Ben Piazza Movies

In this romance, a young girl runs away from boarding school with the hope that her boyfriend will marry her. ~ Sandra Brennan, All Movie Guide

Billionaire Boys Club is the two-part TV adaptation of a book by Sue Horton (unpublished at the time of the film's first telecast). In flashback form, the story recounts the murder of Beverly Hills con artist Ron Levin (Ron Silver). The culprit is yuppie Joe Hunt (Judd Nelson), a sharp young commodities trader who has organized an investment firm with several of his prep school buddies, known as the Billionaire Boys Club. Part one, originally telecast November 8, 1987, traces Hunt's meteoric rise to wealth and power, and the means by which Levin worms his way into Hunt's confidence. In part two, shown the next evening, Hunt has already murdered Levin and carefully disposed of the body. The next step of the scheme is take over where Levin left off by conning an Iranian millionaire out of a huge sum of money. Meanwhile, other members of the Club begin to have qualms over Hunt's finagling. Their whistle-blowing leads to Hunt's arrest and convinction for murder. ~ Hal Erickson, All Movie Guide

William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, All Movie Guide

Grace Kelly, the high-society beauty who became an Oscar-winning actress and then a European princess, is the subject of this TV biopic. Cheryl Ladd has the looks and poise of the original Grace, though she isn't quite as charismatic. The early portion of the film retraces the stormy relationship between Grace and her gruff Philadelphia millionaire dad, Jack Kelly. The script suggests that Grace went through life looking for a strong father figure, finally finding one in Prince Rainier of Monaco (Ian McShane), whom she weds. Several "celebrity look-alikes" parade through the film, pretending to be the film personalities with whom Ms. Kelly worked during her brief Hollywood career. Grace Kelly tones down the darker aspects of its subject, and the film is infinitely more tasteful than most other TV biographies of the same period, even when dealing with Princess Grace's untimely death. ~ Hal Erickson, All Movie Guide

In a desperate effort to pay his gambling debts, Dr. Shane (Peter Brandon) performs unecessary surgery on an old woman who subsequently dies. Shane then applies pressured upon the dead woman's timid son Irving (Ben Piazza), demanding that he pay for the fatal operation. When Irving refuses, a vicious loan shark proceeds to make his life hell. Clearly, it is high time that Lt. Kojak (Telly Savalas) take a hand in matters. ~ Hal Erickson, All Movie Guide

Perhaps the most stunning moment in this interesting adaptation of the famous play by Jean-Paul Sartre is the last scene itself when the finality of three antagonist people being doomed to spend an eternity together hits home hard. The three are a journalist who betrayed members of the resistance movement in World War II, a lesbian who tempted a married woman to leave her husband, and a social-climber who killed her son and drove her husband to suicide. The trio are led into their "hotel" room by a bellboy (Ben Piazza) and when they try to leave, they quickly discover there is literally no exit. Thus trapped like rats in a cage, they reveal their sins of the past in flashbacks and soon find that the hell of being forced to spend an eternity together is much worse than fire and brimstone. ~ Eleanor Mannikka, All Movie Guide

Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, All Movie Guide

Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a "mission from God" by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren't swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film's legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, All Movie Guide

Historically, most multiple-personality cases have been women. Based on the autobiographical book by Henry Hawksworth, The Five of Me centers on a rare male victim of this bizarre syndrome. David Birney plays Hawksworth, who for his first 36 years lived with four separate personalities. When a fifth manifested itself, the other four displayed reactions ranging from petulant to sadistic. Dee Wallace co-stars as Hawksworth's wife Ann ("Ann is married to five men!" screamed the insensitive ad copy for this film). Made for television, The Five of Me was first broadcast on May 12, 1981. ~ Hal Erickson, All Movie Guide

Gary Cooper plays a frontier doctor with a checkered past who works in a rowdy Montana mining camp. Cooper falls in love with Maria Schell, a young Swiss girl whom he has treated for shock after she was the victim of a holdup. He finances Schell's grubstake, which makes her rich. When Schell's unscrupulous partner Karl Malden tries to have his way with the girl, Cooper kills Malden. Sentenced to an immediate hanging, Cooper is saved when Schell offers to give the town her valuable mine. A surprise hit in 1959, The Hanging Tree was based on an award-winning novel by Dorothy M. Johnson. The film not only yielded a hit theme song by Mack David and Jerry Livingston, but also served as the film debut of George C. Scott, who plays Cooper's doctor predecessor. ~ Hal Erickson, All Movie Guide

Originally intended as the pilot for a never-sold cop series titled Battles, this made-for-TV meller stars William Conrad as William Battles, a retired Los Angeles police detective spending his golden years in Hawaii. Somewhat bored by inactivity, Battles takes a job at a local college as assistant football coach and security chief. Not unexpectedly, our corpulent hero is soon up to his neck in a murder investigation, this time with a recent homicide bearing a remarkable resemblance to a similar killing in the 1940s (as described in a mock newsreel narrated by no less than Lowell Thomas). Assisting Battles in bringing the culprit to heel are his niece Shelby (Robin Mattson), collegiate football star Deacon Joe Jackson (Lane Caudell) and his own boss, Dean Mary Phillips (Marj Dusay). The Murder That Wouldn't Die debuted March 9, 1980, on NBC. ~ Hal Erickson, All Movie Guide

In the 122nd and final episode of The Rockford Files, Jim Rockford (James Garner) heads to the small community of Parama for a peaceful fishing trip; instead, he ends up in the middle of a violent Mob power struggle Last episode. If only Jim hadn't agreed to cast a proxy vote for "Propostiion 46D", which will determined whether or not gambling will be legalized in Parama. Also enmshed in the intrigue is snoopy journalist Carrie Osgood (Sandra Kerns) and a shady Las Vegas entrepreneur named Belding (Joseph Sirola). And though Jim has come up against corrupt political officials in the past, those guys were saints compared to the villains in this episode. ~ Hal Erickson, All Movie Guide