an unfortunate love triangle. The trouble begins when the one cousin, whose wealth came from marriage convinces the other, an heiress, to marry the family chauffeur. Years pass, and the first cousin ends up falling for the chauffeur herself and trying to break up the marriage. ~ Sandra Brennan, All Movie Guide

The devastating effects of alcoholism provide the basis for this episode of the Playhouse 90 television series. The tale centers on an ambitious young executive and his wife. Heavy drinking seems to be a mandatory part of their hectic social schedule and this takes them on a disastrous ride to the bottom of a bottle. Remade as a feature film in 1962 by Blade Edwards. ~ Sandra Brennan, All Movie Guide

Screenwriter Philip Dunne doubled as director on the elaborate filmed biography Prince of Players. Richard Burton stars as the eminent American tragedian Edwin Booth, whose life and career is thrown into turmoil after his younger brother John Wilkes Booth (John Derek) assassinates Abraham Lincoln. The film begins as the younger Edwin assists his alcoholic, ailing father Junius Brutus Booth (Raymond Massey) during a tour of the American hinterlands. When Junius dies just before a performance, Edwin goes on in his stead, thereby launching his own starring career. In danger of becoming as much of a drunk and carouser as his father, Edwin eventually pulls himself together, but his brother's act of violence turns the audience against the name of Booth. Almost booed offstage during a performance of Hamlet, Edwin stands his ground, finally earning the respect of his rowdy audience. Not exactly packed with fast action, Prince of Players will appeal most to lovers of theater in general and Shakespeare in particular. Highlight: Richard Burton and Eva LeGalleine performing the balcony scene from Romeo and Juliet in the courtyard of a brothel. ~ Hal Erickson, All Movie Guide