Paul Rogers Movies

Based on a story by Somerset Maugham, The Beachcomber was originally released in Great Britain as Vessel of Wrath. This English version was much franker--and much more fun--than the abbreviated, watered-down US release prints. Even the American version, however, is successful in capturing the spirit of Maugham's tale of slovenly remittance man Charles Laughton drinking and wenching away his monthly allowance in the picturesque Dutch Islands. Elsa Lanchester (the real-life Mrs. Laughton) plays the prim sister of sanctimonious missionary Tyrone Guthrie, who slowly regenerates the wastrelly Laughton. Our hero redeems himself fully through his courageous behavior during a cholera epidemic. This version of The Beachcomber is based on the stage adaptation by Bartlett Cormick; the 1955 remake, which played faster and looser with the Maugham original than the Cormack version did, starred Robert Newton, who plays the local British authority in the 1938 film. The Beachcomber was the only film directed by producer Erich Pommer, who spent most of the 1930s as Charles Laughton's business partner. ~ Hal Erickson, All Movie Guide

As an actor, British film star Stewart Granger was very handsome, but this is all that is required of him in Beau Brummell. Granger plays the famed 18th-century dandy and social arbiter who rises from poverty to become the adviser and severest critic of the Prince of Wales (marvelously portrayed as a self-involved neurotic by Peter Ustinov). Secure in his station in life, Brummell goes one step too far when he jokes about the Prince's obesity. The future King George IV will forget the whole thing if Brummell will apologize, but the haughty trendsetter refuses to do so. Brummell is banished from court, losing everything -- including his chance at finding happiness with the aristocratic Elizabeth Taylor -- in the process. Filmed on location in England, Beau Brummell was based on the same war-horse play by Clyde Fitch that had served as the inspiration for the 1924 Brummell starring John Barrymore. ~ Hal Erickson, All Movie Guide

In Svengali, the 1955 adaptation of George DuMaurier's classic novel Trilby, Donald Wolfit achieves the near-impossible: he out-hams John Barrymore, who'd played Svengali in the 1931 version. A last-minute replacement for the equally flamboyant Robert Newton, Wolfit pulls out all the stops as the scroungy, sinister musician/mesmerist who hypnotizes lovely artist's model Trilby (Hildegarde Neff) and transforms her into a world-famous singer. While under Svengali's spell, Trilby forgets all about "Little" Billy (Terence Morgan) the starving artist who loves her fervently. But Billy doesn't forget, and follows Svengali and Trilby all over the world. The film's best moment is the celebrated Covent Garden climax, wherein Svengali finally, and fatally, relaxes his hold on Trilby. ~ Hal Erickson, All Movie Guide

Graham Greene wrote this witty comedy inspired by Cold War paranoia. Jim Wormald (Alec Guiness) is an Englishman selling vacuum cleaners in Cuba on the cusp of the revolution. Hawthorne (Noel Coward), a British intelligence agent, is looking for information on Cuban affairs and recruits Jim to act as a spy. Jim has no experience in espionage and no useful knowledge to pass along, but Hawthorne is willing to pay for his services, and since Jim's daughter Milly (Jo Morrow) has expensive tastes, he can use the money. To keep Hawthorne happy (and his paychecks coming in), he turns in reports on the Cuban revolution that are copied from public documents, "hires" additional agents who don't exist, and presents blueprints of secret weapons that are actually schematics of his carpet sweepers. However, Hawthorne and associate "C" (Ralph Richardson) think that Jim is doing splendid work and encourage him to continue; meanwhile, Capt. Segura (Ernie Kovacs), the elegantly corrupt chief of police, has been fooled by Jim's charade into believing he's a real spy -- and has also become attracted to Milly. Our Man in Havana also features Burl Ives and Maureen O'Hara in supporting roles. ~ Mark Deming, All Movie Guide

A British officer is slated to parachute into Normandy. What he doesn't know is that he is being set up by British Intelligence to be captured by the enemy and reveal erroneous information to the Nazis. Officer Raine (Bradford Dillman) is the unknowing soldier who has intentionally been given false information. His superiors justify the expenditure of one man verses the thousands of lives that will be saved by his mission. The unlucky officer faces capture, brutal torture and debilitating guilt leading to alcoholism over his perceived "failure" to keep the information secret. ~ Dan Pavlides, All Movie Guide

Herman Melville's short novel Billy Budd is adapted for the screen, distinguished by Robert Krasker's expressive black-and-white cinematography and Peter Ustinov's crisp direction. Terence Stamp is Billy Budd, a seaman forced to serve in the British Navy during the war between England and France in 1797. Billy looks upon all men as inherently good and, although his crewmates are initially skeptical about this sailor who appears too good to be true, he proves his mettle by his skills as a sailor and gains the respect of the crew -- all except for the ship's reviled master-at-arms John Claggert (Robert Ryan), who attempts to poison Billy's reputation by accusing him of instigating a mutiny. When the ship's captain, Edward Vere (Peter Ustinov), questions Billy about the charges, Billy reacts by striking Claggert, who falls over and dies from a blow on the head. A court-martial is called and Vere has to determine whether Billy should be hanged or acquitted. ~ Paul Brenner, All Movie Guide

In a different type of comedy-drama based on a play by Mike Watts, director Peter Graham Scott looks at life in a British prison. Rainbow (Paul Massie) has just been sent into the slammer for a year for duking it out in a brutal fight over his girlfriend Wendy (Carole Lesley). He knows he is in for a miserable time of it, so much so that after being assigned kitchen duty he joins up with the rest of his co-workers in wheeling and dealing the food they can snitch for various sundries stolen from other parts of the prison's supply chain. This racket is well-organized, but one day its prime mover is framed and threatened with an extended sentence unless Rainbow can come up with a way to save him. ~ Eleanor Mannikka, All Movie Guide

Also titled The Wild and the Willing, this is a British production about a rebellious young man of the early 1960s. Harry Brown (Ian McShane) is a lower-class troublemaker at an upscale provincial university. He is brilliant but frequently drunk, and he constantly criticizes the elitism of his professors. Harry becomes the reluctant protégé of Professor Chown (Paul Rogers), who sees the boy's potential and hopes to tame him. Harry soon abandons his girlfriend Josie (Samantha Eggar) for a fling with Chown's wife Virginia (Virginia Maskell), a woman who frequently fools around with her husband's students. ~ Michael Betzold, All Movie Guide

TV commentator Stephen Boyd doesn't believe the official verdict of suicide in the death of a famed London psychiatrist. Boyd tries to get to the truth by studying a list of the shrink's patients. While interviewing three of these worthies (Jack Hawkins, Diane Cilento and Richard Attenborough), Boyd discover that each has a deep dark secret that the psychiatrist was privy to. The best-kept secret concerns the schizophrenia of the dead man's teenaged daughter (Pamela Franklin)--a fact that provides the key to mystery. The Third Secret originally featured Patricia Neal as one of the suspects, but her scenes were cut from the final release print. ~ Hal Erickson, All Movie Guide

British director Peter Hall's 1968 filmization of Shakespeare's A Midsummer Night's Dream, starring the Royal Shakespeare Company, is faithful to the text and to the main plot, which involves the "bewitching" of several groups of mortals by a covey of mischievous invisible fairies. So why did critics complain? Hall's handling of Shakespeare's prose and iambic pentameter didn't bother the purists as much as the director's visual choices. Hall was criticized for staging the film in a typically rainy British winter rather than the mid-Summer alluded to in the play's title. The director responded by pointing out that the fairies, led by Oberon and Titania, were deliberately toying with the expectations and sensibilities of the Mortals -- thus, it made sense to confuse the "human" characters by playing havoc with the weather. Other stylistic alterations included updating the story to the 19th century, and the near-nudity of Judi Dench as Titania. Most of the film is shot in close-up (most effectively during the soliloquies of Diana Rigg, as Helena), not so much to hide budgetary deficiencies as to play better on television. Also featuring Ian Holm (as Puck) Barbara Jefford, Helen Mirren, Michael Jayston, Paul Rogers, Ian Richardson and David Warner, this Midsummer Night's Dream premiered in the U.S. on the CBS TV network on Sunday evening, February 9, 1969. ~ Hal Erickson, All Movie Guide

A Pope contends with the prospects of nuclear world destruction in this Cold-War saga of religious faith and international politics. (Anthony Quinn) plays a Russian priest who has spent 20 years in a Siberian labor camp. When Russian and Chinese relations deteriorate, Russian Premier Kamenev (Laurence Olivier) releases him and he is made a cardinal. Kamenev wishes to have a representative at the Vatican in Rome for future political situations. When the Pope (John Gielgud) dies, a series of events makes the Russian priest the first Pope from a communist country. Taking the name of the saint who spread the gospel to Russia, he becomes Pope Kiril Lakota. He often leaves the Vatican in disguise to mingle with the people to remain in touch with the poor and the needy. When millions of Chinese face starvation, the Pope offers to sell the riches of the church on order to feed the hungry, and he asks that all wealthy countries do the same. David Janssen is the television reporter stationed in Rome whose wife (Barbara Jefford) receives counseling from Kiril, unaware he is the Pope. In a symbolic gesture, Kiril offers his crown as a down payment in an attempt to bring world peace and end the starving of millions. Although a fine drama with a competent international cast, the movie failed at the box office to recoup the 9-million-dollar production costs. ~ Dan Pavlides, All Movie Guide

Nicol Williamson stars as a Liverpool/Irish layabout who inherits a business from his father. Even in his executive togs, Williamson remains out of step with society. Already a surly sort, Williamson becomes even less likeable as the film progresses, especially when seeking to avenge a long-ago slight against his father. The film is a belated but still compelling entry in Britain's "Angry Young Man" cinematic cycle, with the "protagonist" remaining on top at the expense of his soul. Reckoning was based on The Harp That Once, a novel by Patrick Hall. ~ Hal Erickson, All Movie Guide