Matt McHugh Movies

So This is Washington is one of the better entries in the "Lum 'N' Abner" film series. Chester Lauck and Norris Goff recreate their popular radio characters of Lum and Abner, folksy general-store proprietors in the village of Pine Bluff, Arkansas. This time, the boys become convinced that they've developed a synthetic-rubber formula, so they head to the nation's capital to offer their invention to the government. Thanks to the wartime housing shortage, Lum & Abner are obliged to set up residence at a park bench. Before long they've transformed into a pair of backwoods Bernard Baruchs, dispensing sage wisdom to pedestrians and pundits alike. Very much a product of its times, So This is Washington seems more quaint than funny when seen today. ~ Hal Erickson, All Movie Guide

In the sixth and final Thin Man whodunit, Nick (William Powell) and Nora Charles (Myrna Loy) look into the mysterious killing of bandleader Tommy Drake (Phillip Reed). The police quickly hone in on the owner of a gambling ship, Phil Brant (Bruce Cowling), who was about to lose Drake's band to a competitor. Also among the many and varied suspects are: Phil's new wife, socialite Janet Thayar (Jayne Meadows); the band's voluptuous vocalist, Fran Page (Gloria Grahame); and the troubled clarinetist, Buddy Hollis (Don Taylor). With the assistance of jive-talking "Clinker" Krause (Keenan Wynn) and the clever terrier Asta, Nick and Nora are soon able to gather all the suspects at the reopening of the floating gaming establishment. In between the skullduggery and the usual wisecracks, Gloria Grahame performs a sultry version of Herb Magidson and Ben Oakland's "You're Not So Easy to Forget." ~ Hans J. Wollstein, All Movie Guide

Elmer Rice's Pulitzer Prize-winning play Street Scene was purchased for the screen by producer Samuel Goldwyn in 1931. The entire story takes place on the street in front of a foreboding old New York brownstone, between one evening and the next afternoon. The individual fates of eight neighboring Manhattan families intertwine during this brief stretch of time. Special emphasis is given the Maurrant family: the philandering mother (Estelle Taylor), the drink-sodden husband (David Landau) and long-suffering daughter Rose (Sylvia Sidney). When the husband catches the wife "in the act" with bill-collector Russell Hopton, the resulting tragedy is not shown, but reflecting in the wildly varying reactions of neighbors and passersby. Though resisting the temptation to "open up" the play, director King Vidor nonetheless injects his cinematic know-how into the proceedings, by utilizing an entirely different camera setup or angle for each individual "take." The cast of Street Scene includes several carry-overs from the Broadway original, including David Landau, Max Montor, Matt McHugh (brother of Frank), John Qualen, George Humbert, Tom H. Manning, and Anna Konstant (Sidebar: Shirley Kaplan, the role played by Ms. Konstant, was portrayed in the London production of Street Scene by Greer Garson). Unavailable for TV for many years due to legal tangles, Street Scene was freed up for the small screen when it lapsed into public domain in the early 1980s. ~ Hal Erickson, All Movie Guide

Though filmed through the facilities of Hal Roach Studios and produced by Hal Roach Jr., Tales of Robin Hood was released by Lippert Pictures. Robert Clarke stars as the young Earl of Huntington, who after losing his property and title to the invading Normans heads to Sherwood Forest. Here he gains notoriety and adulation as beneficent outlaw Robin Hood. Mary Hatcher co-stars as Maid Marian, while Sir Guy of Gisborne and the Sheriff of Nottingham are played respectively by Paul Cavanaugh and Tiny Stowe. Robin's Merry Men are portrayed by Wade Crosby (Little John), Ben Welden (Friar Tuck), Robert Bice (Will Scarlet) and Bruce Lester (Alan A-Dale). Reportedly, Tales of Robin Hood was intended as the pilot film for a TV series; indeed, its structure resembles two half-hour TV episodes cobbled together. ~ Hal Erickson, All Movie Guide

Practically everybody on the Warner Bros. lot shows up in the wartime morale-boosting musical extravaganza Thank Your Lucky Stars. Believe it or not, this one has a wisp of a plot. A pair of enterprising producers, played by S.Z. Sakall and Edward Everett Horton, want to hire singer Dinah Shore for their upcoming Cavalcade of Stars. Unfortunately, this means they must deal with Shore's boss, radio comedian Eddie Cantor. The egotistical Cantor insists upon joining the show himself, driving everyone crazy with his take-charge attitude. Meanwhile, singer Dennis Morgan, hoodwinked by a crooked agent into thinking he's signed a contract with Cantor, shows up backstage at Sakall and Horton's rehearsal, only to be given the boot. While all this is going on, aspiring actress Joan Leslie has befriended a bus driver named Joe Simpson--who happens to be a dead ringer for Eddie Cantor (and why not? Ol' "Banjo Eyes" plays both parts). Turns out that Joe is another showbiz wannabe, but he has been denied a break because he looks too much like Cantor. You see what's comin' now, right, folks? Morgan and Leslie will get their big breaks when Joe Simpson impersonates Eddie Cantor, who's been kidnapped by Indians (bet you didn't see that one coming!) All of this expository nonsense is merely an excuse to show off Warners' talent roster in a series of engaging specialty numbers: John Garfield talk-sings Blues in the Night, Jack Carson and Alan Hale do a buck-and-wing, a jitterbug number is performed by Ida Lupino, Olivia de Havilland and George Tobias, Hattie McDaniel and Willie Best strut their stuff in Ice Cold Katie, and so on. Highlights include Errol Flynn's That's What You Jolly Well Get, an English music hall-style sendup of Flynn's movie heroics, and Bette Davis' peerless (and endearingly off-key) rendition of They're Either too Young or Too Old. As a bonus, Humphrey Bogart shows up long enough to be browbeaten and intimidated by S.Z. Sakall ("Gee, I hope none of my movie fans see this!" moans Bogart as the soundtrack plays a mocking rendition of Who's Afraid of the Big Bad Wolf?) Subtle and sophisticated it isn't, but Thank Your Lucky Stars is so entertaining that you'll forget all about its multitude of flaws. ~ Hal Erickson, All Movie Guide

In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards. ~ Hal Erickson, All Movie Guide

Considering that it was adapted from a Broadway musical by Richard Rodgers, Lorenz Hart and George Abbott, The Boys From Syracuse must rank as a disappointment, though it manages to remain entertaining throughout its surprisingly brief 74-minute running time. Like its theatrical predecessor, the film was inspired by Shakespeare's A Comedy of Errors ("After a play by William Shakespeare long, long after" reads the opening title). In ancient Ephesus, young tyrant Antipholus (Allan Jones) sentences elderly merchant Aegeon (Samuel S. Hinds) to death unless the latter can come up with a handsome ransom. What Antipholus doesn't know is that Aegeon is his own father; he also doesn't know that he has a twin brother, also named Antipholus (and also played by Allan Jones) who has just arrived from Syracuse in search of dear old daddy. Further complicating matters is that Antiopholus of Ephesus and Antipholus of Syracuse both have slaves named Dromio (Joe Penner)-likewise identical twins! The mistaken-identity angle is played to the hilt, with A. of E.'s wife Adriana (Irene Hervey), A. of S.'s girlfirend Phyllis (Rosemary Lane), and Dromio of Ephesus' main squeeze Luce (Martha Raye) ending up just as confused as everyone else. Only four of the original Rodgers & Hart songs were retained-"This Can't Be Love", "Falling in Love with Love", "Sing for Your Supper", and "Oh, Diogenes"-while two new ones were written for the film. Most of the best jokes are based on anachronisms, with Dromio the slave organizing a labor union (complete with placards), a cheering section at an execution shouting "Give him the ax", and a parchment newspaper bearing such headlines as "Ephesus Blitzkriegs Syracuse". Originally purchased by Universal as a vehicle for the Ritz Brothers, The Boys from Syracuse isn't any great shakes, but it would certainly be well worth seeing again (last telecast in the 1970s, it seems to have fallen off the face of the earth in recent years!) ~ Hal Erickson, All Movie Guide

The Country Beyond is based on one of the scores of Canadian-Northwest yarns written by James Oliver Curwood. Robert Kent plays Corporal Robert King, a Mountie who has sworn to "get his man" -- the man in question being suspected fur thief Jim Alison (Alan Hale). Kings's resolve is weakened when he falls in love with Alison's pretty daughter Jean (Rochelle Hudson). For her sake, he vows to prove that Alison is innocent of the charges levelled against him. Sure enough, the real culprit is Ray Jennings (Alan Dinehart), who spends the last ten minutes or so of the film trying to bump off everyone in general and Kent in particular. ~ Hal Erickson, All Movie Guide

The Devil and Miss Jones is a social comedy with left-wing undertones. John P. Merrick (Charles Coburn), the world's richest man, gets word that someone is trying to unionize a department store that he owns. To thwart this blatant act of democracy, Merrick changes his name and takes a menial job at the store, the better to catch the union activists without detection. Once he himself is subjected to the humiliating treatment afforded his employees, Merrick starts to wise up -- and soften up. As things develop, it is Merrick himself who spearheads the union movement after discovering how duplicitous his hand-picked executives can be. The film also introduces Jean Arthur and Robert Cummings as fellow employees who fall in love before fadeout time. Keeping with the film's insistence upon equal treatment for everyone, Merrick himself is permitted a romance in the person of Elizabeth Ellis (Spring Byington). The Devil and Miss Jones was written by Norman Krasna and directed by Sam Wood. ~ Hal Erickson, All Movie Guide

This drama chronicles the life and times of a notorious gangster. The story begins at his funeral. There a reporter, assigned to do a brief biography, interviews a doctor who tells the gangster's sad tale. In flashback, the crook is first seen getting released from prison. His father pleads with him to go straight, but the son doesn't listen. He immediately robs a warehouse. His father rats upon him and the crook's gang abducts the district attorney's daughter to bargain for his release. Later it is discovered that the girl is really his daughter whom he and his lover put up for adoption. A policeman, a good friend of the gangster, helps the criminal escape and save his daughter from the gang. He is killed during the rescue. ~ Sandra Brennan, All Movie Guide

Adapted from one of Dashiell Hammett's best novels, The Glass Key is a lively and straightforward melodrama of political corruption and urban intrigue. George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out. Intimately involved in the case is Janet Henry (Claire Dodd), the sister of the murdered man and the daughter of "above reproach" Senator Henry (Charles Richman). Though no babe-in-the-woods, Beaumont is in for quite a few disillusionments as he pursues his investigation, though he does rather better romantically than the redoubtable Madvig. The Glass Key was remade (and improved) in 1942, with Alan Ladd, Veronica Lake and Brian Donlevy; neither version, however, has as much bite and vitriol as the Hammett original. ~ Hal Erickson, All Movie Guide

Based on a Zane Grey story, The Last Trail stars virile cowboy hero George O'Brien in a largely anti-heroic role. Escaping from a posse, the "good bad man" (O'Brien) boards an Eastbound train, where he strikes up a friendship with a genial gangster (J. Carroll Naish). Later on, the cowboy returns to the West as a member of the gangster's gang. He poses as the heir to a vast cattle ranch, never dreaming that he really is the heir. When the truth is revealed, the wayward cowboy switches to the side of the Law, while another of the gangster's flunkeys (Claire Trevor) reveals herself to be an honest newspaperwoman -- and thus a suitable candidate for romance. Like all of Fox's Zane Grey programmers, The Last Trail boasts excellent production values and crystal-clear photography. ~ Hal Erickson, All Movie Guide

Wealthy socialite Melsa Manton (Barbara Stanwyck) is taking her pooches for a walk in the dead of the night when she stumbles upon a dead body and a car fleeing the scene of the crime. She alerts the police but the corpse has disappeared by the time they arrive, and the lieutenant, knowing of her madcap reputation, believes she was playing a practical joke. After newspaper editor Peter Ames (Henry Fonda) takes her to task in print, she sues him for libel and enlists the aid of her society friends in tracking down the body and finding the killer. Eventually, Ames comes around to believing Melsa's story and aids her in her search. It isn't long before the two antagonists find they're attracted to each other -- but they have to catch the murderer before they can settle down and live happily ever after. Fonda and Stanwyck would team up again in You Belong to Me and The Lady Eve. ~ Craig Butler, All Movie Guide