Patrick Bergin Movies

This melodrama is set in Ireland and follows bill collector and karate master Taffin as he and other try to keep a soccer field from being destroyed by developers. Soon he finds himself involved in a sticky web of blackmail, political corruption and murder all precipitated by the avarice of a major chemical company. ~ Sandra Brennan, All Movie Guide

In this serious drama from the PBS "Masterpiece Theatre" series, two cousins fall for the same guy, causing stress in the family. ~ All Movie Guide

Director Bob Rafelson fulfilled a lifelong dream when he finally received backing to complete Mountains of the Moon. The film recreates the exploratory adventures of 19th century visionaries Sir Richard Burton (Patrick Bergin) and John Henning Speke (Iain Glen). The heart of the film is the effort by Burton and Speke to discover the true source of the Nile river. This occurs well into the film, after several torturous scenes involving the injuries sustained by the protagonists during other expeditions and their growing friendship (which, the film intimates, goes far beyond friendship). Rafaelson's fascination with this story, and his insistence upon painstaking historical accuracy, unfortunately compromises his ability to make an interesting film. There are so many starts and stops during the first half that we sincerely hope Burton and Speke will chuck it all and set up a pub in Bristol or something. What saves Mountains of the Moon is the rapport between its stars and the brilliant, epic-like cinematography of Roger Deakins. ~ Hal Erickson, All Movie Guide

Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, All Movie Guide

Love Crimes, an erotic thriller directed by Lizzie Borden, explores the psychology of a con man posing as a photographer, who seduces women and then blackmails them using humiliating, revealing pictures he has taken of them. David Hanover (Patrick Bergin) preys on the hopes of women by offering them love and a possible career as fashion models. When some of the women complain, but refuse to aid in Hanover's prosecution, DA Dana Greenway (Sean Young) becomes obsessed with catching Hanover, to the point where she tracks him down and spys on him in his secluded home, making herself a potential victim. He catches her and holds her captive. Feminist filmmaker Borden, who also directed the remarkable, low-budget film Working Girls, raises interesting questions regarding sex, humiliation and male-female relationships, but the film is spoiled by the ambiguity of her central character, Dana. An abused child herself, she has the same self-loathing that the other woman who are preyed upon by Hanover possess, but her motivations for her actions remain murky. Despite these flaws, Borden, always an interesting filmmaker, raises important issues which perhaps can't be adequately resolved using the restrictions of the thriller genre. ~ Linda Rasmussen, All Movie Guide

Until not so very long ago, European-ruled islands in the Caribbean had a very distinct class structure, with European-born whites at the top, followed by the local variety, mulattos of every kind in the middle, and fully ethnic people of color at the bottom. Despite that, in this film set in 1946, one of the more liberal British-born whites has allowed his twelve-year-old son Alan to become friends with two kids from the bottom of the social ladder. This gains the boy some brickbats from his schoolmates but otherwise seems not to be a problem. Jailin is a girl whom Alan is almost in love with. Kaiser is her older brother, and Alan's relationship with him is considerably edgier but still friendly. However, on the island around him, nonwhites are being given the vote for the first time, and interracial tensions are growing more dangerous. Outside events may dictate an early end to Alan's unusual friendships. ~ Clarke Fountain, All Movie Guide

A white, Inuit boy named Avik is the focus of New Zealand director Vincent Ward's meditation on race and romance. In the opening moments of the movie, set in 1931 in the Arctic-Canadian settlement Nunataaq, Avik (portrayed initially by Robert Joamie) lives under the watchful eye of his grandmother (Jayko Pitseolak). While tagging along after British cartographer Walter Russell (Patrick Bergin), Avik falls prey to the "white man's disease,"--tuberculosis; to assuage his own guilt, Russell takes the boy to a Montreal clinic to recover. There, Avik meets Albertine, a mixed-blood Indian girl, and the two fall in love, but their relationship is quickly broken up by the Mother Superior who is in charge of the clinic. Years later, Avik again meets Russell, who this time is on a mission to recover the German U-boat lying wrecked off the coast of Nunataaq. Avik asks for Russell's help in learning the whereabouts of Albertine, and he gives the cartographer a chest X-ray of the girl which he has carried with him since their separation. More time elapses, and Avik (now played by Jason Scott Lee) has become a British bombardier fighting in World War II. He is sought out by Albertine (Anne Parillaud), who has become Russell's mistress. Still, she begins an affair with Avik; Russell soon finds out, and as revenge sends Avik and his crew on a suicide mission of which Avik is the lone survivor. Despondent over his war experiences, Avik flees to Canada, where he becomes an alcoholic; decades later, he is sought out by Rainee (Clotilde Courau), the daughter born from his affair with Albertine. On his way to the girl's wedding, Avik is killed in an accident; his body washes up on the beach at Nunataaq, a wedding gift still clutched in his arms. ~ Jason Ankeny, All Movie Guide

This made-for-TV movie features two previously unproduced stories written by Rod Serling for his groundbreaking anthology series The Twilight Zone, and adapted by Richard Matheson, one of Serling's frequent collaborators on the show. In "The Theater," a woman (Amy Irving) who frequents a neighborhood movie theater discovers her own life is starting to appear on the screen, and she's more than a bit concerned about how the ending is panning out. In "Where the Dead Are," Dr. Benjamin Ramsey (Patrick Bergin) loses a patient during an operation in 1868. Later, he discovers that the man suffered head injuries years before that by all rights should have killed him. While trying to learn the truth about his mysterious patient, Ramsey encounters Dr. Jeremy Wheaton (Jack Palance) who makes a most remarkable medical discovery. The Twilight Zone: Rod Serling's Lost Classics first aired in the United States on May 19, 1994. ~ Mark Deming, All Movie Guide

A tale of lost-love, idealism and steadfast commitment that alternates between comedy and drama. Passionate and tragic Angela Mooney (Mia Farrow) is a woman prepared to die for her ideals and attempts suicide rather frequently, something that never fails to draw a crowd. Outwardly, her reason for killing herself centers on the local creamery, a business run by her husband, who has spent his life building it up, that is about to be taken over by the America-based Little Rooster Corporation. Angela is afraid that the American company will destroy the quaint character of the town. Unfortunately, Angela is alone in her struggle as everyone else supports the buy-out. Angela's real reasons for fighting are revealed via flashback and have to do with the handsome young Scottish soldier to whom she gave her virginity when she was an impressionable young girl. He was an idealist and transferred his sense of justice to her. Later he was run out of town and so moved to America where he became a wealthy tycoon. Years pass and now the soldier/business magnate prepares to return to the village, something that has caused a flurry of activity amongst the townsfolk. ~ Sandra Brennan, All Movie Guide

A cunning and ruthless neo-Nazi politician rises to power in England by conducting a terror campaign against his own organization, making it seem the established government is attacking his followers. Dashing American agent Harry Latham (John Shea) lends assistance to the Brits in their investigation, but even he needs help, so he turns to his CIA analyst brother, Drew (Patrick Bergin). As it happens, Drew's girlfriend, Karin (Virginia Madsen), is related to the mastermind behind the scheme that's intended to bring down Europe and give rise to the Fourth Reich. Harry has been brainwashed by the villains, and unbeknownst to anyone, he's programmed to help the bad guys. ~ Buzz McClain, All Movie Guide

A fiercely proud, high-born 19th-century Welsh widow finds herself in desperate need of quick cash in order to save her late husband's estate. There are only two real ways to save it; one is to marry an aristocratic regional sheriff whom she despises, and the other is to find enough money to pay the debt directly. She opts for the latter, deciding that the best way to accomplish that would be to sell the estate's 200 head of cattle in Gloucester. The trouble is, Gloucester is a long way from her land and most of the men able to help her are in the British army. The only one able to help is the sheriff's hated alcoholic half-brother (literally and figuratively a bastard) Rhys. Only after his fields are mysteriously burned does he accept -- and then on one condition: Rhys will drive the cattle if the widow will have sex with him in Gloucester. ~ Sandra Brennan, All Movie Guide