Ben Piazza Movies

This fact-based made-for-television drama tells the story of nurse Joy Ufemal and her invaluable work with those dying of incurable diseases. ~ Sandra Brennan, All Movie Guide

The directorial debut of Glenn Gordon Caron, the creator of the television series Moonlighting (1985-89), this intense, gritty drama was received as one of the best-ever cinematic treatments of substance abuse. Michael Keaton stars as Daryl Poynter, a hustling, successful Philadelphia real estate agent who has become addicted to cocaine. He's already got problems, including nearly a $100,000 embezzled from his employer and lost on the stock market, when he wakes up one morning with a young woman dead in his bed from a coke overdose. His company is asking questions about the missing funds, and the dead girl's father is plastering his neighborhood with posters accusing Daryl of being a murderer, so he decides to hide out in an anonymous drug treatment program. There, however, Daryl runs into tough-minded counselor and former addict Craig (Morgan Freeman), who has heard all of Daryl's lies and tricks before. Daryl also finds romance with an abused fellow addict, Charlie Standers (Kathy Baker), and understanding with his Alcoholics Anonymous sponsor (M. Emmet Walsh). ~ Karl Williams, All Movie Guide

William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, All Movie Guide

Grace Kelly, the high-society beauty who became an Oscar-winning actress and then a European princess, is the subject of this TV biopic. Cheryl Ladd has the looks and poise of the original Grace, though she isn't quite as charismatic. The early portion of the film retraces the stormy relationship between Grace and her gruff Philadelphia millionaire dad, Jack Kelly. The script suggests that Grace went through life looking for a strong father figure, finally finding one in Prince Rainier of Monaco (Ian McShane), whom she weds. Several "celebrity look-alikes" parade through the film, pretending to be the film personalities with whom Ms. Kelly worked during her brief Hollywood career. Grace Kelly tones down the darker aspects of its subject, and the film is infinitely more tasteful than most other TV biographies of the same period, even when dealing with Princess Grace's untimely death. ~ Hal Erickson, All Movie Guide

Without ever revealing the diagnosis, this film chronicles the inner life and outer circumstances of Deborah Blake (Kathleen Quinlan), a young mental patient. As the film opens, she is being accompanied by her subdued parents to yet another mental hospital. This one looks clean and cheerful, at least. Her treatment is handled by Dr. Fried (Bibi Andersson), a very skillful therapist who gets past her deranged defenses and reveals that Deborah harbors some very violent fantasies about some of her relatives. The movie is based on the best-selling autobiographical novel by Joanne Greenberg. ~ Clarke Fountain, All Movie Guide

In a desperate effort to pay his gambling debts, Dr. Shane (Peter Brandon) performs unecessary surgery on an old woman who subsequently dies. Shane then applies pressured upon the dead woman's timid son Irving (Ben Piazza), demanding that he pay for the fatal operation. When Irving refuses, a vicious loan shark proceeds to make his life hell. Clearly, it is high time that Lt. Kojak (Telly Savalas) take a hand in matters. ~ Hal Erickson, All Movie Guide

This is the only Moonlighting episode in which neither Cybill Shepherd nor Bruce Willis appear. Instead, the focus is on nerdish detective Bert Viola (Curtis Armstrong), who has gone into a deep blue funk over an imagined slight from Blue Moon secretary Agnes Dipesto (Allyce Beasley). In the course of a very long night in which Bert is required to guard an "experimental grapefruit", he dreams of his future with Agnes, in sequences inspired by Rudolph Valentino's silent "Shiek" pictures and the 1940s classic Casablanca (in which "As Time Goes By" is replaced by "Chopsticks"!) ~ Hal Erickson, All Movie Guide

In this fact-based made-for-cable docudrama, Leonard Nimoy stars as Mel Mermelstein, a Nazi death camp survivor who wages a court battle against the revisionist Institute for Historical Review over their claims that the Holocaust never occurred. ~ Jason Ankeny, All Movie Guide

Perhaps the most stunning moment in this interesting adaptation of the famous play by Jean-Paul Sartre is the last scene itself when the finality of three antagonist people being doomed to spend an eternity together hits home hard. The three are a journalist who betrayed members of the resistance movement in World War II, a lesbian who tempted a married woman to leave her husband, and a social-climber who killed her son and drove her husband to suicide. The trio are led into their "hotel" room by a bellboy (Ben Piazza) and when they try to leave, they quickly discover there is literally no exit. Thus trapped like rats in a cage, they reveal their sins of the past in flashbacks and soon find that the hell of being forced to spend an eternity together is much worse than fire and brimstone. ~ Eleanor Mannikka, All Movie Guide

Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, All Movie Guide

The success this underdog comedy from director Michael Ritchie almost single-handedly spawned the kids' sports film boom of the 1980s and '90s. When beer-breathed ex-minor-league ball player and professional pool cleaner Morris Buttermaker (Walter Matthau) agrees to coach a little league team in the San Fernando Valley, he soon finds he's in over his head, having inherited an assortment of pint-sized peons and talentless losers. They play well-organized teams and lose by tremendous margins, and the parents threaten to disband the Bears to save the kids (and themselves) any further embarrassment. Buttermaker refuses, though, and brings in a pair of ringers: Amanda (Tatum O'Neal), his ex-girlfriend's tomboy daughter, and Kelly (Jackie Earle Haley), a cigarette-smoking delinquent who happens to be a gifted athlete. With their help, the Bears manage to change their losing ways and qualify for the championship, where they face their arch-rivals, the Yankees. ~ Jeremy Beday, All Movie Guide

A gang of ruthless but inept kidnappers pull off a crime with startling and unexpected consequences in this tough, nervy thriller which has won a cult following. Candy Phillips (Susan Sennett) is a sixteen-year-old student at an exclusive private Catholic school who, while walking home from school, is suddenly dragged into a waiting van that quickly speeds away. Candy has been kidnapped by an unlikely team of criminals -- pretty but hard-edged Jessie (Tiffany Bolling), her psychopathic brother Alan (Brad David), and Eddy (Vincent Martorano), a misfit Army veteran who only wants to own his own bowling alley. Jessie and her cohorts have learned that Candy's father Avery Phillips (Ben Piazza) is the manager of an upscale jewelry store, and after burying Candy in a coffin-like box on the outskirts of the desert (with a pipe for ventilation), they send Avery a message informing him they'll release Candy in exchange for 500,000 dollars in jewels. However, come the next morning, Avery has failed to respond to their demands, and an attempt to coerce payment from him leads to the discovery he has no intention of rescuing Candy. The Candy Snatchers was the only directorial credit for television writer Guerdon Trueblood; his young son Christopher Trueblood (billed as Christophe) appears in the film as an autistic child who happens upon Candy and tries to help. ~ Mark Deming, All Movie Guide