Ralph Bellamy Movies

"Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney) dismisses them as childish folderol. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he attempts to rescue Jenny Williams (Fay Helm) from a nocturnal attack by a wolf. Collapsing, Talbot discovers upon reviving that Jenny is dead-and, lying by her side, is not the body of a beast, but of a gypsy named Bela (Bela Lugosi). The son of fortune teller Maleva (Maria Ouspenskaya), Bela was a lycanthrope, or "wolf man." And now that he has been bitten by Bela, Talbot is cursed to suffer the torments of the damned whenever the moon is full. Arguably the best of the "original" Universal horrors (original in the sense that it was not based on an existing literary property, a la Frankenstein, Dracula and The Invisible Man), The Wolf Man boasts one of the most stellar casts ever to grace a "B" picture: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Ralph Bellamy, Warren William, Patric Knowles, Maria Ouspenskaya and Bela Lugosi. The man-to-wolf transformation sequences -- one of which took a full 24 hours to film -- are thoroughly convincing, thanks to the cosmetic genius of Jack P. Pierce (Chaney had wanted to emulate his father by developing his own werewolf makeup, but existing union rules would not permit this). Alas, after this powerhouse opening volley, the Wolf Man character was relegated to a series of cheap sequels, teaming him with other Universal shock stars: Frankenstein Meets the Wolfman (1943), House of Frankenstein (1944) and House of Dracula (1945). The final ignominy was Abbott and Costello Meet Frankenstein (1945), in which Lawrence Talbot (Chaney again), having been cured of lycanthropy in House of Dracula, reverts to his werewolf status -- and has to endure the one-liners of Lou Costello to boot! ~ Hal Erickson, All Movie Guide

Jane Mufin's stage play Love Flies in the Window was the basis for the RKO Radio assembly-line romance This Man is Mine. Happily married to dull but dependable Jim Dunlap (Ralph Bellamy), level-headed Toni Dunlap (Irene Dunne) suddenly finds herself forced to fight for her husband's affections. The cause of it all is Toni's old school chum, the recently divorced Fran Harper (Constance Cummings). Fran graciously makes no secret of her intention to steal Jim away. With equal graciousness, Toni beats her rival at her own game. In addition to the sterling contributions of its stars, This Man is Mine benefits from a well-honed supporting performance by Kay Johnson, who two years earlier had co-starred with Constance Cummings in Frank Capra's American Madness. ~ Hal Erickson, All Movie Guide

The "nature-nurture" theory that motivated so many Three Stooges comedies is the basis of John Landis's hit comedy. The fabulously wealthy but morally bankrupt Duke brothers (Ralph Bellamy and Don Ameche) make a one-dollar bet over heredity vs. environment. Curious as to what might happen if different lifestyles were reversed, they arrange for impoverished street hustler Billy Ray Valentine (Eddie Murphy) to be placed in the lap of luxury and trained for a cushy career in commodities brokerage. Simultaneously, they set about to reduce aristocratic yuppie Louis Winthorpe III (Dan Aykroyd to poverty and disgrace, hiring a prostitute (Jamie Lee Curtis) to hasten his downfall. When Billy Ray figures out that the brothers intend to dump him back on the streets once their experiment is complete, he seeks out Winthorpe, and together the pauper-turned-prince and prince-turned-pauper plot an uproarious revenge. With the good-hearted prostitute and Winthorpe's faithful butler (Denholm Elliott) as their accomplices, they set about to hit the brothers where it really hurts: in the pocketbook. ~ Hal Erickson, All Movie Guide

Though silent star John Gilbert's talking pictures were habitual money-losers, the stubborn actor insisted that MGM honor his $250,000-per-picture contract, signed just before talkies came on. West of Broadway wasn't a bad Gilbert vehicle by any means, but the star's previous failures worked against its success. Gilbert is cast as cynical millionaire Jerry, who, after being snubbed by his sweetheart Anne (Madge Evans), marries Dot (Lois Moran) on the rebound -- and while blind stinking drunk. Sobering up, Jerry treats Dot atrociously, letting her know that he's not in love with her. By the time he realizes that he is, she has had enough of his oafish behavior and has walked out on him. The scene then shifts to Jerry's Arizona ranch, where after much verbal dueling, the reluctant husband is tenderly reunited with his now-forgiving wife. El Brendel, borrowed from Fox Studios, enlivens the picture with his trademarked Swedish-dialect humor. ~ Hal Erickson, All Movie Guide

Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love. ~ Craig Butler, All Movie Guide

Set in 1940, the fourth episode of the seven-part, eighteen-hour miniseries The Winds of War finds American troubleshooter Cmdr. "Pug" Henry (Robert Mitchum) heading to England on a secret mission for President Roosevelt. Here he is reunited with his secret love, Pamela Tudsbury (Victoria Tennant) and later has a tense showdown with Winston Churchill (Howard Lang) over policy matters. Barely escaping the Nazi bombs during the first London blitz (a spectacular sequence), Henry survives to fly in a retaliatory raid over Germany--while both the women in his life (the other being his long-suffering wife Rhoda [Polly Bergen]) wait and worry. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, All Movie Guide

In the final episode of the seven-part, eighteen-hour miniseries The Winds of War, Ambassador-at-large "Pug" Henry (Robert Mitchum) represents the US in a series of conferences with the intansigent Russian premier Josef Stalin (Anatoly Chauginian). Dallying briefly with his erstwhile British sweetheart Pamela Tudsbury (Victoria Tennant), Pug stays in Moscow long enough to witness the attempted Nazi invasion. Meanwhile, Pug's daughter-in-law Natalie (Ali McGraw) and her Uncle Aaron (John Houseman) are among the Jewish refugees being smuggled into Palestine. And back in the Western Hemisphere, Pug's sons Byron (Jan-Michael Vincent) and Warren (David Dukes) are swept up in the Japanese attack on Pearl Harbor. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, All Movie Guide

This drama was adapted from a minor story by Dashiell Hammett and chronicles the attempts of an ex-con to stay on the straight and narrow. It's difficult for he is volatile and tends to get into fistfights when riled. It is his explosive temper that got him put away for three years after he accidentally killed a man while fighting over a woman. His newest troubles also center upon a woman. She bursts into his cabin one day as she tries to run from her abusive, obsessive partner who is pursing her. When he shows up, the young man tries to defend her. He hits an accomplice of the abuser and the abuser gets a warrant for the ex-con's arrest. He and the girl become fugitives from the law. ~ Sandra Brennan, All Movie Guide