Jack Mullaney Movies

Broadway musical star and celebrated concert singer Barbara Cook makes a rare TV appearance in this chilling episode. Bored with her boyfriend, party girl Barbie Hallem (Cook) decides to escape to her uncle's cabin in the woods. En route, Barbie is warned by café owner Ed Mungo (Robert Karnes) that Ed's brother Bennie (Vic Morrow), suspected of murdering his sweetheart, is still at large. Once at the cabin, Barbie is confronted by Bennie -- who tells her an entirely different story. ~ Hal Erickson, All Movie Guide

Awakening in a strange bed and suffering from a terrible headache -- not to mention the mysterious bruises all over her body -- alcoholic Karen Stewart (Phyllis Thaxter) tries to piece together the events leading up to her present condition. All she can recall at first is her most recent promise to her boyfriend Jeff (Warren Stevens) that she will stop drinking, and stop drinking for good. But Jeff had heard that song many times before, and he was in no mood to put up with her subsequent drunken binge. From this point forward, Karen's mind is a blank...but the blank will soon be filled in a horrific fashion. In light of the serious nature of the story, host Alfred Hitchcock foregoes his usual humorous epilogue. ~ Hal Erickson, All Movie Guide

Robert Wagner plays Chad Bixby, a role reportedly inspired by the life of jazz trumpeter Chet Baker in this romantic drama about two young couples linked by the out-of-wedlock baby spawned by Bixby and Salome Davis (Natalie Wood) before their current marriages. Pearl Bailey appears as a famous blues singer who dies of a broken heart after being jilted by her horn player, and George Hamilton is featured as Wood's current husband. A well-mounted production and potentially interesting idea -- that lives can be irrevoccably changed in one night -- are let down by a soapy and muddled screenplay. The film was suggested by Rosamond Marshall's novel The Bixby Girls. ~ Don Kaye, All Movie Guide

In this comedy, the quiet life of an airplane pilot living in Switzerland is terribly disrupted when his sister gets married for the fourth time and bequeaths him her 250-pound St. Bernard. The bachelor and the big slobbery dog do not immediately become friends. Later they bond when the St. Bernard saves the bachelor's life during an avalanche. ~ Sandra Brennan, All Movie Guide

Luther Davis' racy wartime comedy Kiss Them for Me was expurgated a bit for the 1957 film version. Cary Grant, Ray Walston and Larry Blyden portray three navy war heroes who've been booked on a morale-building "vacation" in San Francisco. Eluding their ulcerated public relations officer (Werner Klemperer), the trio arranges a wild party with plenty of pretty girls. Cary Grant is paired with knockout Suzy Parker, an icy socialite who eventually thaws under his charms. Also on hand is Jayne Mansfield, playing a "good time girl" whose profession was a bit more explicit in the original play; the role was originated by Judy Holliday, who brought a wistfulness to the character that Ms. Mansfield couldn't quite manage. TV sitcom fans will get a kick out of the supporting cast of Kiss Them For Me: Ray Walston, later star of My Favorite Martian plays a libertine navy officer; Werner Klemperer, shorn of the accent he'd use as Colonel Klink in Hogan's Heroes, is hilarious as the flustered p.r. man; and Richard Deacon (Leave It to Beaver, The Dick Van Dyke Show) pops up unbilled as a dour businessman who can't understand the war-hero mystique. ~ Hal Erickson, All Movie Guide

This highly anticipated and lavishly publicized semi-musical TV adaptation of Kay Thompson's "Eloise" stories stars 7-year-old Evelyn Rudie as the titular 6-year-old heroine. As devotees of the books written by Thompson and illustrated by Hilary Knight already know, Eloise is a precocious little girl who lives with her Nanny, her dog Weenie (actually a cat) and her turtle Skipperdee at New York's posh Plaza Hotel. Forever sticking her nose into other people's business, Eloise tries to promote a "storybook" romance between a visiting Prince (Louis Jourdan) and a hotel chambermaid (Inger Stevens). Despite the presence of several venerable guest stars playing themselves--including Ethel Barrymore, Monty Woolley, hotelier Conrad Hilton and Kay Thompson herself--"Eloise" was one of the biggest flops in the history of the CBS anthology Playhouse 90. What seemed cute and whimsical in print came off as loud and obnoxious, largely due to the overbearing personality of child actress Evelyn Rudie. Incredibly, several subsequent attempts were made to foist Rudie on the public, including a not-bad episode of Alfred Hitchcock Presents, but the kid never quite became another Shirley Temple, and faded from view after a few years. ~ Hal Erickson, All Movie Guide

Producer/director Joshua Logan's long-awaited filmization of Rodgers & Hammerstein's Pulitzer Prize winning musical South Pacific was not the classic that everyone hoped it would be, principally because of some curious creative choices made by the production personnel. Adapted from James A. Michener's best-selling novel Tales of the South Pacific, the film stars Mitzi Gaynor as WAVE officer Nellie Forbush, who while stationed overseas during World War II falls in love with wealthy French planter Emile De Becque (Rosanno Brazzi). The Navy would like DeBecque to help them in a reconnaissance mission against the Japanese, but he refuses; having run away from the outside world after killing a man in his home town, De Becque sees no reason to become involved in a war which he did not start and in which he has no interest. But when Nellie, her inbred bigotry aroused when she discovers that Emile has two mixed-race children, refuses his proposal of marriage, DeBecque, having nothing to lose, agrees to go on the mission. His partner in this venture is Lt. Joseph Cable (John Kerr), who like Nellie is a victim of prejudicial feelings; Cable has previously thrown away a chance at lasting happiness by refusing to marry Liat (France Nuyen), the dark-skinned daughter of Tokinese trader Bloody Mary (Juanita Hall). When Cable is killed and DeBecque is seemingly lost in battle, Nellie, realizing the stupidity of her racism, prays for Emile's safe return. The dramatic elements of South Pacific are offset by the low-comedy antics of "Big Dealer" seabee Luther Billis (Ray Walston). Outside of Walston and Hall, both repeating their stage characterizations, South Pacific suffers from a largely noncharismatic cast. Mitzi Gaynor never rises above cuteness in the difficult role of Nellie Forbush, while Rosanno Brazzi (whose singing is dubbed by Giorgio Tozzi) seems to be striking poses rather than acting as Emile DeBecque. These casting deficiencies might have been ignored had not South Pacific been laboring under an additional handicap: director Joshua Logan's decision to use colored filters in several key scenes, representing the emotions experienced by the actors. The constant color shift is more unsettling than attractive, drawing attention to Logan's technique and thereby taking the audience "out" of the picture. With all this going against it, however, South Pacific has much to be treasured. For one thing, all of Rodgers & Hammerstein's immortal songs--"Some Enchanted Evening," "Bali H'ai," "There is Nothing Like a Dame," "I'm in Love With a Wonderful Guy," "Younger Than Springtime" etc.--are retained, and, as a bonus, a song cut from the original stage production, "My Girl Back Home," is revived herein. In addition, the film is a bonanza for movie buffs who enjoy playing "spot the bit player:" among the supporting-cast ranks are Tom McLaughlin, Ron Ely, Doug McClure, John Gabriel and James Stacy (rumors persist that Joan Fontaine shows up unbilled as a nurse, but we've yet to spot her). Though artistically disappointing, South Pacific ended up one of the biggest box-office gold mines of the 1950s. ~ Hal Erickson, All Movie Guide

Elvis Presley plays rock singer and racecar driver Mike McCoy in the typical musical romp Spinout, directed by Norman Taurog. His band includes Curly Jack Mullaney, Larry Jimmy Hawkins and the female tomboy drummer Les Deborah Walley. Mike is coveted by a bevy of beauties that include the intellectual journalist Diana St. Clair Diane McBain, Susan Dodie Marshall and the spoiled rich girl Cynthia Foxhugh Shelley Fabares. Cynthia's millionaire father Howard Carl Betz wants Mike to race his newly built auto. All the girls want Mike, but he manages to marry them off to different paramours and in the end falls for his replacement drummer Susan. The 12-song album of the same title contained a musical curiosity, Bob Dylan's Tomorrow Is A Long Time. It was the only Dylan song ever recorded by Presley -- and the longest, at over five minutes in length. ~ Dan Pavlides, All Movie Guide

There's a curious, unsettling "feel" to MGM's The Vintage, perhaps because of its curiously selected cast. Mel Ferrer and John Kerr play a couple of Italian brothers, Giancarlo and Ernesto Barandero, who escape to France after Ernesto kills a man. Attaining jobs in a vineyard run by Louis Morel (played by the decidedly non-Gallic Leif Erickson), the Barandero brothers fall in love with two local lasses: Leonne (Michele Morgan), Monel's young wife, and Lucienne (top-billed Pier Angeli), Leonne's kid sister. Emotions simmer into a boil before the predictably violent climax. The Vintage was adapted from an Ursula Kier novel by Michael Blankfort, a blacklistee compelled to work in Europe during the late 1950s. ~ Hal Erickson, All Movie Guide

The original king of rock-n-roll (Elvis Presley) stars in this light comedy musical as a singing buck who finds employment at an all femme ranch & spa. After kissing the girls and making them cry, the stud-clad crooner is sent away, but soon comes back to rescue a pretty maiden from the hands of fortune-seeking baddies. ~ Kristie Hassen, All Movie Guide

Recounting how the West was won through the eyes of a white man raised as a Native American, Arthur Penn's 1970 adaptation of Thomas Berger's satirical novel was a comic yet stinging allegory about the bloody results of American imperialism. As a misguided 20th-century historian listens, 121-year-old Jack Crabb (Dustin Hoffman) narrates the story of being the only white survivor of Custer's Last Stand. White orphan Crabb was adopted by the Cheyenne, renamed "Little Big Man," and raised in the ways of the "Human Beings" by paternal mentor Old Lodge Skins (Chief Dan George), accepting non-conformity and living peacefully with nature. Violently thrust into the white world, Jack meets a righteous preacher (Thayer David) and his wife (Faye Dunaway), tries to be a gunfighter under the tutelage of Wild Bill Hickock (Jeff Corey), and gets married. Returned to the Cheyenne by chance, Jack prefers life as a Human Being. The carnage wreaked by the white man in the Washita massacre and the lethal fallout from the egomania of General George A. Custer (Richard Mulligan) at Little Big Horn, however, show Crabb the horrific implications of Old Lodge Skins' sage observation, "There is an endless supply of White Men, but there has always been a limited number of Human Beings." ~ Lucia Bozzola, All Movie Guide

Young Tom Black Bull (Frederic Forrest) is a Ute Indian who ventures into the world of white men after the death of his parents. He winds up working at the rodeo. When hard-drinking Red Dillon (Richard Widmark) spots Tom's horse-handling skills, he makes him a bronco-riding star (and keeps the money for himself). Tom eventually tires of their exploitative relationship and sets out on his own, eventually winning a championship. Motivated perhaps by nostalgia, he later seeks Red out. Red, who is nearly dead from alcoholism, steals Tom's championship money to have one last spree. When Red dies, Tom genuinely mourns him and gives him Ute death rites before returning, now a seasoned man, to the reservation. ~ Clarke Fountain, All Movie Guide