David Manners Movies

Based on a novel by Netta Syrett, A Woman Rebels is the story of Pamela Thistlewaite (Katharine Hepburn), whose mission in life is to defy the restrictive and often hypocritical conventions of Victorian England. Refusing to conform to the status quo, Pamela lives alone, reads, and says whatever she wishes, and even -- horrors! -- takes a job. Her romantic dalliance with young Gerald (Van Heflin, in his film debut) results in an illegitimate daughter (Doris Dudley), whom Pamela raises as her niece until she decides it's high time to tell the truth in all matters. Faithful suitor Thomas Lane (Herbert Marshall) offers to make an "honest woman" of her, but Pamela refuses until she can stand on her own two feet financially. Fiercely independent to the last, she becomes the crusading editor of a pioneering pro-feminist magazine and an early champion of Women's Suffrage. It was hoped by RKO Radio that The Woman Rebels would restore the popularity of Katharine Hepburn, which thanks to a series of expensive failures had been flagging for the past two years. Though the film turned out to be a box-office loser (it posted a $220,000 deficit), in retrospect it can be regarded as an artistic triumph -- and a remarkably timely one at that. ~ Hal Erickson, All Movie Guide

Sudden success can be a double-edged sword as this drama aptly proves. An aspiring musician finds success when his manager has him switch from playing the sax to vocals. He soon becomes a popular star. Unfortunately as his popularity swells, so does his head. His arrogance and megalomania cause his downfall. ~ Sandra Brennan, All Movie Guide

The world of horse racing provides the backdrop for this episodic drama. Much of the story is set at the Luray Springs Hotel where the characters wait for the running of the Capitol Handicap. The main story focuses upon Colly Tannyer, a pretty young handicapper who must wrangle up $10,000 so she can bet on a special horse. He former lover, Cuff Billings, helps her out under the condition that if the horse loses, she must make love to him. She agrees, and unfortunately, her steed places third. Fortunately, Cuff is more honorable than she though and he ends up romancing her. ~ Sandra Brennan, All Movie Guide

First-time director Lew Ayres performs miracles on a tiny budget in the Civil War drama Hearts in Bondage. The story offers a romanticized version of the events leading up to the battle between the "ironclads" Monitor and Merrimac. Northern naval officer Kenneth (James Dunn), the nephew of Monitor designer John Ericsson (Fritz Leiber) is dishonorably discharged when he sinks the Merrimac instead of burning it, as ordered. He is restored to duty as a crew member on the Monitor, and in the ensuing sea battle with the recommissioned Merrimac he kills Confederate officer Raymond (David Manners), the brother of Kenneth's fiancee Constance (Mae Clarke). The estranged sweethearts are ultimately reunited with the help of Abe Lincoln himself! Both James Dunn and Mae Clarke are miscast in their roles, but they do their best under the circumstances to make their material "work" -- and often succeed. The real stars of Hearts in Bondage are Republic's special-effects mavens Howard and Theodore Lydecker, whose splendid utilization of scale models in the climactic Monitor-Merrimac confrontation is both exciting and convincing. ~ Hal Erickson, All Movie Guide

In this adaptation of author de la Roche's chronicle of the passionate lives of the strange Whiteoaks of Jalna, their beautiful family estate located in souther Ontario. The story begins as a young Whiteoak, a novelist travels to New York where he encounters a charming woman, marries her, and takes her back to Jalna. There she encounters many difficulties as she attempts to adjust to life with his odd family. It does not help that several soap-operatic events transpired while he was gone when his brother married the illegitimate daughter of a despised neighbor. One day a "sexy dame" suddenly shows up on the family porch. Soon she and the novelist are trysting away, but before he can consummate their affair he is killed during a terrible fall. The new widow then realizes that it is a different brother that she loves. They soon marry. ~ Sandra Brennan, All Movie Guide

Edward Knoblock's warhorse theatrical piece Kismet, first filmed in 1920, resurfaced as a talkie in 1930. Repeating the role he'd created on stage in 1911, Otis Skinner stars as Hajji, the wily Baghdad beggar who goes from rags to riches to rags again to riches again in the space of 24 hours. Outwitting the evil wazir (Sidney Blackmer), Hajji manages to install himself in the royal palace, romance the wazir's gorgeous "head wife," and arrange the marriage between his own daughter (Loretta Young) and the caliph's son (David Manners). Though well on in years, Skinner conveys much of the effortless charisma which had endeared him to audiences since the turn of the century. Kismet was remade in 1944 with Ronald Colman and Marlene Dietrich; the popular Broadway musical version was brought to the screen in 1955, with Howard Keel as Hajji. The subsequent film versions have kept the 1930 Kismet out of television circulation, denying future generations the pleasure of watching the legendary Otis Skinner in action. ~ Hal Erickson, All Movie Guide

In her first film under contract to Warner Bros., Kay Francis plays Lois Ames, a magazine editor whose husband Fred (Kenneth Thomson) is too busy with his polo friends to pay her much attention. But when her secretary (Charlotte Merriam) suddenly leaves, Lois hires handsome Tom Sheridan (David Manners), who has arrived to demonstrate a new rowing machine. Sharing work brings boss and employee closer together and they soon fall in love. Tom's dumbbell fiancée, Ruth (Una Merkel), does not take this development very well and threatens to tell Fred. But the latter is discovered making love to the uppity Ann Le Maire (Claire Dodd) and Lois is able to obtain a divorce. ~ Hans J. Wollstein, All Movie Guide

Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out by scheming politicians, certain that such an outrage could never have happened during Rome's Golden Days. After a blow on the head, Cantor wakes up in Imperial Rome, where he is sold on the slave auction block to good-natured tribune Josephus (David Manners). Cantor soon discovers that the evil emperor Valerius (Edward Arnold) is every bit a crook and grafter as the politicians in West Rome, and he intends to do something about it. He gets a job as food taster for Valerius -- a none-too-secure position, inasmuch as the emperor's wife Agrippa (Veree Teasdale) is constantly trying to poison her husband -- and does his best to smooth the path of romance for Josephus and recently captured princess Sylvia (Gloria Stuart). Cantor's well-intentioned interference earns him a session in the torture chamber, but he escapes and commandeers a chariot, setting the stage for a spectacular slapstick climax. On the verge of recapture, Cantor wakes to find himself in West Rome U.S.A. again, where he quickly foils the modern-day despots and brings about a happy ending for all his friends.

Co-written by George S. Kaufman, Robert E. Sherwood, George Oppenheimer and Arthur Sheekman (the soon-to-be husband of leading lady Gloria Stuart), Roman Scandals manages to get off a few clever satirical licks, but essentially it's a "lappy" lowbrow vehicle for Eddie Cantor, and in this it succeeds immensely. The Busby Berkeley-staged musical numbers, written by Harry Warren, Al Dubin and L. Wolfe Gilbert, must be seen to be believed: In "No More Love", Ruth Etting, playing the Emperor's cast-off mistress Olga, sings a plaintive torch song as dozens of enslaved Goldwyn Girls (including Lucille Ball and Barbara Pepper), wearing nothing but long, blonde wigs, are chained to a rotating pedestal; and in "Keep Young and Beautiful", these same maidens gleefully cavort around a Roman bathhouse in the near-altogether while Cantor, in blackface, hops about, rolls his eyes and claps his hands -- just before a jet of steam "shrinks" him, at which point he metamorphoses into midget Billy Barty! The quintessence of Depression-era escapism, Roman Scandals is must-see entertainment. ~ Hal Erickson, All Movie Guide

"Sweet Mamma," a phrase popularized in the Barney Google comic strip, referred to a pretty girl, usually blonde, who attached herself to whatever "sugar daddy" happened to be available. In this instance, Alice White is the "Mamma" of the title, a tootsie named Goldie. Basically good at heart, Goldie falls into bad company when she begins singing in a gangster-controlled nightclub. She survives long enough to go off hand-in-hand with her true love, honest Jimmy (David Manners), and to prove to the audience that most of the gangsters (in this picture, anyway) aren't such tough eggs after all. The use of "natural sound" in the exterior sequences becomes intrusive at times, especially when Jimmy is taken for a ride by the villains in the climax. ~ Hal Erickson, All Movie Guide

While Tonart Studios is filming a gangster movie, one of the actors is killed in a shooting accident. After several other incidents occur, police begin to think of sabotage. Their list of suspects includes the studio chief (Alexander Carr), his manager (Bela Lugosi), the director of the film (Edward Van Sloan) and an actress (Adrienne Ames). ~ John Bush, All Movie Guide

A large urban hospital provides the setting for this drama. The staff there has seen it all and this is reflected in their hard-bitten demeanor, their cynicism, and the cruel jokes they play. One of them, an excellent surgeon gains a new outlook on life after he gets involved with investigating the death of a mobster, fatally shot in his hotel suite during a card game. The police call him to the scene to look at the corpse. There he discovers a lipstick-stained cigarette butt. He begins to search for the woman who smoked it. Later that day, the woman, severely beaten, shows up in the hospital emergency room. The surgeon miraculously saves her, and then falls for her. As she lays healing, she is seen by a mobster who had come to pay his respects to the cop who killed two members of his rival gang. The mobster later sends one of his thugs to make sure that the woman stays eternally quiet. The thug's attempt to kill her is thwarted by a young intern who is wounded in the ensuing scuffle. The gangster then gets himself admitted into the hospital where he plans to kill the woman himself. This proves to be a fatal mistake as the vengeful intern "accidently" injects the gangster with a deadly poison and then claims that the mobster was D.O.A. The woman is now safe. ~ Sandra Brennan, All Movie Guide

Zoë Akins' archetypal "gold-digger" stage comedy The Greeks Had a Word for It was transferred to the screen in 1933, with the "It" changed to "Them" in the title, reportedly at the insistence of over-cautious producer Sam Goldwyn (this became a moot point in the 1940s, when the film was reissued as Three Broadway Girls). Ina Claire, Madge Evans, and Joan Blondell star as ex-showgirls Jean, Polaire, and Schatze, who pool their resources to rent a luxurious penthouse apartment. Their strategy is as follows: if they live like millionaires, dress like millionaires and act like millionaires, they'll be able to attract wealthy boyfriends. The original play ended with all three girls continuing their gold-digging activities unto eternity, while the film concludes with one of the three finding true love in the arms of Dey Emery (David Manners). The Greeks Had a Word for Them was later remade (and considerably rewritten) as How to Marry a Millionaire (1953), with Betty Grable, Marilyn Monroe, and Lauren Bacall. ~ Hal Erickson, All Movie Guide