Ralph Bellamy Movies

The readjustment of astronaut Edwin E. "Buzz" Aldren to life after triumphantly walking on the moon is chronicled in this drama based on a true story. ~ Sandra Brennan, All Movie Guide

In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, All Movie Guide

Sally Eilers plays Sandra, a secretary who falls for her boss in this passable marital drama from Fox. The attraction is mutual and when Carter Cavendish (Ralph Bellamy) learns that his wife, Betty (Helen Vinson), is having an affair, he divorces her and marries Sandra. But Betty wants sole custody of their young daughter, Patsy (Karol Kay), a potentially wealthy child prodigy, and does what she can to embarrass her former husband. Sandra, however, calls her bluff and the greedy Betty is eventually forced to relinquish custody of the child. Second Hand Wife was based on a serialized novel by Kathleen Norris. ~ Hans J. Wollstein, All Movie Guide

A young Steven Spielberg helmed the made-for-TV Something Evil. Johnny Whitaker (Family Affair) is cast as Stevie Worden, an angelic child whose parents move into a foreboding Pennsylvania mansion. It isn't long before Stevie is possessed with the house's resident demonic spirit. In anticipation of The Exorcist and The Omen, the spirit within Stevie never lets anyone know when it's going to strike -- but everyone knows full well when it does. Spielberg evokes horror throughout by contrasting the most terrifying events with the plodding commonplace of day-to-day life. Something Evil was Spielberg's last TV-movie assignment. ~ Hal Erickson, All Movie Guide

This star-studded musical drama was largely financed by Theatre Guild, with all proceeds going to various wartime fundraising concerns. Most of the story takes place at the Stage Door Canteen, a Manhattan-based home away from home for soldiers, sailors and marines (the real-life Canteen on 44th street was too busy to lend itself to filming, thus the interiors were recreated in Hollywood). Within the walls of this non-profit establishment, servicemen are entertained by top musical, comedy and dramatic acts, and waited on by such Broadway luminaries as Lunt and Fontanne, Katharine Hepburn, Jane Cowl, Katherine Cornell, Tallulah Bankhead, Helen Hayes, Cornelia Otis Skinner, Sam Jaffe and Paul Muni. Though the plotline-one of the Canteen servers, a girl named Eileen (Cheryl Walker) falls in love with one of the visiting soldiers (William Terry), despite the establishment's strict "no dating" rules-is merely an excuse to link together a series of specialty acts, it is superbly and touchingly directed by Frank Borzage. Not all of the film has weathered the years too well: particularly hard to take is Gracie Fields' cheery ditty about "killing Japs!" For the most part, however, the film works, and the guest performers-including comedians Ray Bolger, Harpo Marx, George Jessel and Ed Wynn, and singers Ethel Waters and Kenny Baker-are in fine fettle. If nothing else, Stage Door Canteen offers the only appearance on film of the great Katherine Cornell, who offers a vignette of the balcony scene from Romeo and Juliet. Incidentally, the actor playing "Texas", Michael Harrison, later gained fame as cowboy star Sunset Carson. Originally released at 132 minutes, Stage Door Canteen is now generally available in the 93-minute TV version. The six big bands that appear and perform in the film are those of Kay Kyser, Count Basie, Xavier Cugat, Guy Lombardo, Benny Goodman and Freddie Martin. ~ Hal Erickson, All Movie Guide

One of only two theatrical features by television director Vincent J. Donahue, Sunrise at Campobello is a biography of President Franklin D. Roosevelt that attempts to illustrate the statesman's courageous battle against infantile paralysis and his political foes. While in the prime of his life, Roosevelt (Ralph Bellamy) is stricken with a debilitating illness that threatens to end his career. Fortunately, his wife, Eleanor (Greer Garson), faithfully helps him regain his strength and become one of America's most influential and beloved Commanders in Chief. Hume Cronyn also stars as F.D.R.'s political strategist Louis Howe, who forms a successful triumvirate with the Roosevelts. For her performance, Greer Garson received a Best Actress nomination at the 1961 Academy Awards. ~ Matthew Tobey, All Movie Guide

The inaugural presentation of the syndicated "Operation Prime Time" anthology, the three-part, six-hour miniseries Testimony of Two Men was based on the 1968 best-seller by Taylor Caldwell; it originally aired in three separate two-hour installments. Sprawled over the course of several generations following the Civil War, this epic begins in 1865. It covers the saga of idealistic, straight-arrow Pennsylvania surgeon Jonathan Ferrier (David Birney) and his irresponsible, hot-headed and slightly effeminate younger brother Harald (David Huffman). The Ferrier boys battle over professional ethics (Jonathan campaigns for medical reforms, Harald is interested only a quick financial turnover) and personal peccadilloes. The drama heats up when the philandering wife of one of the Ferriers is charged with murder, precipating a scandal that threatens to rock the medical profession to its foundations. In the climax, a group of envious physicians try to destroy Jonathan when he lobbies for antiseptic operating conditions--and the truth comes out about Harald's dalliance with Jonathan's late wife. Made available for syndication in May of 1977, Testimony of Two Men was seen in most markets on May 9, 16 and 23. ~ Hal Erickson, All Movie Guide

This made-for-TV espionage thriller was approximately fourteen years too late for TV's "spy cycle". Dale Robinette plays a Bondlike secret agent, while Ralph Bellamy is the "M" counterpart. Robinette is assigned to solve the mystery of several UFO sightings in Utah. The instigator turns out to be an eco-villain (Patrick MacNee), who threatens to destroy the ozone layer unless he's paid one billion dollars within 48 hours. When Billion Dollar Threat failed to yield a weekly TV series, its producers revamped the project--and the result was the equally unsuccessful Once Upon a Spy (80). ~ Hal Erickson, All Movie Guide

Welcome Back Kotter star John Travolta headlines the made-for-TV Boy in the Plastic Bubble. Douglas Day Stewart's fact-based teleplay casts Travolta as Tod Lubitsch, a teenager who was born without disease immunities. Tod is forced to live out his life in incubator conditions; whenever he vetnures into the outdoors, he must be encased in a huge plastic bubble. When he falls in love with Gina Biggs (Glynnis O'Connor), Tod must decide between staying safe and following his heart, which would mean facing near-certain death. Diana Hyland won an Emmy for her portrayal of Travolta's mother. Incidentally, Hyland and Travolta became real-life lovers, a relationship that was tragically terminated when the actress died of cancer. Boy in the Plastic Bubble was first telecast November 12, 1976. ~ Hal Erickson, All Movie Guide

In this 1955 Otto Preminger film, Gary Cooper stars as World War I hero Brigadier General Billy Mitchell. The film recounts Mitchell's efforts to prove the viability of a strong air force. The hidebound military higher-ups refuse to finance aviation any further, figuring that the strength of the United States lies in its navy. When a friend is killed by flying a faulty plane, Mitchell charges the War and Navy department with incompetence and criminal negligence. When the brass tries to quietly court-martial Mitchell, they are forced into the open by the strength of public opinion, largely in Mitchell's favor. Subjected to the grilling of prosecutor Alan Guillon (Rod Steiger) during his trial, Mitchell sticks to his guns, even outlining a potential Japanese attack on Pearl Harbor unless the military wises up and strengthens its air power. Elizabeth Montgomery makes her film debut in the role of Margaret Landsdowne. ~ Hal Erickson, All Movie Guide

This third entry in Columbia's "Inspector Trent" series is cleverly (and economically) set in a movie studio. A malevolent leading lady (Gail Patrick) is murdered while filming a scene, whereupon the nervous studio head calls in Inspector Trent (Ralph Bellamy). Since everybody on the lot despised the victim, there's a surplus of suspects -- among them nominal romantic leads Shirley Grey and Kane Richmond and future director Vincent Sherman. The key to the solution is a booby-trapped camera, a gimmick that strains the audience's credulity but which works well within the film's framework. Among the film's highlights is a nightclub scene in which a bit player, who later became famous as mentalist Norvelle, predicts Trent's future (and he's right!) Crime of Helen Stanley was remade four years later as Who Killed Gail Preston, with Rita Hayworth as the unfortunate title character. ~ Hal Erickson, All Movie Guide