Ben Piazza Movies

In this romance, a young girl runs away from boarding school with the hope that her boyfriend will marry her. ~ Sandra Brennan, All Movie Guide

Perhaps the most stunning moment in this interesting adaptation of the famous play by Jean-Paul Sartre is the last scene itself when the finality of three antagonist people being doomed to spend an eternity together hits home hard. The three are a journalist who betrayed members of the resistance movement in World War II, a lesbian who tempted a married woman to leave her husband, and a social-climber who killed her son and drove her husband to suicide. The trio are led into their "hotel" room by a bellboy (Ben Piazza) and when they try to leave, they quickly discover there is literally no exit. Thus trapped like rats in a cage, they reveal their sins of the past in flashbacks and soon find that the hell of being forced to spend an eternity together is much worse than fire and brimstone. ~ Eleanor Mannikka, All Movie Guide

Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, All Movie Guide

In this s-s-suspenseful drama, a submarine carrying a load of poisonous snakes accidentally wedges itself amidst the rocks near the bottom of the sea. Now the crew must somehow avoid the unwanted slitherers and manage to extricate themselves. ~ Sandra Brennan, All Movie Guide

Feeling sorry for travelling book salesman George Reed (Ben Piazza), Olivia (Michael Learned) makes a sizeable deposit on the "Five-Foot Shelf" collection, consisting of fifty "Harvard Classics." When he finds out that Reed has spent the money to buy his little girl a doll, John (Ralph Waite) is outraged and orders the peddler off Walton's Mountain, never to return. But this doesn't answer the episode's burning question: Will Olivia pony up a second deposit when those fifty books are delivered to the Walton doorstep? ~ Hal Erickson, All Movie Guide

The success this underdog comedy from director Michael Ritchie almost single-handedly spawned the kids' sports film boom of the 1980s and '90s. When beer-breathed ex-minor-league ball player and professional pool cleaner Morris Buttermaker (Walter Matthau) agrees to coach a little league team in the San Fernando Valley, he soon finds he's in over his head, having inherited an assortment of pint-sized peons and talentless losers. They play well-organized teams and lose by tremendous margins, and the parents threaten to disband the Bears to save the kids (and themselves) any further embarrassment. Buttermaker refuses, though, and brings in a pair of ringers: Amanda (Tatum O'Neal), his ex-girlfriend's tomboy daughter, and Kelly (Jackie Earle Haley), a cigarette-smoking delinquent who happens to be a gifted athlete. With their help, the Bears manage to change their losing ways and qualify for the championship, where they face their arch-rivals, the Yankees. ~ Jeremy Beday, All Movie Guide

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide

In this chiller, a trio of heroes must enter a black Southwestern cave and destroy an entire colony of plague-bearing bats, vampire bats. The story is based on a novel by Martin Cruz Smith. ~ Sandra Brennan, All Movie Guide

While Shirley Jones is given top billing in the made-for-TV The Children of An Lac, the film's true star is the late actress Ina Balin--who plays herself in this re-enactment of an episode of conspicuous courage during the Vietnam war. On the eve of the fall of Saigon in 1975, an effort is made to rescue 400 children from the An Lac orphanage. Participating in this near-impossible undertaking are Georgia housewife Betty Tisdale (Shirley Jones), orphanage head Madama Ngai (Beulah Quo), and Balin. Alas, this very worthwhile and uplifting production ran a distant second in the ratings when first telecast October 19, 1980. Its competition: The Castaways of Gilligan's Island. ~ Hal Erickson, All Movie Guide

Originally intended as the pilot for a never-sold cop series titled Battles, this made-for-TV meller stars William Conrad as William Battles, a retired Los Angeles police detective spending his golden years in Hawaii. Somewhat bored by inactivity, Battles takes a job at a local college as assistant football coach and security chief. Not unexpectedly, our corpulent hero is soon up to his neck in a murder investigation, this time with a recent homicide bearing a remarkable resemblance to a similar killing in the 1940s (as described in a mock newsreel narrated by no less than Lowell Thomas). Assisting Battles in bringing the culprit to heel are his niece Shelby (Robin Mattson), collegiate football star Deacon Joe Jackson (Lane Caudell) and his own boss, Dean Mary Phillips (Marj Dusay). The Murder That Wouldn't Die debuted March 9, 1980, on NBC. ~ Hal Erickson, All Movie Guide

This fact-based made-for-television drama tells the story of nurse Joy Ufemal and her invaluable work with those dying of incurable diseases. ~ Sandra Brennan, All Movie Guide

It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, All Movie Guide