Peter Madden Movies

Nazi war criminal Bruckner (Mervyn Johns) manages to escape capture at the end of WW II. Bruckner sets up shop in England, where he continues his diabolical germ-warfare experiments. Murdering an Australian physician, the regenerate Nazi assumes the dead man's identity to escape detection. His downfall comes when he falls in love with pretty lab assistant Tracy Shaw (Nova Pilbeam), and he refuses to murder her when ordered to do so by his superiors. The ending is right of the "hoist on his own petard" school of dramatics. Devil's Plot was released in the U.S. in mid-1953, and within a few months was making the TV Late-Show rounds. ~ Hal Erickson, All Movie Guide

In this crime drama, a milque-toast bank clerk succumbs to the unending demands of his bullying girl friend for expensive things and embezzles money from his employer. Someone murders the girl, and terrified that he will be accused, the clerk takes his money and flees with a detective and the real killer in hot pursuit. ~ Sandra Brennan, All Movie Guide

This sci-fi horror cult classic is based in and around a U.S. long-range radar installation in the Canadian wilderness, where soldiers and civilians alike are being struck dead by an unseen force. At first, the base commander believes these murders may have been the work of spies operating out of the woods -- a theory supported by unexplained fluctuations in power output from the base's nuclear plant. Because of the proximity of this reactor, residents of the nearby town begin to suspect the deaths are due to a radiation leak. The real answer turns out to be far more insidious. Autopsies reveal that the victims' spinal fluids have been sucked dry through holes at the base of their skulls. The bizarre murders are eventually linked to the work of psychic researcher Professor Walgate (Kynaston Reeves), whose experiments materializing human thoughts have not only been causing the power fluctuations, but have resulted in the creation of invisible brain-monsters. When the creatures attack the plant operators, a massive surge of radiation is released, revealing the creatures in all their hideous glory -- depicted by marvelous stop-motion animation -- as leaping, tentacled brains with wriggling antennae. This leads to the film's notoriously gory final act, in which the brain-things surround our heroes in a mountain cabin, descending in droves as the dwindling band of survivors hack, chop, and blast away at the beasts. After a slightly sluggish start, this intelligent and well-crafted thriller kicks out all the jams for a horrific climax, distinguished by some of the goriest effects seen in any film from the 1950s. ~ Cavett Binion, All Movie Guide

Unseen Heroes, along with Missiles from Hell, represented the US titles of the British The Battle of the V1. Set in wartime Poland, the film involves the secret Nazi missile installation at Peenemunde. British guerilla fighter Michael Rennie leads a group of Polish partisans on a mission to destroy the base and cripple the German war effort. The basic storyline is a good one, though it is muddied by several arbitrary plot transitions. Further undermining Unseen Heroes is the editing, which at times seems to have been accomplished with a paper shredder. ~ Hal Erickson, All Movie Guide

With an award-winning screenplay by director Val Guest, this is a first-rate cops-and-robbers crime drama about a dangerous escaped convict and the police inspector who goes after him. The gritty industrial town of Manchester and its outlying moors provide a somber backdrop to the action. Inspector Martineau (Steve Baker) suspects that the escaped thief, Don Starling (John Crawford) is going to return to Manchester to retrieve a cache of jewels he hid away before being convicted. The sudden, brutal murder of a woman and the missing money she was carrying, tips the Inspector off that his suspicions were right. He starts tracking down the killer and the gang of men he knows must be working with him, as suspense builds at every turn. The gang falls one by one, until only the killer is left. ~ Eleanor Mannikka, All Movie Guide

"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, All Movie Guide

One of the key "angry young man" films which helped define the British "Kitchen Sink Drama" style of the late 1950's and early 60's, this story centers on Colin Smith (Tom Courtenay), a bitter young man from a working-class family. Uninterested in school and determined not to follow his father into factory work, Colin and his friend Mike (James Bolam) make their pocket money through petty crime, until they're arrested after the robbery of a baker's shop and sentenced to Borstal (British reform school). The Governor of the school (Michael Redgrave) takes a keen interest in Colin, but he cares less for his rehabilitation than his gifts as a broken-field runner; Colin finds himself torn between the need to please his captors and his determination not to play along with what he sees as a corrupt system. The Loneliness Of The Long Distance Runner was the first film for Courtenay, whose performance earned him the "Most Promising Newcomer" prize at the 1962 British Film Academy awards. ~ Mark Deming, All Movie Guide

From Russia With Love, the second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula -- the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; Q is seen for the first time; and Sean Connery as Bond has nailed down his role as 007 -- accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. In From Russia With Love, the bad guys don't want to take over the world. They want something more mundane -- a Russian decoding device. Assigned to the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb (Lotte Lenya), and No. 5, Kronsteen (Vladek Sheybal), an expert chess player who has plotted every move of the mission. Kronsteen's plan requires using Bond's weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova (Daniela Bianchi), SPECTRE muscleman Red Grant (Robert Shaw) is to forcibly take it from Bond and kill him. But Bond suspects a trap. Being Bond, however, he can't resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. ~ Paul Brenner, All Movie Guide

Stolen Hours is the overlong, overglamorized 1963 remake of the 1939 Bette Davis vehicle Dark Victory. Susan Hayward plays a rich, neurotic socialite who discovers that she only has a year to live. Acting resentfully at first--especially towards handsome doctor Michael Craig, who withheld this information from her "for her own good"--Hayward eventually adopts a philosophical attitude towards her fate. By the time she begins slipping into "that undiscovered uncountry," Hayward is practically a candidate for sainthood. A plot device not utilized in the original involves Hayward's virtual adoption of a young boy (Robert Bacon), who is neglected by his own mother. Novelist Jessamyn West and playwright Joseph Hayes did their best to "contemporize" the outdated elements of the original Dark Victory, even unto having Susan Hayward learn to dance the Twist! Stolen Hours was filmed in England, affording us lovely Technicolor glimpses of the Cornish coast. ~ Hal Erickson, All Movie Guide

In the tradition of Kind Hearts and Coronets (49), Nothing But the Best is a sparkling British "comedy of murders." Alan Bates stars as a lowly real estate clerk who wants to crash the British upper class. To that end, Bates hires down-and-out gentleman Denholm Elliott to "train" him for the noblesse. The clerk is a fast learner, and is soon wooing the daughter (Millicent Martin) of his blueblood boss. Just as he's on the brink of becoming one of the "better people," his mentor Elliot disdainfully threatens to reveal the truth about Bates. With nary a moment's hesitation, Bates strangles Elliot with his own school tie, and hides the body in Elliot's own school trunk. From this point forward, Bates moves onward and upward, and since the high-class folks in this film are shown to be shallow phonies, the audience is half rooting for Bates to get away with his little murder. The film ends just as Bates' old lodgings are about to be demolished--leaving Our Hero waiting in wry, bemused anticipation for that incriminating trunk to be uncovered. Frederick Raphael based his screenplay for Nothing But the Best on Stanley Elkins' black-humor masterpiece The Best of Everything. ~ Hal Erickson, All Movie Guide

Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, All Movie Guide

Hammer Studios followed up Evil of Frankenstein with this entertaining sequel, again starring Peter Cushing as the quintessential mad scientist obsessed with the reanimation of dead bodies and the creation of superhuman creatures. His latest project involves transferring the mind of a wrongly-executed man into the body of his lover (former Playboy centerfold Susan Denberg), whose own suicide left her horribly disfigured. After restoring her beauty, the Doctor performs the mind-transference, which comes off without a hitch... until the lust for revenge against his executioners begins to surface. He/she then pursues this vendetta by seducing and murdering those who wronged him. Hammer stalwart Terence Fisher directs this quirky entry with his usual flair -- aided considerably by a decent budget -- and spices things up with a fair share of titillation (courtesy of Ms. Denberg). ~ Cavett Binion, All Movie Guide