Peter Riegert Movies

Set against the Allied invasion of North Africa in 1942, this overly-ambitious, comedy-drama focuses on the relationship between its two central characters, Leon Castelli (Roger Hanin) a half-Algerian, half-French bartender, talkative, but with a generous soul, and Etienne Labrouche (Philippe Noiret) the French colonial mayor of the town. Leon gets propositioned on a business deal by an American soldier and joins him in setting up an "underground" night spot in an abandoned airplane hangar that soon catches on and thrives like weeds in a garden. Etienne, in the meantime, starts an affair with the governess of his children and is caught out by his wife, who sends the woman packing. Since the ex-governess needs to support herself somehow, she accepts a waitress job working in the underground nightclub. The word gets out, and before much time has gone by, the nightclub is trashed by a hired gang. Furious at Etienne because he feels this is the mayor's way of paying him back for hiring the governess, Leon picks up a shotgun and goes to Etienne's estate seeking revenge. But fate has other ideas, and when he arrives, Leon discovers that Etienne's father has just died and left a bombshell of a revelation about his parentage that changes everything. ~ Eleanor Mannikka, All Movie Guide

Charles (David Ogden Stiers) hopes to profit from inside information that the Army intends to change the color of its scrip (the paper used in lieu of money during wartime). Purchasing the old blue scrip from the local Korean villagers at bargain-basement prices, Charles intends to turn it in for the new red scrip at full value. This clever scheme is neatly foiled by Hawkeye (Alan Alda) and B.J. (Mike Farrell). ~ Hal Erickson, All Movie Guide

Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Larry "Pinto" Kroger (Tom Hulce) and Kent "Flounder" Dorfman (Stephen Furst) find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges.

The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. ~ Bruce Eder, All Movie Guide

News at Eleven is a stacked-card study of journalistic ethics -- or rather, the lack of same. Martin Sheen stars as the well-respected senior anchorperson at a fictional San Diego TV station. Honcho news-director Peter Riegert insists that the news is becoming a tune-out, and demands more sensationalism in the coverage. When a junior high school teacher is accused of statutory rape, Riegert orders Sheen to exploit the story to the hilt. This results in a near-tragedy involving the high school girl who's accused the teacher. The conscience-stricken Sheen exacts a clever "hoist on his own petard" revenge for the unrepentant Riegert. Made for television, News at Eleven was actually telecast at 9 PM (EST) on April 2, 1986. ~ Hal Erickson, All Movie Guide

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

Demi Moore stars in this unusual psychological drama about two women caught between reality and imagination. Marie (Moore) is an American widow trying to raise two children under difficult circumstances in a small town in France. Marty (also played by Moore) is a successful businesswoman in New York City who wants to leave her busy life and lead a quieter existence in Europe. But Marty is just a product of Marie's imagination -- or at least that's what Marie thinks. Marty, on the other hand, is convinced that Marie is just someone she dreamed up. Who is right? Or are both of them wrong? And where does it leave the men in their lives (Stellan Skarsgard and William Fichtner)? Passion of Mind was the first English-language film from French director Alain Berliner, best known for the arthouse success Ma Vie en Rose. ~ Mark Deming, All Movie Guide

The flamboyant novelist who brought the world such deathless literary masterpieces as Valley of the Dolls and Once is Not Enough is the subject of this made-for-cable biopic. Michele Lee stars as Jacqueline Susann, a second-string actress and well-known party girl who turned to journalism after her marriage to producer Irving Mansfield (Peter Reigert). Though constantly surrounded by Show Business Glitterati, Susann would not achieve celebrity status herself until age 47, when she published the lurid best-seller Valley of the Dolls. Though outwardly giving the impression that she was tough as nails and utterly invulnerable, Susann in truth had her share of anguish and tragedy, coping with the challenge of raising an autistic son, struggling against substance abuse, and ultimately waging a long, losing battle against breast cancer. According to studio publicity, star Michele Lee (who also served as executive producer) wore some of Susann's own jewelry and wardrobe in the course of making the film. Largely based on the biography by Barbara Seaman, Scandalous Me: The Jacqueline Susann Story made its USA network debut on December 9, 1998, several months before Bette Midler's theatrically released spin on the Susann legend, Isn't She Great. ~ Hal Erickson, All Movie Guide

A sportscaster's nightmare occurs when a highly touted prizefight ends after only seven seconds into the first round, leaving the Sports Night crew with the remaining 89 minutes and 53 seconds that was dedicated to the fight. Dan (Josh Charles) and Casey (Peter Krause) fly into super-stall mode, while coming to the realization that their fight commentator Chuck Kimmel (Allen Garfield) is not only vastly underqualified to be on television, but he's also drunk and a complete loon. Meanwhile, Dan's psychiatric well-being meets another obstacle when his father Jay (Peter Riegert) comes to town for a visit and begins berating Dan on nearly every aspect of his life. As the show begins its slow decent into an absurd chaos, Dana (Felicity Huffman) agonizes over what may be a missed romantic opportunity with Casey, who is now smitten with one of the women Dana made him go out on a date with. ~ Ryan Shriver, All Movie Guide

For this TV movie, writer-director Jane Anderson adapted her own play contrasting biological and adoptive mothers. Impoverished and pregnant Wanda LeFauve (Laura Dern) lives in a trailer outside Shreveport with her four children and her unemployed husband Al LeFauve (Richard Lineback). When Wanda spots the classified ad of a couple who want to adopt a newborn baby, she responds with a phone call that puts her in touch with a wealthy Los Angeles Jewish couple -- Rachel (Stockard Channing) and Richard Luckman (Peter Riegert). The Luckmans arrive in Louisiana to meet the donors, and both couples deal with the legalistics, while also overcoming their fears and transcending the inevitable cultural and class barriers. Filmed in Vancouver, the film preemed August 23, 1998 on Showtime. ~ Bhob Stewart, All Movie Guide

David Vyorst's documentary The First Basket takes a look at the early days of the Basketball Association of America. When it was formed in 1946, the majority of players were Jewish -- a fact that certainly is not true of American basketball just 60 years later. This film showcases how these athletes provided inspiration for Jews suffering discrimination. ~ Perry Seibert, All Movie Guide

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar. ~ Judd Blaise, All Movie Guide

When an archaeologist uncovers an ancient Norse power stone, he returns with it to his New York City home. Too bad for the relic-digger, because it's not long before an evil spirit is projected from the stone into the archaeologist, turning him into a hairy beast. And too bad for the people of NYC, because this hairy beast goes on a vicious marauding spree that befuddles the local police. ~ All Movie Guide

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide