Mandy Patinkin Movies

Six of the world's most gifted vocalists of Broadway show tunes, with a plethora of Tony and Grammy awards between them -- Mandy Patinkin, Audra McDonald, Dawn Upshaw, Donna Murphy, Judy Blazer, and Richard Muenz -- pay homage to legendary tunesmith and conductor Leonard Bernstein in the concert film Leonard Bernstein's New York. Each of three segments features the cast members singing selections from one of Leonard Bernstein's Manhattan-themed shows, filmed live in the locations where the original scenes are set. The first, with extracts from the composer's late 1944 musical On the Town, has the ensemble singing "New York, New York"; Murphy, Blazer, and Patinkin singing "Ya Got Me"; Patinkin and Blazer singing "Come Up to My Place"; Upshaw singing "Lonely Town"; Patinkin singing "Some Other Time"; and Murphy singing "Ain't Got No Tears Left." The second segment, with musical extracts from Bernstein's 1953 musical Wonderful Town, has Muenz, Upshaw, and Murphy singing "What a Waste"; Muenz singing "A Quiet Girl"; Patinkin singing "Wrong Note Rag"; Blazer singing "Story of My Life"; and McDonald singing "A Little Bit in Love." The third, with musical extracts from Bernstein's 1957 West Side Story, has Upshaw and Muenz singing "One Hand, One Heart," and McDonald and Patinkin singing "Tonight." ~ Nathan Southern, All Movie Guide

Charleston is a brazen rip-off of Gone with the Wind which premiered over NBC on January 15, 1979--one month before CBS' planned telecast of Wind. Delta Burke, who was an unknown in 1979, very nearly remained that way in the role of post-Civil War Southern belle Stella. As Stella fiddle-dee-dees around in an effort to raise the tax money to maintain her mansion, her faithful ex-slave Minerva (Lynne Moody) runs the household with an iron hand (that must hurt). Also lurking about is Stella's cousin Valerie (Patricia Pearcy), who squanders her own savings in an effort to find her missing husband. This is the sort of film in which the aggressively urbanized actor Mandy Pantinkin plays a corn-fed character named Beaudine Croft. Martha Scott, the only "name" actor in Charleston, is wasted in a peripheral role as Stella's mom. ~ Hal Erickson, All Movie Guide

In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

Barbra Streisand's directorial debut, Yentl, is a musical adaptation of a story by the beloved Jewish writer Isaac Bashevis Singer. Yentl (Streisand) is a young woman who wants nothing more than to study religious scripture. She is denied that possibility because she is a woman. She moves, passes herself off as a male named Anshel, and then begins her studies. She becomes close to fellow student Avigdor (Mandy Patinkin), eventually falling in love with him, although she can not reveal her true self as she would then be expelled. Avigdor is in love with Hadass (Amy Irving), but religious law forbids him from marrying her. Avigdor attempts to fix Anshel up with Hadass, leading to Hadass falling in love with Anshel. Yentl received four Academy Award nominations, including two Best Song nods. ~ Perry Seibert, All Movie Guide

In this comedy, an ordinary woman finds herself sharing both her home and her body with a ghost who has a pronounced wild streak. Jan (Glenn Close) and Nick (Mandy Patinkin) are a couple moving into an apartment in an old Victorian house in San Francisco. Jan is a straight-laced secretary working for a Catholic bishop, while Nick deals in used books. While stripping some old wallpaper in their new home, they discover a message written on the wall, which their flaky landlady Mrs. Lavin (Ruth Gordon) informs them was written by Maxie, a high-spirited flapper who had a career in silent films before dying in a car wreck on her way to audition for D.W. Griffith. Out of curiosity, Jan and Nick rent a video of one of Maxie's films to see her in action, but it just so happens that Maxie's ghost still lives in the house -- and is looking for a human host. Maxie's spirit enters Jan's body and makes her presence known at the most inconvenient times; suddenly mild mannered Jan is kicking up her heels, swilling gin, starting arguements, and acting like a flaming youth straight out of the 1920s. Nick finds Maxie a good bit more exciting than Jan and even tries to launch Maxie back into a movie career by having her audition for a remake of Cleopatra opposite Harry Hamlin; Jan, however, just wants to have her body to herself again. Maxie proved to be one of the last screen appearances for veteran actress Ruth Gordon, who died several weeks before the film was released. ~ Mark Deming, All Movie Guide

Based on William Goldman's novel of the same name, The Princess Bride is staged as a book read by grandfather (Peter Falk) to his ill grandson (Fred Savage). Falk's character assures a romance-weary Savage that the book has much more to deliver than a simpering love story, including but not limited to fencing, fighting, torture, death, true love, giants, and pirates. Indeed, The Princess Bride offers a tongue-in-cheek fairy tale depicting stable boy-turned-pirate Westley's journey to rescue Buttercup (Robin Wright), his true love, away from the evil prince (Chris Sarandon), whom she had agreed to marry five years after learning of what she had believed to be news of Westley's death. With help from Prince Humperdinck's disgruntled former employee Miracle Max (Billy Crystal), swordsman Inigo Montoya (Mandy Patinkin), and a very large man named Fezzik (Andre the Giant), the star-crossed lovers are reunited. ~ Tracie Cooper, All Movie Guide

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, All Movie Guide

Amandine Aurore Lucie Dupin, better known in the literary world as George Sand, not only took a man's name, but trotted around wearing pants and smoking cigars in public. No great shakes today, but in the 1800s she was perhaps the most famous (or infamous) woman in the world. One of the first original celebrities, aside from her garb and literary output, she was known to inspire many duels and broken hearts among other famous hedonist artists. One character describes her in Impromptu, as "that graveyard." The film engages in a sexual roundelay among Sand's (Judy Davis) many friends -- Eugene Delacroix (Ralph Brown), Alfred DeMusset (Mandy Patinkin), Franz Liszt (Julian Sands), and Frederick Chopin (Hugh Grant). The entire crew heads off to the summer estate of the Duke and Duchess d'Antan (Anton Rodgers and Emma Thompson), invited there by the culture-vulture hosts. Sand takes a bead on the sickly Chopin and spends her time throwing herself at him. Also on hand is Liszt's mistress Marie d'Agoult (Bernadette Peters) and Felicien Mallefille (Georges Corraface), Sand's recently jilted lover. Mallefille is jealous of any of the other guests who glance in Sand's direction and continually challenges them to duels. Marie, on the other hand, is enlisted by Sand to deliver a note to Chopin. But Marie, jealous of Sand, delivers the note substituting her name for Sand's. And as the weekend continues, the sexual merry-go-round continues at full tilt. ~ Paul Brenner, All Movie Guide

John Cusack and James Spader play against type in Kevin Wade's morality play, directed by Herbert Ross. Spader plays Tim Gerrity, a well-heeled WASP blueblood, who has dedicated his life to justice and public service. Engaged to Diana Stiles (Imogene Stubbs), the daughter of a powerful senator (Richard Widmark), Tim seems to have a rosy future ahead of him. Enter Peter Burton (John Cusack), Peter's working-class roommate at the University of Virginia. Peter, a ravenous and devouring go-getter, is out to climb the political ladder at any cost. He sees Tim and latches onto him. Their friendship blooms at the university and continues afterwards, with the weak-willed Tim constantly deferring to the antagonistic and aggressive Peter. But they finally come to blows on skis when Tim finds out that Peter has bedded Diana, who has decided to drop Tim for his lack of ambition. When Peter blackmails Senator Stiles to secure a House seat, Tim rouses himself from his lethargy to fight Peter politically. ~ Paul Brenner, All Movie Guide

Documentary filmmaker Philip Haas made his dramatic feature film debut with The Music of Chance, adapted from Paul Auster's terse, existential novel. The film follows the plight of two hapless drifters -- Jim Nashe (Mandy Patinkin), who is escaping family and responsibility with an inheritance and a red BMW, and Jack Pozzi (James Spader), a down-on-his-luck gambler and world class manipulator. Pozzi convinces Nashe to shoot the works and put his remaining $10,000 into a high stakes poker game against two rich suckers -- reclusive lottery winners Willie Stone (Joel Grey) and Bill Flower (Charles Durning), who share a lavish but isolated country estate, using the remains of their lottery fortune to construct a self-contained world on the grounds of their mansion. Instead of bilking the two millionaires, however, Pozzi and Nashe lose their windfall and find themselves indebted to Stone and Flowers, who compel them to work off their losses by constructing a stone monument on their estate, a chore that results in deception, flight, and possibly murder. ~ Paul Brenner, All Movie Guide